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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD2A85 it is the complementary color #42D57A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD2A85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD2A85 shade: #C22A80, #D33C93, #E44EA6, #F560B9 and #FF72CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD2A85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD2A85 shade: #BD2A85, #AC1872, #9B065F, #8A004C and #790039

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD2A85 shade: #BC2984, #BC295C, #BC2935 and #BC2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD2A85 shade: #BC2984, #BC29AB, #A429BC, #7D29BC and #5529BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD2A85 shade matches the following richer shades: #BC2984, #CE1688 and #E1048D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD2A85 shade: #BC2984, #A93B7F, #974E7B, #846176 and #717372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD2A85 shade: #A329BC, #BC29AD, #BC2986, #BC295F and #BC2937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD2A85 shade: #781A54, #9A216C, #BC2984, #D33A99 and #DB5CAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD2A85 shade: #BD2A85, #BC7C29 and #29BCB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD2A85 shade: #BD2A85, #86BC29 and #2986BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD2A85 shade: #BD2A85, #BC7C29, #29BC5F and #2968BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD2A85 shade: #BD2A85, #BCA829, #29BC5F and #293CBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 30 / 26

HEX #BD2A85

RGB 189 42 133

HSL 322.86, 0.64%, 0.45%

LAB 44.47, 64.11, -15.79

 

Complementary color

CMYK 69 / 0 / 43 / 16

HEX #42D57A

RGB 66 213 122

HSL 142.86, 0.64%, 0.55%

LAB 76.16, -58.52, 33.98

 

CMYK 0 / 78 / 34 / 24

HEX #C22A80

RGB 194 42 128

HSL 326.05, 0.64%, 0.46%

LAB 45.2, 64.79, -11.55

 

CMYK 0 / 72 / 30 / 17

HEX #D33C93

RGB 211 60 147

HSL 325.43, 0.63%, 0.53%

LAB 50.91, 65.67, -14.1

 

CMYK 0 / 66 / 27 / 11

HEX #E44EA6

RGB 228 78 166

HSL 324.8, 0.74%, 0.6%

LAB 56.78, 65.93, -16.13

 

CMYK 0 / 61 / 24 / 4

HEX #F560B9

RGB 245 96 185

HSL 324.16, 0.88%, 0.67%

LAB 62.74, 65.81, -17.78

 

CMYK 0 / 55 / 20 / 0

HEX #FF72CC

RGB 255 114 204

HSL 321.7, 1%, 0.72%

LAB 67.77, 63.42, -20.75

 

CMYK 0 / 78 / 30 / 26

HEX #BD2A85

RGB 189 42 133

HSL 322.86, 0.64%, 0.45%

LAB 44.47, 64.11, -15.79

 

CMYK 0 / 86 / 34 / 33

HEX #AC1872

RGB 172 24 114

HSL 323.51, 0.76%, 0.38%

LAB 38.97, 62.33, -12.71

 

CMYK 0 / 96 / 39 / 39

HEX #9B065F

RGB 155 6 95

HSL 324.16, 0.93%, 0.32%

LAB 33.83, 59.27, -8.72

 

CMYK 0 / 100 / 45 / 46

HEX #8A004C

RGB 138 0 76

HSL 326.96, 1%, 0.27%

LAB 29.22, 54.41, -3.5

 

CMYK 0 / 100 / 53 / 53

HEX #790039

RGB 121 0 57

HSL 331.74, 1%, 0.24%

LAB 24.83, 48.69, 2.51

 

CMYK 0 / 78 / 30 / 26

HEX #BC2984

RGB 188 41 132

HSL 322.86, 0.64%, 0.45%

LAB 44.15, 64.04, -15.69

 

CMYK 0 / 78 / 51 / 26

HEX #BC295C

RGB 188 41 92

HSL 339.18, 0.64%, 0.45%

LAB 42.84, 60.04, 7.16

 

CMYK 0 / 78 / 72 / 26

HEX #BC2935

RGB 188 41 53

HSL 355.1, 0.64%, 0.45%

LAB 42.05, 57.58, 30.34

 

CMYK 0 / 78 / 78 / 26

HEX #BC2929

RGB 188 41 41

HSL 0, 0.64%, 0.45%

LAB 41.9, 57.1, 37.21

 

CMYK 0 / 78 / 30 / 26

HEX #BC2984

RGB 188 41 132

HSL 322.86, 0.64%, 0.45%

LAB 44.15, 64.04, -15.69

 

CMYK 0 / 78 / 9 / 26

HEX #BC29AB

RGB 188 41 171

HSL 306.94, 0.64%, 0.45%

LAB 45.93, 69.21, -36.39

 

CMYK 13 / 78 / 0 / 26

HEX #A429BC

RGB 164 41 188

HSL 290.2, 0.64%, 0.45%

LAB 42.93, 67.13, -51.44

 

CMYK 34 / 78 / 0 / 26

HEX #7D29BC

RGB 125 41 188

HSL 274.29, 0.64%, 0.45%

LAB 37.07, 60.11, -61.2

 

CMYK 55 / 78 / 0 / 26

HEX #5529BC

RGB 85 41 188

HSL 257.96, 0.64%, 0.45%

LAB 32.14, 54.12, -69.46

 

CMYK 0 / 78 / 30 / 26

HEX #BC2984

RGB 188 41 132

HSL 322.86, 0.64%, 0.45%

LAB 44.15, 64.04, -15.69

 

CMYK 0 / 89 / 34 / 19

HEX #CE1688

RGB 206 22 136

HSL 322.83, 0.81%, 0.45%

LAB 46.28, 72.7, -14.59

 

CMYK 0 / 98 / 37 / 12

HEX #E1048D

RGB 225 4 141

HSL 322.81, 0.97%, 0.45%

LAB 49.52, 79.03, -12.35

 

CMYK 0 / 78 / 30 / 26

HEX #BC2984

RGB 188 41 132

HSL 322.86, 0.64%, 0.45%

LAB 44.15, 64.04, -15.69

 

CMYK 0 / 65 / 25 / 34

HEX #A93B7F

RGB 169 59 127

HSL 322.91, 0.48%, 0.45%

LAB 42.91, 51.95, -14.83

 

CMYK 0 / 48 / 19 / 41

HEX #974E7B

RGB 151 78 123

HSL 323.01, 0.32%, 0.45%

LAB 43.45, 36.44, -11.82

 

CMYK 0 / 27 / 11 / 48

HEX #846176

RGB 132 97 118

HSL 324, 0.15%, 0.45%

LAB 45.31, 17.79, -6.24

 

CMYK 2 / 0 / 1 / 55

HEX #717372

RGB 113 115 114

HSL 150, 0.01%, 0.45%

LAB 48.24, -0.96, 0.28

 

CMYK 13 / 78 / 0 / 26

HEX #A329BC

RGB 163 41 188

HSL 289.8, 0.64%, 0.45%

LAB 42.77, 66.94, -51.7

 

CMYK 0 / 78 / 8 / 26

HEX #BC29AD

RGB 188 41 173

HSL 306.12, 0.64%, 0.45%

LAB 46.03, 69.5, -37.41

 

CMYK 0 / 78 / 29 / 26

HEX #BC2986

RGB 188 41 134

HSL 322.04, 0.64%, 0.45%

LAB 44.23, 64.27, -16.79

 

CMYK 0 / 78 / 49 / 26

HEX #BC295F

RGB 188 41 95

HSL 337.96, 0.64%, 0.45%

LAB 42.92, 60.29, 5.4

 

CMYK 0 / 78 / 71 / 26

HEX #BC2937

RGB 188 41 55

HSL 354.29, 0.64%, 0.45%

LAB 42.08, 57.67, 29.17

 

CMYK 0 / 78 / 30 / 53

HEX #781A54

RGB 120 26 84

HSL 322.98, 0.64%, 0.29%

LAB 27.77, 45.12, -11.37

 

CMYK 0 / 79 / 30 / 40

HEX #9A216C

RGB 154 33 108

HSL 322.81, 0.65%, 0.37%

LAB 36.06, 54.95, -13.67

 

CMYK 0 / 78 / 30 / 26

HEX #BC2984

RGB 188 41 132

HSL 322.86, 0.64%, 0.45%

LAB 44.15, 64.04, -15.69

 

CMYK 0 / 73 / 27 / 17

HEX #D33A99

RGB 211 58 153

HSL 322.75, 0.63%, 0.53%

LAB 50.89, 67.05, -17.7

 

CMYK 0 / 58 / 22 / 14

HEX #DB5CAB

RGB 219 92 171

HSL 322.68, 0.64%, 0.61%

LAB 57.71, 58.21, -17.75

 

CMYK 0 / 78 / 30 / 26

HEX #BD2A85

RGB 189 42 133

HSL 322.86, 0.64%, 0.45%

LAB 44.47, 64.11, -15.79

 

CMYK 0 / 34 / 78 / 26

HEX #BC7C29

RGB 188 124 41

HSL 33.88, 0.64%, 0.45%

LAB 57.33, 17.96, 52.59

 

CMYK 78 / 0 / 3 / 26

HEX #29BCB7

RGB 41 188 183

HSL 177.96, 0.64%, 0.45%

LAB 69.37, -37.48, -8.18

 

CMYK 0 / 78 / 30 / 26

HEX #BD2A85

RGB 189 42 133

HSL 322.86, 0.64%, 0.45%

LAB 44.47, 64.11, -15.79

 

CMYK 29 / 0 / 78 / 26

HEX #86BC29

RGB 134 188 41

HSL 82.04, 0.64%, 0.45%

LAB 70.31, -38.49, 63.13

 

CMYK 78 / 29 / 0 / 26

HEX #2986BC

RGB 41 134 188

HSL 202.04, 0.64%, 0.45%

LAB 53.12, -8.06, -35.84

 

CMYK 0 / 78 / 30 / 26

HEX #BD2A85

RGB 189 42 133

HSL 322.86, 0.64%, 0.45%

LAB 44.47, 64.11, -15.79

 

CMYK 0 / 34 / 78 / 26

HEX #BC7C29

RGB 188 124 41

HSL 33.88, 0.64%, 0.45%

LAB 57.33, 17.96, 52.59

 

CMYK 78 / 0 / 49 / 26

HEX #29BC5F

RGB 41 188 95

HSL 142.04, 0.64%, 0.45%

LAB 67.47, -57.71, 36.41

 

CMYK 78 / 45 / 0 / 26

HEX #2968BC

RGB 41 104 188

HSL 214.29, 0.64%, 0.45%

LAB 44.24, 10.21, -49.92

 

CMYK 0 / 78 / 30 / 26

HEX #BD2A85

RGB 189 42 133

HSL 322.86, 0.64%, 0.45%

LAB 44.47, 64.11, -15.79

 

CMYK 0 / 11 / 78 / 26

HEX #BCA829

RGB 188 168 41

HSL 51.84, 0.64%, 0.45%

LAB 68.65, -5.99, 63.07

 

CMYK 78 / 0 / 49 / 26

HEX #29BC5F

RGB 41 188 95

HSL 142.04, 0.64%, 0.45%

LAB 67.47, -57.71, 36.41

 

CMYK 78 / 68 / 0 / 26

HEX #293CBC

RGB 41 60 188

HSL 232.24, 0.64%, 0.45%

LAB 32.56, 38.78, -68.9

 

Description

Color code: HEX #BD2A85 | qconv.com Color code: HEX #BD2A85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 42 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 42 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 30 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 30% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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