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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA65A it is the complementary color #4259A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA65A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA65A shade: #C2A655, #D3B868, #E4CA7B, #F5DC8E and #FFEEA1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA65A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA65A shade: #BDA65A, #AC9447, #9B8234, #8A7021 and #795E0E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA65A shade: #BDA65A, #BD8C5A, #BD715A and #BD5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA65A shade: #BDA65A, #B9BD5A, #9FBD5A, #84BD5A and #6ABD5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA65A shade matches the following richer shades: #BDA65A, #D0B048, #E2BA35 and #F5C423

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA65A shade: #BDA65A, #AB9C6D, #989280, #858892 and #737EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA65A shade: #BD715A, #BD8C5A, #BDA65A, #BABD5A and #9FBD5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA65A shade: #8D7938, #AB9344, #BDA65A, #C9B678 and #D5C695

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA65A shade: #BDA65A, #5EBD5A and #7F5ABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA65A shade: #BDA65A, #5ABDA6 and #A65ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA65A shade: #BDA65A, #5EBD5A, #5A71BD and #BA5ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA65A shade: #BDA65A, #5ABD75, #5A71BD and #BD5AA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

Complementary color

CMYK 60 / 46 / 0 / 35

HEX #4259A5

RGB 66 89 165

HSL 226.06, 0.43%, 0.45%

LAB 39.61, 15.3, -43.75

 

CMYK 0 / 14 / 56 / 24

HEX #C2A655

RGB 194 166 85

HSL 44.59, 0.47%, 0.55%

LAB 69.04, 0.25, 45.14

 

CMYK 0 / 13 / 51 / 17

HEX #D3B868

RGB 211 184 104

HSL 44.86, 0.55%, 0.62%

LAB 75.53, -0.54, 43.88

 

CMYK 0 / 11 / 46 / 11

HEX #E4CA7B

RGB 228 202 123

HSL 45.14, 0.66%, 0.69%

LAB 81.93, -1.22, 42.63

 

CMYK 0 / 10 / 42 / 4

HEX #F5DC8E

RGB 245 220 142

HSL 45.44, 0.84%, 0.76%

LAB 88.23, -1.8, 41.41

 

CMYK 0 / 7 / 37 / 0

HEX #FFEEA1

RGB 255 238 161

HSL 49.15, 1%, 0.82%

LAB 93.88, -4.99, 39.37

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 0 / 14 / 59 / 33

HEX #AC9447

RGB 172 148 71

HSL 45.74, 0.42%, 0.48%

LAB 62, -0.62, 43.31

 

CMYK 0 / 16 / 66 / 39

HEX #9B8234

RGB 155 130 52

HSL 45.44, 0.5%, 0.41%

LAB 55.26, 0.4, 44.47

 

CMYK 0 / 19 / 76 / 46

HEX #8A7021

RGB 138 112 33

HSL 45.14, 0.61%, 0.34%

LAB 48.39, 1.67, 45.27

 

CMYK 0 / 22 / 88 / 53

HEX #795E0E

RGB 121 94 14

HSL 44.86, 0.79%, 0.26%

LAB 41.38, 3.29, 45.12

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 0 / 26 / 52 / 26

HEX #BD8C5A

RGB 189 140 90

HSL 30.3, 0.43%, 0.55%

LAB 61.92, 12.72, 33.82

 

CMYK 0 / 40 / 52 / 26

HEX #BD715A

RGB 189 113 90

HSL 13.94, 0.43%, 0.55%

LAB 55.45, 27.62, 25.55

 

CMYK 0 / 52 / 52 / 26

HEX #BD5A5A

RGB 189 90 90

HSL 0, 0.43%, 0.55%

LAB 50.53, 39.81, 19.04

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 2 / 0 / 52 / 26

HEX #B9BD5A

RGB 185 189 90

HSL 62.42, 0.43%, 0.55%

LAB 74.48, -15.13, 48.89

 

CMYK 16 / 0 / 52 / 26

HEX #9FBD5A

RGB 159 189 90

HSL 78.18, 0.43%, 0.55%

LAB 72.56, -25.62, 46.17

 

CMYK 30 / 0 / 52 / 26

HEX #84BD5A

RGB 132 189 90

HSL 94.55, 0.43%, 0.55%

LAB 70.9, -35.8, 43.78

 

CMYK 44 / 0 / 52 / 26

HEX #6ABD5A

RGB 106 189 90

HSL 110.3, 0.43%, 0.55%

LAB 69.61, -44.49, 41.93

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 0 / 15 / 65 / 18

HEX #D0B048

RGB 208 176 72

HSL 45.88, 0.59%, 0.55%

LAB 72.84, 0.01, 55.84

 

CMYK 0 / 18 / 77 / 11

HEX #E2BA35

RGB 226 186 53

HSL 46.13, 0.75%, 0.55%

LAB 77.01, 1.56, 68.05

 

CMYK 0 / 20 / 86 / 4

HEX #F5C423

RGB 245 196 35

HSL 46, 0.91%, 0.55%

LAB 81.3, 3.97, 77.7

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 0 / 9 / 36 / 33

HEX #AB9C6D

RGB 171 156 109

HSL 45.48, 0.27%, 0.55%

LAB 64.59, -1.59, 26.64

 

CMYK 0 / 4 / 16 / 40

HEX #989280

RGB 152 146 128

HSL 45, 0.1%, 0.55%

LAB 60.6, -0.97, 10.34

 

CMYK 9 / 7 / 0 / 43

HEX #858892

RGB 133 136 146

HSL 226.15, 0.06%, 0.55%

LAB 56.75, 0.96, -5.72

 

CMYK 30 / 24 / 0 / 35

HEX #737EA5

RGB 115 126 165

HSL 226.8, 0.22%, 0.55%

LAB 53.26, 5.29, -22.12

 

CMYK 0 / 40 / 52 / 26

HEX #BD715A

RGB 189 113 90

HSL 13.94, 0.43%, 0.55%

LAB 55.45, 27.62, 25.55

 

CMYK 0 / 26 / 52 / 26

HEX #BD8C5A

RGB 189 140 90

HSL 30.3, 0.43%, 0.55%

LAB 61.92, 12.72, 33.82

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 2 / 0 / 52 / 26

HEX #BABD5A

RGB 186 189 90

HSL 61.82, 0.43%, 0.55%

LAB 74.55, -14.71, 49

 

CMYK 16 / 0 / 52 / 26

HEX #9FBD5A

RGB 159 189 90

HSL 78.18, 0.43%, 0.55%

LAB 72.56, -25.62, 46.17

 

CMYK 0 / 14 / 60 / 45

HEX #8D7938

RGB 141 121 56

HSL 45.88, 0.43%, 0.39%

LAB 51.41, -0.6, 37.85

 

CMYK 0 / 14 / 60 / 33

HEX #AB9344

RGB 171 147 68

HSL 46.02, 0.43%, 0.47%

LAB 61.6, -0.74, 44.3

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 0 / 9 / 40 / 21

HEX #C9B678

RGB 201 182 120

HSL 45.93, 0.43%, 0.63%

LAB 74.34, -1.99, 34.01

 

CMYK 0 / 7 / 30 / 16

HEX #D5C695

RGB 213 198 149

HSL 45.94, 0.43%, 0.71%

LAB 80.01, -2.15, 26.5

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 33 / 52 / 0 / 26

HEX #7F5ABD

RGB 127 90 189

HSL 262.42, 0.43%, 0.55%

LAB 46.31, 36.52, -46.87

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 52 / 0 / 12 / 26

HEX #5ABDA6

RGB 90 189 166

HSL 166.06, 0.43%, 0.55%

LAB 70.4, -34.67, 2.79

 

CMYK 12 / 52 / 0 / 26

HEX #A65ABD

RGB 166 90 189

HSL 286.06, 0.43%, 0.55%

LAB 50.8, 47.01, -39.47

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 50 / 0 / 52 / 26

HEX #5EBD5A

RGB 94 189 90

HSL 117.58, 0.43%, 0.55%

LAB 69.12, -48.01, 41.22

 

CMYK 52 / 40 / 0 / 26

HEX #5A71BD

RGB 90 113 189

HSL 226.06, 0.43%, 0.55%

LAB 49.08, 13.41, -42.64

 

CMYK 2 / 52 / 0 / 26

HEX #BA5ABD

RGB 186 90 189

HSL 298.18, 0.43%, 0.55%

LAB 53.41, 52.55, -35.17

 

CMYK 0 / 12 / 52 / 26

HEX #BDA65A

RGB 189 166 90

HSL 46.06, 0.43%, 0.55%

LAB 68.63, -1.45, 42.06

 

CMYK 52 / 0 / 38 / 26

HEX #5ABD75

RGB 90 189 117

HSL 136.36, 0.43%, 0.55%

LAB 69.36, -44.95, 27.77

 

CMYK 52 / 40 / 0 / 26

HEX #5A71BD

RGB 90 113 189

HSL 226.06, 0.43%, 0.55%

LAB 49.08, 13.41, -42.64

 

CMYK 0 / 52 / 14 / 26

HEX #BD5AA3

RGB 189 90 163

HSL 315.76, 0.43%, 0.55%

LAB 52.7, 48.98, -21.13

 

Description

Color code: HEX #BDA65A | qconv.com Color code: HEX #BDA65A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 166 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 166 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 52 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 52% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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