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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD75C1 it is the complementary color #428A3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD75C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD75C1 shade: #C275BC, #D387CF, #E499E2, #F5ABF5 and #FFBDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD75C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD75C1 shade: #BD75C1, #AC63AE, #9B519B, #8A3F88 and #792D75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD75C1 shade: #BD75C1, #C175B0, #C1759C, #C17588 and #C17575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD75C1 shade: #BD75C1, #A875C1, #9475C1, #8075C1 and #7575C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD75C1 shade matches the following richer shades: #BD75C1, #CB65D1, #DA55E1 and #E845F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD75C1 shade: #BD75C1, #AE85B1, #A095A1, #92A691 and #83B680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD75C1 shade: #9375C1, #A875C1, #BC75C1, #C175B2 and #C1759E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD75C1 shade: #99469D, #AF59B4, #BD75C1, #CA92CE and #D8AEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD75C1 shade: #BD75C1, #C17F75 and #75C19E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD75C1 shade: #BD75C1, #C1BC75 and #75C1BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD75C1 shade: #BD75C1, #C17F75, #7AC175 and #75B7C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD75C1 shade: #BD75C1, #C19675, #7AC175 and #75A0C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

Complementary color

CMYK 52 / 0 / 55 / 46

HEX #428A3E

RGB 66 138 62

HSL 116.84, 0.38%, 0.39%

LAB 51.48, -38.6, 33.59

 

CMYK 0 / 40 / 3 / 24

HEX #C275BC

RGB 194 117 188

HSL 304.68, 0.39%, 0.61%

LAB 59.73, 40.91, -24.72

 

CMYK 0 / 36 / 2 / 17

HEX #D387CF

RGB 211 135 207

HSL 303.16, 0.46%, 0.68%

LAB 66.28, 40.16, -25.2

 

CMYK 0 / 33 / 1 / 11

HEX #E499E2

RGB 228 153 226

HSL 301.6, 0.58%, 0.75%

LAB 72.74, 39.43, -25.64

 

CMYK 0 / 30 / 0 / 4

HEX #F5ABF5

RGB 245 171 245

HSL 300, 0.79%, 0.82%

LAB 79.12, 38.74, -26.04

 

CMYK 0 / 26 / 0 / 0

HEX #FFBDFF

RGB 255 189 255

HSL 300, 1%, 0.87%

LAB 84.42, 34.25, -23.22

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 1 / 43 / 0 / 32

HEX #AC63AE

RGB 172 99 174

HSL 298.4, 0.32%, 0.54%

LAB 52.68, 41.04, -27.78

 

CMYK 0 / 48 / 0 / 39

HEX #9B519B

RGB 155 81 155

HSL 300, 0.31%, 0.46%

LAB 45.93, 41.78, -27.25

 

CMYK 0 / 54 / 1 / 46

HEX #8A3F88

RGB 138 63 136

HSL 301.6, 0.37%, 0.39%

LAB 39.13, 42.42, -26.57

 

CMYK 0 / 63 / 3 / 53

HEX #792D75

RGB 121 45 117

HSL 303.16, 0.46%, 0.33%

LAB 32.32, 42.81, -25.62

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 0 / 39 / 9 / 24

HEX #C175B0

RGB 193 117 176

HSL 313.42, 0.38%, 0.61%

LAB 59.15, 38.46, -18.75

 

CMYK 0 / 39 / 19 / 24

HEX #C1759C

RGB 193 117 156

HSL 329.21, 0.38%, 0.61%

LAB 58.47, 35.17, -8.28

 

CMYK 0 / 39 / 30 / 24

HEX #C17588

RGB 193 117 136

HSL 345, 0.38%, 0.61%

LAB 57.88, 32.24, 2.43

 

CMYK 0 / 39 / 39 / 24

HEX #C17575

RGB 193 117 117

HSL 0, 0.38%, 0.61%

LAB 57.41, 29.83, 12.77

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 13 / 39 / 0 / 24

HEX #A875C1

RGB 168 117 193

HSL 280.26, 0.38%, 0.61%

LAB 56.98, 33.78, -32.06

 

CMYK 23 / 39 / 0 / 24

HEX #9475C1

RGB 148 117 193

HSL 264.47, 0.38%, 0.61%

LAB 54.94, 27.72, -35.4

 

CMYK 34 / 39 / 0 / 24

HEX #8075C1

RGB 128 117 193

HSL 248.68, 0.38%, 0.61%

LAB 53.13, 21.93, -38.37

 

CMYK 39 / 39 / 0 / 24

HEX #7575C1

RGB 117 117 193

HSL 240, 0.38%, 0.61%

LAB 52.24, 18.91, -39.83

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 3 / 52 / 0 / 18

HEX #CB65D1

RGB 203 101 209

HSL 296.67, 0.54%, 0.61%

LAB 58.61, 55.56, -38.29

 

CMYK 3 / 62 / 0 / 12

HEX #DA55E1

RGB 218 85 225

HSL 297, 0.7%, 0.61%

LAB 58.82, 69.34, -46.84

 

CMYK 4 / 71 / 0 / 5

HEX #E845F1

RGB 232 69 241

HSL 296.86, 0.86%, 0.61%

LAB 59.67, 80.87, -54.31

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 2 / 25 / 0 / 31

HEX #AE85B1

RGB 174 133 177

HSL 295.91, 0.22%, 0.61%

LAB 60.74, 23.41, -17.11

 

CMYK 1 / 7 / 0 / 37

HEX #A095A1

RGB 160 149 161

HSL 295, 0.06%, 0.61%

LAB 62.96, 6.31, -4.84

 

CMYK 12 / 0 / 13 / 35

HEX #92A691

RGB 146 166 145

HSL 117.14, 0.11%, 0.61%

LAB 66.08, -11.1, 8.53

 

CMYK 28 / 0 / 30 / 29

HEX #83B680

RGB 131 182 128

HSL 116.67, 0.27%, 0.61%

LAB 69.36, -27.54, 22.24

 

CMYK 24 / 39 / 0 / 24

HEX #9375C1

RGB 147 117 193

HSL 263.68, 0.38%, 0.61%

LAB 54.84, 27.42, -35.55

 

CMYK 13 / 39 / 0 / 24

HEX #A875C1

RGB 168 117 193

HSL 280.26, 0.38%, 0.61%

LAB 56.98, 33.78, -32.06

 

CMYK 3 / 39 / 0 / 24

HEX #BC75C1

RGB 188 117 193

HSL 296.05, 0.38%, 0.61%

LAB 59.22, 39.96, -28.41

 

CMYK 0 / 39 / 8 / 24

HEX #C175B2

RGB 193 117 178

HSL 311.84, 0.38%, 0.61%

LAB 59.23, 38.81, -19.79

 

CMYK 0 / 39 / 18 / 24

HEX #C1759E

RGB 193 117 158

HSL 327.63, 0.38%, 0.61%

LAB 58.54, 35.48, -9.34

 

CMYK 3 / 55 / 0 / 38

HEX #99469D

RGB 153 70 157

HSL 297.24, 0.38%, 0.45%

LAB 43.63, 47.19, -32.05

 

CMYK 3 / 51 / 0 / 29

HEX #AF59B4

RGB 175 89 180

HSL 296.7, 0.38%, 0.53%

LAB 51.33, 48.28, -33.33

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 2 / 29 / 0 / 19

HEX #CA92CE

RGB 202 146 206

HSL 296, 0.38%, 0.69%

LAB 67.7, 31.14, -22.55

 

CMYK 1 / 20 / 0 / 15

HEX #D8AEDA

RGB 216 174 218

HSL 297.27, 0.37%, 0.77%

LAB 76.03, 22.77, -16.38

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 0 / 34 / 39 / 24

HEX #C17F75

RGB 193 127 117

HSL 7.89, 0.38%, 0.61%

LAB 59.71, 24.36, 15.96

 

CMYK 39 / 0 / 18 / 24

HEX #75C19E

RGB 117 193 158

HSL 152.37, 0.38%, 0.61%

LAB 72.49, -31.5, 10.29

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 0 / 3 / 39 / 24

HEX #C1BC75

RGB 193 188 117

HSL 56.05, 0.38%, 0.61%

LAB 75.19, -8.69, 36.53

 

CMYK 39 / 0 / 3 / 24

HEX #75C1BC

RGB 117 193 188

HSL 176.05, 0.38%, 0.61%

LAB 73.25, -24.69, -4.91

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 0 / 34 / 39 / 24

HEX #C17F75

RGB 193 127 117

HSL 7.89, 0.38%, 0.61%

LAB 59.71, 24.36, 15.96

 

CMYK 37 / 0 / 39 / 24

HEX #7AC175

RGB 122 193 117

HSL 116.05, 0.38%, 0.61%

LAB 71.93, -37.44, 31.4

 

CMYK 39 / 5 / 0 / 24

HEX #75B7C1

RGB 117 183 193

HSL 187.89, 0.38%, 0.61%

LAB 70.52, -18.38, -11.7

 

CMYK 2 / 39 / 0 / 24

HEX #BD75C1

RGB 189 117 193

HSL 296.84, 0.38%, 0.61%

LAB 59.34, 40.27, -28.22

 

CMYK 0 / 22 / 39 / 24

HEX #C19675

RGB 193 150 117

HSL 26.05, 0.38%, 0.61%

LAB 65.31, 11.67, 23.59

 

CMYK 37 / 0 / 39 / 24

HEX #7AC175

RGB 122 193 117

HSL 116.05, 0.38%, 0.61%

LAB 71.93, -37.44, 31.4

 

CMYK 39 / 17 / 0 / 24

HEX #75A0C1

RGB 117 160 193

HSL 206.05, 0.38%, 0.61%

LAB 63.98, -6.07, -21.6

 

Description

Color code: HEX #BD75C1 | qconv.com Color code: HEX #BD75C1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 117 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 117 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 39 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 39% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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