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Color name
HEX #BD6A51

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD6A51 it is the complementary color #4295AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD6A51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD6A51 shade: #C26A4C, #D37C5F, #E48E72, #F5A085 and #FFB298

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD6A51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD6A51 shade: #BD6A51, #AC583E, #9B462B, #8A3418 and #792205

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD6A51 shade: #BD6A51 and #BD5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD6A51 shade: #BD6A51, #BD8751, #BDA451, #B8BD51 and #9BBD51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD6A51 shade matches the following richer shades: #BD6A51, #D05F3D, #E3552A and #F74A17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD6A51 shade: #BD6A51, #A97464, #967F78, #82898B and #6F939E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD6A51 shade: #BD5173, #BD5156, #BD6851, #BD8551 and #BDA251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD6A51 shade: #884733, #A6563E, #BD6A51, #C8836F and #D39D8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD6A51 shade: #BD6A51, #90BD51 and #5164BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD6A51 shade: #BD6A51, #51BD68 and #6851BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD6A51 shade: #BD6A51, #90BD51, #51A5BD and #7E51BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD6A51 shade: #BD6A51, #6FBD51, #51A5BD and #9E51BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

Complementary color

CMYK 62 / 14 / 0 / 32

HEX #4295AE

RGB 66 149 174

HSL 193.89, 0.45%, 0.47%

LAB 57.76, -17.42, -20.6

 

CMYK 0 / 45 / 61 / 24

HEX #C26A4C

RGB 194 106 76

HSL 15.25, 0.49%, 0.53%

LAB 54.34, 32.27, 32.18

 

CMYK 0 / 41 / 55 / 17

HEX #D37C5F

RGB 211 124 95

HSL 15, 0.57%, 0.6%

LAB 60.86, 30.92, 30.3

 

CMYK 0 / 38 / 50 / 11

HEX #E48E72

RGB 228 142 114

HSL 14.74, 0.68%, 0.67%

LAB 67.32, 29.71, 28.62

 

CMYK 0 / 35 / 46 / 4

HEX #F5A085

RGB 245 160 133

HSL 14.46, 0.85%, 0.74%

LAB 73.71, 28.63, 27.11

 

CMYK 0 / 30 / 40 / 0

HEX #FFB298

RGB 255 178 152

HSL 15.15, 1%, 0.8%

LAB 79.25, 24.98, 24.56

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 0 / 49 / 64 / 33

HEX #AC583E

RGB 172 88 62

HSL 14.18, 0.47%, 0.46%

LAB 47.1, 32.05, 30.48

 

CMYK 0 / 55 / 72 / 39

HEX #9B462B

RGB 155 70 43

HSL 14.46, 0.57%, 0.39%

LAB 40.45, 33.59, 32.79

 

CMYK 0 / 62 / 83 / 46

HEX #8A3418

RGB 138 52 24

HSL 14.74, 0.7%, 0.32%

LAB 33.83, 35.18, 35.26

 

CMYK 0 / 72 / 96 / 53

HEX #792205

RGB 121 34 5

HSL 15, 0.92%, 0.25%

LAB 27.35, 36.6, 37.09

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 0 / 57 / 57 / 26

HEX #BD5151

RGB 189 81 81

HSL 0, 0.45%, 0.53%

LAB 48.63, 43.53, 21.86

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 0 / 29 / 57 / 26

HEX #BD8751

RGB 189 135 81

HSL 30, 0.45%, 0.53%

LAB 60.55, 14.71, 36.93

 

CMYK 0 / 13 / 57 / 26

HEX #BDA451

RGB 189 164 81

HSL 46.11, 0.45%, 0.53%

LAB 67.99, -1.13, 45.76

 

CMYK 3 / 0 / 57 / 26

HEX #B8BD51

RGB 184 189 81

HSL 62.78, 0.45%, 0.53%

LAB 74.3, -16.27, 52.84

 

CMYK 18 / 0 / 57 / 26

HEX #9BBD51

RGB 155 189 81

HSL 78.89, 0.45%, 0.53%

LAB 72.2, -28.04, 49.89

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 0 / 54 / 71 / 18

HEX #D05F3D

RGB 208 95 61

HSL 13.88, 0.61%, 0.53%

LAB 53.95, 42.45, 40.43

 

CMYK 0 / 63 / 81 / 11

HEX #E3552A

RGB 227 85 42

HSL 13.95, 0.77%, 0.53%

LAB 55.07, 53.23, 52.04

 

CMYK 0 / 70 / 91 / 3

HEX #F74A17

RGB 247 74 23

HSL 13.66, 0.93%, 0.53%

LAB 56.81, 63.81, 62.4

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 0 / 31 / 41 / 34

HEX #A97464

RGB 169 116 100

HSL 13.91, 0.29%, 0.53%

LAB 53.86, 18.83, 17.25

 

CMYK 0 / 15 / 20 / 41

HEX #967F78

RGB 150 127 120

HSL 14, 0.13%, 0.53%

LAB 55.09, 7.64, 7.07

 

CMYK 6 / 1 / 0 / 45

HEX #82898B

RGB 130 137 139

HSL 193.33, 0.04%, 0.53%

LAB 56.59, -2.15, -1.96

 

CMYK 30 / 7 / 0 / 38

HEX #6F939E

RGB 111 147 158

HSL 194.04, 0.2%, 0.53%

LAB 58.71, -9.72, -9.85

 

CMYK 0 / 57 / 39 / 26

HEX #BD5173

RGB 189 81 115

HSL 341.11, 0.45%, 0.53%

LAB 49.43, 46.77, 2.51

 

CMYK 0 / 57 / 54 / 26

HEX #BD5156

RGB 189 81 86

HSL 357.22, 0.45%, 0.53%

LAB 48.73, 43.93, 19

 

CMYK 0 / 45 / 57 / 26

HEX #BD6851

RGB 189 104 81

HSL 12.78, 0.45%, 0.53%

LAB 53.29, 31.72, 27.89

 

CMYK 0 / 30 / 57 / 26

HEX #BD8551

RGB 189 133 81

HSL 28.89, 0.45%, 0.53%

LAB 60.06, 15.81, 36.33

 

CMYK 0 / 14 / 57 / 26

HEX #BDA251

RGB 189 162 81

HSL 45, 0.45%, 0.53%

LAB 67.47, -0.06, 45.15

 

CMYK 0 / 48 / 63 / 47

HEX #884733

RGB 136 71 51

HSL 14.12, 0.45%, 0.37%

LAB 37.81, 25.72, 24.28

 

CMYK 0 / 48 / 63 / 35

HEX #A6563E

RGB 166 86 62

HSL 13.85, 0.46%, 0.45%

LAB 45.78, 30.7, 28.67

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 0 / 35 / 45 / 22

HEX #C8836F

RGB 200 131 111

HSL 13.48, 0.45%, 0.61%

LAB 61.36, 24.27, 21.75

 

CMYK 0 / 26 / 33 / 17

HEX #D39D8D

RGB 211 157 141

HSL 13.71, 0.44%, 0.69%

LAB 69.39, 17.94, 16.23

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 24 / 0 / 57 / 26

HEX #90BD51

RGB 144 189 81

HSL 85, 0.45%, 0.53%

LAB 71.5, -32.3, 48.9

 

CMYK 57 / 47 / 0 / 26

HEX #5164BD

RGB 81 100 189

HSL 229.44, 0.45%, 0.53%

LAB 44.99, 19.55, -49.19

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 57 / 0 / 45 / 26

HEX #51BD68

RGB 81 189 104

HSL 132.78, 0.45%, 0.53%

LAB 68.86, -49.33, 33.8

 

CMYK 45 / 57 / 0 / 26

HEX #6851BD

RGB 104 81 189

HSL 252.78, 0.45%, 0.53%

LAB 42, 36.25, -53.9

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 24 / 0 / 57 / 26

HEX #90BD51

RGB 144 189 81

HSL 85, 0.45%, 0.53%

LAB 71.5, -32.3, 48.9

 

CMYK 57 / 13 / 0 / 26

HEX #51A5BD

RGB 81 165 189

HSL 193.33, 0.45%, 0.53%

LAB 63.62, -18.46, -20.07

 

CMYK 33 / 57 / 0 / 26

HEX #7E51BD

RGB 126 81 189

HSL 265, 0.45%, 0.53%

LAB 44.23, 41.39, -50.21

 

CMYK 0 / 44 / 57 / 26

HEX #BD6A51

RGB 189 106 81

HSL 13.89, 0.45%, 0.53%

LAB 53.73, 30.64, 28.45

 

CMYK 41 / 0 / 57 / 26

HEX #6FBD51

RGB 111 189 81

HSL 103.33, 0.45%, 0.53%

LAB 69.73, -43.97, 46.4

 

CMYK 57 / 13 / 0 / 26

HEX #51A5BD

RGB 81 165 189

HSL 193.33, 0.45%, 0.53%

LAB 63.62, -18.46, -20.07

 

CMYK 16 / 57 / 0 / 26

HEX #9E51BD

RGB 158 81 189

HSL 282.78, 0.45%, 0.53%

LAB 48.04, 49.48, -43.89

 

Description

Color code: HEX #BD6A51 | qconv.com Color code: HEX #BD6A51 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 106 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 106 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 57 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 57% 26% C M Y K

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Provide designers and agencies with accurate color values.

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