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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD219B it is the complementary color #42DE64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD219B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD219B shade: #C22196, #D333A9, #E445BC, #F557CF and #FF69E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD219B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD219B shade: #BD219B, #AC0F88, #9B0075, #8A0062 and #79004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD219B shade: #BE219C, #BE2172, #BE2147 and #BE2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD219B shade: #BE219C, #B621BE, #8C21BE, #6121BE and #3721BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD219B shade matches the following richer shades: #BE219C and #D00FA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD219B shade: #BE219C, #AC3392, #9A4588, #88587D and #766A73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD219B shade: #8C21BE, #B621BE, #BE219C, #BE2172 and #BE2148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD219B shade: #781562, #9B1B7F, #BE219C, #DA2FB5 and #E052C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD219B shade: #BD219B, #BE6321 and #21BEA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD219B shade: #BD219B, #9CBE21 and #219CBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD219B shade: #BD219B, #BE6321, #21BE43 and #217DBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD219B shade: #BD219B, #BE9221, #21BE43 and #214EBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 18 / 26

HEX #BD219B

RGB 189 33 155

HSL 313.08, 0.7%, 0.44%

LAB 44.62, 69.18, -28.89

 

Complementary color

CMYK 70 / 0 / 55 / 13

HEX #42DE64

RGB 66 222 100

HSL 133.08, 0.7%, 0.56%

LAB 78.65, -65.03, 47.77

 

CMYK 0 / 83 / 23 / 24

HEX #C22196

RGB 194 33 150

HSL 316.4, 0.71%, 0.45%

LAB 45.3, 69.63, -24.75

 

CMYK 0 / 76 / 20 / 17

HEX #D333A9

RGB 211 51 169

HSL 315.75, 0.65%, 0.51%

LAB 50.78, 71.24, -27.33

 

CMYK 0 / 70 / 18 / 11

HEX #E445BC

RGB 228 69 188

HSL 315.09, 0.75%, 0.58%

LAB 56.47, 72.07, -29.36

 

CMYK 0 / 64 / 16 / 4

HEX #F557CF

RGB 245 87 207

HSL 314.43, 0.89%, 0.65%

LAB 62.28, 72.37, -30.98

 

CMYK 0 / 59 / 11 / 0

HEX #FF69E2

RGB 255 105 226

HSL 311.6, 1%, 0.71%

LAB 67.17, 70.48, -33.94

 

CMYK 0 / 83 / 18 / 26

HEX #BD219B

RGB 189 33 155

HSL 313.08, 0.7%, 0.44%

LAB 44.62, 69.18, -28.89

 

CMYK 0 / 91 / 21 / 33

HEX #AC0F88

RGB 172 15 136

HSL 313.76, 0.84%, 0.37%

LAB 39.39, 66.49, -25.73

 

CMYK 0 / 100 / 25 / 39

HEX #9B0075

RGB 155 0 117

HSL 314.71, 1%, 0.3%

LAB 34.5, 62.51, -21.75

 

CMYK 0 / 100 / 29 / 46

HEX #8A0062

RGB 138 0 98

HSL 317.39, 1%, 0.27%

LAB 30.12, 56.73, -16.64

 

CMYK 0 / 100 / 35 / 53

HEX #79004F

RGB 121 0 79

HSL 320.83, 1%, 0.24%

LAB 25.65, 50.84, -11.25

 

CMYK 0 / 83 / 18 / 25

HEX #BE219C

RGB 190 33 156

HSL 312.99, 0.7%, 0.44%

LAB 44.85, 69.53, -29.12

 

CMYK 0 / 83 / 40 / 25

HEX #BE2172

RGB 190 33 114

HSL 329.04, 0.7%, 0.44%

LAB 43.14, 64.67, -6.09

 

CMYK 0 / 83 / 63 / 25

HEX #BE2147

RGB 190 33 71

HSL 345.48, 0.7%, 0.44%

LAB 41.98, 61.27, 19.23

 

CMYK 0 / 83 / 83 / 25

HEX #BE2121

RGB 190 33 33

HSL 0, 0.7%, 0.44%

LAB 41.45, 59.64, 41.3

 

CMYK 0 / 83 / 18 / 25

HEX #BE219C

RGB 190 33 156

HSL 312.99, 0.7%, 0.44%

LAB 44.85, 69.53, -29.12

 

CMYK 4 / 83 / 0 / 25

HEX #B621BE

RGB 182 33 190

HSL 296.94, 0.7%, 0.44%

LAB 45.29, 72.92, -48.65

 

CMYK 26 / 83 / 0 / 25

HEX #8C21BE

RGB 140 33 190

HSL 280.89, 0.7%, 0.44%

LAB 38.52, 65.61, -59.92

 

CMYK 49 / 83 / 0 / 25

HEX #6121BE

RGB 97 33 190

HSL 264.46, 0.7%, 0.44%

LAB 32.58, 59.39, -69.87

 

CMYK 71 / 83 / 0 / 25

HEX #3721BE

RGB 55 33 190

HSL 248.41, 0.7%, 0.44%

LAB 28.43, 55.19, -76.87

 

CMYK 0 / 83 / 18 / 25

HEX #BE219C

RGB 190 33 156

HSL 312.99, 0.7%, 0.44%

LAB 44.85, 69.53, -29.12

 

CMYK 0 / 93 / 20 / 18

HEX #D00FA6

RGB 208 15 166

HSL 313.06, 0.87%, 0.44%

LAB 47.63, 77.39, -30.51

 

CMYK 0 / 83 / 18 / 25

HEX #BE219C

RGB 190 33 156

HSL 312.99, 0.7%, 0.44%

LAB 44.85, 69.53, -29.12

 

CMYK 0 / 70 / 15 / 33

HEX #AC3392

RGB 172 51 146

HSL 312.89, 0.54%, 0.44%

LAB 43.08, 58.64, -26.09

 

CMYK 0 / 55 / 12 / 40

HEX #9A4588

RGB 154 69 136

HSL 312.71, 0.38%, 0.44%

LAB 42.62, 44.23, -20.97

 

CMYK 0 / 35 / 8 / 47

HEX #88587D

RGB 136 88 125

HSL 313.75, 0.21%, 0.44%

LAB 43.79, 25.88, -12.7

 

CMYK 0 / 10 / 3 / 54

HEX #766A73

RGB 118 106 115

HSL 315, 0.05%, 0.44%

LAB 46.17, 6.47, -3.3

 

CMYK 26 / 83 / 0 / 25

HEX #8C21BE

RGB 140 33 190

HSL 280.89, 0.7%, 0.44%

LAB 38.52, 65.61, -59.92

 

CMYK 4 / 83 / 0 / 25

HEX #B621BE

RGB 182 33 190

HSL 296.94, 0.7%, 0.44%

LAB 45.29, 72.92, -48.65

 

CMYK 0 / 83 / 18 / 25

HEX #BE219C

RGB 190 33 156

HSL 312.99, 0.7%, 0.44%

LAB 44.85, 69.53, -29.12

 

CMYK 0 / 83 / 40 / 25

HEX #BE2172

RGB 190 33 114

HSL 329.04, 0.7%, 0.44%

LAB 43.14, 64.67, -6.09

 

CMYK 0 / 83 / 62 / 25

HEX #BE2148

RGB 190 33 72

HSL 345.1, 0.7%, 0.44%

LAB 42, 61.33, 18.63

 

CMYK 0 / 83 / 18 / 53

HEX #781562

RGB 120 21 98

HSL 313.33, 0.7%, 0.28%

LAB 27.88, 48.63, -20.4

 

CMYK 0 / 83 / 18 / 39

HEX #9B1B7F

RGB 155 27 127

HSL 313.13, 0.7%, 0.36%

LAB 36.53, 59.34, -24.87

 

CMYK 0 / 83 / 18 / 25

HEX #BE219C

RGB 190 33 156

HSL 312.99, 0.7%, 0.44%

LAB 44.85, 69.53, -29.12

 

CMYK 0 / 78 / 17 / 15

HEX #DA2FB5

RGB 218 47 181

HSL 312.98, 0.7%, 0.52%

LAB 52.15, 75.48, -32.15

 

CMYK 0 / 63 / 14 / 12

HEX #E052C1

RGB 224 82 193

HSL 313.1, 0.7%, 0.6%

LAB 57.78, 66.95, -30.25

 

CMYK 0 / 83 / 18 / 26

HEX #BD219B

RGB 189 33 155

HSL 313.08, 0.7%, 0.44%

LAB 44.62, 69.18, -28.89

 

CMYK 0 / 48 / 83 / 25

HEX #BE6321

RGB 190 99 33

HSL 25.22, 0.7%, 0.44%

LAB 51.82, 32.15, 50.85

 

CMYK 83 / 0 / 15 / 25

HEX #21BEA1

RGB 33 190 161

HSL 168.92, 0.7%, 0.44%

LAB 69.27, -45.18, 3.73

 

CMYK 0 / 83 / 18 / 26

HEX #BD219B

RGB 189 33 155

HSL 313.08, 0.7%, 0.44%

LAB 44.62, 69.18, -28.89

 

CMYK 18 / 0 / 83 / 25

HEX #9CBE21

RGB 156 190 33

HSL 72.99, 0.7%, 0.44%

LAB 72.23, -31.04, 67.58

 

CMYK 83 / 18 / 0 / 25

HEX #219CBE

RGB 33 156 190

HSL 192.99, 0.7%, 0.44%

LAB 59.72, -20.29, -26.7

 

CMYK 0 / 83 / 18 / 26

HEX #BD219B

RGB 189 33 155

HSL 313.08, 0.7%, 0.44%

LAB 44.62, 69.18, -28.89

 

CMYK 0 / 48 / 83 / 25

HEX #BE6321

RGB 190 99 33

HSL 25.22, 0.7%, 0.44%

LAB 51.82, 32.15, 50.85

 

CMYK 83 / 0 / 65 / 25

HEX #21BE43

RGB 33 190 67

HSL 132.99, 0.7%, 0.44%

LAB 67.69, -63.08, 49.75

 

CMYK 83 / 34 / 0 / 25

HEX #217DBE

RGB 33 125 190

HSL 204.84, 0.7%, 0.44%

LAB 50.34, -2.85, -41.36

 

CMYK 0 / 83 / 18 / 26

HEX #BD219B

RGB 189 33 155

HSL 313.08, 0.7%, 0.44%

LAB 44.62, 69.18, -28.89

 

CMYK 0 / 23 / 83 / 25

HEX #BE9221

RGB 190 146 33

HSL 43.18, 0.7%, 0.44%

LAB 63.02, 6.45, 60.71

 

CMYK 83 / 0 / 65 / 25

HEX #21BE43

RGB 33 190 67

HSL 132.99, 0.7%, 0.44%

LAB 67.69, -63.08, 49.75

 

CMYK 83 / 59 / 0 / 25

HEX #214EBE

RGB 33 78 190

HSL 222.8, 0.7%, 0.44%

LAB 36.91, 27.19, -62.95

 

Description

Color code: HEX #BD219B | qconv.com Color code: HEX #BD219B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 33 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 33 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 18 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 18% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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