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Color name
HEX #BD1360

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD1360 it is the complementary color #42EC9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD1360. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD1360 shade: #C2135B, #D3256E, #E43781, #F54994 and #FF5BA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD1360. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD1360 shade: #BD1360, #AC014D, #9B003A, #8A0027 and #790014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD1360 shade: #BE1260, #BE1232 and #BE1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD1360 shade: #BE1260, #BE128E, #BE12BC, #9112BE and #6312BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD1360 shade matches the following richer shades: #BE1260 and #CF015E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD1360 shade: #BE1260, #AD2362, #9C3463, #8B4565 and #7A5666

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD1360 shade: #BE12BE, #BE1290, #BE1262, #BE1235 and #BE1E12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD1360 shade: #730B3A, #980F4D, #BE1260, #E31673 and #EB3889

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD1360 shade: #BD1360, #BE9012 and #12A7BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD1360 shade: #BD1360, #62BE12 and #1262BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD1360 shade: #BD1360, #BE9012, #12BE6E and #1240BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD1360 shade: #BD1360, #B8BE12, #12BE6E and #1812BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 49 / 26

HEX #BD1360

RGB 189 19 96

HSL 332.82, 0.82%, 0.41%

LAB 41.42, 65.56, 2.64

 

Complementary color

CMYK 72 / 0 / 33 / 7

HEX #42EC9F

RGB 66 236 159

HSL 152.82, 0.82%, 0.59%

LAB 83.78, -60.15, 25.24

 

CMYK 0 / 90 / 53 / 24

HEX #C2135B

RGB 194 19 91

HSL 335.31, 0.82%, 0.42%

LAB 42.29, 66.38, 7.18

 

CMYK 0 / 82 / 48 / 17

HEX #D3256E

RGB 211 37 110

HSL 334.83, 0.7%, 0.49%

LAB 47.36, 68.6, 3.05

 

CMYK 0 / 76 / 43 / 11

HEX #E43781

RGB 228 55 129

HSL 334.34, 0.76%, 0.55%

LAB 52.74, 69.84, -0.28

 

CMYK 0 / 70 / 40 / 4

HEX #F54994

RGB 245 73 148

HSL 333.84, 0.9%, 0.62%

LAB 58.34, 70.39, -2.99

 

CMYK 0 / 64 / 35 / 0

HEX #FF5BA7

RGB 255 91 167

HSL 332.2, 1%, 0.68%

LAB 62.95, 68.5, -7

 

CMYK 0 / 90 / 49 / 26

HEX #BD1360

RGB 189 19 96

HSL 332.82, 0.82%, 0.41%

LAB 41.42, 65.56, 2.64

 

CMYK 0 / 99 / 55 / 33

HEX #AC014D

RGB 172 1 77

HSL 333.33, 0.99%, 0.34%

LAB 36.61, 62.29, 7.45

 

CMYK 0 / 100 / 63 / 39

HEX #9B003A

RGB 155 0 58

HSL 337.55, 1%, 0.3%

LAB 32.42, 57.1, 13.56

 

CMYK 0 / 100 / 72 / 46

HEX #8A0027

RGB 138 0 39

HSL 343.04, 1%, 0.27%

LAB 28.25, 51.81, 20.06

 

CMYK 0 / 100 / 83 / 53

HEX #790014

RGB 121 0 20

HSL 350.08, 1%, 0.24%

LAB 24.05, 46.6, 26.7

 

CMYK 0 / 91 / 49 / 25

HEX #BE1260

RGB 190 18 96

HSL 332.79, 0.83%, 0.41%

LAB 41.57, 65.95, 2.88

 

CMYK 0 / 91 / 74 / 25

HEX #BE1232

RGB 190 18 50

HSL 348.84, 0.83%, 0.41%

LAB 40.59, 63.2, 30.55

 

CMYK 0 / 91 / 91 / 25

HEX #BE1212

RGB 190 18 18

HSL 0, 0.83%, 0.41%

LAB 40.28, 62.33, 47.64

 

CMYK 0 / 91 / 49 / 25

HEX #BE1260

RGB 190 18 96

HSL 332.79, 0.83%, 0.41%

LAB 41.57, 65.95, 2.88

 

CMYK 0 / 91 / 25 / 25

HEX #BE128E

RGB 190 18 142

HSL 316.74, 0.83%, 0.41%

LAB 43.26, 70.53, -23.13

 

CMYK 0 / 91 / 1 / 25

HEX #BE12BC

RGB 190 18 188

HSL 300.7, 0.83%, 0.41%

LAB 45.65, 76.69, -46.83

 

CMYK 24 / 91 / 0 / 25

HEX #9112BE

RGB 145 18 190

HSL 284.3, 0.83%, 0.41%

LAB 38.15, 69.78, -60.49

 

CMYK 48 / 91 / 0 / 25

HEX #6312BE

RGB 99 18 190

HSL 268.26, 0.83%, 0.41%

LAB 31.35, 64.01, -71.89

 

CMYK 0 / 91 / 49 / 25

HEX #BE1260

RGB 190 18 96

HSL 332.79, 0.83%, 0.41%

LAB 41.57, 65.95, 2.88

 

CMYK 0 / 100 / 55 / 19

HEX #CF015E

RGB 207 1 94

HSL 332.91, 0.99%, 0.41%

LAB 44.37, 71.54, 8.6

 

CMYK 0 / 91 / 49 / 25

HEX #BE1260

RGB 190 18 96

HSL 332.79, 0.83%, 0.41%

LAB 41.57, 65.95, 2.88

 

CMYK 0 / 80 / 43 / 32

HEX #AD2362

RGB 173 35 98

HSL 332.61, 0.66%, 0.41%

LAB 39.53, 58.25, -1.77

 

CMYK 0 / 67 / 37 / 39

HEX #9C3463

RGB 156 52 99

HSL 332.88, 0.5%, 0.41%

LAB 38.59, 47.44, -4.13

 

CMYK 0 / 50 / 27 / 45

HEX #8B4565

RGB 139 69 101

HSL 332.57, 0.34%, 0.41%

LAB 39.04, 33.69, -5.01

 

CMYK 0 / 30 / 16 / 52

HEX #7A5666

RGB 122 86 102

HSL 333.33, 0.17%, 0.41%

LAB 40.82, 17.58, -3.25

 

CMYK 0 / 91 / 0 / 25

HEX #BE12BE

RGB 190 18 190

HSL 300, 0.83%, 0.41%

LAB 45.77, 76.99, -47.81

 

CMYK 0 / 91 / 24 / 25

HEX #BE1290

RGB 190 18 144

HSL 316.05, 0.83%, 0.41%

LAB 43.35, 70.76, -24.21

 

CMYK 0 / 91 / 48 / 25

HEX #BE1262

RGB 190 18 98

HSL 332.09, 0.83%, 0.41%

LAB 41.63, 66.11, 1.71

 

CMYK 0 / 91 / 72 / 25

HEX #BE1235

RGB 190 18 53

HSL 347.79, 0.83%, 0.41%

LAB 40.63, 63.32, 28.75

 

CMYK 0 / 84 / 91 / 25

HEX #BE1E12

RGB 190 30 18

HSL 4.19, 0.83%, 0.41%

LAB 41.09, 60.03, 48.21

 

CMYK 0 / 90 / 50 / 55

HEX #730B3A

RGB 115 11 58

HSL 332.88, 0.83%, 0.25%

LAB 24.29, 45.04, 0.87

 

CMYK 0 / 90 / 49 / 40

HEX #980F4D

RGB 152 15 77

HSL 332.85, 0.82%, 0.33%

LAB 33.03, 55.56, 1.77

 

CMYK 0 / 91 / 49 / 25

HEX #BE1260

RGB 190 18 96

HSL 332.79, 0.83%, 0.41%

LAB 41.57, 65.95, 2.88

 

CMYK 0 / 90 / 49 / 11

HEX #E31673

RGB 227 22 115

HSL 332.78, 0.82%, 0.49%

LAB 49.67, 75.53, 3.71

 

CMYK 0 / 76 / 42 / 8

HEX #EB3889

RGB 235 56 137

HSL 332.85, 0.82%, 0.57%

LAB 54.34, 72.1, -2.57

 

CMYK 0 / 90 / 49 / 26

HEX #BD1360

RGB 189 19 96

HSL 332.82, 0.82%, 0.41%

LAB 41.42, 65.56, 2.64

 

CMYK 0 / 24 / 91 / 25

HEX #BE9012

RGB 190 144 18

HSL 43.95, 0.83%, 0.41%

LAB 62.45, 7.18, 64.16

 

CMYK 91 / 12 / 0 / 25

HEX #12A7BE

RGB 18 167 190

HSL 188.02, 0.83%, 0.41%

LAB 62.91, -26.94, -21.82

 

CMYK 0 / 90 / 49 / 26

HEX #BD1360

RGB 189 19 96

HSL 332.82, 0.82%, 0.41%

LAB 41.42, 65.56, 2.64

 

CMYK 48 / 0 / 91 / 25

HEX #62BE12

RGB 98 190 18

HSL 92.09, 0.83%, 0.41%

LAB 69.09, -52.68, 66.78

 

CMYK 91 / 48 / 0 / 25

HEX #1262BE

RGB 18 98 190

HSL 212.09, 0.83%, 0.41%

LAB 42.13, 12.96, -54.5

 

CMYK 0 / 90 / 49 / 26

HEX #BD1360

RGB 189 19 96

HSL 332.82, 0.82%, 0.41%

LAB 41.42, 65.56, 2.64

 

CMYK 0 / 24 / 91 / 25

HEX #BE9012

RGB 190 144 18

HSL 43.95, 0.83%, 0.41%

LAB 62.45, 7.18, 64.16

 

CMYK 91 / 0 / 42 / 25

HEX #12BE6E

RGB 18 190 110

HSL 152.09, 0.83%, 0.41%

LAB 68.08, -57.87, 29.47

 

CMYK 91 / 66 / 0 / 25

HEX #1240BE

RGB 18 64 190

HSL 223.95, 0.83%, 0.41%

LAB 32.95, 35.43, -69.46

 

CMYK 0 / 90 / 49 / 26

HEX #BD1360

RGB 189 19 96

HSL 332.82, 0.82%, 0.41%

LAB 41.42, 65.56, 2.64

 

CMYK 3 / 0 / 91 / 25

HEX #B8BE12

RGB 184 190 18

HSL 62.09, 0.83%, 0.41%

LAB 74.23, -19.64, 73.08

 

CMYK 91 / 0 / 42 / 25

HEX #12BE6E

RGB 18 190 110

HSL 152.09, 0.83%, 0.41%

LAB 68.08, -57.87, 29.47

 

CMYK 87 / 91 / 0 / 25

HEX #1812BE

RGB 24 18 190

HSL 242.09, 0.83%, 0.41%

LAB 24.78, 59.38, -82.99

 

Description

Color code: HEX #BD1360 | qconv.com Color code: HEX #BD1360 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 19 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 19 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 49 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 49% 26% C M Y K

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Provide designers and agencies with accurate color values.

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