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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD70AC it is the complementary color #428F53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD70AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD70AC shade: #C270A7, #D382BA, #E494CD, #F5A6E0 and #FFB8F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD70AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD70AC shade: #BD70AC, #AC5E99, #9B4C86, #8A3A73 and #792860

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD70AC shade: #BD6FAC, #BD6F97, #BD6F82 and #BD6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD70AC shade: #BD6FAC, #B96FBD, #A46FBD, #8F6FBD and #7A6FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD70AC shade matches the following richer shades: #BD6FAC, #CE5EB5, #DE4DBE and #EF3DC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD70AC shade: #BD6FAC, #AC80A2, #9B9199, #8AA28F and #79B386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD70AC shade: #A46FBD, #B96FBD, #BD6FAC, #BD6F97 and #BD6F83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD70AC shade: #954483, #B0539B, #BD6FAC, #CA8CBC and #D7A8CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD70AC shade: #BD70AC, #BD906F and #6FBDAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD70AC shade: #BD70AC, #ACBD6F and #6FACBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD70AC shade: #BD70AC, #BD906F, #6FBD80 and #6F9CBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD70AC shade: #BD70AC, #BDA76F, #6FBD80 and #6F85BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 9 / 26

HEX #BD70AC

RGB 189 112 172

HSL 313.25, 0.37%, 0.59%

LAB 57.45, 39.13, -19.1

 

Complementary color

CMYK 54 / 0 / 42 / 44

HEX #428F53

RGB 66 143 83

HSL 133.25, 0.37%, 0.41%

LAB 53.41, -37.49, 24.87

 

CMYK 0 / 42 / 14 / 24

HEX #C270A7

RGB 194 112 167

HSL 319.76, 0.4%, 0.6%

LAB 57.89, 39.94, -15.48

 

CMYK 0 / 38 / 12 / 17

HEX #D382BA

RGB 211 130 186

HSL 318.52, 0.48%, 0.67%

LAB 64.45, 39.17, -16.2

 

CMYK 0 / 35 / 10 / 11

HEX #E494CD

RGB 228 148 205

HSL 317.25, 0.6%, 0.74%

LAB 70.93, 38.42, -16.83

 

CMYK 0 / 32 / 9 / 4

HEX #F5A6E0

RGB 245 166 224

HSL 315.95, 0.8%, 0.81%

LAB 77.32, 37.7, -17.41

 

CMYK 0 / 28 / 5 / 0

HEX #FFB8F3

RGB 255 184 243

HSL 310.14, 1%, 0.86%

LAB 82.92, 34.75, -19.1

 

CMYK 0 / 41 / 9 / 26

HEX #BD70AC

RGB 189 112 172

HSL 313.25, 0.37%, 0.59%

LAB 57.45, 39.13, -19.1

 

CMYK 0 / 45 / 11 / 33

HEX #AC5E99

RGB 172 94 153

HSL 314.62, 0.32%, 0.52%

LAB 50.78, 39.9, -18.4

 

CMYK 0 / 51 / 14 / 39

HEX #9B4C86

RGB 155 76 134

HSL 315.95, 0.34%, 0.45%

LAB 44.03, 40.64, -17.57

 

CMYK 0 / 58 / 17 / 46

HEX #8A3A73

RGB 138 58 115

HSL 317.25, 0.41%, 0.38%

LAB 37.24, 41.26, -16.51

 

CMYK 0 / 67 / 21 / 53

HEX #792860

RGB 121 40 96

HSL 318.52, 0.5%, 0.32%

LAB 30.47, 41.56, -15.08

 

CMYK 0 / 41 / 9 / 26

HEX #BD6FAC

RGB 189 111 172

HSL 313.08, 0.37%, 0.59%

LAB 57.24, 39.67, -19.42

 

CMYK 0 / 41 / 20 / 26

HEX #BD6F97

RGB 189 111 151

HSL 329.23, 0.37%, 0.59%

LAB 56.51, 36.23, -8.36

 

CMYK 0 / 41 / 31 / 26

HEX #BD6F82

RGB 189 111 130

HSL 345.38, 0.37%, 0.59%

LAB 55.89, 33.2, 2.97

 

CMYK 0 / 41 / 41 / 26

HEX #BD6F6F

RGB 189 111 111

HSL 0, 0.37%, 0.59%

LAB 55.42, 30.86, 13.39

 

CMYK 0 / 41 / 9 / 26

HEX #BD6FAC

RGB 189 111 172

HSL 313.08, 0.37%, 0.59%

LAB 57.24, 39.67, -19.42

 

CMYK 2 / 41 / 0 / 26

HEX #B96FBD

RGB 185 111 189

HSL 296.92, 0.37%, 0.59%

LAB 57.42, 41.49, -28.94

 

CMYK 13 / 41 / 0 / 26

HEX #A46FBD

RGB 164 111 189

HSL 280.77, 0.37%, 0.59%

LAB 55.01, 35.05, -32.88

 

CMYK 24 / 41 / 0 / 26

HEX #8F6FBD

RGB 143 111 189

HSL 264.62, 0.37%, 0.59%

LAB 52.82, 28.75, -36.46

 

CMYK 35 / 41 / 0 / 26

HEX #7A6FBD

RGB 122 111 189

HSL 248.46, 0.37%, 0.59%

LAB 50.9, 22.75, -39.61

 

CMYK 0 / 41 / 9 / 26

HEX #BD6FAC

RGB 189 111 172

HSL 313.08, 0.37%, 0.59%

LAB 57.24, 39.67, -19.42

 

CMYK 0 / 54 / 12 / 19

HEX #CE5EB5

RGB 206 94 181

HSL 313.39, 0.53%, 0.59%

LAB 56.55, 54.97, -25.47

 

CMYK 0 / 65 / 14 / 13

HEX #DE4DBE

RGB 222 77 190

HSL 313.24, 0.69%, 0.59%

LAB 56.64, 67.96, -30.32

 

CMYK 0 / 74 / 16 / 6

HEX #EF3DC8

RGB 239 61 200

HSL 313.15, 0.85%, 0.59%

LAB 57.9, 78.77, -33.89

 

CMYK 0 / 41 / 9 / 26

HEX #BD6FAC

RGB 189 111 172

HSL 313.08, 0.37%, 0.59%

LAB 57.24, 39.67, -19.42

 

CMYK 0 / 26 / 6 / 33

HEX #AC80A2

RGB 172 128 162

HSL 313.64, 0.21%, 0.59%

LAB 58.81, 22.68, -11.48

 

CMYK 0 / 6 / 1 / 39

HEX #9B9199

RGB 155 145 153

HSL 312, 0.05%, 0.59%

LAB 61.24, 5.2, -2.9

 

CMYK 15 / 0 / 12 / 36

HEX #8AA28F

RGB 138 162 143

HSL 132.5, 0.11%, 0.59%

LAB 64.34, -12.2, 7.09

 

CMYK 32 / 0 / 25 / 30

HEX #79B386

RGB 121 179 134

HSL 133.45, 0.28%, 0.59%

LAB 68.04, -28.33, 17.11

 

CMYK 13 / 41 / 0 / 26

HEX #A46FBD

RGB 164 111 189

HSL 280.77, 0.37%, 0.59%

LAB 55.01, 35.05, -32.88

 

CMYK 2 / 41 / 0 / 26

HEX #B96FBD

RGB 185 111 189

HSL 296.92, 0.37%, 0.59%

LAB 57.42, 41.49, -28.94

 

CMYK 0 / 41 / 9 / 26

HEX #BD6FAC

RGB 189 111 172

HSL 313.08, 0.37%, 0.59%

LAB 57.24, 39.67, -19.42

 

CMYK 0 / 41 / 20 / 26

HEX #BD6F97

RGB 189 111 151

HSL 329.23, 0.37%, 0.59%

LAB 56.51, 36.23, -8.36

 

CMYK 0 / 41 / 31 / 26

HEX #BD6F83

RGB 189 111 131

HSL 344.62, 0.37%, 0.59%

LAB 55.91, 33.34, 2.43

 

CMYK 0 / 54 / 12 / 42

HEX #954483

RGB 149 68 131

HSL 313.33, 0.37%, 0.43%

LAB 41.47, 42.34, -19.75

 

CMYK 0 / 53 / 12 / 31

HEX #B0539B

RGB 176 83 155

HSL 313.55, 0.37%, 0.51%

LAB 49.23, 47.16, -21.91

 

CMYK 0 / 41 / 9 / 26

HEX #BD6FAC

RGB 189 111 172

HSL 313.08, 0.37%, 0.59%

LAB 57.24, 39.67, -19.42

 

CMYK 0 / 31 / 7 / 21

HEX #CA8CBC

RGB 202 140 188

HSL 313.55, 0.37%, 0.67%

LAB 65.7, 31.1, -15.53

 

CMYK 0 / 22 / 5 / 16

HEX #D7A8CC

RGB 215 168 204

HSL 314.04, 0.37%, 0.75%

LAB 74.07, 23.12, -11.69

 

CMYK 0 / 41 / 9 / 26

HEX #BD70AC

RGB 189 112 172

HSL 313.25, 0.37%, 0.59%

LAB 57.45, 39.13, -19.1

 

CMYK 0 / 24 / 41 / 26

HEX #BD906F

RGB 189 144 111

HSL 25.38, 0.37%, 0.59%

LAB 63.27, 12.65, 24.1

 

CMYK 41 / 0 / 8 / 26

HEX #6FBDAE

RGB 111 189 174

HSL 168.46, 0.37%, 0.59%

LAB 71.44, -27.64, 0.03

 

CMYK 0 / 41 / 9 / 26

HEX #BD70AC

RGB 189 112 172

HSL 313.25, 0.37%, 0.59%

LAB 57.45, 39.13, -19.1

 

CMYK 9 / 0 / 41 / 26

HEX #ACBD6F

RGB 172 189 111

HSL 73.08, 0.37%, 0.59%

LAB 73.75, -18.25, 37.43

 

CMYK 41 / 9 / 0 / 26

HEX #6FACBD

RGB 111 172 189

HSL 193.08, 0.37%, 0.59%

LAB 66.94, -15.23, -14.9

 

CMYK 0 / 41 / 9 / 26

HEX #BD70AC

RGB 189 112 172

HSL 313.25, 0.37%, 0.59%

LAB 57.45, 39.13, -19.1

 

CMYK 0 / 24 / 41 / 26

HEX #BD906F

RGB 189 144 111

HSL 25.38, 0.37%, 0.59%

LAB 63.27, 12.65, 24.1

 

CMYK 41 / 0 / 32 / 26

HEX #6FBD80

RGB 111 189 128

HSL 133.08, 0.37%, 0.59%

LAB 70.41, -37.21, 23.5

 

CMYK 41 / 17 / 0 / 26

HEX #6F9CBD

RGB 111 156 189

HSL 205.38, 0.37%, 0.59%

LAB 62.36, -6.56, -21.86

 

CMYK 0 / 41 / 9 / 26

HEX #BD70AC

RGB 189 112 172

HSL 313.25, 0.37%, 0.59%

LAB 57.45, 39.13, -19.1

 

CMYK 0 / 12 / 41 / 26

HEX #BDA76F

RGB 189 167 111

HSL 43.08, 0.37%, 0.59%

LAB 69.19, 0.1, 31.88

 

CMYK 41 / 0 / 32 / 26

HEX #6FBD80

RGB 111 189 128

HSL 133.08, 0.37%, 0.59%

LAB 70.41, -37.21, 23.5

 

CMYK 41 / 30 / 0 / 26

HEX #6F85BD

RGB 111 133 189

HSL 223.08, 0.37%, 0.59%

LAB 55.92, 6.61, -31.81

 

Description

Color code: HEX #BD70AC | qconv.com Color code: HEX #BD70AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 112 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 112 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 9 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 9% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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