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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD9951 it is the complementary color #4266AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD9951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD9951 shade: #C2994C, #D3AB5F, #E4BD72, #F5CF85 and #FFE198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD9951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD9951 shade: #BD9951, #AC873E, #9B752B, #8A6318 and #795105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD9951 shade: #BD9951, #BD7C51, #BD5E51 and #BD5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD9951 shade: #BD9951, #BDB651, #A6BD51, #89BD51 and #6CBD51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD9951 shade matches the following richer shades: #BD9951, #D09F3D, #E3A62A and #F7AC17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD9951 shade: #BD9951, #A99264, #968C78, #82858B and #6F7F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD9951 shade: #BD5F51, #BD7C51, #BD9951, #BDB551 and #A7BD51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD9951 shade: #886B33, #A6833E, #BD9951, #C8AA6F and #D3BC8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD9951 shade: #BD9951, #5FBD51 and #6D51BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD9951 shade: #BD9951, #51BD99 and #9951BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD9951 shade: #BD9951, #5FBD51, #5175BD and #AE51BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD9951 shade: #BD9951, #51BD63, #5175BD and #BD51AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

Complementary color

CMYK 62 / 41 / 0 / 32

HEX #4266AE

RGB 66 102 174

HSL 220, 0.45%, 0.47%

LAB 43.82, 10.15, -42.35

 

CMYK 0 / 21 / 61 / 24

HEX #C2994C

RGB 194 153 76

HSL 39.15, 0.49%, 0.53%

LAB 65.57, 6.59, 45.54

 

CMYK 0 / 19 / 55 / 17

HEX #D3AB5F

RGB 211 171 95

HSL 39.31, 0.57%, 0.6%

LAB 72.1, 5.58, 44.22

 

CMYK 0 / 17 / 50 / 11

HEX #E4BD72

RGB 228 189 114

HSL 39.47, 0.68%, 0.67%

LAB 78.52, 4.71, 42.9

 

CMYK 0 / 16 / 46 / 4

HEX #F5CF85

RGB 245 207 133

HSL 39.64, 0.85%, 0.74%

LAB 84.86, 3.97, 41.63

 

CMYK 0 / 12 / 40 / 0

HEX #FFE198

RGB 255 225 152

HSL 42.52, 1%, 0.8%

LAB 90.5, 0.6, 39.48

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 0 / 22 / 64 / 33

HEX #AC873E

RGB 172 135 62

HSL 39.82, 0.47%, 0.46%

LAB 58.46, 5.89, 43.7

 

CMYK 0 / 25 / 72 / 39

HEX #9B752B

RGB 155 117 43

HSL 39.64, 0.57%, 0.39%

LAB 51.68, 7.2, 44.84

 

CMYK 0 / 28 / 83 / 46

HEX #8A6318

RGB 138 99 24

HSL 39.47, 0.7%, 0.32%

LAB 44.79, 8.82, 45.46

 

CMYK 0 / 33 / 96 / 53

HEX #795105

RGB 121 81 5

HSL 39.31, 0.92%, 0.25%

LAB 37.77, 10.81, 44.83

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 0 / 34 / 57 / 26

HEX #BD7C51

RGB 189 124 81

HSL 23.89, 0.45%, 0.53%

LAB 57.87, 20.79, 33.64

 

CMYK 0 / 50 / 57 / 26

HEX #BD5E51

RGB 189 94 81

HSL 7.22, 0.45%, 0.53%

LAB 51.17, 37, 25.17

 

CMYK 0 / 57 / 57 / 26

HEX #BD5151

RGB 189 81 81

HSL 0, 0.45%, 0.53%

LAB 48.63, 43.53, 21.86

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 0 / 4 / 57 / 26

HEX #BDB651

RGB 189 182 81

HSL 56.11, 0.45%, 0.53%

LAB 72.81, -10.6, 51.26

 

CMYK 12 / 0 / 57 / 26

HEX #A6BD51

RGB 166 189 81

HSL 72.78, 0.45%, 0.53%

LAB 72.96, -23.66, 50.95

 

CMYK 28 / 0 / 57 / 26

HEX #89BD51

RGB 137 189 81

HSL 88.89, 0.45%, 0.53%

LAB 71.08, -34.93, 48.32

 

CMYK 43 / 0 / 57 / 26

HEX #6CBD51

RGB 108 189 81

HSL 105, 0.45%, 0.53%

LAB 69.6, -44.93, 46.21

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 0 / 24 / 71 / 18

HEX #D09F3D

RGB 208 159 61

HSL 40, 0.61%, 0.53%

LAB 68.42, 8.47, 55.96

 

CMYK 0 / 27 / 81 / 11

HEX #E3A62A

RGB 227 166 42

HSL 40.22, 0.77%, 0.53%

LAB 72.07, 12.17, 67.3

 

CMYK 0 / 30 / 91 / 3

HEX #F7AC17

RGB 247 172 23

HSL 39.91, 0.93%, 0.53%

LAB 75.66, 17.13, 75.96

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 0 / 14 / 41 / 34

HEX #A99264

RGB 169 146 100

HSL 40, 0.29%, 0.53%

LAB 61.58, 1.99, 27.55

 

CMYK 0 / 7 / 20 / 41

HEX #968C78

RGB 150 140 120

HSL 40, 0.13%, 0.53%

LAB 58.6, 0.28, 12.03

 

CMYK 6 / 4 / 0 / 45

HEX #82858B

RGB 130 133 139

HSL 220, 0.04%, 0.53%

LAB 55.47, 0.12, -3.61

 

CMYK 30 / 20 / 0 / 38

HEX #6F7F9E

RGB 111 127 158

HSL 219.57, 0.2%, 0.53%

LAB 52.98, 1.63, -18.51

 

CMYK 0 / 50 / 57 / 26

HEX #BD5F51

RGB 189 95 81

HSL 7.78, 0.45%, 0.53%

LAB 51.38, 36.48, 25.43

 

CMYK 0 / 34 / 57 / 26

HEX #BD7C51

RGB 189 124 81

HSL 23.89, 0.45%, 0.53%

LAB 57.87, 20.79, 33.64

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 0 / 4 / 57 / 26

HEX #BDB551

RGB 189 181 81

HSL 55.56, 0.45%, 0.53%

LAB 72.54, -10.09, 50.96

 

CMYK 12 / 0 / 57 / 26

HEX #A7BD51

RGB 167 189 81

HSL 72.22, 0.45%, 0.53%

LAB 73.03, -23.25, 51.05

 

CMYK 0 / 21 / 63 / 47

HEX #886B33

RGB 136 107 51

HSL 39.53, 0.45%, 0.37%

LAB 46.96, 4.75, 35.19

 

CMYK 0 / 21 / 63 / 35

HEX #A6833E

RGB 166 131 62

HSL 39.81, 0.46%, 0.45%

LAB 56.77, 5.46, 41.63

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 0 / 15 / 45 / 22

HEX #C8AA6F

RGB 200 170 111

HSL 39.78, 0.45%, 0.61%

LAB 70.99, 3.02, 34.4

 

CMYK 0 / 11 / 33 / 17

HEX #D3BC8D

RGB 211 188 141

HSL 40.29, 0.44%, 0.69%

LAB 77.12, 1.3, 26.8

HEX #D3BC8D

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 50 / 0 / 57 / 26

HEX #5FBD51

RGB 95 189 81

HSL 112.22, 0.45%, 0.53%

LAB 69.06, -48.84, 45.44

 

CMYK 42 / 57 / 0 / 26

HEX #6D51BD

RGB 109 81 189

HSL 255.56, 0.45%, 0.53%

LAB 42.48, 37.37, -53.11

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 57 / 0 / 19 / 26

HEX #51BD99

RGB 81 189 153

HSL 160, 0.45%, 0.53%

LAB 69.78, -39.7, 8.97

 

CMYK 19 / 57 / 0 / 26

HEX #9951BD

RGB 153 81 189

HSL 280, 0.45%, 0.53%

LAB 47.41, 48.18, -44.94

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 50 / 0 / 57 / 26

HEX #5FBD51

RGB 95 189 81

HSL 112.22, 0.45%, 0.53%

LAB 69.06, -48.84, 45.44

 

CMYK 57 / 38 / 0 / 26

HEX #5175BD

RGB 81 117 189

HSL 220, 0.45%, 0.53%

LAB 49.67, 8.97, -41.74

 

CMYK 8 / 57 / 0 / 26

HEX #AE51BD

RGB 174 81 189

HSL 291.67, 0.45%, 0.53%

LAB 50.17, 53.65, -40.39

 

CMYK 0 / 19 / 57 / 26

HEX #BD9951

RGB 189 153 81

HSL 40, 0.45%, 0.53%

LAB 65.12, 4.81, 42.4

 

CMYK 57 / 0 / 48 / 26

HEX #51BD63

RGB 81 189 99

HSL 130, 0.45%, 0.53%

LAB 68.78, -50.11, 36.24

 

CMYK 57 / 38 / 0 / 26

HEX #5175BD

RGB 81 117 189

HSL 220, 0.45%, 0.53%

LAB 49.67, 8.97, -41.74

 

CMYK 0 / 57 / 10 / 26

HEX #BD51AB

RGB 189 81 171

HSL 310, 0.45%, 0.53%

LAB 51.43, 54.55, -27.77

 

Description

Color code: HEX #BD9951 | qconv.com Color code: HEX #BD9951 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 153 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 153 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 57 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 57% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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