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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD9276 it is the complementary color #426D89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD9276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD9276 shade: #C29271, #D3A484, #E4B697, #F5C8AA and #FFDABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD9276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD9276 shade: #BD9276, #AC8063, #9B6E50, #8A5C3D and #794A2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD9276 shade: #BC9175, #BC7E75 and #BC7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD9276 shade: #BC9175, #BCA475, #BCB775, #AEBC75 and #9ABC75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD9276 shade matches the following richer shades: #BC9175, #CD8D64, #DD8A54, #EE8643 and #FE8333

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD9276 shade: #BC9175, #AC9485, #9B9896, #8B9BA6 and #7A9FB7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD9276 shade: #BC7580, #BC7D75, #BC9075, #BCA375 and #BCB675

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD9276 shade: #966748, #AF7B59, #BC9175, #CAA791 and #D7BDAC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD9276 shade: #BD9276, #93BC75 and #7576BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD9276 shade: #BD9276, #75BC90 and #9075BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD9276 shade: #BD9276, #93BC75, #75A1BC and #9E75BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD9276 shade: #BD9276, #7DBC75, #75A1BC and #B475BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 38 / 26

HEX #BD9276

RGB 189 146 118

HSL 23.66, 0.35%, 0.6%

LAB 63.9, 12.37, 21.07

 

Complementary color

CMYK 52 / 20 / 0 / 46

HEX #426D89

RGB 66 109 137

HSL 203.66, 0.35%, 0.4%

LAB 44.09, -6.59, -20

 

CMYK 0 / 25 / 42 / 24

HEX #C29271

RGB 194 146 113

HSL 24.44, 0.4%, 0.6%

LAB 64.34, 13.82, 24.52

 

CMYK 0 / 22 / 37 / 17

HEX #D3A484

RGB 211 164 132

HSL 24.3, 0.47%, 0.67%

LAB 70.92, 13.04, 23.26

 

CMYK 0 / 20 / 34 / 11

HEX #E4B697

RGB 228 182 151

HSL 24.16, 0.59%, 0.74%

LAB 77.39, 12.36, 22.1

 

CMYK 0 / 18 / 31 / 4

HEX #F5C8AA

RGB 245 200 170

HSL 24, 0.79%, 0.81%

LAB 83.77, 11.75, 21.02

 

CMYK 0 / 15 / 26 / 0

HEX #FFDABD

RGB 255 218 189

HSL 26.36, 1%, 0.87%

LAB 89.43, 8.62, 19.04

 

CMYK 0 / 23 / 38 / 26

HEX #BD9276

RGB 189 146 118

HSL 23.66, 0.35%, 0.6%

LAB 63.9, 12.37, 21.07

 

CMYK 0 / 26 / 42 / 33

HEX #AC8063

RGB 172 128 99

HSL 23.84, 0.31%, 0.53%

LAB 57.18, 13.18, 22.36

 

CMYK 0 / 29 / 48 / 39

HEX #9B6E50

RGB 155 110 80

HSL 24, 0.32%, 0.46%

LAB 50.33, 14.13, 23.79

 

CMYK 0 / 33 / 56 / 46

HEX #8A5C3D

RGB 138 92 61

HSL 24.16, 0.39%, 0.39%

LAB 43.35, 15.28, 25.38

 

CMYK 0 / 39 / 65 / 53

HEX #794A2A

RGB 121 74 42

HSL 24.3, 0.48%, 0.32%

LAB 36.23, 16.67, 27.16

 

CMYK 0 / 23 / 38 / 26

HEX #BC9175

RGB 188 145 117

HSL 23.66, 0.35%, 0.6%

LAB 63.53, 12.4, 21.1

 

CMYK 0 / 33 / 38 / 26

HEX #BC7E75

RGB 188 126 117

HSL 7.61, 0.35%, 0.6%

LAB 58.88, 22.93, 14.72

 

CMYK 0 / 38 / 38 / 26

HEX #BC7575

RGB 188 117 117

HSL 0, 0.35%, 0.6%

LAB 56.78, 27.9, 11.8

 

CMYK 0 / 23 / 38 / 26

HEX #BC9175

RGB 188 145 117

HSL 23.66, 0.35%, 0.6%

LAB 63.53, 12.4, 21.1

 

CMYK 0 / 13 / 38 / 26

HEX #BCA475

RGB 188 164 117

HSL 39.72, 0.35%, 0.6%

LAB 68.41, 2, 27.63

 

CMYK 0 / 3 / 38 / 26

HEX #BCB775

RGB 188 183 117

HSL 55.77, 0.35%, 0.6%

LAB 73.44, -8.1, 34.2

 

CMYK 7 / 0 / 38 / 26

HEX #AEBC75

RGB 174 188 117

HSL 71.83, 0.35%, 0.6%

LAB 73.71, -16.24, 34.33

 

CMYK 18 / 0 / 38 / 26

HEX #9ABC75

RGB 154 188 117

HSL 88.73, 0.35%, 0.6%

LAB 72.31, -23.9, 32.24

 

CMYK 0 / 23 / 38 / 26

HEX #BC9175

RGB 188 145 117

HSL 23.66, 0.35%, 0.6%

LAB 63.53, 12.4, 21.1

 

CMYK 0 / 31 / 51 / 20

HEX #CD8D64

RGB 205 141 100

HSL 23.43, 0.51%, 0.6%

LAB 64.12, 19.75, 31.58

 

CMYK 0 / 38 / 62 / 13

HEX #DD8A54

RGB 221 138 84

HSL 23.65, 0.67%, 0.6%

LAB 65.11, 26.65, 41.74

 

CMYK 0 / 44 / 72 / 7

HEX #EE8643

RGB 238 134 67

HSL 23.51, 0.83%, 0.6%

LAB 66.24, 34.64, 52.08

 

CMYK 0 / 48 / 80 / 0

HEX #FE8333

RGB 254 131 51

HSL 23.65, 0.99%, 0.6%

LAB 67.68, 41.81, 61.34

 

CMYK 0 / 23 / 38 / 26

HEX #BC9175

RGB 188 145 117

HSL 23.66, 0.35%, 0.6%

LAB 63.53, 12.4, 21.1

 

CMYK 0 / 14 / 23 / 33

HEX #AC9485

RGB 172 148 133

HSL 23.08, 0.19%, 0.6%

LAB 63.05, 6.52, 11.23

 

CMYK 0 / 2 / 3 / 39

HEX #9B9896

RGB 155 152 150

HSL 24, 0.02%, 0.6%

LAB 63.03, 0.72, 1.43

 

CMYK 16 / 7 / 0 / 35

HEX #8B9BA6

RGB 139 155 166

HSL 204.44, 0.13%, 0.6%

LAB 63.08, -3.29, -7.66

 

CMYK 33 / 13 / 0 / 28

HEX #7A9FB7

RGB 122 159 183

HSL 203.61, 0.3%, 0.6%

LAB 63.63, -6.75, -16.5

 

CMYK 0 / 38 / 32 / 26

HEX #BC7580

RGB 188 117 128

HSL 350.7, 0.35%, 0.6%

LAB 57.05, 29.3, 5.79

 

CMYK 0 / 34 / 38 / 26

HEX #BC7D75

RGB 188 125 117

HSL 6.76, 0.35%, 0.6%

LAB 58.64, 23.49, 14.39

 

CMYK 0 / 23 / 38 / 26

HEX #BC9075

RGB 188 144 117

HSL 22.82, 0.35%, 0.6%

LAB 63.28, 12.95, 20.76

 

CMYK 0 / 13 / 38 / 26

HEX #BCA375

RGB 188 163 117

HSL 38.87, 0.35%, 0.6%

LAB 68.15, 2.54, 27.29

 

CMYK 0 / 3 / 38 / 26

HEX #BCB675

RGB 188 182 117

HSL 54.93, 0.35%, 0.6%

LAB 73.18, -7.58, 33.86

 

CMYK 0 / 31 / 52 / 41

HEX #966748

RGB 150 103 72

HSL 23.85, 0.35%, 0.44%

LAB 47.82, 15.19, 25.01

 

CMYK 0 / 30 / 49 / 31

HEX #AF7B59

RGB 175 123 89

HSL 23.72, 0.35%, 0.52%

LAB 56.09, 16.18, 26.61

 

CMYK 0 / 23 / 38 / 26

HEX #BC9175

RGB 188 145 117

HSL 23.66, 0.35%, 0.6%

LAB 63.53, 12.4, 21.1

 

CMYK 0 / 17 / 28 / 21

HEX #CAA791

RGB 202 167 145

HSL 23.16, 0.35%, 0.68%

LAB 71.03, 9.54, 16.18

 

CMYK 0 / 12 / 20 / 16

HEX #D7BDAC

RGB 215 189 172

HSL 23.72, 0.35%, 0.76%

LAB 78.36, 6.55, 11.98

 

CMYK 0 / 23 / 38 / 26

HEX #BD9276

RGB 189 146 118

HSL 23.66, 0.35%, 0.6%

LAB 63.9, 12.37, 21.07

 

CMYK 22 / 0 / 38 / 26

HEX #93BC75

RGB 147 188 117

HSL 94.65, 0.35%, 0.6%

LAB 71.86, -26.49, 31.58

 

CMYK 38 / 37 / 0 / 26

HEX #7576BC

RGB 117 118 188

HSL 239.15, 0.35%, 0.6%

LAB 52.25, 16.9, -36.93

 

CMYK 0 / 23 / 38 / 26

HEX #BD9276

RGB 189 146 118

HSL 23.66, 0.35%, 0.6%

LAB 63.9, 12.37, 21.07

 

CMYK 38 / 0 / 23 / 26

HEX #75BC90

RGB 117 188 144

HSL 142.82, 0.35%, 0.6%

LAB 70.71, -31.97, 15.36

 

CMYK 23 / 38 / 0 / 26

HEX #9075BC

RGB 144 117 188

HSL 262.82, 0.35%, 0.6%

LAB 54.33, 25.31, -33.52

 

CMYK 0 / 23 / 38 / 26

HEX #BD9276

RGB 189 146 118

HSL 23.66, 0.35%, 0.6%

LAB 63.9, 12.37, 21.07

 

CMYK 22 / 0 / 38 / 26

HEX #93BC75

RGB 147 188 117

HSL 94.65, 0.35%, 0.6%

LAB 71.86, -26.49, 31.58

 

CMYK 38 / 14 / 0 / 26

HEX #75A1BC

RGB 117 161 188

HSL 202.82, 0.35%, 0.6%

LAB 64.08, -7.96, -18.65

 

CMYK 16 / 38 / 0 / 26

HEX #9E75BC

RGB 158 117 188

HSL 274.65, 0.35%, 0.6%

LAB 55.71, 29.59, -31.26

 

CMYK 0 / 23 / 38 / 26

HEX #BD9276

RGB 189 146 118

HSL 23.66, 0.35%, 0.6%

LAB 63.9, 12.37, 21.07

 

CMYK 34 / 0 / 38 / 26

HEX #7DBC75

RGB 125 188 117

HSL 113.24, 0.35%, 0.6%

LAB 70.6, -34.17, 29.69

 

CMYK 38 / 14 / 0 / 26

HEX #75A1BC

RGB 117 161 188

HSL 202.82, 0.35%, 0.6%

LAB 64.08, -7.96, -18.65

 

CMYK 4 / 38 / 0 / 26

HEX #B475BC

RGB 180 117 188

HSL 293.24, 0.35%, 0.6%

LAB 58.09, 36.48, -27.38

 

Description

Color code: HEX #BD9276 | qconv.com Color code: HEX #BD9276 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 146 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 146 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 38 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 38% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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