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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD97FE it is the complementary color #426801. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD97FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD97FE shade: #C297F9, #D3A9FF, #E4BBFF, #F5CDFF and #FFDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD97FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD97FE shade: #BD97FE, #AC85EB, #9B73D8, #8A61C5 and #794FB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD97FE shade: #BB94FD, #D894FD, #F494FD, #FD94EB and #FD94CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD97FE shade: #BB94FD, #9F94FD and #9494FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD97FE shade matches the following richer shades: #BB94FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD97FE shade: #BB94FD, #BD9DF5, #C0A6EC, #C2AEE3 and #C4B7DB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD97FE shade: #94A6FD, #9F94FD, #BB94FD, #D794FD and #F394FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD97FE shade: #8743FD, #A16CFD, #BB94FD, #D5BDFE and #EFE6FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD97FE shade: #BD97FE, #FD94C2 and #98FD94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD97FE shade: #BD97FE, #FDBB94 and #94FDBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD97FE shade: #BD97FE, #FD94C2, #D7FD94 and #94FDD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD97FE shade: #BD97FE, #FD94A2, #D7FD94 and #94FDEF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 41 / 0 / 0

HEX #BD97FE

RGB 189 151 254

HSL 262.14, 0.98%, 0.79%

LAB 69.55, 34.74, -46.18

 

Complementary color

CMYK 37 / 0 / 99 / 59

HEX #426801

RGB 66 104 1

HSL 82.14, 0.98%, 0.21%

LAB 39.68, -28.43, 45.21

 

CMYK 22 / 39 / 0 / 2

HEX #C297F9

RGB 194 151 249

HSL 266.33, 0.89%, 0.78%

LAB 69.78, 34.98, -43.05

 

CMYK 17 / 34 / 0 / 0

HEX #D3A9FF

RGB 211 169 255

HSL 269.3, 1%, 0.83%

LAB 75.73, 31.39, -36.93

 

CMYK 11 / 27 / 0 / 0

HEX #E4BBFF

RGB 228 187 255

HSL 276.18, 1%, 0.87%

LAB 81.43, 26.82, -28.01

 

CMYK 4 / 20 / 0 / 0

HEX #F5CDFF

RGB 245 205 255

HSL 288, 1%, 0.9%

LAB 87.14, 22.62, -19.19

 

CMYK 0 / 13 / 0 / 0

HEX #FFDFFF

RGB 255 223 255

HSL 300, 1%, 0.94%

LAB 92.25, 16.43, -11.45

 

CMYK 26 / 41 / 0 / 0

HEX #BD97FE

RGB 189 151 254

HSL 262.14, 0.98%, 0.79%

LAB 69.55, 34.74, -46.18

 

CMYK 27 / 43 / 0 / 8

HEX #AC85EB

RGB 172 133 235

HSL 262.94, 0.72%, 0.72%

LAB 62.96, 35.56, -46.23

 

CMYK 28 / 47 / 0 / 15

HEX #9B73D8

RGB 155 115 216

HSL 263.76, 0.56%, 0.65%

LAB 56.28, 36.46, -46.3

 

CMYK 30 / 51 / 0 / 23

HEX #8A61C5

RGB 138 97 197

HSL 264.6, 0.46%, 0.58%

LAB 49.48, 37.42, -46.38

 

CMYK 32 / 56 / 0 / 30

HEX #794FB2

RGB 121 79 178

HSL 265.45, 0.39%, 0.5%

LAB 42.57, 38.44, -46.45

 

CMYK 26 / 42 / 0 / 1

HEX #BB94FD

RGB 187 148 253

HSL 262.29, 0.96%, 0.79%

LAB 68.63, 35.61, -47.09

 

CMYK 15 / 42 / 0 / 1

HEX #D894FD

RGB 216 148 253

HSL 278.86, 0.96%, 0.79%

LAB 71.47, 43.74, -42.44

 

CMYK 4 / 42 / 0 / 1

HEX #F494FD

RGB 244 148 253

HSL 294.86, 0.96%, 0.79%

LAB 74.51, 51.79, -37.47

 

CMYK 0 / 42 / 7 / 1

HEX #FD94EB

RGB 253 148 235

HSL 310.29, 0.96%, 0.79%

LAB 74.86, 51.32, -27.05

 

CMYK 0 / 42 / 19 / 1

HEX #FD94CE

RGB 253 148 206

HSL 326.86, 0.96%, 0.79%

LAB 73.88, 46.77, -12.65

 

CMYK 26 / 42 / 0 / 1

HEX #BB94FD

RGB 187 148 253

HSL 262.29, 0.96%, 0.79%

LAB 68.63, 35.61, -47.09

 

CMYK 37 / 42 / 0 / 1

HEX #9F94FD

RGB 159 148 253

HSL 246.29, 0.96%, 0.79%

LAB 66.25, 28.19, -51.01

 

CMYK 42 / 42 / 0 / 1

HEX #9494FD

RGB 148 148 253

HSL 240, 0.96%, 0.79%

LAB 65.41, 25.44, -52.39

 

CMYK 26 / 42 / 0 / 1

HEX #BB94FD

RGB 187 148 253

HSL 262.29, 0.96%, 0.79%

LAB 68.63, 35.61, -47.09

 

CMYK 26 / 42 / 0 / 1

HEX #BB94FD

RGB 187 148 253

HSL 262.29, 0.96%, 0.79%

LAB 68.63, 35.61, -47.09

 

CMYK 23 / 36 / 0 / 4

HEX #BD9DF5

RGB 189 157 245

HSL 261.82, 0.81%, 0.79%

LAB 70.54, 29.32, -39.72

 

CMYK 19 / 30 / 0 / 7

HEX #C0A6EC

RGB 192 166 236

HSL 262.29, 0.65%, 0.79%

LAB 72.58, 23.18, -31.63

 

CMYK 15 / 23 / 0 / 11

HEX #C2AEE3

RGB 194 174 227

HSL 262.64, 0.49%, 0.79%

LAB 74.37, 17.42, -23.97

 

CMYK 11 / 16 / 0 / 14

HEX #C4B7DB

RGB 196 183 219

HSL 261.67, 0.33%, 0.79%

LAB 76.51, 11.47, -16.38

 

CMYK 42 / 34 / 0 / 1

HEX #94A6FD

RGB 148 166 253

HSL 229.71, 0.96%, 0.79%

LAB 69.94, 15.13, -45.25

 

CMYK 37 / 42 / 0 / 1

HEX #9F94FD

RGB 159 148 253

HSL 246.29, 0.96%, 0.79%

LAB 66.25, 28.19, -51.01

 

CMYK 26 / 42 / 0 / 1

HEX #BB94FD

RGB 187 148 253

HSL 262.29, 0.96%, 0.79%

LAB 68.63, 35.61, -47.09

 

CMYK 15 / 42 / 0 / 1

HEX #D794FD

RGB 215 148 253

HSL 278.29, 0.96%, 0.79%

LAB 71.36, 43.46, -42.61

 

CMYK 4 / 42 / 0 / 1

HEX #F394FD

RGB 243 148 253

HSL 294.29, 0.96%, 0.79%

LAB 74.4, 51.5, -37.65

 

CMYK 47 / 74 / 0 / 1

HEX #8743FD

RGB 135 67 253

HSL 261.94, 0.98%, 0.63%

LAB 47.31, 66.51, -81.62

 

CMYK 36 / 57 / 0 / 1

HEX #A16CFD

RGB 161 108 253

HSL 261.93, 0.97%, 0.71%

LAB 57.46, 51.04, -65.02

 

CMYK 26 / 42 / 0 / 1

HEX #BB94FD

RGB 187 148 253

HSL 262.29, 0.96%, 0.79%

LAB 68.63, 35.61, -47.09

 

CMYK 16 / 26 / 0 / 0

HEX #D5BDFE

RGB 213 189 254

HSL 262.15, 0.97%, 0.87%

LAB 80.57, 20.91, -28.91

 

CMYK 6 / 9 / 0 / 0

HEX #EFE6FE

RGB 239 230 254

HSL 262.5, 0.92%, 0.95%

LAB 92.62, 7.38, -10.51

 

CMYK 26 / 41 / 0 / 0

HEX #BD97FE

RGB 189 151 254

HSL 262.14, 0.98%, 0.79%

LAB 69.55, 34.74, -46.18

 

CMYK 0 / 42 / 23 / 1

HEX #FD94C2

RGB 253 148 194

HSL 333.71, 0.96%, 0.79%

LAB 73.52, 45.05, -6.57

 

CMYK 40 / 0 / 42 / 1

HEX #98FD94

RGB 152 253 148

HSL 117.71, 0.96%, 0.79%

LAB 91.26, -49.72, 41.15

 

CMYK 26 / 41 / 0 / 0

HEX #BD97FE

RGB 189 151 254

HSL 262.14, 0.98%, 0.79%

LAB 69.55, 34.74, -46.18

 

CMYK 0 / 26 / 42 / 1

HEX #FDBB94

RGB 253 187 148

HSL 22.29, 0.96%, 0.79%

LAB 81.05, 19.07, 29.07

 

CMYK 42 / 0 / 26 / 1

HEX #94FDBB

RGB 148 253 187

HSL 142.29, 0.96%, 0.79%

LAB 91.75, -44.49, 22.24

 

CMYK 26 / 41 / 0 / 0

HEX #BD97FE

RGB 189 151 254

HSL 262.14, 0.98%, 0.79%

LAB 69.55, 34.74, -46.18

 

CMYK 0 / 42 / 23 / 1

HEX #FD94C2

RGB 253 148 194

HSL 333.71, 0.96%, 0.79%

LAB 73.52, 45.05, -6.57

 

CMYK 15 / 0 / 42 / 1

HEX #D7FD94

RGB 215 253 148

HSL 81.71, 0.96%, 0.79%

LAB 94.67, -28.75, 46.19

 

CMYK 42 / 0 / 18 / 1

HEX #94FDD0

RGB 148 253 208

HSL 154.29, 0.96%, 0.79%

LAB 92.18, -40.42, 12.08

 

CMYK 26 / 41 / 0 / 0

HEX #BD97FE

RGB 189 151 254

HSL 262.14, 0.98%, 0.79%

LAB 69.55, 34.74, -46.18

 

CMYK 0 / 42 / 36 / 1

HEX #FD94A2

RGB 253 148 162

HSL 352, 0.96%, 0.79%

LAB 72.67, 40.95, 9.93

 

CMYK 15 / 0 / 42 / 1

HEX #D7FD94

RGB 215 253 148

HSL 81.71, 0.96%, 0.79%

LAB 94.67, -28.75, 46.19

 

CMYK 42 / 0 / 6 / 1

HEX #94FDEF

RGB 148 253 239

HSL 172, 0.96%, 0.79%

LAB 92.92, -33.71, -2.87

 

Description

Color code: HEX #BD97FE | qconv.com Color code: HEX #BD97FE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 151 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 151 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 41 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 41% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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