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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA6A6 it is the complementary color #425959. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA6A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA6A6 shade: #C2A6A1, #D3B8B4, #E4CAC7, #F5DCDA and #FFEEED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA6A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA6A6 shade: #BDA6A6, #AC9493, #9B8280, #8A706D and #795E5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA6A6 shade: #BDA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA6A6 shade: #BDA7A7, #BDADA7, #BDB3A7, #BDB9A7 and #BCBDA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA6A6 shade matches the following richer shades: #BDA7A7, #CA9A9A, #D68E8E, #E38181 and #EF7575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA6A6 shade: #BDA7A7, #B1B3B3, #A5BFBF, #98CCCC and #8CD8D8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA6A6 shade: #BDA7B3, #BDA7AD, #BDA7A7, #BDADA7 and #BDB3A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA6A6 shade: #9A7777, #AC8F8F, #BDA7A7, #CFBEBE and #E1D6D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA6A6 shade: #BDA6A6, #B9BDA7 and #A7B0BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA6A6 shade: #BDA6A6, #A7BDA7 and #A7A7BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA6A6 shade: #BDA6A6, #B9BDA7, #A7BDBD and #ABA7BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA6A6 shade: #BDA6A6, #B2BDA7, #A7BDBD and #B2A7BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 12 / 26

HEX #BDA6A6

RGB 189 166 166

HSL 0, 0.15%, 0.7%

LAB 70.07, 8.36, 3.07

 

Complementary color

CMYK 26 / 0 / 0 / 65

HEX #425959

RGB 66 89 89

HSL 180, 0.15%, 0.3%

LAB 36.03, -8.65, -2.85

 

CMYK 0 / 14 / 17 / 24

HEX #C2A6A1

RGB 194 166 161

HSL 9.09, 0.21%, 0.7%

LAB 70.4, 9.4, 6.36

 

CMYK 0 / 13 / 15 / 17

HEX #D3B8B4

RGB 211 184 180

HSL 7.74, 0.26%, 0.77%

LAB 76.94, 8.99, 5.57

 

CMYK 0 / 11 / 13 / 11

HEX #E4CAC7

RGB 228 202 199

HSL 6.21, 0.35%, 0.84%

LAB 83.37, 8.62, 4.82

 

CMYK 0 / 10 / 11 / 4

HEX #F5DCDA

RGB 245 220 218

HSL 4.44, 0.57%, 0.91%

LAB 89.7, 8.28, 4.11

 

CMYK 0 / 7 / 7 / 0

HEX #FFEEED

RGB 255 238 237

HSL 3.33, 1%, 0.96%

LAB 95.38, 5.57, 2.54

 

CMYK 0 / 12 / 12 / 26

HEX #BDA6A6

RGB 189 166 166

HSL 0, 0.15%, 0.7%

LAB 70.07, 8.36, 3.07

 

CMYK 0 / 14 / 15 / 33

HEX #AC9493

RGB 172 148 147

HSL 2.4, 0.13%, 0.63%

LAB 63.39, 8.76, 3.83

 

CMYK 0 / 16 / 17 / 39

HEX #9B8280

RGB 155 130 128

HSL 4.44, 0.12%, 0.55%

LAB 56.58, 9.21, 4.64

 

CMYK 0 / 19 / 21 / 46

HEX #8A706D

RGB 138 112 109

HSL 6.21, 0.12%, 0.48%

LAB 49.61, 9.73, 5.52

 

CMYK 0 / 22 / 26 / 53

HEX #795E5A

RGB 121 94 90

HSL 7.74, 0.15%, 0.41%

LAB 42.47, 10.33, 6.49

 

CMYK 0 / 12 / 12 / 26

HEX #BDA7A7

RGB 189 167 167

HSL 0, 0.14%, 0.7%

LAB 70.35, 7.98, 2.92

 

CMYK 0 / 12 / 12 / 26

HEX #BDA7A7

RGB 189 167 167

HSL 0, 0.14%, 0.7%

LAB 70.35, 7.98, 2.92

 

CMYK 0 / 8 / 12 / 26

HEX #BDADA7

RGB 189 173 167

HSL 16.36, 0.14%, 0.7%

LAB 71.89, 4.72, 5.15

 

CMYK 0 / 5 / 12 / 26

HEX #BDB3A7

RGB 189 179 167

HSL 32.73, 0.14%, 0.7%

LAB 73.45, 1.48, 7.39

 

CMYK 0 / 2 / 12 / 26

HEX #BDB9A7

RGB 189 185 167

HSL 49.09, 0.14%, 0.7%

LAB 75.02, -1.73, 9.63

 

CMYK 1 / 0 / 12 / 26

HEX #BCBDA7

RGB 188 189 167

HSL 62.73, 0.14%, 0.7%

LAB 75.99, -4.21, 11.01

 

CMYK 0 / 12 / 12 / 26

HEX #BDA7A7

RGB 189 167 167

HSL 0, 0.14%, 0.7%

LAB 70.35, 7.98, 2.92

 

CMYK 0 / 24 / 24 / 21

HEX #CA9A9A

RGB 202 154 154

HSL 0, 0.31%, 0.7%

LAB 68.02, 17.91, 6.94

 

CMYK 0 / 34 / 34 / 16

HEX #D68E8E

RGB 214 142 142

HSL 0, 0.47%, 0.7%

LAB 66.21, 27.35, 11.26

 

CMYK 0 / 43 / 43 / 11

HEX #E38181

RGB 227 129 129

HSL 0, 0.64%, 0.7%

LAB 64.66, 37.63, 16.65

 

CMYK 0 / 51 / 51 / 6

HEX #EF7575

RGB 239 117 117

HSL 0, 0.79%, 0.7%

LAB 63.64, 46.92, 22.32

 

CMYK 0 / 12 / 12 / 26

HEX #BDA7A7

RGB 189 167 167

HSL 0, 0.14%, 0.7%

LAB 70.35, 7.98, 2.92

 

CMYK 1 / 0 / 0 / 30

HEX #B1B3B3

RGB 177 179 179

HSL 180, 0.01%, 0.7%

LAB 72.79, -0.7, -0.25

HEX #B1B3B3

CMYK 14 / 0 / 0 / 25

HEX #A5BFBF

RGB 165 191 191

HSL 180, 0.17%, 0.7%

LAB 75.47, -8.78, -2.98

HEX #A5BFBF

CMYK 25 / 0 / 0 / 20

HEX #98CCCC

RGB 152 204 204

HSL 180, 0.34%, 0.7%

LAB 78.59, -16.75, -5.49

HEX #98CCCC

CMYK 35 / 0 / 0 / 15

HEX #8CD8D8

RGB 140 216 216

HSL 180, 0.49%, 0.7%

LAB 81.64, -23.36, -7.46

HEX #8CD8D8

CMYK 0 / 12 / 5 / 26

HEX #BDA7B3

RGB 189 167 179

HSL 327.27, 0.14%, 0.7%

LAB 70.67, 10.08, -3.24

 

CMYK 0 / 12 / 8 / 26

HEX #BDA7AD

RGB 189 167 173

HSL 343.64, 0.14%, 0.7%

LAB 70.51, 9.01, -0.17

 

CMYK 0 / 12 / 12 / 26

HEX #BDA7A7

RGB 189 167 167

HSL 0, 0.14%, 0.7%

LAB 70.35, 7.98, 2.92

 

CMYK 0 / 8 / 12 / 26

HEX #BDADA7

RGB 189 173 167

HSL 16.36, 0.14%, 0.7%

LAB 71.89, 4.72, 5.15

 

CMYK 0 / 5 / 12 / 26

HEX #BDB3A7

RGB 189 179 167

HSL 32.73, 0.14%, 0.7%

LAB 73.45, 1.48, 7.39

 

CMYK 0 / 23 / 23 / 40

HEX #9A7777

RGB 154 119 119

HSL 0, 0.15%, 0.54%

LAB 53.38, 13.67, 5.26

 

CMYK 0 / 17 / 17 / 33

HEX #AC8F8F

RGB 172 143 143

HSL 0, 0.15%, 0.62%

LAB 62, 10.89, 4.08

 

CMYK 0 / 12 / 12 / 26

HEX #BDA7A7

RGB 189 167 167

HSL 0, 0.14%, 0.7%

LAB 70.35, 7.98, 2.92

 

CMYK 0 / 8 / 8 / 19

HEX #CFBEBE

RGB 207 190 190

HSL 0, 0.15%, 0.78%

LAB 78.35, 5.99, 2.16

 

CMYK 0 / 5 / 5 / 12

HEX #E1D6D6

RGB 225 214 214

HSL 0, 0.15%, 0.86%

LAB 86.48, 3.78, 1.34

 

CMYK 0 / 12 / 12 / 26

HEX #BDA6A6

RGB 189 166 166

HSL 0, 0.15%, 0.7%

LAB 70.07, 8.36, 3.07

 

CMYK 2 / 0 / 12 / 26

HEX #B9BDA7

RGB 185 189 167

HSL 70.91, 0.14%, 0.7%

LAB 75.76, -5.3, 10.65

 

CMYK 12 / 7 / 0 / 26

HEX #A7B0BD

RGB 167 176 189

HSL 215.45, 0.14%, 0.7%

LAB 71.51, -0.51, -7.71

 

CMYK 0 / 12 / 12 / 26

HEX #BDA6A6

RGB 189 166 166

HSL 0, 0.15%, 0.7%

LAB 70.07, 8.36, 3.07

 

CMYK 12 / 0 / 12 / 26

HEX #A7BDA7

RGB 167 189 167

HSL 120, 0.14%, 0.7%

LAB 74.45, -11.72, 8.59

 

CMYK 12 / 12 / 0 / 26

HEX #A7A7BD

RGB 167 167 189

HSL 240, 0.14%, 0.7%

LAB 69.13, 4.41, -11.26

 

CMYK 0 / 12 / 12 / 26

HEX #BDA6A6

RGB 189 166 166

HSL 0, 0.15%, 0.7%

LAB 70.07, 8.36, 3.07

 

CMYK 2 / 0 / 12 / 26

HEX #B9BDA7

RGB 185 189 167

HSL 70.91, 0.14%, 0.7%

LAB 75.76, -5.3, 10.65

 

CMYK 12 / 0 / 0 / 26

HEX #A7BDBD

RGB 167 189 189

HSL 180, 0.14%, 0.7%

LAB 75, -7.48, -2.55

 

CMYK 10 / 12 / 0 / 26

HEX #ABA7BD

RGB 171 167 189

HSL 250.91, 0.14%, 0.7%

LAB 69.45, 5.76, -10.75

 

CMYK 0 / 12 / 12 / 26

HEX #BDA6A6

RGB 189 166 166

HSL 0, 0.15%, 0.7%

LAB 70.07, 8.36, 3.07

 

CMYK 6 / 0 / 12 / 26

HEX #B2BDA7

RGB 178 189 167

HSL 90, 0.14%, 0.7%

LAB 75.23, -7.83, 9.82

 

CMYK 12 / 0 / 0 / 26

HEX #A7BDBD

RGB 167 189 189

HSL 180, 0.14%, 0.7%

LAB 75, -7.48, -2.55

 

CMYK 6 / 12 / 0 / 26

HEX #B2A7BD

RGB 178 167 189

HSL 270, 0.14%, 0.7%

LAB 70.02, 8.13, -9.84

 

Description

Color code: HEX #BDA6A6 | qconv.com Color code: HEX #BDA6A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 166 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 166 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 12 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 12% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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