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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD8165 it is the complementary color #427E9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD8165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD8165 shade: #C28160, #D39373, #E4A586, #F5B799 and #FFC9AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD8165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD8165 shade: #BD8165, #AC6F52, #9B5D3F, #8A4B2C and #793919

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD8165 shade: #BD8165, #BD6965 and #BD6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD8165 shade: #BD8165, #BD9965, #BDB065, #B2BD65 and #9ABD65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD8165 shade matches the following richer shades: #BD8165, #CE7A53, #E07442 and #F26E30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD8165 shade: #BD8165, #AB8777, #998E88, #87949A and #769BAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD8165 shade: #BD6578, #BD6965, #BD8165, #BD9865 and #BDB065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD8165 shade: #91583E, #AE6A4A, #BD8165, #C99982 and #D5B09F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD8165 shade: #BD8165, #8FBD65 and #656CBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD8165 shade: #BD8165, #65BD81 and #8165BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD8165 shade: #BD8165, #8FBD65, #65A1BD and #9265BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD8165 shade: #BD8165, #75BD65, #65A1BD and #AD65BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

Complementary color

CMYK 57 / 18 / 0 / 40

HEX #427E9A

RGB 66 126 154

HSL 199.09, 0.4%, 0.43%

LAB 49.99, -11.05, -20.98

 

CMYK 0 / 34 / 51 / 24

HEX #C28160

RGB 194 129 96

HSL 20.2, 0.45%, 0.57%

LAB 59.9, 21.43, 28.09

 

CMYK 0 / 30 / 45 / 17

HEX #D39373

RGB 211 147 115

HSL 20, 0.52%, 0.64%

LAB 66.48, 20.38, 26.61

 

CMYK 0 / 28 / 41 / 11

HEX #E4A586

RGB 228 165 134

HSL 19.79, 0.64%, 0.71%

LAB 72.97, 19.45, 25.26

 

CMYK 0 / 25 / 38 / 4

HEX #F5B799

RGB 245 183 153

HSL 19.57, 0.82%, 0.78%

LAB 79.37, 18.63, 24.02

 

CMYK 0 / 21 / 33 / 0

HEX #FFC9AC

RGB 255 201 172

HSL 20.96, 1%, 0.84%

LAB 85, 15.26, 21.82

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 0 / 35 / 52 / 33

HEX #AC6F52

RGB 172 111 82

HSL 19.33, 0.35%, 0.5%

LAB 52.67, 20.99, 26.08

 

CMYK 0 / 40 / 59 / 39

HEX #9B5D3F

RGB 155 93 63

HSL 19.57, 0.42%, 0.43%

LAB 45.85, 22.29, 27.82

 

CMYK 0 / 46 / 68 / 46

HEX #8A4B2C

RGB 138 75 44

HSL 19.79, 0.52%, 0.36%

LAB 38.93, 23.81, 29.79

 

CMYK 0 / 53 / 79 / 53

HEX #793919

RGB 121 57 25

HSL 20, 0.66%, 0.29%

LAB 31.95, 25.57, 31.9

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 0 / 44 / 47 / 26

HEX #BD6965

RGB 189 105 101

HSL 2.73, 0.4%, 0.57%

LAB 53.88, 33.01, 17.11

 

CMYK 0 / 47 / 47 / 26

HEX #BD6565

RGB 189 101 101

HSL 0, 0.4%, 0.57%

LAB 53.02, 35.14, 15.93

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 0 / 19 / 47 / 26

HEX #BD9965

RGB 189 153 101

HSL 35.45, 0.4%, 0.57%

LAB 65.39, 6.63, 32.32

 

CMYK 0 / 7 / 47 / 26

HEX #BDB065

RGB 189 176 101

HSL 51.14, 0.4%, 0.57%

LAB 71.43, -5.73, 39.91

 

CMYK 6 / 0 / 47 / 26

HEX #B2BD65

RGB 178 189 101

HSL 67.5, 0.4%, 0.57%

LAB 74.06, -16.95, 42.94

 

CMYK 19 / 0 / 47 / 26

HEX #9ABD65

RGB 154 189 101

HSL 83.86, 0.4%, 0.57%

LAB 72.37, -26.39, 40.48

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 0 / 41 / 60 / 19

HEX #CE7A53

RGB 206 122 83

HSL 19.02, 0.56%, 0.57%

LAB 59.59, 29.05, 35.15

 

CMYK 0 / 48 / 71 / 12

HEX #E07442

RGB 224 116 66

HSL 18.99, 0.72%, 0.57%

LAB 60.54, 38.31, 45.83

 

CMYK 0 / 55 / 80 / 5

HEX #F26E30

RGB 242 110 48

HSL 19.18, 0.88%, 0.57%

LAB 61.86, 47.41, 56.56

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 0 / 21 / 30 / 33

HEX #AB8777

RGB 171 135 119

HSL 18.46, 0.24%, 0.57%

LAB 59.27, 11.36, 13.84

 

CMYK 0 / 7 / 11 / 40

HEX #998E88

RGB 153 142 136

HSL 21.18, 0.08%, 0.57%

LAB 59.79, 3.01, 4.66

 

CMYK 12 / 4 / 0 / 40

HEX #87949A

RGB 135 148 154

HSL 198.95, 0.09%, 0.57%

LAB 60.48, -3.38, -4.76

 

CMYK 31 / 10 / 0 / 33

HEX #769BAC

RGB 118 155 172

HSL 198.89, 0.25%, 0.57%

LAB 61.89, -8.52, -12.97

 

CMYK 0 / 47 / 37 / 26

HEX #BD6578

RGB 189 101 120

HSL 347.05, 0.4%, 0.57%

LAB 53.47, 37.27, 5.37

 

CMYK 0 / 44 / 47 / 26

HEX #BD6965

RGB 189 105 101

HSL 2.73, 0.4%, 0.57%

LAB 53.88, 33.01, 17.11

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 0 / 20 / 47 / 26

HEX #BD9865

RGB 189 152 101

HSL 34.77, 0.4%, 0.57%

LAB 65.13, 7.18, 31.99

 

CMYK 0 / 7 / 47 / 26

HEX #BDB065

RGB 189 176 101

HSL 51.14, 0.4%, 0.57%

LAB 71.43, -5.73, 39.91

 

CMYK 0 / 39 / 57 / 43

HEX #91583E

RGB 145 88 62

HSL 18.8, 0.4%, 0.41%

LAB 43.28, 20.76, 24.9

 

CMYK 0 / 39 / 57 / 32

HEX #AE6A4A

RGB 174 106 74

HSL 19.2, 0.4%, 0.49%

LAB 51.61, 23.92, 29.31

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 0 / 24 / 35 / 21

HEX #C99982

RGB 201 153 130

HSL 19.44, 0.4%, 0.65%

LAB 67.14, 14.81, 19.03

 

CMYK 0 / 17 / 25 / 16

HEX #D5B09F

RGB 213 176 159

HSL 18.89, 0.39%, 0.73%

LAB 74.64, 10.86, 13.73

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 24 / 0 / 47 / 26

HEX #8FBD65

RGB 143 189 101

HSL 91.36, 0.4%, 0.57%

LAB 71.67, -30.52, 39.47

 

CMYK 47 / 43 / 0 / 26

HEX #656CBD

RGB 101 108 189

HSL 235.23, 0.4%, 0.57%

LAB 48.47, 19.09, -43.57

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 47 / 0 / 32 / 26

HEX #65BD81

RGB 101 189 129

HSL 139.09, 0.4%, 0.57%

LAB 70, -39.87, 22.34

 

CMYK 32 / 47 / 0 / 26

HEX #8165BD

RGB 129 101 189

HSL 259.09, 0.4%, 0.57%

LAB 49.07, 30.63, -42.47

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 24 / 0 / 47 / 26

HEX #8FBD65

RGB 143 189 101

HSL 91.36, 0.4%, 0.57%

LAB 71.67, -30.52, 39.47

 

CMYK 47 / 15 / 0 / 26

HEX #65A1BD

RGB 101 161 189

HSL 199.09, 0.4%, 0.57%

LAB 63.29, -11.86, -20.5

 

CMYK 23 / 47 / 0 / 26

HEX #9265BD

RGB 146 101 189

HSL 270.68, 0.4%, 0.57%

LAB 50.8, 35.38, -39.62

 

CMYK 0 / 32 / 47 / 26

HEX #BD8165

RGB 189 129 101

HSL 19.09, 0.4%, 0.57%

LAB 59.4, 19.87, 24.52

 

CMYK 38 / 0 / 47 / 26

HEX #75BD65

RGB 117 189 101

HSL 109.09, 0.4%, 0.57%

LAB 70.26, -39.57, 37.39

 

CMYK 47 / 15 / 0 / 26

HEX #65A1BD

RGB 101 161 189

HSL 199.09, 0.4%, 0.57%

LAB 63.29, -11.86, -20.5

 

CMYK 8 / 47 / 0 / 26

HEX #AD65BD

RGB 173 101 189

HSL 289.09, 0.4%, 0.57%

LAB 53.88, 43.22, -34.55

 

Description

Color code: HEX #BD8165 | qconv.com Color code: HEX #BD8165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 129 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 129 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 47 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 47% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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