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Color name
HEX #BD7D2F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD7D2F it is the complementary color #4282D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD7D2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD7D2F shade: #C27D2A, #D38F3D, #E4A150, #F5B363 and #FFC576

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD7D2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD7D2F shade: #BD7D2F, #AC6B1C, #9B5909, #8A4700 and #793500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD7D2F shade: #BB7C2E, #BB562E, #BB302E and #BB2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD7D2F shade: #BB7C2E, #BBA22E, #AFBB2E, #89BB2E and #63BB2E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD7D2F shade matches the following richer shades: #BB7C2E, #CE7E1B and #E17F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD7D2F shade: #BB7C2E, #A87A41, #957854, #827667 and #6F747A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD7D2F shade: #BB2E2E, #BB542E, #BB792E, #BB9F2E and #B2BB2E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD7D2F shade: #79501E, #9A6626, #BB7C2E, #D09043 and #D8A464

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD7D2F shade: #BD7D2F, #54BB2E and #412EBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD7D2F shade: #BD7D2F, #2EBB79 and #792EBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD7D2F shade: #BD7D2F, #54BB2E, #2E70BB and #962EBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD7D2F shade: #BD7D2F, #2EBB33, #2E70BB and #BB2EB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 75 / 26

HEX #BD7D2F

RGB 189 125 47

HSL 32.96, 0.6%, 0.46%

LAB 57.74, 18.1, 50.5

 

Complementary color

CMYK 68 / 38 / 0 / 18

HEX #4282D0

RGB 66 130 208

HSL 212.96, 0.6%, 0.54%

LAB 53.68, 4.83, -46.27

 

CMYK 0 / 36 / 78 / 24

HEX #C27D2A

RGB 194 125 42

HSL 32.76, 0.64%, 0.46%

LAB 58.32, 20.07, 53.39

 

CMYK 0 / 32 / 71 / 17

HEX #D38F3D

RGB 211 143 61

HSL 32.8, 0.63%, 0.53%

LAB 64.83, 18.42, 52.34

 

CMYK 0 / 29 / 65 / 11

HEX #E4A150

RGB 228 161 80

HSL 32.84, 0.73%, 0.6%

LAB 71.26, 16.99, 51.03

 

CMYK 0 / 27 / 60 / 4

HEX #F5B363

RGB 245 179 99

HSL 32.88, 0.88%, 0.67%

LAB 77.61, 15.74, 49.64

 

CMYK 0 / 23 / 54 / 0

HEX #FFC576

RGB 255 197 118

HSL 34.6, 1%, 0.73%

LAB 83.18, 11.83, 47.23

 

CMYK 0 / 34 / 75 / 26

HEX #BD7D2F

RGB 189 125 47

HSL 32.96, 0.6%, 0.46%

LAB 57.74, 18.1, 50.5

 

CMYK 0 / 38 / 84 / 33

HEX #AC6B1C

RGB 172 107 28

HSL 32.92, 0.72%, 0.39%

LAB 51.12, 19.92, 51.22

 

CMYK 0 / 43 / 94 / 39

HEX #9B5909

RGB 155 89 9

HSL 32.88, 0.89%, 0.32%

LAB 44.42, 22.04, 50.69

 

CMYK 0 / 49 / 100 / 46

HEX #8A4700

RGB 138 71 0

HSL 30.87, 1%, 0.27%

LAB 37.68, 24.47, 47.54

 

CMYK 0 / 56 / 100 / 53

HEX #793500

RGB 121 53 0

HSL 26.28, 1%, 0.24%

LAB 30.9, 27.05, 41.94

 

CMYK 0 / 34 / 75 / 27

HEX #BB7C2E

RGB 187 124 46

HSL 33.19, 0.61%, 0.46%

LAB 57.25, 17.74, 50.36

 

CMYK 0 / 54 / 75 / 27

HEX #BB562E

RGB 187 86 46

HSL 17.02, 0.61%, 0.46%

LAB 48.78, 38.17, 41.71

 

CMYK 0 / 74 / 75 / 27

HEX #BB302E

RGB 187 48 46

HSL 0.85, 0.61%, 0.46%

LAB 42.58, 54.72, 35.02

 

CMYK 0 / 75 / 75 / 27

HEX #BB2E2E

RGB 187 46 46

HSL 0, 0.61%, 0.46%

LAB 42.33, 55.39, 34.75

 

CMYK 0 / 34 / 75 / 27

HEX #BB7C2E

RGB 187 124 46

HSL 33.19, 0.61%, 0.46%

LAB 57.25, 17.74, 50.36

 

CMYK 0 / 13 / 75 / 27

HEX #BBA22E

RGB 187 162 46

HSL 49.36, 0.61%, 0.46%

LAB 66.98, -3.05, 59.78

 

CMYK 6 / 0 / 75 / 27

HEX #AFBB2E

RGB 175 187 46

HSL 65.11, 0.61%, 0.46%

LAB 72.79, -21.16, 64.86

 

CMYK 27 / 0 / 75 / 27

HEX #89BB2E

RGB 137 187 46

HSL 81.28, 0.61%, 0.46%

LAB 70.22, -36.64, 61.52

 

CMYK 47 / 0 / 75 / 27

HEX #63BB2E

RGB 99 187 46

HSL 97.45, 0.61%, 0.46%

LAB 68.31, -49.98, 59.01

 

CMYK 0 / 34 / 75 / 27

HEX #BB7C2E

RGB 187 124 46

HSL 33.19, 0.61%, 0.46%

LAB 57.25, 17.74, 50.36

 

CMYK 0 / 39 / 87 / 19

HEX #CE7E1B

RGB 206 126 27

HSL 33.18, 0.77%, 0.46%

LAB 60, 24.24, 60.78

 

CMYK 0 / 44 / 96 / 12

HEX #E17F08

RGB 225 127 8

HSL 32.9, 0.93%, 0.46%

LAB 62.68, 31.41, 68

 

CMYK 0 / 34 / 75 / 27

HEX #BB7C2E

RGB 187 124 46

HSL 33.19, 0.61%, 0.46%

LAB 57.25, 17.74, 50.36

 

CMYK 0 / 27 / 61 / 34

HEX #A87A41

RGB 168 122 65

HSL 33.2, 0.44%, 0.46%

LAB 54.68, 11.63, 37.76

 

CMYK 0 / 19 / 44 / 42

HEX #957854

RGB 149 120 84

HSL 33.23, 0.28%, 0.46%

LAB 52.36, 6.24, 24.02

 

CMYK 0 / 9 / 21 / 49

HEX #827667

RGB 130 118 103

HSL 33.33, 0.12%, 0.46%

LAB 50.31, 2, 9.94

 

CMYK 9 / 5 / 0 / 52

HEX #6F747A

RGB 111 116 122

HSL 212.73, 0.05%, 0.46%

LAB 48.61, -0.6, -3.96

 

CMYK 0 / 75 / 75 / 27

HEX #BB2E2E

RGB 187 46 46

HSL 0, 0.61%, 0.46%

LAB 42.33, 55.39, 34.75

 

CMYK 0 / 55 / 75 / 27

HEX #BB542E

RGB 187 84 46

HSL 16.17, 0.61%, 0.46%

LAB 48.39, 39.18, 41.3

 

CMYK 0 / 35 / 75 / 27

HEX #BB792E

RGB 187 121 46

HSL 31.91, 0.61%, 0.46%

LAB 56.52, 19.4, 49.64

 

CMYK 0 / 15 / 75 / 27

HEX #BB9F2E

RGB 187 159 46

HSL 48.09, 0.61%, 0.46%

LAB 66.18, -1.45, 59.03

 

CMYK 5 / 0 / 75 / 27

HEX #B2BB2E

RGB 178 187 46

HSL 63.83, 0.61%, 0.46%

LAB 73.03, -19.89, 65.16

 

CMYK 0 / 34 / 75 / 53

HEX #79501E

RGB 121 80 30

HSL 32.97, 0.6%, 0.3%

LAB 37.66, 12.3, 35.22

 

CMYK 0 / 34 / 75 / 40

HEX #9A6626

RGB 154 102 38

HSL 33.1, 0.6%, 0.38%

LAB 47.64, 15.08, 42.96

 

CMYK 0 / 34 / 75 / 27

HEX #BB7C2E

RGB 187 124 46

HSL 33.19, 0.61%, 0.46%

LAB 57.25, 17.74, 50.36

 

CMYK 0 / 31 / 68 / 18

HEX #D09043

RGB 208 144 67

HSL 32.77, 0.6%, 0.54%

LAB 64.77, 16.92, 49.4

 

CMYK 0 / 24 / 54 / 15

HEX #D8A464

RGB 216 164 100

HSL 33.1, 0.6%, 0.62%

LAB 70.92, 11.83, 40.37

 

CMYK 0 / 34 / 75 / 26

HEX #BD7D2F

RGB 189 125 47

HSL 32.96, 0.6%, 0.46%

LAB 57.74, 18.1, 50.5

 

CMYK 55 / 0 / 75 / 27

HEX #54BB2E

RGB 84 187 46

HSL 103.83, 0.61%, 0.46%

LAB 67.74, -54.33, 58.27

 

CMYK 65 / 75 / 0 / 27

HEX #412EBB

RGB 65 46 187

HSL 248.09, 0.61%, 0.46%

LAB 31.03, 48.98, -70.76

 

CMYK 0 / 34 / 75 / 26

HEX #BD7D2F

RGB 189 125 47

HSL 32.96, 0.6%, 0.46%

LAB 57.74, 18.1, 50.5

 

CMYK 75 / 0 / 35 / 27

HEX #2EBB79

RGB 46 187 121

HSL 151.91, 0.61%, 0.46%

LAB 67.65, -51.96, 23.16

 

CMYK 35 / 75 / 0 / 27

HEX #792EBB

RGB 121 46 187

HSL 271.91, 0.61%, 0.46%

LAB 37.13, 57.24, -60.54

 

CMYK 0 / 34 / 75 / 26

HEX #BD7D2F

RGB 189 125 47

HSL 32.96, 0.6%, 0.46%

LAB 57.74, 18.1, 50.5

 

CMYK 55 / 0 / 75 / 27

HEX #54BB2E

RGB 84 187 46

HSL 103.83, 0.61%, 0.46%

LAB 67.74, -54.33, 58.27

 

CMYK 75 / 40 / 0 / 27

HEX #2E70BB

RGB 46 112 187

HSL 211.91, 0.61%, 0.46%

LAB 46.65, 5.39, -45.47

 

CMYK 20 / 75 / 0 / 27

HEX #962EBB

RGB 150 46 187

HSL 284.26, 0.61%, 0.46%

LAB 41.26, 62.62, -53.65

 

CMYK 0 / 34 / 75 / 26

HEX #BD7D2F

RGB 189 125 47

HSL 32.96, 0.6%, 0.46%

LAB 57.74, 18.1, 50.5

 

CMYK 75 / 0 / 73 / 27

HEX #2EBB33

RGB 46 187 51

HSL 122.13, 0.61%, 0.46%

LAB 66.79, -62, 55.23

 

CMYK 75 / 40 / 0 / 27

HEX #2E70BB

RGB 46 112 187

HSL 211.91, 0.61%, 0.46%

LAB 46.65, 5.39, -45.47

 

CMYK 0 / 75 / 3 / 27

HEX #BB2EB6

RGB 187 46 182

HSL 302.13, 0.61%, 0.46%

LAB 46.84, 69.25, -41.45

 

Description

Color code: HEX #BD7D2F | qconv.com Color code: HEX #BD7D2F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 125 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 125 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 75 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 75% 26% C M Y K

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Provide designers and agencies with accurate color values.

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