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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD72E8 it is the complementary color #428D17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD72E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD72E8 shade: #C272E3, #D384F6, #E496FF, #F5A8FF and #FFBAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD72E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD72E8 shade: #BD72E8, #AC60D5, #9B4EC2, #8A3CAF and #792A9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD72E8 shade: #BD72E8, #DD72E8, #E872D3, #E872B3 and #E87294

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD72E8 shade: #BD72E8, #9D72E8, #7D72E8 and #7272E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD72E8 shade matches the following richer shades: #BD72E8 and #C065F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD72E8 shade: #BD72E8, #B97FDA, #B68DCD, #B29AC0 and #AFA7B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD72E8 shade: #7E72E8, #9D72E8, #BD72E8, #DC72E8 and #E872D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD72E8 shade: #9C2BDC, #AC4FE2, #BD72E8, #CD96ED and #DEB9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD72E8 shade: #BD72E8, #E87286 and #72E88E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD72E8 shade: #BD72E8, #E8BD72 and #72E8BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD72E8 shade: #BD72E8, #E87286, #9DE872 and #72E8D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD72E8 shade: #BD72E8, #E88272, #9DE872 and #72D8E8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

Complementary color

CMYK 53 / 0 / 84 / 45

HEX #428D17

RGB 66 141 23

HSL 98.14, 0.72%, 0.32%

LAB 52.14, -43.39, 50.48

 

CMYK 15 / 50 / 0 / 11

HEX #C272E3

RGB 194 114 227

HSL 282.48, 0.67%, 0.67%

LAB 60.83, 50.09, -45

 

CMYK 14 / 46 / 0 / 4

HEX #D384F6

RGB 211 132 246

HSL 281.58, 0.86%, 0.74%

LAB 67.28, 49.31, -45.22

 

CMYK 11 / 41 / 0 / 0

HEX #E496FF

RGB 228 150 255

HSL 284.57, 1%, 0.79%

LAB 73.24, 46.53, -40.67

 

CMYK 4 / 34 / 0 / 0

HEX #F5A8FF

RGB 245 168 255

HSL 293.1, 1%, 0.83%

LAB 78.83, 42.15, -31.86

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 19 / 55 / 0 / 16

HEX #AC60D5

RGB 172 96 213

HSL 278.97, 0.58%, 0.61%

LAB 53.96, 50.58, -48.15

 

CMYK 20 / 60 / 0 / 24

HEX #9B4EC2

RGB 155 78 194

HSL 279.83, 0.49%, 0.53%

LAB 47.38, 51.29, -47.87

 

CMYK 21 / 66 / 0 / 31

HEX #8A3CAF

RGB 138 60 175

HSL 280.7, 0.49%, 0.46%

LAB 40.78, 51.82, -47.43

 

CMYK 22 / 73 / 0 / 39

HEX #792A9C

RGB 121 42 156

HSL 281.58, 0.58%, 0.39%

LAB 34.23, 51.95, -46.7

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 5 / 51 / 0 / 9

HEX #DD72E8

RGB 221 114 232

HSL 294.41, 0.72%, 0.68%

LAB 64.35, 58.37, -42.01

 

CMYK 0 / 51 / 9 / 9

HEX #E872D3

RGB 232 114 211

HSL 310.68, 0.72%, 0.68%

LAB 64.88, 57.83, -29.37

 

CMYK 0 / 51 / 23 / 9

HEX #E872B3

RGB 232 114 179

HSL 326.95, 0.72%, 0.68%

LAB 63.71, 53.02, -13.09

 

CMYK 0 / 51 / 36 / 9

HEX #E87294

RGB 232 114 148

HSL 342.71, 0.72%, 0.68%

LAB 62.78, 49.07, 3.26

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 32 / 51 / 0 / 9

HEX #9D72E8

RGB 157 114 232

HSL 261.86, 0.72%, 0.68%

LAB 57.1, 41.52, -53.95

 

CMYK 46 / 51 / 0 / 9

HEX #7D72E8

RGB 125 114 232

HSL 245.59, 0.72%, 0.68%

LAB 54.26, 33.92, -58.65

 

CMYK 51 / 51 / 0 / 9

HEX #7272E8

RGB 114 114 232

HSL 240, 0.72%, 0.68%

LAB 53.43, 31.54, -60.04

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 22 / 59 / 0 / 4

HEX #C065F5

RGB 192 101 245

HSL 277.92, 0.88%, 0.68%

LAB 59.07, 59.87, -57.81

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 15 / 42 / 0 / 15

HEX #B97FDA

RGB 185 127 218

HSL 278.24, 0.55%, 0.68%

LAB 62.13, 38.71, -37.99

 

CMYK 11 / 31 / 0 / 20

HEX #B68DCD

RGB 182 141 205

HSL 278.44, 0.39%, 0.68%

LAB 64.49, 27.26, -27.1

 

CMYK 7 / 20 / 0 / 25

HEX #B29AC0

RGB 178 154 192

HSL 277.89, 0.23%, 0.68%

LAB 66.81, 15.96, -16.32

 

CMYK 2 / 7 / 0 / 30

HEX #AFA7B3

RGB 175 167 179

HSL 280, 0.07%, 0.68%

LAB 69.47, 5.13, -5.14

 

CMYK 46 / 51 / 0 / 9

HEX #7E72E8

RGB 126 114 232

HSL 246.1, 0.72%, 0.68%

LAB 54.34, 34.14, -58.52

 

CMYK 32 / 51 / 0 / 9

HEX #9D72E8

RGB 157 114 232

HSL 261.86, 0.72%, 0.68%

LAB 57.1, 41.52, -53.95

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 5 / 51 / 0 / 9

HEX #DC72E8

RGB 220 114 232

HSL 293.9, 0.72%, 0.68%

LAB 64.22, 58.1, -42.22

 

CMYK 0 / 51 / 9 / 9

HEX #E872D4

RGB 232 114 212

HSL 310.17, 0.72%, 0.68%

LAB 64.92, 57.99, -29.87

 

CMYK 29 / 80 / 0 / 14

HEX #9C2BDC

RGB 156 43 220

HSL 278.31, 0.72%, 0.52%

LAB 44.18, 71.27, -67.99

 

CMYK 24 / 65 / 0 / 11

HEX #AC4FE2

RGB 172 79 226

HSL 277.96, 0.72%, 0.6%

LAB 51.67, 61.63, -59.18

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 14 / 37 / 0 / 7

HEX #CD96ED

RGB 205 150 237

HSL 277.93, 0.71%, 0.76%

LAB 70.11, 36.11, -35.91

 

CMYK 9 / 24 / 0 / 5

HEX #DEB9F3

RGB 222 185 243

HSL 278.28, 0.71%, 0.84%

LAB 80.01, 23.61, -23.81

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 0 / 51 / 42 / 9

HEX #E87286

RGB 232 114 134

HSL 349.83, 0.72%, 0.68%

LAB 62.43, 47.54, 10.8

 

CMYK 51 / 0 / 39 / 9

HEX #72E88E

RGB 114 232 142

HSL 134.24, 0.72%, 0.68%

LAB 83.57, -52.38, 33.82

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 0 / 19 / 51 / 9

HEX #E8BD72

RGB 232 189 114

HSL 38.14, 0.72%, 0.68%

LAB 78.91, 6.35, 43.46

 

CMYK 51 / 0 / 19 / 9

HEX #72E8BD

RGB 114 232 189

HSL 158.14, 0.72%, 0.68%

LAB 84.47, -43.4, 10.8

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 0 / 51 / 42 / 9

HEX #E87286

RGB 232 114 134

HSL 349.83, 0.72%, 0.68%

LAB 62.43, 47.54, 10.8

 

CMYK 32 / 0 / 51 / 9

HEX #9DE872

RGB 157 232 114

HSL 98.14, 0.72%, 0.68%

LAB 85.05, -43.55, 49.72

 

CMYK 51 / 0 / 9 / 9

HEX #72E8D4

RGB 114 232 212

HSL 169.83, 0.72%, 0.68%

LAB 85.02, -38.14, -0.49

 

CMYK 19 / 51 / 0 / 9

HEX #BD72E8

RGB 189 114 232

HSL 278.14, 0.72%, 0.68%

LAB 60.5, 49.8, -48.34

 

CMYK 0 / 44 / 51 / 9

HEX #E88272

RGB 232 130 114

HSL 8.14, 0.72%, 0.68%

LAB 65.23, 37.54, 25.96

 

CMYK 32 / 0 / 51 / 9

HEX #9DE872

RGB 157 232 114

HSL 98.14, 0.72%, 0.68%

LAB 85.05, -43.55, 49.72

 

CMYK 51 / 7 / 0 / 9

HEX #72D8E8

RGB 114 216 232

HSL 188.14, 0.72%, 0.68%

LAB 81.02, -25.47, -17.02

 

Description

Color code: HEX #BD72E8 | qconv.com Color code: HEX #BD72E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 114 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 114 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 51 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 51% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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