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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD6C5B it is the complementary color #4293A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD6C5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD6C5B shade: #C26C56, #D37E69, #E4907C, #F5A28F and #FFB4A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD6C5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD6C5B shade: #BD6C5B, #AC5A48, #9B4835, #8A3622 and #79240F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD6C5B shade: #BD6C5A and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD6C5B shade: #BD6C5A, #BD865A, #BDA15A, #BDBB5A and #A4BD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD6C5B shade matches the following richer shades: #BD6C5A, #D05F48, #E25335 and #F54723

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD6C5B shade: #BD6C5A, #AB786D, #988480, #859092 and #739CA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD6C5B shade: #BD5A7F, #BD5A64, #BD6B5A, #BD855A and #BD9F5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD6C5B shade: #8D4738, #AB5644, #BD6C5A, #C98678 and #D5A095

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD6C5B shade: #BD6C5B, #99BD5A and #5A71BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD6C5B shade: #BD6C5B, #5ABD6B and #6B5ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD6C5B shade: #BD6C5B, #99BD5A, #5AADBD and #7F5ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD6C5B shade: #BD6C5B, #7BBD5A, #5AADBD and #9C5ABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 52 / 26

HEX #BD6C5B

RGB 189 108 91

HSL 10.41, 0.43%, 0.55%

LAB 54.34, 30.43, 23.53

 

Complementary color

CMYK 60 / 10 / 0 / 36

HEX #4293A4

RGB 66 147 164

HSL 190.41, 0.43%, 0.45%

LAB 56.79, -19.44, -16.38

 

CMYK 0 / 44 / 56 / 24

HEX #C26C56

RGB 194 108 86

HSL 12.22, 0.47%, 0.55%

LAB 54.93, 31.98, 27.29

 

CMYK 0 / 40 / 50 / 17

HEX #D37E69

RGB 211 126 105

HSL 11.89, 0.55%, 0.62%

LAB 61.47, 30.73, 25.52

 

CMYK 0 / 37 / 46 / 11

HEX #E4907C

RGB 228 144 124

HSL 11.54, 0.66%, 0.69%

LAB 67.94, 29.61, 23.95

 

CMYK 0 / 34 / 42 / 4

HEX #F5A28F

RGB 245 162 143

HSL 11.18, 0.84%, 0.76%

LAB 74.34, 28.6, 22.54

 

CMYK 0 / 29 / 36 / 0

HEX #FFB4A2

RGB 255 180 162

HSL 11.61, 1%, 0.82%

LAB 79.9, 25.06, 20.1

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5B

RGB 189 108 91

HSL 10.41, 0.43%, 0.55%

LAB 54.34, 30.43, 23.53

 

CMYK 0 / 48 / 58 / 33

HEX #AC5A48

RGB 172 90 72

HSL 10.8, 0.41%, 0.48%

LAB 47.69, 31.72, 25.44

 

CMYK 0 / 54 / 66 / 39

HEX #9B4835

RGB 155 72 53

HSL 11.18, 0.49%, 0.41%

LAB 40.99, 33.14, 27.67

 

CMYK 0 / 61 / 75 / 46

HEX #8A3622

RGB 138 54 34

HSL 11.54, 0.6%, 0.34%

LAB 34.31, 34.61, 30.27

 

CMYK 0 / 70 / 88 / 53

HEX #79240F

RGB 121 36 15

HSL 11.89, 0.78%, 0.27%

LAB 27.74, 35.95, 33.07

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5A

RGB 189 108 90

HSL 10.91, 0.43%, 0.55%

LAB 54.33, 30.34, 24.08

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5A

RGB 189 108 90

HSL 10.91, 0.43%, 0.55%

LAB 54.33, 30.34, 24.08

 

CMYK 0 / 29 / 52 / 26

HEX #BD865A

RGB 189 134 90

HSL 26.67, 0.43%, 0.55%

LAB 60.43, 16.04, 31.95

 

CMYK 0 / 15 / 52 / 26

HEX #BDA15A

RGB 189 161 90

HSL 43.03, 0.43%, 0.55%

LAB 67.31, 1.24, 40.47

 

CMYK 0 / 1 / 52 / 26

HEX #BDBB5A

RGB 189 187 90

HSL 58.79, 0.43%, 0.55%

LAB 74.25, -12.45, 48.71

 

CMYK 13 / 0 / 52 / 26

HEX #A4BD5A

RGB 164 189 90

HSL 75.15, 0.43%, 0.55%

LAB 72.91, -23.65, 46.66

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5A

RGB 189 108 90

HSL 10.91, 0.43%, 0.55%

LAB 54.33, 30.34, 24.08

 

CMYK 0 / 54 / 65 / 18

HEX #D05F48

RGB 208 95 72

HSL 10.15, 0.59%, 0.55%

LAB 54.09, 43.06, 34.57

 

CMYK 0 / 63 / 77 / 11

HEX #E25335

RGB 226 83 53

HSL 10.4, 0.75%, 0.55%

LAB 54.67, 54.11, 46.24

 

CMYK 0 / 71 / 86 / 4

HEX #F54723

RGB 245 71 35

HSL 10.29, 0.91%, 0.55%

LAB 56.13, 64.46, 57.26

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5A

RGB 189 108 90

HSL 10.91, 0.43%, 0.55%

LAB 54.33, 30.34, 24.08

 

CMYK 0 / 30 / 36 / 33

HEX #AB786D

RGB 171 120 109

HSL 10.65, 0.27%, 0.55%

LAB 55.27, 18.49, 14.02

 

CMYK 0 / 13 / 16 / 40

HEX #988480

RGB 152 132 128

HSL 10, 0.1%, 0.55%

LAB 56.82, 6.9, 4.95

 

CMYK 9 / 1 / 0 / 43

HEX #859092

RGB 133 144 146

HSL 189.23, 0.06%, 0.55%

LAB 58.98, -3.55, -2.43

 

CMYK 30 / 5 / 0 / 35

HEX #739CA5

RGB 115 156 165

HSL 190.8, 0.22%, 0.55%

LAB 61.77, -11.7, -9.22

 

CMYK 0 / 52 / 33 / 26

HEX #BD5A7F

RGB 189 90 127

HSL 337.58, 0.43%, 0.55%

LAB 51.45, 43.8, -1.72

 

CMYK 0 / 52 / 47 / 26

HEX #BD5A64

RGB 189 90 100

HSL 353.94, 0.43%, 0.55%

LAB 50.75, 40.75, 13.39

 

CMYK 0 / 43 / 52 / 26

HEX #BD6B5A

RGB 189 107 90

HSL 10.3, 0.43%, 0.55%

LAB 54.1, 30.88, 23.79

 

CMYK 0 / 30 / 52 / 26

HEX #BD855A

RGB 189 133 90

HSL 26.06, 0.43%, 0.55%

LAB 60.19, 16.59, 31.64

 

CMYK 0 / 16 / 52 / 26

HEX #BD9F5A

RGB 189 159 90

HSL 41.82, 0.43%, 0.55%

LAB 66.79, 2.32, 39.83

 

CMYK 0 / 50 / 60 / 45

HEX #8D4738

RGB 141 71 56

HSL 10.59, 0.43%, 0.39%

LAB 38.65, 28.21, 22.48

 

CMYK 0 / 50 / 60 / 33

HEX #AB5644

RGB 171 86 68

HSL 10.49, 0.43%, 0.47%

LAB 46.62, 33.15, 26.38

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5A

RGB 189 108 90

HSL 10.91, 0.43%, 0.55%

LAB 54.33, 30.34, 24.08

 

CMYK 0 / 33 / 40 / 21

HEX #C98678

RGB 201 134 120

HSL 10.37, 0.43%, 0.63%

LAB 62.36, 24.02, 18.06

 

CMYK 0 / 25 / 30 / 16

HEX #D5A095

RGB 213 160 149

HSL 10.31, 0.43%, 0.71%

LAB 70.5, 18.13, 13.39

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5B

RGB 189 108 91

HSL 10.41, 0.43%, 0.55%

LAB 54.34, 30.43, 23.53

 

CMYK 19 / 0 / 52 / 26

HEX #99BD5A

RGB 153 189 90

HSL 81.82, 0.43%, 0.55%

LAB 72.17, -27.96, 45.6

 

CMYK 52 / 40 / 0 / 26

HEX #5A71BD

RGB 90 113 189

HSL 226.06, 0.43%, 0.55%

LAB 49.08, 13.41, -42.64

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5B

RGB 189 108 91

HSL 10.41, 0.43%, 0.55%

LAB 54.34, 30.43, 23.53

 

CMYK 52 / 0 / 43 / 26

HEX #5ABD6B

RGB 90 189 107

HSL 130.3, 0.43%, 0.55%

LAB 69.21, -46.62, 32.77

 

CMYK 43 / 52 / 0 / 26

HEX #6B5ABD

RGB 107 90 189

HSL 250.3, 0.43%, 0.55%

LAB 44.39, 31.55, -50.04

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5B

RGB 189 108 91

HSL 10.41, 0.43%, 0.55%

LAB 54.34, 30.43, 23.53

 

CMYK 19 / 0 / 52 / 26

HEX #99BD5A

RGB 153 189 90

HSL 81.82, 0.43%, 0.55%

LAB 72.17, -27.96, 45.6

 

CMYK 52 / 8 / 0 / 26

HEX #5AADBD

RGB 90 173 189

HSL 189.7, 0.43%, 0.55%

LAB 66.32, -20.76, -15.94

 

CMYK 33 / 52 / 0 / 26

HEX #7F5ABD

RGB 127 90 189

HSL 262.42, 0.43%, 0.55%

LAB 46.31, 36.52, -46.87

 

CMYK 0 / 43 / 52 / 26

HEX #BD6C5B

RGB 189 108 91

HSL 10.41, 0.43%, 0.55%

LAB 54.34, 30.43, 23.53

 

CMYK 35 / 0 / 52 / 26

HEX #7BBD5A

RGB 123 189 90

HSL 100, 0.43%, 0.55%

LAB 70.42, -38.96, 43.09

 

CMYK 52 / 8 / 0 / 26

HEX #5AADBD

RGB 90 173 189

HSL 189.7, 0.43%, 0.55%

LAB 66.32, -20.76, -15.94

 

CMYK 17 / 52 / 0 / 26

HEX #9C5ABD

RGB 156 90 189

HSL 280, 0.43%, 0.55%

LAB 49.56, 44.26, -41.5

 

Description

Color code: HEX #BD6C5B | qconv.com Color code: HEX #BD6C5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 108 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 108 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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