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Color name
HEX #BD5B68

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5B68 it is the complementary color #42A497. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5B68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD5B68 shade: #C25B63, #D36D76, #E47F89, #F5919C and #FFA3AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5B68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD5B68 shade: #BD5B68, #AC4955, #9B3742, #8A252F and #79131C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD5B68 shade: #BD5A67 and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD5B68 shade: #BD5A67, #BD5A82, #BD5A9D, #BD5AB7 and #A85ABD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD5B68 shade matches the following richer shades: #BD5A67, #D0485A, #E2354C and #F5233F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD5B68 shade: #BD5A67, #AB6D75, #988083, #859290 and #73A59E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD5B68 shade: #BD5A9C, #BD5A82, #BD5A68, #BD685A and #BD825A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD5B68 shade: #8D3843, #AB4451, #BD5A67, #C97883 and #D5959E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD5B68 shade: #BD5B68, #B7BD5A and #5A8FBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD5B68 shade: #BD5B68, #68BD5A and #5A68BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD5B68 shade: #BD5B68, #B7BD5A, #5ABDB0 and #615ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD5B68 shade: #BD5B68, #99BD5A, #5ABDB0 and #7F5ABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 45 / 26

HEX #BD5B68

RGB 189 91 104

HSL 352.04, 0.43%, 0.55%

LAB 51.04, 40.65, 11.41

 

Complementary color

CMYK 60 / 0 / 8 / 36

HEX #42A497

RGB 66 164 151

HSL 172.04, 0.43%, 0.45%

LAB 61.61, -31.72, -1.81

 

CMYK 0 / 53 / 49 / 24

HEX #C25B63

RGB 194 91 99

HSL 355.34, 0.46%, 0.56%

LAB 51.67, 41.97, 15.37

 

CMYK 0 / 48 / 44 / 17

HEX #D36D76

RGB 211 109 118

HSL 354.71, 0.54%, 0.63%

LAB 58.13, 40.92, 13.55

 

CMYK 0 / 44 / 40 / 11

HEX #E47F89

RGB 228 127 137

HSL 354.06, 0.65%, 0.7%

LAB 64.55, 39.9, 11.99

 

CMYK 0 / 41 / 36 / 4

HEX #F5919C

RGB 245 145 156

HSL 353.4, 0.83%, 0.76%

LAB 70.91, 38.93, 10.62

 

CMYK 0 / 36 / 31 / 0

HEX #FFA3AF

RGB 255 163 175

HSL 352.17, 1%, 0.82%

LAB 76.41, 35.51, 8.12

 

CMYK 0 / 52 / 45 / 26

HEX #BD5B68

RGB 189 91 104

HSL 352.04, 0.43%, 0.55%

LAB 51.04, 40.65, 11.41

 

CMYK 0 / 58 / 51 / 33

HEX #AC4955

RGB 172 73 85

HSL 352.73, 0.4%, 0.48%

LAB 44.51, 41.64, 13.41

 

CMYK 0 / 65 / 57 / 39

HEX #9B3742

RGB 155 55 66

HSL 353.4, 0.48%, 0.41%

LAB 38.01, 42.5, 15.91

 

CMYK 0 / 73 / 66 / 46

HEX #8A252F

RGB 138 37 47

HSL 354.06, 0.58%, 0.34%

LAB 31.65, 43.02, 19.1

 

CMYK 0 / 84 / 77 / 53

HEX #79131C

RGB 121 19 28

HSL 354.71, 0.73%, 0.27%

LAB 25.61, 42.73, 23.26

 

CMYK 0 / 52 / 46 / 26

HEX #BD5A67

RGB 189 90 103

HSL 352.12, 0.43%, 0.55%

LAB 50.82, 41.05, 11.69

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 52 / 46 / 26

HEX #BD5A67

RGB 189 90 103

HSL 352.12, 0.43%, 0.55%

LAB 50.82, 41.05, 11.69

 

CMYK 0 / 52 / 31 / 26

HEX #BD5A82

RGB 189 90 130

HSL 335.76, 0.43%, 0.55%

LAB 51.55, 44.19, -3.37

 

CMYK 0 / 52 / 17 / 26

HEX #BD5A9D

RGB 189 90 157

HSL 319.39, 0.43%, 0.55%

LAB 52.47, 48.03, -17.96

 

CMYK 0 / 52 / 3 / 26

HEX #BD5AB7

RGB 189 90 183

HSL 303.64, 0.43%, 0.55%

LAB 53.55, 52.33, -31.47

 

CMYK 11 / 52 / 0 / 26

HEX #A85ABD

RGB 168 90 189

HSL 287.27, 0.43%, 0.55%

LAB 51.05, 47.56, -39.05

 

CMYK 0 / 52 / 46 / 26

HEX #BD5A67

RGB 189 90 103

HSL 352.12, 0.43%, 0.55%

LAB 50.82, 41.05, 11.69

 

CMYK 0 / 65 / 57 / 18

HEX #D0485A

RGB 208 72 90

HSL 352.06, 0.59%, 0.55%

LAB 50.43, 54.75, 19.43

 

CMYK 0 / 77 / 66 / 11

HEX #E2354C

RGB 226 53 76

HSL 352.02, 0.75%, 0.55%

LAB 50.96, 66.1, 29.11

 

CMYK 0 / 86 / 74 / 4

HEX #F5233F

RGB 245 35 63

HSL 352, 0.91%, 0.55%

LAB 52.92, 74.96, 39.92

 

CMYK 0 / 52 / 46 / 26

HEX #BD5A67

RGB 189 90 103

HSL 352.12, 0.43%, 0.55%

LAB 50.82, 41.05, 11.69

 

CMYK 0 / 36 / 32 / 33

HEX #AB6D75

RGB 171 109 117

HSL 352.26, 0.27%, 0.55%

LAB 52.82, 25.74, 5.88

 

CMYK 0 / 16 / 14 / 40

HEX #988083

RGB 152 128 131

HSL 352.5, 0.1%, 0.55%

LAB 55.84, 9.7, 1.8

 

CMYK 9 / 0 / 1 / 43

HEX #859290

RGB 133 146 144

HSL 170.77, 0.06%, 0.55%

LAB 59.49, -5.08, -0.55

 

CMYK 30 / 0 / 4 / 35

HEX #73A59E

RGB 115 165 158

HSL 171.6, 0.22%, 0.55%

LAB 64.18, -18.15, -1.72

 

CMYK 0 / 52 / 17 / 26

HEX #BD5A9C

RGB 189 90 156

HSL 320, 0.43%, 0.55%

LAB 52.43, 47.88, -17.43

 

CMYK 0 / 52 / 31 / 26

HEX #BD5A82

RGB 189 90 130

HSL 335.76, 0.43%, 0.55%

LAB 51.55, 44.19, -3.37

 

CMYK 0 / 52 / 45 / 26

HEX #BD5A68

RGB 189 90 104

HSL 351.52, 0.43%, 0.55%

LAB 50.84, 41.15, 11.13

 

CMYK 0 / 45 / 52 / 26

HEX #BD685A

RGB 189 104 90

HSL 8.48, 0.43%, 0.55%

LAB 53.45, 32.49, 22.92

 

CMYK 0 / 31 / 52 / 26

HEX #BD825A

RGB 189 130 90

HSL 24.24, 0.43%, 0.55%

LAB 59.45, 18.25, 30.71

 

CMYK 0 / 60 / 52 / 45

HEX #8D3843

RGB 141 56 67

HSL 352.24, 0.43%, 0.39%

LAB 35.78, 37.1, 11.84

 

CMYK 0 / 60 / 53 / 33

HEX #AB4451

RGB 171 68 81

HSL 352.43, 0.43%, 0.47%

LAB 43.34, 43.33, 14.24

 

CMYK 0 / 52 / 46 / 26

HEX #BD5A67

RGB 189 90 103

HSL 352.12, 0.43%, 0.55%

LAB 50.82, 41.05, 11.69

 

CMYK 0 / 40 / 35 / 21

HEX #C97883

RGB 201 120 131

HSL 351.85, 0.43%, 0.63%

LAB 59.42, 32.94, 7.67

 

CMYK 0 / 30 / 26 / 16

HEX #D5959E

RGB 213 149 158

HSL 351.56, 0.43%, 0.71%

LAB 68.1, 25.33, 4.98

 

CMYK 0 / 52 / 45 / 26

HEX #BD5B68

RGB 189 91 104

HSL 352.04, 0.43%, 0.55%

LAB 51.04, 40.65, 11.41

 

CMYK 3 / 0 / 52 / 26

HEX #B7BD5A

RGB 183 189 90

HSL 63.64, 0.43%, 0.55%

LAB 74.32, -15.95, 48.67

 

CMYK 52 / 24 / 0 / 26

HEX #5A8FBD

RGB 90 143 189

HSL 207.88, 0.43%, 0.55%

LAB 57.55, -4.45, -29.36

 

CMYK 0 / 52 / 45 / 26

HEX #BD5B68

RGB 189 91 104

HSL 352.04, 0.43%, 0.55%

LAB 51.04, 40.65, 11.41

 

CMYK 45 / 0 / 52 / 26

HEX #68BD5A

RGB 104 189 90

HSL 111.52, 0.43%, 0.55%

LAB 69.52, -45.1, 41.8

 

CMYK 52 / 45 / 0 / 26

HEX #5A68BD

RGB 90 104 189

HSL 231.52, 0.43%, 0.55%

LAB 46.64, 18.98, -46.52

 

CMYK 0 / 52 / 45 / 26

HEX #BD5B68

RGB 189 91 104

HSL 352.04, 0.43%, 0.55%

LAB 51.04, 40.65, 11.41

 

CMYK 3 / 0 / 52 / 26

HEX #B7BD5A

RGB 183 189 90

HSL 63.64, 0.43%, 0.55%

LAB 74.32, -15.95, 48.67

 

CMYK 52 / 0 / 7 / 26

HEX #5ABDB0

RGB 90 189 176

HSL 172.12, 0.43%, 0.55%

LAB 70.67, -32.18, -2.29

 

CMYK 49 / 52 / 0 / 26

HEX #615ABD

RGB 97 90 189

HSL 244.24, 0.43%, 0.55%

LAB 43.55, 29.24, -51.44

 

CMYK 0 / 52 / 45 / 26

HEX #BD5B68

RGB 189 91 104

HSL 352.04, 0.43%, 0.55%

LAB 51.04, 40.65, 11.41

 

CMYK 19 / 0 / 52 / 26

HEX #99BD5A

RGB 153 189 90

HSL 81.82, 0.43%, 0.55%

LAB 72.17, -27.96, 45.6

 

CMYK 52 / 0 / 7 / 26

HEX #5ABDB0

RGB 90 189 176

HSL 172.12, 0.43%, 0.55%

LAB 70.67, -32.18, -2.29

 

CMYK 33 / 52 / 0 / 26

HEX #7F5ABD

RGB 127 90 189

HSL 262.42, 0.43%, 0.55%

LAB 46.31, 36.52, -46.87

 

Description

Color code: HEX #BD5B68 | qconv.com Color code: HEX #BD5B68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 91 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 91 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 45 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 45% 26% C M Y K

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Provide designers and agencies with accurate color values.

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