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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5F82 it is the complementary color #42A07D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5F82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD5F82 shade: #C25F7D, #D37190, #E483A3, #F595B6 and #FFA7C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5F82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD5F82 shade: #BD5F82, #AC4D6F, #9B3B5C, #8A2949 and #791736

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD5F82 shade: #BD5F82, #BD5F69 and #BD5F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD5F82 shade: #BD5F82, #BD5F9C, #BD5FB5, #AC5FBD and #935FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD5F82 shade matches the following richer shades: #BD5F82, #D04D7E, #E23B79 and #F42974

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD5F82 shade: #BD5F82, #AB7187, #99838C, #879690 and #75A895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD5F82 shade: #BD5FB6, #BD5F9C, #BD5F83, #BD5F6A and #BD6D5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD5F82 shade: #903A5A, #AD466D, #BD5F82, #C97C99 and #D59AB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD5F82 shade: #BD5F82, #BDAC5F and #5FA9BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD5F82 shade: #BD5F82, #83BD5F and #5F83BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD5F82 shade: #BD5F82, #BDAC5F, #5FBD99 and #5F70BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD5F82 shade: #BD5F82, #B2BD5F, #5FBD99 and #6A5FBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

Complementary color

CMYK 59 / 0 / 22 / 37

HEX #42A07D

RGB 66 160 125

HSL 157.66, 0.42%, 0.44%

LAB 59.69, -36.38, 10.04

 

CMYK 0 / 51 / 36 / 24

HEX #C25F7D

RGB 194 95 125

HSL 341.82, 0.45%, 0.57%

LAB 53.1, 42.76, 1.95

 

CMYK 0 / 46 / 32 / 17

HEX #D37190

RGB 211 113 144

HSL 341.02, 0.53%, 0.64%

LAB 59.59, 41.88, 0.57

 

CMYK 0 / 43 / 29 / 11

HEX #E483A3

RGB 228 131 163

HSL 340.21, 0.64%, 0.7%

LAB 66.04, 41, -0.61

 

CMYK 0 / 39 / 26 / 4

HEX #F595B6

RGB 245 149 182

HSL 339.38, 0.83%, 0.77%

LAB 72.42, 40.16, -1.66

 

CMYK 0 / 35 / 21 / 0

HEX #FFA7C9

RGB 255 167 201

HSL 336.82, 1%, 0.83%

LAB 77.94, 36.95, -3.85

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 0 / 55 / 35 / 33

HEX #AC4D6F

RGB 172 77 111

HSL 338.53, 0.38%, 0.49%

LAB 45.94, 42.48, -0.45

 

CMYK 0 / 62 / 41 / 39

HEX #9B3B5C

RGB 155 59 92

HSL 339.38, 0.45%, 0.42%

LAB 39.36, 43.17, 1.39

 

CMYK 0 / 70 / 47 / 46

HEX #8A2949

RGB 138 41 73

HSL 340.21, 0.54%, 0.35%

LAB 32.85, 43.53, 3.78

 

CMYK 0 / 81 / 55 / 53

HEX #791736

RGB 121 23 54

HSL 341.02, 0.68%, 0.28%

LAB 26.57, 43.17, 7.04

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 0 / 50 / 44 / 26

HEX #BD5F69

RGB 189 95 105

HSL 353.62, 0.42%, 0.56%

LAB 51.86, 38.7, 11.97

 

CMYK 0 / 50 / 50 / 26

HEX #BD5F5F

RGB 189 95 95

HSL 0, 0.42%, 0.56%

LAB 51.64, 37.7, 17.58

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 0 / 50 / 17 / 26

HEX #BD5F9C

RGB 189 95 156

HSL 321.06, 0.42%, 0.56%

LAB 53.39, 45.38, -15.98

 

CMYK 0 / 50 / 4 / 26

HEX #BD5FB5

RGB 189 95 181

HSL 305.11, 0.42%, 0.56%

LAB 54.39, 49.52, -29.01

 

CMYK 9 / 50 / 0 / 26

HEX #AC5FBD

RGB 172 95 189

HSL 289.15, 0.42%, 0.56%

LAB 52.54, 46.09, -36.67

 

CMYK 22 / 50 / 0 / 26

HEX #935FBD

RGB 147 95 189

HSL 273.19, 0.42%, 0.56%

LAB 49.57, 39.05, -41.55

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 0 / 63 / 39 / 18

HEX #D04D7E

RGB 208 77 126

HSL 337.56, 0.58%, 0.56%

LAB 52.09, 55.91, 0.16

 

CMYK 0 / 74 / 46 / 11

HEX #E23B79

RGB 226 59 121

HSL 337.72, 0.74%, 0.56%

LAB 52.59, 67.36, 4.27

 

CMYK 0 / 83 / 52 / 4

HEX #F42974

RGB 244 41 116

HSL 337.83, 0.9%, 0.56%

LAB 54.11, 76.36, 9.89

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 0 / 34 / 21 / 33

HEX #AB7187

RGB 171 113 135

HSL 337.24, 0.26%, 0.56%

LAB 54.26, 26.15, -2.6

 

CMYK 0 / 14 / 8 / 40

HEX #99838C

RGB 153 131 140

HSL 335.45, 0.1%, 0.56%

LAB 56.98, 9.97, -1.74

 

CMYK 10 / 0 / 4 / 41

HEX #879690

RGB 135 150 144

HSL 156, 0.07%, 0.56%

LAB 60.76, -6.58, 1.33

 

CMYK 30 / 0 / 11 / 34

HEX #75A895

RGB 117 168 149

HSL 157.65, 0.23%, 0.56%

LAB 64.93, -21.11, 4.41

 

CMYK 0 / 50 / 4 / 26

HEX #BD5FB6

RGB 189 95 182

HSL 304.47, 0.42%, 0.56%

LAB 54.43, 49.69, -29.52

 

CMYK 0 / 50 / 17 / 26

HEX #BD5F9C

RGB 189 95 156

HSL 321.06, 0.42%, 0.56%

LAB 53.39, 45.38, -15.98

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F83

RGB 189 95 131

HSL 337.02, 0.42%, 0.56%

LAB 52.56, 41.79, -2.48

 

CMYK 0 / 50 / 44 / 26

HEX #BD5F6A

RGB 189 95 106

HSL 352.98, 0.42%, 0.56%

LAB 51.89, 38.81, 11.41

 

CMYK 0 / 42 / 50 / 26

HEX #BD6D5F

RGB 189 109 95

HSL 8.94, 0.42%, 0.56%

LAB 54.64, 30.26, 21.62

 

CMYK 0 / 60 / 38 / 44

HEX #903A5A

RGB 144 58 90

HSL 337.67, 0.43%, 0.4%

LAB 37.29, 39.67, -0.59

 

CMYK 0 / 60 / 37 / 32

HEX #AD466D

RGB 173 70 109

HSL 337.28, 0.42%, 0.48%

LAB 44.76, 45.96, -0.94

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 0 / 38 / 24 / 21

HEX #C97C99

RGB 201 124 153

HSL 337.4, 0.42%, 0.64%

LAB 60.9, 33.77, -2.85

 

CMYK 0 / 28 / 17 / 16

HEX #D59AB0

RGB 213 154 176

HSL 337.63, 0.41%, 0.72%

LAB 69.75, 25.32, -2.67

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 0 / 9 / 50 / 26

HEX #BDAC5F

RGB 189 172 95

HSL 49.15, 0.42%, 0.56%

LAB 70.28, -4.19, 41.54

 

CMYK 50 / 11 / 0 / 26

HEX #5FA9BD

RGB 95 169 189

HSL 192.77, 0.42%, 0.56%

LAB 65.34, -17.56, -17.39

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 31 / 0 / 50 / 26

HEX #83BD5F

RGB 131 189 95

HSL 97.02, 0.42%, 0.56%

LAB 70.9, -35.58, 41.34

 

CMYK 50 / 31 / 0 / 26

HEX #5F83BD

RGB 95 131 189

HSL 217.02, 0.42%, 0.56%

LAB 54.39, 3.71, -34.27

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 0 / 9 / 50 / 26

HEX #BDAC5F

RGB 189 172 95

HSL 49.15, 0.42%, 0.56%

LAB 70.28, -4.19, 41.54

 

CMYK 50 / 0 / 19 / 26

HEX #5FBD99

RGB 95 189 153

HSL 157.02, 0.42%, 0.56%

LAB 70.27, -36.52, 9.72

 

CMYK 50 / 41 / 0 / 26

HEX #5F70BD

RGB 95 112 189

HSL 229.15, 0.42%, 0.56%

LAB 49.12, 15.19, -42.55

 

CMYK 0 / 50 / 31 / 26

HEX #BD5F82

RGB 189 95 130

HSL 337.66, 0.42%, 0.56%

LAB 52.53, 41.65, -1.93

 

CMYK 6 / 0 / 50 / 26

HEX #B2BD5F

RGB 178 189 95

HSL 67.02, 0.42%, 0.56%

LAB 73.99, -17.54, 45.79

 

CMYK 50 / 0 / 19 / 26

HEX #5FBD99

RGB 95 189 153

HSL 157.02, 0.42%, 0.56%

LAB 70.27, -36.52, 9.72

 

CMYK 44 / 50 / 0 / 26

HEX #6A5FBD

RGB 106 95 189

HSL 247.02, 0.42%, 0.56%

LAB 45.53, 28.28, -48.23

 

Description

Color code: HEX #BD5F82 | qconv.com Color code: HEX #BD5F82 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 95 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 95 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 31 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 31% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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