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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD407C it is the complementary color #42BF83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD407C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD407C shade: #C24077, #D3528A, #E4649D, #F576B0 and #FF88C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD407C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD407C shade: #BD407C, #AC2E69, #9B1C56, #8A0A43 and #790030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD407C shade: #BD417D, #BD415B and #BD4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD407C shade: #BD417D, #BD419E, #BB41BD, #9941BD and #7841BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD407C shade matches the following richer shades: #BD417D, #D22C7C, #E7177B and #FB037A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD407C shade: #BD417D, #A9557D, #946A7E, #807E7F and #6B9380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD407C shade: #BB41BD, #BD419E, #BD417D, #BD415C and #BD4741

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD407C shade: #802B54, #9F3668, #BD417D, #C85F92 and #D37EA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD407C shade: #BD407C, #BD9A41 and #41AFBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD407C shade: #BD407C, #7DBD41 and #417DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD407C shade: #BD407C, #BD9A41, #41BD81 and #4164BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD407C shade: #BD407C, #BBBD41, #41BD81 and #4341BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 34 / 26

HEX #BD407C

RGB 189 64 124

HSL 331.2, 0.49%, 0.5%

LAB 46.9, 55.36, -6.65

 

Complementary color

CMYK 65 / 0 / 31 / 25

HEX #42BF83

RGB 66 191 131

HSL 151.2, 0.49%, 0.5%

LAB 69.51, -48.33, 20.42

 

CMYK 0 / 67 / 39 / 24

HEX #C24077

RGB 194 64 119

HSL 334.62, 0.52%, 0.51%

LAB 47.58, 56.28, -2.5

 

CMYK 0 / 61 / 35 / 17

HEX #D3528A

RGB 211 82 138

HSL 333.95, 0.59%, 0.57%

LAB 53.73, 56.01, -4.53

 

CMYK 0 / 56 / 31 / 11

HEX #E4649D

RGB 228 100 157

HSL 333.28, 0.7%, 0.64%

LAB 59.93, 55.48, -6.18

 

CMYK 0 / 52 / 28 / 4

HEX #F576B0

RGB 245 118 176

HSL 332.6, 0.86%, 0.71%

LAB 66.14, 54.81, -7.56

 

CMYK 0 / 47 / 24 / 0

HEX #FF88C3

RGB 255 136 195

HSL 330.25, 1%, 0.77%

LAB 71.42, 51.84, -10.21

 

CMYK 0 / 66 / 34 / 26

HEX #BD407C

RGB 189 64 124

HSL 331.2, 0.49%, 0.5%

LAB 46.9, 55.36, -6.65

 

CMYK 0 / 73 / 39 / 33

HEX #AC2E69

RGB 172 46 105

HSL 331.9, 0.58%, 0.43%

LAB 40.81, 55.19, -4.3

 

CMYK 0 / 82 / 45 / 39

HEX #9B1C56

RGB 155 28 86

HSL 332.6, 0.69%, 0.36%

LAB 34.95, 54.24, -1.23

 

CMYK 0 / 93 / 51 / 46

HEX #8A0A43

RGB 138 10 67

HSL 333.28, 0.86%, 0.29%

LAB 29.48, 52.01, 2.89

 

CMYK 0 / 100 / 60 / 53

HEX #790030

RGB 121 0 48

HSL 336.2, 1%, 0.24%

LAB 24.57, 48, 8.37

 

CMYK 0 / 66 / 34 / 26

HEX #BD417D

RGB 189 65 125

HSL 330.97, 0.49%, 0.5%

LAB 47.08, 55.07, -6.99

 

CMYK 0 / 66 / 52 / 26

HEX #BD415B

RGB 189 65 91

HSL 347.42, 0.49%, 0.5%

LAB 46.12, 51.61, 12.41

 

CMYK 0 / 66 / 66 / 26

HEX #BD4141

RGB 189 65 65

HSL 0, 0.49%, 0.5%

LAB 45.61, 49.73, 27.51

 

CMYK 0 / 66 / 34 / 26

HEX #BD417D

RGB 189 65 125

HSL 330.97, 0.49%, 0.5%

LAB 47.08, 55.07, -6.99

 

CMYK 0 / 66 / 16 / 26

HEX #BD419E

RGB 189 65 158

HSL 315, 0.49%, 0.5%

LAB 48.35, 59.44, -24.89

 

CMYK 1 / 66 / 0 / 26

HEX #BB41BD

RGB 187 65 189

HSL 299.03, 0.49%, 0.5%

LAB 49.52, 63.85, -41.29

 

CMYK 19 / 66 / 0 / 26

HEX #9941BD

RGB 153 65 189

HSL 282.58, 0.49%, 0.5%

LAB 44.56, 55.94, -49.49

 

CMYK 37 / 66 / 0 / 26

HEX #7841BD

RGB 120 65 189

HSL 266.61, 0.49%, 0.5%

LAB 40.32, 48.66, -56.53

 

CMYK 0 / 66 / 34 / 26

HEX #BD417D

RGB 189 65 125

HSL 330.97, 0.49%, 0.5%

LAB 47.08, 55.07, -6.99

 

CMYK 0 / 79 / 41 / 18

HEX #D22C7C

RGB 210 44 124

HSL 331.08, 0.65%, 0.5%

LAB 48.21, 67.85, -4.3

 

CMYK 0 / 90 / 47 / 9

HEX #E7177B

RGB 231 23 123

HSL 331.15, 0.82%, 0.5%

LAB 50.72, 76.94, 0.47

 

CMYK 0 / 99 / 51 / 2

HEX #FB037A

RGB 251 3 122

HSL 331.21, 0.98%, 0.5%

LAB 54.01, 83.07, 6.31

 

CMYK 0 / 66 / 34 / 26

HEX #BD417D

RGB 189 65 125

HSL 330.97, 0.49%, 0.5%

LAB 47.08, 55.07, -6.99

 

CMYK 0 / 50 / 26 / 34

HEX #A9557D

RGB 169 85 125

HSL 331.43, 0.33%, 0.5%

LAB 47.51, 39.23, -6.67

 

CMYK 0 / 28 / 15 / 42

HEX #946A7E

RGB 148 106 126

HSL 331.43, 0.17%, 0.5%

LAB 49.63, 20.02, -4.42

 

CMYK 0 / 2 / 1 / 50

HEX #807E7F

RGB 128 126 127

HSL 330, 0.01%, 0.5%

LAB 53, 0.95, -0.28

 

CMYK 27 / 0 / 13 / 42

HEX #6B9380

RGB 107 147 128

HSL 151.5, 0.16%, 0.5%

LAB 57.61, -17.95, 5.63

 

CMYK 1 / 66 / 0 / 26

HEX #BB41BD

RGB 187 65 189

HSL 299.03, 0.49%, 0.5%

LAB 49.52, 63.85, -41.29

 

CMYK 0 / 66 / 16 / 26

HEX #BD419E

RGB 189 65 158

HSL 315, 0.49%, 0.5%

LAB 48.35, 59.44, -24.89

 

CMYK 0 / 66 / 34 / 26

HEX #BD417D

RGB 189 65 125

HSL 330.97, 0.49%, 0.5%

LAB 47.08, 55.07, -6.99

 

CMYK 0 / 66 / 51 / 26

HEX #BD415C

RGB 189 65 92

HSL 346.94, 0.49%, 0.5%

LAB 46.14, 51.69, 11.82

 

CMYK 0 / 62 / 66 / 26

HEX #BD4741

RGB 189 71 65

HSL 2.9, 0.49%, 0.5%

LAB 46.59, 47.1, 28.73

 

CMYK 0 / 66 / 34 / 50

HEX #802B54

RGB 128 43 84

HSL 331.06, 0.5%, 0.34%

LAB 31.71, 40.69, -5.29

 

CMYK 0 / 66 / 35 / 38

HEX #9F3668

RGB 159 54 104

HSL 331.43, 0.49%, 0.42%

LAB 39.6, 48.11, -5.73

 

CMYK 0 / 66 / 34 / 26

HEX #BD417D

RGB 189 65 125

HSL 330.97, 0.49%, 0.5%

LAB 47.08, 55.07, -6.99

 

CMYK 0 / 53 / 27 / 22

HEX #C85F92

RGB 200 95 146

HSL 330.86, 0.49%, 0.58%

LAB 54.59, 47.49, -8.14

 

CMYK 0 / 40 / 21 / 17

HEX #D37EA7

RGB 211 126 167

HSL 331.06, 0.49%, 0.66%

LAB 62.98, 38.29, -7.63

 

CMYK 0 / 66 / 34 / 26

HEX #BD407C

RGB 189 64 124

HSL 331.2, 0.49%, 0.5%

LAB 46.9, 55.36, -6.65

 

CMYK 0 / 19 / 66 / 26

HEX #BD9A41

RGB 189 154 65

HSL 43.06, 0.49%, 0.5%

LAB 65.21, 3.13, 50.21

 

CMYK 66 / 7 / 0 / 26

HEX #41AFBD

RGB 65 175 189

HSL 186.77, 0.49%, 0.5%

LAB 66.1, -26.45, -16.34

 

CMYK 0 / 66 / 34 / 26

HEX #BD407C

RGB 189 64 124

HSL 331.2, 0.49%, 0.5%

LAB 46.9, 55.36, -6.65

 

CMYK 34 / 0 / 66 / 26

HEX #7DBD41

RGB 125 189 65

HSL 90.97, 0.49%, 0.5%

LAB 70.27, -40.72, 54.24

 

CMYK 66 / 34 / 0 / 26

HEX #417DBD

RGB 65 125 189

HSL 210.97, 0.49%, 0.5%

LAB 51.23, 1.03, -39.33

 

CMYK 0 / 66 / 34 / 26

HEX #BD407C

RGB 189 64 124

HSL 331.2, 0.49%, 0.5%

LAB 46.9, 55.36, -6.65

 

CMYK 0 / 19 / 66 / 26

HEX #BD9A41

RGB 189 154 65

HSL 43.06, 0.49%, 0.5%

LAB 65.21, 3.13, 50.21

 

CMYK 66 / 0 / 32 / 26

HEX #41BD81

RGB 65 189 129

HSL 150.97, 0.49%, 0.5%

LAB 68.83, -48.12, 20.55

 

CMYK 66 / 47 / 0 / 26

HEX #4164BD

RGB 65 100 189

HSL 223.06, 0.49%, 0.5%

LAB 44.11, 16.55, -50.66

 

CMYK 0 / 66 / 34 / 26

HEX #BD407C

RGB 189 64 124

HSL 331.2, 0.49%, 0.5%

LAB 46.9, 55.36, -6.65

 

CMYK 1 / 0 / 66 / 26

HEX #BBBD41

RGB 187 189 65

HSL 60.97, 0.49%, 0.5%

LAB 74.41, -16.11, 59.85

 

CMYK 66 / 0 / 32 / 26

HEX #41BD81

RGB 65 189 129

HSL 150.97, 0.49%, 0.5%

LAB 68.83, -48.12, 20.55

 

CMYK 65 / 66 / 0 / 26

HEX #4341BD

RGB 67 65 189

HSL 240.97, 0.49%, 0.5%

LAB 35.3, 39.06, -64.93

 

Description

Color code: HEX #BD407C | qconv.com Color code: HEX #BD407C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 64 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 64 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 34 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 34% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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