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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD3269 it is the complementary color #42CD96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD3269. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD3269 shade: #C23264, #D34477, #E4568A, #F5689D and #FF7AB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD3269. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD3269 shade: #BD3269, #AC2056, #9B0E43, #8A0030 and #79001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD3269 shade: #BD3269, #BD3243 and #BD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD3269 shade: #BD3269, #BD328E, #BD32B4, #A032BD and #7B32BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD3269 shade matches the following richer shades: #BD3269, #D01E65 and #E40B61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD3269 shade: #BD3269, #A9456D, #965971, #836C75 and #6F7F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD3269 shade: #BD32B4, #BD328F, #BD3269, #BD3244 and #BD4432

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD3269 shade: #7C2145, #9C2957, #BD3269, #CE4A7E and #D76A95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD3269 shade: #BD3269, #BDA132 and #32A1BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD3269 shade: #BD3269, #69BD32 and #3269BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD3269 shade: #BD3269, #BDA132, #32BD85 and #324EBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD3269 shade: #BD3269, #AFBD32, #32BD85 and #4032BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

Complementary color

CMYK 68 / 0 / 27 / 20

HEX #42CD96

RGB 66 205 150

HSL 156.26, 0.58%, 0.53%

LAB 74.2, -49.96, 16.75

 

CMYK 0 / 74 / 48 / 24

HEX #C23264

RGB 194 50 100

HSL 339.17, 0.59%, 0.48%

LAB 45.18, 59.57, 5.67

 

CMYK 0 / 68 / 44 / 17

HEX #D34477

RGB 211 68 119

HSL 338.6, 0.62%, 0.55%

LAB 51.05, 59.75, 2.91

 

CMYK 0 / 62 / 39 / 11

HEX #E4568A

RGB 228 86 138

HSL 338.03, 0.72%, 0.62%

LAB 57.06, 59.5, 0.68

 

CMYK 0 / 58 / 36 / 4

HEX #F5689D

RGB 245 104 157

HSL 337.45, 0.88%, 0.68%

LAB 63.13, 58.98, -1.16

 

CMYK 0 / 52 / 31 / 0

HEX #FF7AB0

RGB 255 122 176

HSL 335.64, 1%, 0.74%

LAB 68.25, 56.1, -4.28

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 81 / 50 / 33

HEX #AC2056

RGB 172 32 86

HSL 336.86, 0.69%, 0.4%

LAB 38.68, 57.72, 4.61

 

CMYK 0 / 91 / 57 / 39

HEX #9B0E43

RGB 155 14 67

HSL 337.45, 0.83%, 0.33%

LAB 33.32, 55.71, 8.85

 

CMYK 0 / 100 / 65 / 46

HEX #8A0030

RGB 138 0 48

HSL 339.13, 1%, 0.27%

LAB 28.42, 52.29, 14.24

 

CMYK 0 / 100 / 76 / 53

HEX #79001D

RGB 121 0 29

HSL 345.62, 1%, 0.24%

LAB 24.17, 46.93, 20.93

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 74 / 65 / 26

HEX #BD3243

RGB 189 50 67

HSL 352.66, 0.58%, 0.47%

LAB 43.51, 55.68, 23.66

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 74 / 25 / 26

HEX #BD328E

RGB 189 50 142

HSL 320.29, 0.58%, 0.47%

LAB 45.71, 62.74, -19.37

 

CMYK 0 / 74 / 5 / 26

HEX #BD32B4

RGB 189 50 180

HSL 303.88, 0.58%, 0.47%

LAB 47.49, 68.15, -39.23

 

CMYK 15 / 74 / 0 / 26

HEX #A032BD

RGB 160 50 189

HSL 287.48, 0.58%, 0.47%

LAB 43.4, 63.56, -51.29

 

CMYK 35 / 74 / 0 / 26

HEX #7B32BD

RGB 123 50 189

HSL 271.51, 0.58%, 0.47%

LAB 38.14, 56.38, -60.06

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 86 / 51 / 18

HEX #D01E65

RGB 208 30 101

HSL 336.07, 0.75%, 0.47%

LAB 46.01, 68.64, 6.6

 

CMYK 0 / 95 / 57 / 11

HEX #E40B61

RGB 228 11 97

HSL 336.22, 0.91%, 0.47%

LAB 49, 75.7, 13.85

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 59 / 36 / 34

HEX #A9456D

RGB 169 69 109

HSL 336, 0.42%, 0.47%

LAB 43.94, 45.12, -2.22

 

CMYK 0 / 41 / 25 / 41

HEX #965971

RGB 150 89 113

HSL 336.39, 0.26%, 0.47%

LAB 45.39, 28.42, -2.85

 

CMYK 0 / 18 / 11 / 49

HEX #836C75

RGB 131 108 117

HSL 336.52, 0.1%, 0.47%

LAB 48.05, 10.7, -1.59

 

CMYK 13 / 0 / 5 / 50

HEX #6F7F79

RGB 111 127 121

HSL 157.5, 0.07%, 0.47%

LAB 51.77, -7.13, 1.27

 

CMYK 0 / 74 / 5 / 26

HEX #BD32B4

RGB 189 50 180

HSL 303.88, 0.58%, 0.47%

LAB 47.49, 68.15, -39.23

 

CMYK 0 / 74 / 24 / 26

HEX #BD328F

RGB 189 50 143

HSL 319.86, 0.58%, 0.47%

LAB 45.75, 62.87, -19.91

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 74 / 64 / 26

HEX #BD3244

RGB 189 50 68

HSL 352.23, 0.58%, 0.47%

LAB 43.53, 55.74, 23.07

 

CMYK 0 / 64 / 74 / 26

HEX #BD4432

RGB 189 68 50

HSL 7.77, 0.58%, 0.47%

LAB 45.88, 47.65, 36.52

 

CMYK 0 / 73 / 44 / 51

HEX #7C2145

RGB 124 33 69

HSL 336.26, 0.58%, 0.31%

LAB 28.91, 41.92, 0.37

 

CMYK 0 / 74 / 44 / 39

HEX #9C2957

RGB 156 41 87

HSL 336, 0.58%, 0.39%

LAB 36.63, 50.48, 0.62

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 64 / 39 / 19

HEX #CE4A7E

RGB 206 74 126

HSL 336.36, 0.57%, 0.55%

LAB 51.3, 56.56, -1.04

 

CMYK 0 / 51 / 31 / 16

HEX #D76A95

RGB 215 106 149

HSL 336.33, 0.58%, 0.63%

LAB 58.9, 47.42, -3.26

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 15 / 74 / 26

HEX #BDA132

RGB 189 161 50

HSL 47.91, 0.58%, 0.47%

LAB 66.93, -1.45, 58.31

 

CMYK 74 / 15 / 0 / 26

HEX #32A1BD

RGB 50 161 189

HSL 192.09, 0.58%, 0.47%

LAB 61.52, -21.44, -23.36

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 44 / 0 / 74 / 26

HEX #69BD32

RGB 105 189 50

HSL 96.26, 0.58%, 0.47%

LAB 69.2, -48.62, 58.6

 

CMYK 74 / 44 / 0 / 26

HEX #3269BD

RGB 50 105 189

HSL 216.26, 0.58%, 0.47%

LAB 44.88, 11.07, -49.45

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 0 / 15 / 74 / 26

HEX #BDA132

RGB 189 161 50

HSL 47.91, 0.58%, 0.47%

LAB 66.93, -1.45, 58.31

 

CMYK 74 / 0 / 30 / 26

HEX #32BD85

RGB 50 189 133

HSL 155.83, 0.58%, 0.47%

LAB 68.58, -49.66, 18.01

 

CMYK 74 / 59 / 0 / 26

HEX #324EBD

RGB 50 78 189

HSL 227.91, 0.58%, 0.47%

LAB 37.48, 28.56, -61.41

 

CMYK 0 / 74 / 44 / 26

HEX #BD3269

RGB 189 50 105

HSL 336.26, 0.58%, 0.47%

LAB 44.4, 58.61, 1.34

 

CMYK 7 / 0 / 74 / 26

HEX #AFBD32

RGB 175 189 50

HSL 66.04, 0.58%, 0.47%

LAB 73.38, -21.97, 64.09

 

CMYK 74 / 0 / 30 / 26

HEX #32BD85

RGB 50 189 133

HSL 155.83, 0.58%, 0.47%

LAB 68.58, -49.66, 18.01

 

CMYK 66 / 74 / 0 / 26

HEX #4032BD

RGB 64 50 189

HSL 246.04, 0.58%, 0.47%

LAB 31.91, 47.36, -70.5

 

Description

Color code: HEX #BD3269 | qconv.com Color code: HEX #BD3269 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 50 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 50 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 44 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 44% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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