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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD7778 it is the complementary color #428887. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD7778. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD7778 shade: #C27773, #D38986, #E49B99, #F5ADAC and #FFBFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD7778. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD7778 shade: #BD7778, #AC6565, #9B5352, #8A413F and #792F2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD7778 shade: #BC7576 and #BC7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD7778 shade: #BC7576, #BC7589, #BC759C, #BC75B0 and #B675BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD7778 shade matches the following richer shades: #BC7576, #CD6466, #DD5456, #EE4346 and #FE3336

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD7778 shade: #BC7576, #AC8586, #9B9696, #8BA6A6 and #7AB7B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD7778 shade: #BC759C, #BC7589, #BC7576, #BC8775 and #BC9A75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD7778 shade: #964849, #AF595A, #BC7576, #CA9191 and #D7ACAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD7778 shade: #BD7778, #AFBC75 and #7593BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD7778 shade: #BD7778, #76BC75 and #7576BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD7778 shade: #BD7778, #AFBC75, #75BCBB and #8275BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD7778 shade: #BD7778, #9ABC75, #75BCBB and #9775BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 37 / 26

HEX #BD7778

RGB 189 119 120

HSL 359.14, 0.35%, 0.6%

LAB 57.43, 27.55, 10.99

 

Complementary color

CMYK 51 / 0 / 1 / 47

HEX #428887

RGB 66 136 135

HSL 179.14, 0.35%, 0.4%

LAB 52.42, -22.17, -6.23

 

CMYK 0 / 39 / 41 / 24

HEX #C27773

RGB 194 119 115

HSL 3.04, 0.39%, 0.61%

LAB 57.94, 28.9, 14.68

 

CMYK 0 / 35 / 36 / 17

HEX #D38986

RGB 211 137 134

HSL 2.34, 0.47%, 0.68%

LAB 64.53, 27.92, 13.36

 

CMYK 0 / 32 / 33 / 11

HEX #E49B99

RGB 228 155 153

HSL 1.6, 0.58%, 0.75%

LAB 71.03, 27.04, 12.17

 

CMYK 0 / 29 / 30 / 4

HEX #F5ADAC

RGB 245 173 172

HSL 0.82, 0.78%, 0.82%

LAB 77.45, 26.24, 11.09

 

CMYK 0 / 25 / 25 / 0

HEX #FFBFBF

RGB 255 191 191

HSL 0, 1%, 0.87%

LAB 83.06, 22.97, 8.99

 

CMYK 0 / 37 / 37 / 26

HEX #BD7778

RGB 189 119 120

HSL 359.14, 0.35%, 0.6%

LAB 57.43, 27.55, 10.99

 

CMYK 0 / 41 / 41 / 33

HEX #AC6565

RGB 172 101 101

HSL 0, 0.3%, 0.54%

LAB 50.71, 28.57, 12.37

 

CMYK 0 / 46 / 47 / 39

HEX #9B5352

RGB 155 83 82

HSL 0.82, 0.31%, 0.46%

LAB 43.89, 29.68, 13.99

 

CMYK 0 / 53 / 54 / 46

HEX #8A413F

RGB 138 65 63

HSL 1.6, 0.37%, 0.39%

LAB 37.01, 30.89, 15.95

 

CMYK 0 / 61 / 64 / 53

HEX #792F2C

RGB 121 47 44

HSL 2.34, 0.47%, 0.32%

LAB 30.11, 32.12, 18.41

 

CMYK 0 / 38 / 37 / 26

HEX #BC7576

RGB 188 117 118

HSL 359.15, 0.35%, 0.6%

LAB 56.8, 28.02, 11.25

 

CMYK 0 / 38 / 38 / 26

HEX #BC7575

RGB 188 117 117

HSL 0, 0.35%, 0.6%

LAB 56.78, 27.9, 11.8

 

CMYK 0 / 38 / 37 / 26

HEX #BC7576

RGB 188 117 118

HSL 359.15, 0.35%, 0.6%

LAB 56.8, 28.02, 11.25

 

CMYK 0 / 38 / 27 / 26

HEX #BC7589

RGB 188 117 137

HSL 343.1, 0.35%, 0.6%

LAB 57.29, 30.54, 0.91

 

CMYK 0 / 38 / 17 / 26

HEX #BC759C

RGB 188 117 156

HSL 327.04, 0.35%, 0.6%

LAB 57.86, 33.42, -9.25

 

CMYK 0 / 38 / 6 / 26

HEX #BC75B0

RGB 188 117 176

HSL 310.14, 0.35%, 0.6%

LAB 58.55, 36.81, -19.72

 

CMYK 3 / 38 / 0 / 26

HEX #B675BC

RGB 182 117 188

HSL 294.93, 0.35%, 0.6%

LAB 58.32, 37.12, -27.01

 

CMYK 0 / 38 / 37 / 26

HEX #BC7576

RGB 188 117 118

HSL 359.15, 0.35%, 0.6%

LAB 56.8, 28.02, 11.25

 

CMYK 0 / 51 / 50 / 20

HEX #CD6466

RGB 205 100 102

HSL 358.86, 0.51%, 0.6%

LAB 55.13, 41.73, 18.59

 

CMYK 0 / 62 / 61 / 13

HEX #DD5456

RGB 221 84 86

HSL 359.12, 0.67%, 0.6%

LAB 54.43, 53.66, 27.46

 

CMYK 0 / 72 / 71 / 7

HEX #EE4346

RGB 238 67 70

HSL 358.95, 0.83%, 0.6%

LAB 54.69, 64.83, 37.63

 

CMYK 0 / 80 / 79 / 0

HEX #FE3336

RGB 254 51 54

HSL 359.11, 0.99%, 0.6%

LAB 55.79, 73.57, 48.47

 

CMYK 0 / 38 / 37 / 26

HEX #BC7576

RGB 188 117 118

HSL 359.15, 0.35%, 0.6%

LAB 56.8, 28.02, 11.25

 

CMYK 0 / 23 / 22 / 33

HEX #AC8586

RGB 172 133 134

HSL 358.46, 0.19%, 0.6%

LAB 59.22, 15.08, 5.21

 

CMYK 0 / 3 / 3 / 39

HEX #9B9696

RGB 155 150 150

HSL 0, 0.02%, 0.6%

LAB 62.49, 1.83, 0.64

 

CMYK 16 / 0 / 0 / 35

HEX #8BA6A6

RGB 139 166 166

HSL 180, 0.13%, 0.6%

LAB 66.15, -9.29, -3.13

 

CMYK 33 / 0 / 1 / 28

HEX #7AB7B6

RGB 122 183 182

HSL 179.02, 0.3%, 0.6%

LAB 70.44, -19.75, -5.76

 

CMYK 0 / 38 / 17 / 26

HEX #BC759C

RGB 188 117 156

HSL 327.04, 0.35%, 0.6%

LAB 57.86, 33.42, -9.25

 

CMYK 0 / 38 / 27 / 26

HEX #BC7589

RGB 188 117 137

HSL 343.1, 0.35%, 0.6%

LAB 57.29, 30.54, 0.91

 

CMYK 0 / 38 / 37 / 26

HEX #BC7576

RGB 188 117 118

HSL 359.15, 0.35%, 0.6%

LAB 56.8, 28.02, 11.25

 

CMYK 0 / 28 / 38 / 26

HEX #BC8775

RGB 188 135 117

HSL 15.21, 0.35%, 0.6%

LAB 61.05, 17.94, 17.72

 

CMYK 0 / 18 / 38 / 26

HEX #BC9A75

RGB 188 154 117

HSL 31.27, 0.35%, 0.6%

LAB 65.82, 7.44, 24.18

 

CMYK 0 / 52 / 51 / 41

HEX #964849

RGB 150 72 73

HSL 359.23, 0.35%, 0.44%

LAB 40.57, 32.79, 14.85

 

CMYK 0 / 49 / 49 / 31

HEX #AF595A

RGB 175 89 90

HSL 359.3, 0.35%, 0.52%

LAB 48.26, 35.05, 15.6

 

CMYK 0 / 38 / 37 / 26

HEX #BC7576

RGB 188 117 118

HSL 359.15, 0.35%, 0.6%

LAB 56.8, 28.02, 11.25

 

CMYK 0 / 28 / 28 / 21

HEX #CA9191

RGB 202 145 145

HSL 0, 0.35%, 0.68%

LAB 65.63, 21.55, 8.57

 

CMYK 0 / 20 / 20 / 16

HEX #D7ACAD

RGB 215 172 173

HSL 358.6, 0.35%, 0.76%

LAB 74.17, 15.82, 5.45

 

CMYK 0 / 37 / 37 / 26

HEX #BD7778

RGB 189 119 120

HSL 359.14, 0.35%, 0.6%

LAB 57.43, 27.55, 10.99

 

CMYK 7 / 0 / 38 / 26

HEX #AFBC75

RGB 175 188 117

HSL 70.99, 0.35%, 0.6%

LAB 73.78, -15.85, 34.44

 

CMYK 38 / 22 / 0 / 26

HEX #7593BC

RGB 117 147 188

HSL 214.65, 0.35%, 0.6%

LAB 60.14, -0.13, -24.67

 

CMYK 0 / 37 / 37 / 26

HEX #BD7778

RGB 189 119 120

HSL 359.14, 0.35%, 0.6%

LAB 57.43, 27.55, 10.99

 

CMYK 37 / 0 / 38 / 26

HEX #76BC75

RGB 118 188 117

HSL 119.15, 0.35%, 0.6%

LAB 70.25, -36.45, 29.16

 

CMYK 38 / 37 / 0 / 26

HEX #7576BC

RGB 117 118 188

HSL 239.15, 0.35%, 0.6%

LAB 52.25, 16.9, -36.93

 

CMYK 0 / 37 / 37 / 26

HEX #BD7778

RGB 189 119 120

HSL 359.14, 0.35%, 0.6%

LAB 57.43, 27.55, 10.99

 

CMYK 7 / 0 / 38 / 26

HEX #AFBC75

RGB 175 188 117

HSL 70.99, 0.35%, 0.6%

LAB 73.78, -15.85, 34.44

 

CMYK 38 / 0 / 1 / 26

HEX #75BCBB

RGB 117 188 187

HSL 179.15, 0.35%, 0.6%

LAB 71.78, -22.43, -6.54

 

CMYK 31 / 38 / 0 / 26

HEX #8275BC

RGB 130 117 188

HSL 250.99, 0.35%, 0.6%

LAB 53.06, 21.17, -35.59

 

CMYK 0 / 37 / 37 / 26

HEX #BD7778

RGB 189 119 120

HSL 359.14, 0.35%, 0.6%

LAB 57.43, 27.55, 10.99

 

CMYK 18 / 0 / 38 / 26

HEX #9ABC75

RGB 154 188 117

HSL 88.73, 0.35%, 0.6%

LAB 72.31, -23.9, 32.24

 

CMYK 38 / 0 / 1 / 26

HEX #75BCBB

RGB 117 188 187

HSL 179.15, 0.35%, 0.6%

LAB 71.78, -22.43, -6.54

 

CMYK 20 / 38 / 0 / 26

HEX #9775BC

RGB 151 117 188

HSL 268.73, 0.35%, 0.6%

LAB 55, 27.44, -32.41

 

Description

Color code: HEX #BD7778 | qconv.com Color code: HEX #BD7778 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 119 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 119 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 37 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 37% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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