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Color name
HEX #BDA6A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA6A2 it is the complementary color #42595D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA6A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA6A2 shade: #C2A69D, #D3B8B0, #E4CAC3, #F5DCD6 and #FFEEE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA6A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA6A2 shade: #BDA6A2, #AC948F, #9B827C, #8A7069 and #795E56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA6A2 shade: #BDA6A2 and #BDA2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA6A2 shade: #BDA6A2, #BDADA2, #BDB4A2, #BDBCA2 and #B7BDA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA6A2 shade matches the following richer shades: #BDA6A2, #CA9D95, #D69488, #E38B7C and #F0826F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA6A2 shade: #BDA6A2, #B0AFAF, #A3B8BC, #97C1C8 and #8ACAD5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA6A2 shade: #BDA2AD, #BDA2A6, #BDA6A2, #BDADA2 and #BDB4A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA6A2 shade: #9B7872, #AC8F8A, #BDA6A2, #CEBDBA and #DFD4D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA6A2 shade: #BDA6A2, #B4BDA2 and #A2A9BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA6A2 shade: #BDA6A2, #A2BDA6 and #A6A2BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA6A2 shade: #BDA6A2, #B4BDA2, #A2B9BD and #ABA2BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA6A2 shade: #BDA6A2, #ACBDA2, #A2B9BD and #B3A2BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

Complementary color

CMYK 29 / 4 / 0 / 64

HEX #42595D

RGB 66 89 93

HSL 188.89, 0.17%, 0.31%

LAB 36.16, -7.61, -5.15

 

CMYK 0 / 14 / 19 / 24

HEX #C2A69D

RGB 194 166 157

HSL 14.59, 0.23%, 0.69%

LAB 70.3, 8.77, 8.43

 

CMYK 0 / 13 / 17 / 17

HEX #D3B8B0

RGB 211 184 176

HSL 13.71, 0.28%, 0.76%

LAB 76.84, 8.35, 7.6

 

CMYK 0 / 11 / 14 / 11

HEX #E4CAC3

RGB 228 202 195

HSL 12.73, 0.38%, 0.83%

LAB 83.27, 7.98, 6.82

 

CMYK 0 / 10 / 13 / 4

HEX #F5DCD6

RGB 245 220 214

HSL 11.61, 0.61%, 0.9%

LAB 89.61, 7.64, 6.07

 

CMYK 0 / 7 / 9 / 0

HEX #FFEEE9

RGB 255 238 233

HSL 13.64, 1%, 0.96%

LAB 95.28, 4.91, 4.47

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 0 / 14 / 17 / 33

HEX #AC948F

RGB 172 148 143

HSL 10.34, 0.15%, 0.62%

LAB 63.29, 8.1, 5.94

 

CMYK 0 / 16 / 20 / 39

HEX #9B827C

RGB 155 130 124

HSL 11.61, 0.13%, 0.55%

LAB 56.48, 8.56, 6.8

 

CMYK 0 / 19 / 24 / 46

HEX #8A7069

RGB 138 112 105

HSL 12.73, 0.14%, 0.48%

LAB 49.51, 9.08, 7.74

 

CMYK 0 / 22 / 29 / 53

HEX #795E56

RGB 121 94 86

HSL 13.71, 0.17%, 0.41%

LAB 42.37, 9.71, 8.79

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 0 / 14 / 14 / 26

HEX #BDA2A2

RGB 189 162 162

HSL 0, 0.17%, 0.69%

LAB 68.95, 9.88, 3.66

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 0 / 8 / 14 / 26

HEX #BDADA2

RGB 189 173 162

HSL 24.44, 0.17%, 0.69%

LAB 71.77, 3.89, 7.72

 

CMYK 0 / 5 / 14 / 26

HEX #BDB4A2

RGB 189 180 162

HSL 40, 0.17%, 0.69%

LAB 73.59, 0.12, 10.32

 

CMYK 0 / 1 / 14 / 26

HEX #BDBCA2

RGB 189 188 162

HSL 57.78, 0.17%, 0.69%

LAB 75.7, -4.13, 13.3

 

CMYK 3 / 0 / 14 / 26

HEX #B7BDA2

RGB 183 189 162

HSL 73.33, 0.17%, 0.69%

LAB 75.5, -6.86, 12.95

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 0 / 22 / 26 / 21

HEX #CA9D95

RGB 202 157 149

HSL 9.06, 0.33%, 0.69%

LAB 68.64, 15.54, 10.6

 

CMYK 0 / 31 / 36 / 16

HEX #D69488

RGB 214 148 136

HSL 9.23, 0.49%, 0.69%

LAB 67.47, 23.37, 16.38

 

CMYK 0 / 39 / 45 / 11

HEX #E38B7C

RGB 227 139 124

HSL 8.74, 0.65%, 0.69%

LAB 66.71, 31.88, 22.27

 

CMYK 0 / 46 / 54 / 6

HEX #F0826F

RGB 240 130 111

HSL 8.84, 0.81%, 0.69%

LAB 66.24, 40.3, 29.16

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 0 / 1 / 1 / 31

HEX #B0AFAF

RGB 176 175 175

HSL 0, 0.01%, 0.69%

LAB 71.54, 0.36, 0.12

 

CMYK 13 / 2 / 0 / 26

HEX #A3B8BC

RGB 163 184 188

HSL 189.6, 0.16%, 0.69%

LAB 73.35, -6.35, -4.47

 

CMYK 25 / 4 / 0 / 22

HEX #97C1C8

RGB 151 193 200

HSL 188.57, 0.31%, 0.69%

LAB 75.38, -12.27, -8.08

 

CMYK 35 / 5 / 0 / 16

HEX #8ACAD5

RGB 138 202 213

HSL 188.8, 0.47%, 0.69%

LAB 77.55, -17.58, -11.96

 

CMYK 0 / 14 / 8 / 26

HEX #BDA2AD

RGB 189 162 173

HSL 335.56, 0.17%, 0.69%

LAB 69.24, 11.76, -2.02

 

CMYK 0 / 14 / 12 / 26

HEX #BDA2A6

RGB 189 162 166

HSL 351.11, 0.17%, 0.69%

LAB 69.05, 10.55, 1.59

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 0 / 8 / 14 / 26

HEX #BDADA2

RGB 189 173 162

HSL 24.44, 0.17%, 0.69%

LAB 71.77, 3.89, 7.72

 

CMYK 0 / 5 / 14 / 26

HEX #BDB4A2

RGB 189 180 162

HSL 40, 0.17%, 0.69%

LAB 73.59, 0.12, 10.32

 

CMYK 0 / 23 / 26 / 39

HEX #9B7872

RGB 155 120 114

HSL 8.78, 0.17%, 0.53%

LAB 53.62, 12.72, 8.53

 

CMYK 0 / 17 / 20 / 33

HEX #AC8F8A

RGB 172 143 138

HSL 8.82, 0.17%, 0.61%

LAB 61.87, 10.09, 6.73

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 0 / 8 / 10 / 19

HEX #CEBDBA

RGB 206 189 186

HSL 9, 0.17%, 0.77%

LAB 77.91, 5.49, 3.68

 

CMYK 0 / 5 / 6 / 13

HEX #DFD4D2

RGB 223 212 210

HSL 9.23, 0.17%, 0.85%

LAB 85.72, 3.44, 2.33

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 5 / 0 / 14 / 26

HEX #B4BDA2

RGB 180 189 162

HSL 80, 0.17%, 0.69%

LAB 75.27, -7.96, 12.6

 

CMYK 14 / 11 / 0 / 26

HEX #A2A9BD

RGB 162 169 189

HSL 224.44, 0.17%, 0.69%

LAB 69.28, 1.65, -11.08

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 14 / 0 / 12 / 26

HEX #A2BDA6

RGB 162 189 166

HSL 128.89, 0.17%, 0.69%

LAB 74.08, -13.64, 8.57

 

CMYK 12 / 14 / 0 / 26

HEX #A6A2BD

RGB 166 162 189

HSL 248.89, 0.17%, 0.69%

LAB 67.74, 6.84, -13.35

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 5 / 0 / 14 / 26

HEX #B4BDA2

RGB 180 189 162

HSL 80, 0.17%, 0.69%

LAB 75.27, -7.96, 12.6

 

CMYK 14 / 2 / 0 / 26

HEX #A2B9BD

RGB 162 185 189

HSL 188.89, 0.17%, 0.69%

LAB 73.58, -7, -4.69

 

CMYK 10 / 14 / 0 / 26

HEX #ABA2BD

RGB 171 162 189

HSL 260, 0.17%, 0.69%

LAB 68.15, 8.52, -12.7

 

CMYK 0 / 12 / 14 / 26

HEX #BDA6A2

RGB 189 166 162

HSL 8.89, 0.17%, 0.69%

LAB 69.97, 7.69, 5.13

 

CMYK 9 / 0 / 14 / 26

HEX #ACBDA2

RGB 172 189 162

HSL 97.78, 0.17%, 0.69%

LAB 74.68, -10.85, 11.69

 

CMYK 14 / 2 / 0 / 26

HEX #A2B9BD

RGB 162 185 189

HSL 188.89, 0.17%, 0.69%

LAB 73.58, -7, -4.69

 

CMYK 5 / 14 / 0 / 26

HEX #B3A2BD

RGB 179 162 189

HSL 277.78, 0.17%, 0.69%

LAB 68.82, 11.24, -11.62

 

Description

Color code: HEX #BDA6A2 | qconv.com Color code: HEX #BDA6A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 166 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 166 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 14 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 14% 26% C M Y K

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Provide designers and agencies with accurate color values.

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