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Color name
HEX #BD5A8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5A8C it is the complementary color #42A573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD5A8C shade: #C25A87, #D36C9A, #E47EAD, #F590C0 and #FFA2D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD5A8C shade: #BD5A8C, #AC4879, #9B3666, #8A2453 and #791240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD5A8C shade: #BD5A8C, #BD5A72 and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD5A8C shade: #BD5A8C, #BD5AA7, #B95ABD, #9E5ABD and #835ABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD5A8C shade matches the following richer shades: #BD5A8C, #D0488C, #E2358D and #F5238D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD5A8C shade: #BD5A8C, #AB6D8C, #98808C, #85928C and #73A58C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD5A8C shade: #B85ABD, #BD5AA8, #BD5A8D, #BD5A73 and #BD5C5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD5A8C shade: #8D3863, #AB4478, #BD5A8C, #C978A1 and #D595B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD5A8C shade: #BD5A8C, #BD9E5A and #5AB5BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD5A8C shade: #BD5A8C, #8DBD5A and #5A8DBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD5A8C shade: #BD5A8C, #BD9E5A, #5ABD8A and #5A7ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD5A8C shade: #BD5A8C, #BDBB5A, #5ABD8A and #5A5CBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

Complementary color

CMYK 60 / 0 / 30 / 35

HEX #42A573

RGB 66 165 115

HSL 149.7, 0.43%, 0.45%

LAB 61.05, -40.81, 17.5

 

CMYK 0 / 54 / 30 / 24

HEX #C25A87

RGB 194 90 135

HSL 334.04, 0.46%, 0.56%

LAB 52.43, 46.51, -4.95

 

CMYK 0 / 49 / 27 / 17

HEX #D36C9A

RGB 211 108 154

HSL 333.2, 0.54%, 0.63%

LAB 58.89, 45.74, -6.25

 

CMYK 0 / 45 / 24 / 11

HEX #E47EAD

RGB 228 126 173

HSL 332.35, 0.65%, 0.69%

LAB 65.3, 44.93, -7.35

 

CMYK 0 / 41 / 22 / 4

HEX #F590C0

RGB 245 144 192

HSL 331.49, 0.83%, 0.76%

LAB 71.67, 44.13, -8.31

 

CMYK 0 / 36 / 17 / 0

HEX #FFA2D3

RGB 255 162 211

HSL 328.39, 1%, 0.82%

LAB 77.16, 41.01, -10.46

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 58 / 30 / 33

HEX #AC4879

RGB 172 72 121

HSL 330.6, 0.41%, 0.48%

LAB 45.34, 46.2, -7.44

 

CMYK 0 / 65 / 34 / 39

HEX #9B3666

RGB 155 54 102

HSL 331.49, 0.48%, 0.41%

LAB 38.84, 46.63, -5.67

 

CMYK 0 / 74 / 40 / 46

HEX #8A2453

RGB 138 36 83

HSL 332.35, 0.59%, 0.34%

LAB 32.46, 46.57, -3.32

 

CMYK 0 / 85 / 47 / 53

HEX #791240

RGB 121 18 64

HSL 333.2, 0.74%, 0.27%

LAB 26.35, 45.56, -0.06

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 52 / 40 / 26

HEX #BD5A72

RGB 189 90 114

HSL 345.45, 0.43%, 0.55%

LAB 51.09, 42.24, 5.51

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 52 / 12 / 26

HEX #BD5AA7

RGB 189 90 167

HSL 313.33, 0.43%, 0.55%

LAB 52.86, 49.62, -23.22

 

CMYK 2 / 52 / 0 / 26

HEX #B95ABD

RGB 185 90 189

HSL 297.58, 0.43%, 0.55%

LAB 53.28, 52.28, -35.39

 

CMYK 16 / 52 / 0 / 26

HEX #9E5ABD

RGB 158 90 189

HSL 281.21, 0.43%, 0.55%

LAB 49.8, 44.81, -41.1

 

CMYK 31 / 52 / 0 / 26

HEX #835ABD

RGB 131 90 189

HSL 264.85, 0.43%, 0.55%

LAB 46.73, 37.56, -46.18

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 65 / 33 / 18

HEX #D0488C

RGB 208 72 140

HSL 330, 0.59%, 0.55%

LAB 51.77, 59.55, -8.68

 

CMYK 0 / 77 / 38 / 11

HEX #E2358D

RGB 226 53 141

HSL 329.48, 0.75%, 0.55%

LAB 52.55, 71.06, -7.78

 

CMYK 0 / 86 / 42 / 4

HEX #F5238D

RGB 245 35 141

HSL 329.71, 0.91%, 0.55%

LAB 54.59, 79.75, -4.37

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 36 / 18 / 33

HEX #AB6D8C

RGB 171 109 140

HSL 330, 0.27%, 0.55%

LAB 53.48, 29.19, -6.68

 

CMYK 0 / 16 / 8 / 40

HEX #98808C

RGB 152 128 140

HSL 330, 0.1%, 0.55%

LAB 56.09, 11.31, -3.04

 

CMYK 9 / 0 / 4 / 43

HEX #85928C

RGB 133 146 140

HSL 152.31, 0.06%, 0.55%

LAB 59.38, -5.89, 1.57

 

CMYK 30 / 0 / 15 / 35

HEX #73A58C

RGB 115 165 140

HSL 150, 0.22%, 0.55%

LAB 63.71, -22.12, 7.67

 

CMYK 3 / 52 / 0 / 26

HEX #B85ABD

RGB 184 90 189

HSL 296.97, 0.43%, 0.55%

LAB 53.14, 52, -35.62

 

CMYK 0 / 52 / 11 / 26

HEX #BD5AA8

RGB 189 90 168

HSL 312.73, 0.43%, 0.55%

LAB 52.9, 49.78, -23.74

 

CMYK 0 / 52 / 25 / 26

HEX #BD5A8D

RGB 189 90 141

HSL 329.09, 0.43%, 0.55%

LAB 51.9, 45.67, -9.38

 

CMYK 0 / 52 / 39 / 26

HEX #BD5A73

RGB 189 90 115

HSL 344.85, 0.43%, 0.55%

LAB 51.12, 42.35, 4.95

 

CMYK 0 / 51 / 52 / 26

HEX #BD5C5A

RGB 189 92 90

HSL 1.21, 0.43%, 0.55%

LAB 50.93, 38.79, 19.58

 

CMYK 0 / 60 / 30 / 45

HEX #8D3863

RGB 141 56 99

HSL 329.65, 0.43%, 0.39%

LAB 36.73, 40.81, -7.18

 

CMYK 0 / 60 / 30 / 33

HEX #AB4478

RGB 171 68 120

HSL 329.71, 0.43%, 0.47%

LAB 44.44, 47.62, -8.19

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 40 / 20 / 21

HEX #C978A1

RGB 201 120 161

HSL 329.63, 0.43%, 0.63%

LAB 60.27, 37.11, -8.37

 

CMYK 0 / 30 / 15 / 16

HEX #D595B5

RGB 213 149 181

HSL 330, 0.43%, 0.71%

LAB 68.73, 28.83, -6.95

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 16 / 52 / 26

HEX #BD9E5A

RGB 189 158 90

HSL 41.21, 0.43%, 0.55%

LAB 66.53, 2.86, 39.51

 

CMYK 52 / 4 / 0 / 26

HEX #5AB5BD

RGB 90 181 189

HSL 184.85, 0.43%, 0.55%

LAB 68.68, -24.83, -12.39

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 25 / 0 / 52 / 26

HEX #8DBD5A

RGB 141 189 90

HSL 89.09, 0.43%, 0.55%

LAB 71.42, -32.52, 44.53

 

CMYK 52 / 25 / 0 / 26

HEX #5A8DBD

RGB 90 141 189

HSL 209.09, 0.43%, 0.55%

LAB 56.98, -3.3, -30.25

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 16 / 52 / 26

HEX #BD9E5A

RGB 189 158 90

HSL 41.21, 0.43%, 0.55%

LAB 66.53, 2.86, 39.51

 

CMYK 52 / 0 / 27 / 26

HEX #5ABD8A

RGB 90 189 138

HSL 149.09, 0.43%, 0.55%

LAB 69.76, -40.95, 17.11

 

CMYK 52 / 35 / 0 / 26

HEX #5A7ABD

RGB 90 122 189

HSL 220.61, 0.43%, 0.55%

LAB 51.57, 7.91, -38.7

 

CMYK 0 / 52 / 26 / 26

HEX #BD5A8C

RGB 189 90 140

HSL 329.7, 0.43%, 0.55%

LAB 51.87, 45.53, -8.84

 

CMYK 0 / 1 / 52 / 26

HEX #BDBB5A

RGB 189 187 90

HSL 58.79, 0.43%, 0.55%

LAB 74.25, -12.45, 48.71

 

CMYK 52 / 0 / 27 / 26

HEX #5ABD8A

RGB 90 189 138

HSL 149.09, 0.43%, 0.55%

LAB 69.76, -40.95, 17.11

 

CMYK 52 / 51 / 0 / 26

HEX #5A5CBD

RGB 90 92 189

HSL 238.79, 0.43%, 0.55%

LAB 43.51, 26.46, -51.53

 

Description

Color code: HEX #BD5A8C | qconv.com Color code: HEX #BD5A8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 90 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 90 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 26% 26% C M Y K

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Provide designers and agencies with accurate color values.

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