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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD6594 it is the complementary color #429A6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD6594. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD6594 shade: #C2658F, #D377A2, #E489B5, #F59BC8 and #FFADDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD6594. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD6594 shade: #BD6594, #AC5381, #9B416E, #8A2F5B and #791D48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD6594 shade: #BD6594, #BD657C and #BD6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD6594 shade: #BD6594, #BD65AC, #B665BD, #9F65BD and #8765BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD6594 shade matches the following richer shades: #BD6594, #CE5395, #E04296 and #F23097

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD6594 shade: #BD6594, #AB7793, #998891, #879A90 and #76AC8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD6594 shade: #B565BD, #BD65AD, #BD6595, #BD657E and #BD6566

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD6594 shade: #913E6A, #AE4A80, #BD6594, #C982A8 and #D59FBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD6594 shade: #BD6594, #BD9E65 and #65B8BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD6594 shade: #BD6594, #95BD65 and #6595BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD6594 shade: #BD6594, #BD9E65, #65BD8C and #6584BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD6594 shade: #BD6594, #BDB865, #65BD8C and #6569BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

Complementary color

CMYK 57 / 0 / 31 / 40

HEX #429A6B

RGB 66 154 107

HSL 147.95, 0.4%, 0.43%

LAB 57.4, -37.69, 16.92

 

CMYK 0 / 48 / 26 / 24

HEX #C2658F

RGB 194 101 143

HSL 332.9, 0.43%, 0.58%

LAB 54.82, 42.05, -6.12

 

CMYK 0 / 44 / 23 / 17

HEX #D377A2

RGB 211 119 162

HSL 331.96, 0.51%, 0.65%

LAB 61.35, 41.23, -7.2

 

CMYK 0 / 40 / 21 / 11

HEX #E489B5

RGB 228 137 181

HSL 330.99, 0.63%, 0.72%

LAB 67.81, 40.41, -8.13

 

CMYK 0 / 37 / 18 / 4

HEX #F59BC8

RGB 245 155 200

HSL 330, 0.82%, 0.78%

LAB 74.21, 39.63, -8.96

 

CMYK 0 / 32 / 14 / 0

HEX #FFADDB

RGB 255 173 219

HSL 326.34, 1%, 0.84%

LAB 79.76, 36.54, -10.93

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 52 / 25 / 33

HEX #AC5381

RGB 172 83 129

HSL 328.99, 0.35%, 0.5%

LAB 47.68, 41.86, -8.79

 

CMYK 0 / 58 / 29 / 39

HEX #9B416E

RGB 155 65 110

HSL 330, 0.41%, 0.43%

LAB 41.02, 42.55, -7.42

 

CMYK 0 / 66 / 34 / 46

HEX #8A2F5B

RGB 138 47 91

HSL 330.99, 0.49%, 0.36%

LAB 34.38, 42.99, -5.64

 

CMYK 0 / 76 / 40 / 53

HEX #791D48

RGB 121 29 72

HSL 331.96, 0.61%, 0.29%

LAB 27.88, 42.87, -3.21

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 47 / 34 / 26

HEX #BD657C

RGB 189 101 124

HSL 344.32, 0.4%, 0.57%

LAB 53.58, 37.77, 3.16

 

CMYK 0 / 47 / 47 / 26

HEX #BD6565

RGB 189 101 101

HSL 0, 0.4%, 0.57%

LAB 53.02, 35.14, 15.93

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 47 / 9 / 26

HEX #BD65AC

RGB 189 101 172

HSL 311.59, 0.4%, 0.57%

LAB 55.18, 44.92, -22.57

 

CMYK 4 / 47 / 0 / 26

HEX #B665BD

RGB 182 101 189

HSL 295.23, 0.4%, 0.57%

LAB 55, 45.86, -32.73

 

CMYK 16 / 47 / 0 / 26

HEX #9F65BD

RGB 159 101 189

HSL 279.55, 0.4%, 0.57%

LAB 52.23, 39.13, -37.26

 

CMYK 29 / 47 / 0 / 26

HEX #8765BD

RGB 135 101 189

HSL 263.18, 0.4%, 0.57%

LAB 49.66, 32.28, -41.5

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 60 / 28 / 19

HEX #CE5395

RGB 206 83 149

HSL 327.8, 0.56%, 0.57%

LAB 53.47, 55.4, -11.5

 

CMYK 0 / 71 / 33 / 12

HEX #E04296

RGB 224 66 150

HSL 328.1, 0.72%, 0.57%

LAB 53.97, 67.38, -11.04

 

CMYK 0 / 80 / 38 / 5

HEX #F23097

RGB 242 48 151

HSL 328.14, 0.88%, 0.57%

LAB 55.3, 77.27, -9.31

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 30 / 14 / 33

HEX #AB7793

RGB 171 119 147

HSL 327.69, 0.24%, 0.57%

LAB 56.05, 24.74, -6.95

 

CMYK 0 / 11 / 5 / 40

HEX #998891

RGB 153 136 145

HSL 328.24, 0.08%, 0.57%

LAB 58.44, 8.04, -2.47

 

CMYK 12 / 0 / 6 / 40

HEX #879A90

RGB 135 154 144

HSL 148.42, 0.09%, 0.57%

LAB 61.89, -8.76, 2.97

 

CMYK 31 / 0 / 17 / 33

HEX #76AC8F

RGB 118 172 143

HSL 147.78, 0.25%, 0.57%

LAB 66.01, -24.08, 9.3

 

CMYK 4 / 47 / 0 / 26

HEX #B565BD

RGB 181 101 189

HSL 294.55, 0.4%, 0.57%

LAB 54.87, 45.57, -32.94

 

CMYK 0 / 47 / 8 / 26

HEX #BD65AD

RGB 189 101 173

HSL 310.91, 0.4%, 0.57%

LAB 55.22, 45.09, -23.09

 

CMYK 0 / 47 / 21 / 26

HEX #BD6595

RGB 189 101 149

HSL 327.27, 0.4%, 0.57%

LAB 54.34, 41.22, -10.44

 

CMYK 0 / 47 / 33 / 26

HEX #BD657E

RGB 189 101 126

HSL 342.95, 0.4%, 0.57%

LAB 53.63, 38.02, 2.06

 

CMYK 0 / 47 / 46 / 26

HEX #BD6566

RGB 189 101 102

HSL 359.32, 0.4%, 0.57%

LAB 53.04, 35.25, 15.37

 

CMYK 0 / 57 / 27 / 43

HEX #913E6A

RGB 145 62 106

HSL 328.19, 0.4%, 0.41%

LAB 38.73, 40.16, -8.51

 

CMYK 0 / 57 / 26 / 32

HEX #AE4A80

RGB 174 74 128

HSL 327.6, 0.4%, 0.49%

LAB 46.25, 46.83, -10.3

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 35 / 16 / 21

HEX #C982A8

RGB 201 130 168

HSL 327.89, 0.4%, 0.65%

LAB 62.68, 32.83, -8.77

 

CMYK 0 / 25 / 12 / 16

HEX #D59FBC

RGB 213 159 188

HSL 327.78, 0.39%, 0.73%

LAB 71.26, 24.55, -7.08

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 16 / 47 / 26

HEX #BD9E65

RGB 189 158 101

HSL 38.86, 0.4%, 0.57%

LAB 66.68, 3.9, 33.97

 

CMYK 47 / 3 / 0 / 26

HEX #65B8BD

RGB 101 184 189

HSL 183.41, 0.4%, 0.57%

LAB 69.98, -23.89, -10.39

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 21 / 0 / 47 / 26

HEX #95BD65

RGB 149 189 101

HSL 87.27, 0.4%, 0.57%

LAB 72.04, -28.29, 40.01

 

CMYK 47 / 21 / 0 / 26

HEX #6595BD

RGB 101 149 189

HSL 207.27, 0.4%, 0.57%

LAB 59.83, -5.22, -25.79

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 16 / 47 / 26

HEX #BD9E65

RGB 189 158 101

HSL 38.86, 0.4%, 0.57%

LAB 66.68, 3.9, 33.97

 

CMYK 47 / 0 / 26 / 26

HEX #65BD8C

RGB 101 189 140

HSL 146.59, 0.4%, 0.57%

LAB 70.21, -37.75, 16.73

 

CMYK 47 / 30 / 0 / 26

HEX #6584BD

RGB 101 132 189

HSL 218.86, 0.4%, 0.57%

LAB 55.01, 4.59, -33.26

 

CMYK 0 / 47 / 22 / 26

HEX #BD6594

RGB 189 101 148

HSL 327.95, 0.4%, 0.57%

LAB 54.31, 41.07, -9.9

 

CMYK 0 / 3 / 47 / 26

HEX #BDB865

RGB 189 184 101

HSL 56.59, 0.4%, 0.57%

LAB 73.57, -9.91, 42.54

 

CMYK 47 / 0 / 26 / 26

HEX #65BD8C

RGB 101 189 140

HSL 146.59, 0.4%, 0.57%

LAB 70.21, -37.75, 16.73

 

CMYK 47 / 44 / 0 / 26

HEX #6569BD

RGB 101 105 189

HSL 237.27, 0.4%, 0.57%

LAB 47.68, 20.93, -44.82

 

Description

Color code: HEX #BD6594 | qconv.com Color code: HEX #BD6594 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 101 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 101 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 22 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 22% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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