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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD2898 it is the complementary color #42D767. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD2898. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD2898 shade: #C22893, #D33AA6, #E44CB9, #F55ECC and #FF70DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD2898. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD2898 shade: #BD2898, #AC1685, #9B0472, #8A005F and #79004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD2898 shade: #BD2898, #BD2870, #BD2847 and #BD2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD2898 shade: #BD2898, #BA28BD, #9128BD, #6928BD and #4128BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD2898 shade matches the following richer shades: #BD2898, #CF15A1 and #E203AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD2898 shade: #BD2898, #AA3A8E, #984D85, #855F7C and #737272

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD2898 shade: #9028BD, #B828BD, #BD289A, #BD2872 and #BD284A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD2898 shade: #791961, #9B207C, #BD2898, #D539AE and #DC5BBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD2898 shade: #BD2898, #BD6828 and #28BDA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD2898 shade: #BD2898, #9ABD28 and #289ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD2898 shade: #BD2898, #BD6828, #28BD4A and #287CBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD2898 shade: #BD2898, #BD9528, #28BD4A and #284FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

Complementary color

CMYK 69 / 0 / 52 / 16

HEX #42D767

RGB 66 215 103

HSL 134.9, 0.65%, 0.55%

LAB 76.52, -62.21, 43.79

 

CMYK 0 / 79 / 24 / 24

HEX #C22893

RGB 194 40 147

HSL 318.31, 0.66%, 0.46%

LAB 45.76, 67.56, -22.23

 

CMYK 0 / 73 / 21 / 17

HEX #D33AA6

RGB 211 58 166

HSL 317.65, 0.63%, 0.53%

LAB 51.41, 68.69, -24.59

 

CMYK 0 / 67 / 19 / 11

HEX #E44CB9

RGB 228 76 185

HSL 316.97, 0.74%, 0.6%

LAB 57.24, 69.16, -26.44

 

CMYK 0 / 62 / 17 / 4

HEX #F55ECC

RGB 245 94 204

HSL 316.29, 0.88%, 0.66%

LAB 63.16, 69.2, -27.93

 

CMYK 0 / 56 / 13 / 0

HEX #FF70DF

RGB 255 112 223

HSL 313.43, 1%, 0.72%

LAB 68.15, 67.04, -30.75

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 0 / 87 / 23 / 33

HEX #AC1685

RGB 172 22 133

HSL 315.6, 0.77%, 0.38%

LAB 39.64, 64.97, -23.49

 

CMYK 0 / 97 / 26 / 39

HEX #9B0472

RGB 155 4 114

HSL 316.29, 0.95%, 0.31%

LAB 34.54, 61.63, -19.79

 

CMYK 0 / 100 / 31 / 46

HEX #8A005F

RGB 138 0 95

HSL 318.7, 1%, 0.27%

LAB 29.98, 56.38, -14.89

 

CMYK 0 / 100 / 37 / 53

HEX #79004C

RGB 121 0 76

HSL 322.31, 1%, 0.24%

LAB 25.52, 50.51, -9.43

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 0 / 79 / 41 / 26

HEX #BD2870

RGB 189 40 112

HSL 331.01, 0.65%, 0.45%

LAB 43.52, 62.41, -4.31

 

CMYK 0 / 79 / 62 / 26

HEX #BD2847

RGB 189 40 71

HSL 347.52, 0.65%, 0.45%

LAB 42.45, 59.12, 19.8

 

CMYK 0 / 79 / 79 / 26

HEX #BD2828

RGB 189 40 40

HSL 0, 0.65%, 0.45%

LAB 41.98, 57.66, 37.92

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 2 / 79 / 0 / 26

HEX #BA28BD

RGB 186 40 189

HSL 298.79, 0.65%, 0.45%

LAB 46.49, 71.83, -46.12

 

CMYK 23 / 79 / 0 / 26

HEX #9128BD

RGB 145 40 189

HSL 282.28, 0.65%, 0.45%

LAB 39.93, 64.13, -57

 

CMYK 44 / 79 / 0 / 26

HEX #6928BD

RGB 105 40 189

HSL 266.17, 0.65%, 0.45%

LAB 34.39, 57.57, -66.28

 

CMYK 66 / 79 / 0 / 26

HEX #4128BD

RGB 65 40 189

HSL 250.07, 0.65%, 0.45%

LAB 30.19, 52.58, -73.33

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 0 / 90 / 22 / 19

HEX #CF15A1

RGB 207 21 161

HSL 314.84, 0.82%, 0.45%

LAB 47.46, 75.85, -27.81

 

CMYK 0 / 99 / 25 / 11

HEX #E203AA

RGB 226 3 170

HSL 315.07, 0.97%, 0.45%

LAB 50.85, 82.31, -27.61

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 0 / 66 / 16 / 33

HEX #AA3A8E

RGB 170 58 142

HSL 315, 0.49%, 0.45%

LAB 43.54, 54.8, -22.97

 

CMYK 0 / 49 / 13 / 40

HEX #984D85

RGB 152 77 133

HSL 315.2, 0.33%, 0.45%

LAB 43.77, 38.97, -17.41

 

CMYK 0 / 29 / 7 / 48

HEX #855F7C

RGB 133 95 124

HSL 314.21, 0.17%, 0.45%

LAB 45.12, 20.48, -10.13

 

CMYK 0 / 1 / 1 / 55

HEX #737272

RGB 115 114 114

HSL 0, 0%, 0.45%

LAB 48.13, 0.39, 0.13

 

CMYK 24 / 79 / 0 / 26

HEX #9028BD

RGB 144 40 189

HSL 281.88, 0.65%, 0.45%

LAB 39.78, 63.95, -57.25

 

CMYK 3 / 79 / 0 / 26

HEX #B828BD

RGB 184 40 189

HSL 297.99, 0.65%, 0.45%

LAB 46.15, 71.44, -46.67

 

CMYK 0 / 79 / 19 / 26

HEX #BD289A

RGB 189 40 154

HSL 314.09, 0.65%, 0.45%

LAB 45.18, 67.31, -27.42

 

CMYK 0 / 79 / 40 / 26

HEX #BD2872

RGB 189 40 114

HSL 330.2, 0.65%, 0.45%

LAB 43.58, 62.61, -5.45

 

CMYK 0 / 79 / 61 / 26

HEX #BD284A

RGB 189 40 74

HSL 346.31, 0.65%, 0.45%

LAB 42.51, 59.31, 18.01

 

CMYK 0 / 79 / 20 / 53

HEX #791961

RGB 121 25 97

HSL 315, 0.66%, 0.29%

LAB 28.44, 47.52, -18.86

 

CMYK 0 / 79 / 20 / 39

HEX #9B207C

RGB 155 32 124

HSL 315.12, 0.66%, 0.37%

LAB 36.85, 57.58, -22.5

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 0 / 73 / 18 / 16

HEX #D539AE

RGB 213 57 174

HSL 315, 0.65%, 0.53%

LAB 51.98, 70.55, -28.38

 

CMYK 0 / 59 / 15 / 14

HEX #DC5BBC

RGB 220 91 188

HSL 314.88, 0.65%, 0.61%

LAB 58.35, 61.38, -26.55

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 0 / 45 / 79 / 26

HEX #BD6828

RGB 189 104 40

HSL 25.77, 0.65%, 0.45%

LAB 52.81, 29.31, 48.73

 

CMYK 79 / 0 / 13 / 26

HEX #28BDA4

RGB 40 189 164

HSL 169.93, 0.65%, 0.45%

LAB 69.13, -43.31, 1.89

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 19 / 0 / 79 / 26

HEX #9ABD28

RGB 154 189 40

HSL 74.09, 0.65%, 0.45%

LAB 71.84, -31.11, 65.28

 

CMYK 79 / 19 / 0 / 26

HEX #289ABD

RGB 40 154 189

HSL 194.09, 0.65%, 0.45%

LAB 59.19, -18.91, -26.95

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 0 / 45 / 79 / 26

HEX #BD6828

RGB 189 104 40

HSL 25.77, 0.65%, 0.45%

LAB 52.81, 29.31, 48.73

 

CMYK 79 / 0 / 61 / 26

HEX #28BD4A

RGB 40 189 74

HSL 133.69, 0.65%, 0.45%

LAB 67.53, -61.13, 46.52

 

CMYK 79 / 34 / 0 / 26

HEX #287CBD

RGB 40 124 189

HSL 206.17, 0.65%, 0.45%

LAB 50.15, -1.92, -41.09

 

CMYK 0 / 79 / 20 / 26

HEX #BD2898

RGB 189 40 152

HSL 314.9, 0.65%, 0.45%

LAB 45.09, 67.05, -26.36

 

CMYK 0 / 21 / 79 / 26

HEX #BD9528

RGB 189 149 40

HSL 43.89, 0.65%, 0.45%

LAB 63.73, 4.61, 58.97

 

CMYK 79 / 0 / 61 / 26

HEX #28BD4A

RGB 40 189 74

HSL 133.69, 0.65%, 0.45%

LAB 67.53, -61.13, 46.52

 

CMYK 79 / 58 / 0 / 26

HEX #284FBD

RGB 40 79 189

HSL 224.3, 0.65%, 0.45%

LAB 37.33, 26.79, -61.67

 

Description

Color code: HEX #BD2898 | qconv.com Color code: HEX #BD2898 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 40 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 40 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 20 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 20% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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