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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD9E60 it is the complementary color #42619F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD9E60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD9E60 shade: #C29E5B, #D3B06E, #E4C281, #F5D494 and #FFE6A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD9E60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD9E60 shade: #BD9E60, #AC8C4D, #9B7A3A, #8A6827 and #795614

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD9E60 shade: #BC9E60, #BC8560, #BC6C60 and #BC6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD9E60 shade: #BC9E60, #BCB660, #A9BC60, #91BC60 and #78BC60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD9E60 shade matches the following richer shades: #BC9E60, #CEA44E, #E1AA3C and #F3B02A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD9E60 shade: #BC9E60, #AA9872, #989285, #868B97 and #7485A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD9E60 shade: #BC6D60, #BC8560, #BC9E60, #BCB660 and #AABC60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD9E60 shade: #8F733B, #AC8A48, #BC9E60, #C8AF7D and #D5C19A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD9E60 shade: #BD9E60, #6DBC60 and #7960BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD9E60 shade: #BD9E60, #60BC9E and #9E60BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD9E60 shade: #BD9E60, #6DBC60, #607FBC and #B060BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD9E60 shade: #BD9E60, #60BC70, #607FBC and #BC60AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 49 / 26

HEX #BD9E60

RGB 189 158 96

HSL 40, 0.41%, 0.56%

LAB 66.61, 3.41, 36.5

 

Complementary color

CMYK 58 / 39 / 0 / 38

HEX #42619F

RGB 66 97 159

HSL 220, 0.41%, 0.44%

LAB 41.55, 8.09, -37.1

 

CMYK 0 / 19 / 53 / 24

HEX #C29E5B

RGB 194 158 91

HSL 39.03, 0.46%, 0.56%

LAB 67.04, 5.07, 39.73

 

CMYK 0 / 17 / 48 / 17

HEX #D3B06E

RGB 211 176 110

HSL 39.21, 0.53%, 0.63%

LAB 73.56, 4.24, 38.4

 

CMYK 0 / 15 / 43 / 11

HEX #E4C281

RGB 228 194 129

HSL 39.39, 0.65%, 0.7%

LAB 79.99, 3.54, 37.13

 

CMYK 0 / 13 / 40 / 4

HEX #F5D494

RGB 245 212 148

HSL 39.59, 0.83%, 0.77%

LAB 86.32, 2.93, 35.91

 

CMYK 0 / 10 / 35 / 0

HEX #FFE6A7

RGB 255 230 167

HSL 42.95, 1%, 0.83%

LAB 91.97, -0.28, 33.85

 

CMYK 0 / 16 / 49 / 26

HEX #BD9E60

RGB 189 158 96

HSL 40, 0.41%, 0.56%

LAB 66.61, 3.41, 36.5

 

CMYK 0 / 19 / 55 / 33

HEX #AC8C4D

RGB 172 140 77

HSL 39.79, 0.38%, 0.49%

LAB 59.95, 4.27, 37.86

 

CMYK 0 / 21 / 63 / 39

HEX #9B7A3A

RGB 155 122 58

HSL 39.59, 0.46%, 0.42%

LAB 53.16, 5.32, 39.22

 

CMYK 0 / 25 / 72 / 46

HEX #8A6827

RGB 138 104 39

HSL 39.39, 0.56%, 0.35%

LAB 46.24, 6.61, 40.45

 

CMYK 0 / 29 / 83 / 53

HEX #795614

RGB 121 86 20

HSL 39.21, 0.72%, 0.28%

LAB 39.19, 8.24, 41.16

 

CMYK 0 / 16 / 49 / 26

HEX #BC9E60

RGB 188 158 96

HSL 40.43, 0.41%, 0.56%

LAB 66.51, 2.99, 36.36

 

CMYK 0 / 29 / 49 / 26

HEX #BC8560

RGB 188 133 96

HSL 24.13, 0.41%, 0.56%

LAB 60.17, 16.74, 28.3

 

CMYK 0 / 43 / 49 / 26

HEX #BC6C60

RGB 188 108 96

HSL 7.83, 0.41%, 0.56%

LAB 54.3, 30.5, 20.57

 

CMYK 0 / 49 / 49 / 26

HEX #BC6060

RGB 188 96 96

HSL 0, 0.41%, 0.56%

LAB 51.73, 36.9, 17.08

 

CMYK 0 / 16 / 49 / 26

HEX #BC9E60

RGB 188 158 96

HSL 40.43, 0.41%, 0.56%

LAB 66.51, 2.99, 36.36

 

CMYK 0 / 3 / 49 / 26

HEX #BCB660

RGB 188 182 96

HSL 56.09, 0.41%, 0.56%

LAB 72.89, -9.76, 44.17

 

CMYK 10 / 0 / 49 / 26

HEX #A9BC60

RGB 169 188 96

HSL 72.39, 0.41%, 0.56%

LAB 73.05, -20.56, 44.02

 

CMYK 23 / 0 / 49 / 26

HEX #91BC60

RGB 145 188 96

HSL 88.04, 0.41%, 0.56%

LAB 71.44, -29.89, 41.69

 

CMYK 36 / 0 / 49 / 26

HEX #78BC60

RGB 120 188 96

HSL 104.35, 0.41%, 0.56%

LAB 70.04, -38.8, 39.65

 

CMYK 0 / 16 / 49 / 26

HEX #BC9E60

RGB 188 158 96

HSL 40.43, 0.41%, 0.56%

LAB 66.51, 2.99, 36.36

 

CMYK 0 / 20 / 62 / 19

HEX #CEA44E

RGB 206 164 78

HSL 40.31, 0.57%, 0.56%

LAB 69.63, 5.93, 49.51

 

CMYK 0 / 24 / 73 / 12

HEX #E1AA3C

RGB 225 170 60

HSL 40, 0.73%, 0.56%

LAB 72.95, 9.86, 61.53

 

CMYK 0 / 28 / 83 / 5

HEX #F3B02A

RGB 243 176 42

HSL 40, 0.89%, 0.56%

LAB 76.24, 13.73, 71.57

 

CMYK 0 / 16 / 49 / 26

HEX #BC9E60

RGB 188 158 96

HSL 40.43, 0.41%, 0.56%

LAB 66.51, 2.99, 36.36

 

CMYK 0 / 11 / 33 / 33

HEX #AA9872

RGB 170 152 114

HSL 40.71, 0.25%, 0.56%

LAB 63.52, 0.82, 22.45

 

CMYK 0 / 4 / 13 / 40

HEX #989285

RGB 152 146 133

HSL 41.05, 0.08%, 0.56%

LAB 60.72, -0.13, 7.67

 

CMYK 11 / 8 / 0 / 41

HEX #868B97

RGB 134 139 151

HSL 222.35, 0.08%, 0.56%

LAB 57.82, 0.68, -7.01

 

CMYK 31 / 21 / 0 / 34

HEX #7485A9

RGB 116 133 169

HSL 220.75, 0.24%, 0.56%

LAB 55.43, 2.55, -21.08

 

CMYK 0 / 42 / 49 / 26

HEX #BC6D60

RGB 188 109 96

HSL 8.48, 0.41%, 0.56%

LAB 54.53, 29.96, 20.86

 

CMYK 0 / 29 / 49 / 26

HEX #BC8560

RGB 188 133 96

HSL 24.13, 0.41%, 0.56%

LAB 60.17, 16.74, 28.3

 

CMYK 0 / 16 / 49 / 26

HEX #BC9E60

RGB 188 158 96

HSL 40.43, 0.41%, 0.56%

LAB 66.51, 2.99, 36.36

 

CMYK 0 / 3 / 49 / 26

HEX #BCB660

RGB 188 182 96

HSL 56.09, 0.41%, 0.56%

LAB 72.89, -9.76, 44.17

 

CMYK 10 / 0 / 49 / 26

HEX #AABC60

RGB 170 188 96

HSL 71.74, 0.41%, 0.56%

LAB 73.13, -20.16, 44.13

 

CMYK 0 / 20 / 59 / 44

HEX #8F733B

RGB 143 115 59

HSL 40, 0.42%, 0.4%

LAB 50, 3.97, 34.71

 

CMYK 0 / 20 / 58 / 33

HEX #AC8A48

RGB 172 138 72

HSL 39.6, 0.41%, 0.48%

LAB 59.36, 4.97, 39.73

 

CMYK 0 / 16 / 49 / 26

HEX #BC9E60

RGB 188 158 96

HSL 40.43, 0.41%, 0.56%

LAB 66.51, 2.99, 36.36

 

CMYK 0 / 13 / 38 / 22

HEX #C8AF7D

RGB 200 175 125

HSL 40, 0.41%, 0.64%

LAB 72.51, 1.89, 28.97

 

CMYK 0 / 9 / 28 / 16

HEX #D5C19A

RGB 213 193 154

HSL 39.66, 0.41%, 0.72%

LAB 78.82, 1.12, 22.24

 

CMYK 0 / 16 / 49 / 26

HEX #BD9E60

RGB 189 158 96

HSL 40, 0.41%, 0.56%

LAB 66.61, 3.41, 36.5

 

CMYK 42 / 0 / 49 / 26

HEX #6DBC60

RGB 109 188 96

HSL 111.52, 0.41%, 0.56%

LAB 69.51, -42.36, 38.89

 

CMYK 36 / 49 / 0 / 26

HEX #7960BC

RGB 121 96 188

HSL 256.3, 0.41%, 0.56%

LAB 47.06, 31.18, -45.13

 

CMYK 0 / 16 / 49 / 26

HEX #BD9E60

RGB 189 158 96

HSL 40, 0.41%, 0.56%

LAB 66.61, 3.41, 36.5

 

CMYK 49 / 0 / 16 / 26

HEX #60BC9E

RGB 96 188 158

HSL 160.43, 0.41%, 0.56%

LAB 70.12, -34.69, 6.79

 

CMYK 16 / 49 / 0 / 26

HEX #9E60BC

RGB 158 96 188

HSL 280.43, 0.41%, 0.56%

LAB 51, 41.36, -38.64

 

CMYK 0 / 16 / 49 / 26

HEX #BD9E60

RGB 189 158 96

HSL 40, 0.41%, 0.56%

LAB 66.61, 3.41, 36.5

 

CMYK 42 / 0 / 49 / 26

HEX #6DBC60

RGB 109 188 96

HSL 111.52, 0.41%, 0.56%

LAB 69.51, -42.36, 38.89

 

CMYK 49 / 32 / 0 / 26

HEX #607FBC

RGB 96 127 188

HSL 219.78, 0.41%, 0.56%

LAB 53.27, 6.02, -35.43

 

CMYK 6 / 49 / 0 / 26

HEX #B060BC

RGB 176 96 188

HSL 292.17, 0.41%, 0.56%

LAB 53.2, 46.52, -35.03

 

CMYK 0 / 16 / 49 / 26

HEX #BD9E60

RGB 189 158 96

HSL 40, 0.41%, 0.56%

LAB 66.61, 3.41, 36.5

 

CMYK 49 / 0 / 40 / 26

HEX #60BC70

RGB 96 188 112

HSL 130.43, 0.41%, 0.56%

LAB 69.2, -43.79, 30.22

 

CMYK 49 / 32 / 0 / 26

HEX #607FBC

RGB 96 127 188

HSL 219.78, 0.41%, 0.56%

LAB 53.27, 6.02, -35.43

 

CMYK 0 / 49 / 8 / 26

HEX #BC60AD

RGB 188 96 173

HSL 309.78, 0.41%, 0.56%

LAB 54.11, 47.33, -24.81

 

Description

Color code: HEX #BD9E60 | qconv.com Color code: HEX #BD9E60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 158 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 158 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 49 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 49% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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