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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD45EC it is the complementary color #42BA13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD45EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD45EC shade: #C245E7, #D357FA, #E469FF, #F57BFF and #FF8DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD45EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD45EC shade: #BD45EC, #AC33D9, #9B21C6, #8A0FB3 and #7900A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD45EC shade: #BD46EB, #E946EB, #EB46C1, #EB4694 and #EB4667

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD45EC shade: #BD46EB, #9046EB, #6346EB and #4646EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD45EC shade matches the following richer shades: #BD46EB and #C435FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD45EC shade: #BD46EB, #B556DB, #AE67CA, #A777BA and #A088A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD45EC shade: #6446EB, #9046EB, #BC46EB, #E846EB and #EB46C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD45EC shade: #9715CA, #AF21E7, #BD46EB, #CA6BEF and #D791F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD45EC shade: #BD45EC, #EB4654 and #46EB7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD45EC shade: #BD45EC, #EBBC46 and #46EBBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD45EC shade: #BD45EC, #EB4654, #75EB46 and #46EBDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD45EC shade: #BD45EC, #EB6A46, #75EB46 and #46C7EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 71 / 0 / 7

HEX #BD45EC

RGB 189 69 236

HSL 283.11, 0.81%, 0.6%

LAB 53.09, 71.35, -62.41

 

Complementary color

CMYK 65 / 0 / 90 / 27

HEX #42BA13

RGB 66 186 19

HSL 103.11, 0.81%, 0.4%

LAB 66.77, -59.74, 64.23

 

CMYK 16 / 70 / 0 / 9

HEX #C245E7

RGB 194 69 231

HSL 286.3, 0.77%, 0.59%

LAB 53.49, 71.4, -58.92

 

CMYK 16 / 65 / 0 / 2

HEX #D357FA

RGB 211 87 250

HSL 285.64, 0.94%, 0.66%

LAB 59.5, 71.45, -59.77

 

CMYK 11 / 59 / 0 / 0

HEX #E469FF

RGB 228 105 255

HSL 289.2, 1%, 0.71%

LAB 64.82, 68.55, -53.91

 

CMYK 4 / 52 / 0 / 0

HEX #F57BFF

RGB 245 123 255

HSL 295.45, 1%, 0.74%

LAB 70.03, 64.63, -45.53

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 20 / 71 / 0 / 7

HEX #BD45EC

RGB 189 69 236

HSL 283.11, 0.81%, 0.6%

LAB 53.09, 71.35, -62.41

 

CMYK 21 / 76 / 0 / 15

HEX #AC33D9

RGB 172 51 217

HSL 283.73, 0.69%, 0.53%

LAB 47.17, 70.86, -61.32

 

CMYK 22 / 83 / 0 / 22

HEX #9B21C6

RGB 155 33 198

HSL 284.36, 0.71%, 0.45%

LAB 41.43, 69.61, -59.77

 

CMYK 23 / 92 / 0 / 30

HEX #8A0FB3

RGB 138 15 179

HSL 285, 0.85%, 0.38%

LAB 35.98, 67.2, -57.56

 

CMYK 24 / 100 / 0 / 37

HEX #7900A0

RGB 121 0 160

HSL 285.38, 1%, 0.31%

LAB 30.89, 63.41, -54.56

 

CMYK 20 / 70 / 0 / 8

HEX #BD46EB

RGB 189 70 235

HSL 283.27, 0.8%, 0.6%

LAB 53.16, 70.77, -61.73

 

CMYK 1 / 70 / 0 / 8

HEX #E946EB

RGB 233 70 235

HSL 299.27, 0.8%, 0.6%

LAB 59.62, 79.8, -51.04

 

CMYK 0 / 70 / 18 / 8

HEX #EB46C1

RGB 235 70 193

HSL 315.27, 0.8%, 0.6%

LAB 57.94, 74.1, -29.87

 

CMYK 0 / 70 / 37 / 8

HEX #EB4694

RGB 235 70 148

HSL 331.64, 0.8%, 0.6%

LAB 56.27, 68.72, -6.23

 

CMYK 0 / 70 / 56 / 8

HEX #EB4667

RGB 235 70 103

HSL 348, 0.8%, 0.6%

LAB 55.09, 64.78, 18.77

 

CMYK 20 / 70 / 0 / 8

HEX #BD46EB

RGB 189 70 235

HSL 283.27, 0.8%, 0.6%

LAB 53.16, 70.77, -61.73

 

CMYK 39 / 70 / 0 / 8

HEX #9046EB

RGB 144 70 235

HSL 266.91, 0.8%, 0.6%

LAB 47.38, 62.22, -71.38

 

CMYK 58 / 70 / 0 / 8

HEX #6346EB

RGB 99 70 235

HSL 250.55, 0.8%, 0.6%

LAB 42.81, 55.04, -79.03

 

CMYK 70 / 70 / 0 / 8

HEX #4646EB

RGB 70 70 235

HSL 240, 0.8%, 0.6%

LAB 40.7, 51.54, -82.56

 

CMYK 20 / 70 / 0 / 8

HEX #BD46EB

RGB 189 70 235

HSL 283.27, 0.8%, 0.6%

LAB 53.16, 70.77, -61.73

 

CMYK 22 / 79 / 0 / 1

HEX #C435FC

RGB 196 53 252

HSL 283.12, 0.97%, 0.6%

LAB 53.29, 81, -70.99

 

CMYK 20 / 70 / 0 / 8

HEX #BD46EB

RGB 189 70 235

HSL 283.27, 0.8%, 0.6%

LAB 53.16, 70.77, -61.73

 

CMYK 17 / 61 / 0 / 14

HEX #B556DB

RGB 181 86 219

HSL 282.86, 0.65%, 0.6%

LAB 53.59, 58.99, -52.07

 

CMYK 14 / 49 / 0 / 21

HEX #AE67CA

RGB 174 103 202

HSL 283.03, 0.48%, 0.6%

LAB 55.03, 45.12, -40.18

 

CMYK 10 / 36 / 0 / 27

HEX #A777BA

RGB 167 119 186

HSL 282.99, 0.33%, 0.6%

LAB 57.03, 30.85, -27.99

 

CMYK 5 / 20 / 0 / 34

HEX #A088A9

RGB 160 136 169

HSL 283.64, 0.16%, 0.6%

LAB 59.84, 15.28, -14.04

 

CMYK 57 / 70 / 0 / 8

HEX #6446EB

RGB 100 70 235

HSL 250.91, 0.8%, 0.6%

LAB 42.9, 55.17, -78.88

 

CMYK 39 / 70 / 0 / 8

HEX #9046EB

RGB 144 70 235

HSL 266.91, 0.8%, 0.6%

LAB 47.38, 62.22, -71.38

 

CMYK 20 / 70 / 0 / 8

HEX #BC46EB

RGB 188 70 235

HSL 282.91, 0.8%, 0.6%

LAB 53.03, 70.57, -61.96

 

CMYK 1 / 70 / 0 / 8

HEX #E846EB

RGB 232 70 235

HSL 298.91, 0.8%, 0.6%

LAB 59.47, 79.59, -51.29

 

CMYK 0 / 70 / 17 / 8

HEX #EB46C2

RGB 235 70 194

HSL 314.91, 0.8%, 0.6%

LAB 57.98, 74.23, -30.38

 

CMYK 25 / 90 / 0 / 21

HEX #9715CA

RGB 151 21 202

HSL 283.09, 0.81%, 0.44%

LAB 40.21, 72.37, -64.1

 

CMYK 24 / 86 / 0 / 9

HEX #AF21E7

RGB 175 33 231

HSL 283.03, 0.8%, 0.52%

LAB 46.94, 78.88, -69.65

 

CMYK 20 / 70 / 0 / 8

HEX #BD46EB

RGB 189 70 235

HSL 283.27, 0.8%, 0.6%

LAB 53.16, 70.77, -61.73

 

CMYK 15 / 55 / 0 / 6

HEX #CA6BEF

RGB 202 107 239

HSL 283.18, 0.8%, 0.68%

LAB 61.05, 58.15, -51.27

 

CMYK 12 / 40 / 0 / 5

HEX #D791F3

RGB 215 145 243

HSL 282.86, 0.8%, 0.76%

LAB 70.29, 42.99, -38.83

 

CMYK 20 / 71 / 0 / 7

HEX #BD45EC

RGB 189 69 236

HSL 283.11, 0.81%, 0.6%

LAB 53.09, 71.35, -62.41

 

CMYK 0 / 70 / 64 / 8

HEX #EB4654

RGB 235 70 84

HSL 354.91, 0.8%, 0.6%

LAB 54.74, 63.58, 29.51

 

CMYK 70 / 0 / 48 / 8

HEX #46EB7A

RGB 70 235 122

HSL 138.91, 0.8%, 0.6%

LAB 82.98, -65.72, 42.69

 

CMYK 20 / 71 / 0 / 7

HEX #BD45EC

RGB 189 69 236

HSL 283.11, 0.81%, 0.6%

LAB 53.09, 71.35, -62.41

 

CMYK 0 / 20 / 70 / 8

HEX #EBBC46

RGB 235 188 70

HSL 42.91, 0.8%, 0.6%

LAB 78.5, 5.11, 63.41

 

CMYK 70 / 0 / 20 / 8

HEX #46EBBC

RGB 70 235 188

HSL 162.91, 0.8%, 0.6%

LAB 84.15, -52.93, 10.71

 

CMYK 20 / 71 / 0 / 7

HEX #BD45EC

RGB 189 69 236

HSL 283.11, 0.81%, 0.6%

LAB 53.09, 71.35, -62.41

 

CMYK 0 / 70 / 64 / 8

HEX #EB4654

RGB 235 70 84

HSL 354.91, 0.8%, 0.6%

LAB 54.74, 63.58, 29.51

 

CMYK 50 / 0 / 70 / 8

HEX #75EB46

RGB 117 235 70

HSL 102.91, 0.8%, 0.6%

LAB 83.78, -61.25, 66.34

 

CMYK 70 / 0 / 6 / 8

HEX #46EBDD

RGB 70 235 221

HSL 174.91, 0.8%, 0.6%

LAB 84.97, -44.68, -5.45

 

CMYK 20 / 71 / 0 / 7

HEX #BD45EC

RGB 189 69 236

HSL 283.11, 0.81%, 0.6%

LAB 53.09, 71.35, -62.41

 

CMYK 0 / 55 / 70 / 8

HEX #EB6A46

RGB 235 106 70

HSL 13.09, 0.8%, 0.6%

LAB 60.26, 47.61, 43.9

 

CMYK 50 / 0 / 70 / 8

HEX #75EB46

RGB 117 235 70

HSL 102.91, 0.8%, 0.6%

LAB 83.78, -61.25, 66.34

 

CMYK 70 / 15 / 0 / 8

HEX #46C7EB

RGB 70 199 235

HSL 193.09, 0.8%, 0.6%

LAB 74.92, -23.72, -28.04

 

Description

Color code: HEX #BD45EC | qconv.com Color code: HEX #BD45EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 69 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 69 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 71 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 71% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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