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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA941 it is the complementary color #4256BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA941. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA941 shade: #C2A93C, #D3BB4F, #E4CD62, #F5DF75 and #FFF188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA941. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA941 shade: #BDA941, #AC972E, #9B851B, #8A7308 and #796100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA941 shade: #BDA941, #BD8841, #BD6641, #BD4441 and #BD4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA941 shade: #BDA941, #B0BD41, #8EBD41, #6DBD41 and #4BBD41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA941 shade matches the following richer shades: #BDA941, #D2B72C, #E7C517 and #FBD303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA941 shade: #BDA941, #A99B55, #948D6A, #807F7E and #6B7193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA941 shade: #BD6641, #BD8741, #BDA941, #B1BD41 and #90BD41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA941 shade: #80722B, #9F8E36, #BDA941, #C8B75F and #D3C57E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA941 shade: #BDA941, #41BD45 and #7741BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA941 shade: #BDA941, #41BDA9 and #A941BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA941 shade: #BDA941, #41BD45, #4155BD and #BD41B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA941 shade: #BDA941, #41BD6A, #4155BD and #BD4194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

Complementary color

CMYK 65 / 55 / 0 / 25

HEX #4256BE

RGB 66 86 190

HSL 230.32, 0.49%, 0.5%

LAB 40.46, 26.04, -57.11

 

CMYK 0 / 13 / 69 / 24

HEX #C2A93C

RGB 194 169 60

HSL 48.81, 0.53%, 0.5%

LAB 69.59, -3.02, 57.14

 

CMYK 0 / 11 / 63 / 17

HEX #D3BB4F

RGB 211 187 79

HSL 49.09, 0.6%, 0.57%

LAB 76.04, -4.04, 56.3

 

CMYK 0 / 10 / 57 / 11

HEX #E4CD62

RGB 228 205 98

HSL 49.38, 0.71%, 0.64%

LAB 82.4, -4.89, 55.24

 

CMYK 0 / 9 / 52 / 4

HEX #F5DF75

RGB 245 223 117

HSL 49.69, 0.86%, 0.71%

LAB 88.67, -5.62, 54.1

 

CMYK 0 / 5 / 47 / 0

HEX #FFF188

RGB 255 241 136

HSL 52.94, 1%, 0.77%

LAB 94.29, -9, 52.09

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 0 / 12 / 73 / 33

HEX #AC972E

RGB 172 151 46

HSL 50, 0.58%, 0.43%

LAB 62.59, -3.82, 55.07

 

CMYK 0 / 14 / 83 / 39

HEX #9B851B

RGB 155 133 27

HSL 49.69, 0.7%, 0.36%

LAB 55.91, -2.48, 54.99

 

CMYK 0 / 17 / 94 / 46

HEX #8A7308

RGB 138 115 8

HSL 49.38, 0.89%, 0.29%

LAB 49.11, -0.84, 53.47

 

CMYK 0 / 20 / 100 / 53

HEX #796100

RGB 121 97 0

HSL 48.1, 1%, 0.24%

LAB 42.18, 1.18, 49.41

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 0 / 28 / 66 / 26

HEX #BD8841

RGB 189 136 65

HSL 34.35, 0.49%, 0.5%

LAB 60.61, 13, 45.16

 

CMYK 0 / 46 / 66 / 26

HEX #BD6641

RGB 189 102 65

HSL 17.9, 0.49%, 0.5%

LAB 52.62, 31.64, 36

 

CMYK 0 / 64 / 66 / 26

HEX #BD4441

RGB 189 68 65

HSL 1.45, 0.49%, 0.5%

LAB 46.09, 48.44, 28.11

 

CMYK 0 / 66 / 66 / 26

HEX #BD4141

RGB 189 65 65

HSL 0, 0.49%, 0.5%

LAB 45.61, 49.73, 27.51

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 7 / 0 / 66 / 26

HEX #B0BD41

RGB 176 189 65

HSL 66.29, 0.49%, 0.5%

LAB 73.55, -20.72, 58.7

 

CMYK 25 / 0 / 66 / 26

HEX #8EBD41

RGB 142 189 65

HSL 82.74, 0.49%, 0.5%

LAB 71.23, -34.42, 55.56

 

CMYK 42 / 0 / 66 / 26

HEX #6DBD41

RGB 109 189 65

HSL 98.71, 0.49%, 0.5%

LAB 69.49, -46.18, 53.17

 

CMYK 60 / 0 / 66 / 26

HEX #4BBD41

RGB 75 189 65

HSL 115.16, 0.49%, 0.5%

LAB 68.22, -55.78, 51.43

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 0 / 13 / 79 / 18

HEX #D2B72C

RGB 210 183 44

HSL 50.24, 0.65%, 0.5%

LAB 74.67, -4.12, 68.3

 

CMYK 0 / 15 / 90 / 9

HEX #E7C517

RGB 231 197 23

HSL 50.19, 0.82%, 0.5%

LAB 80.17, -2.79, 78.65

 

CMYK 0 / 16 / 99 / 2

HEX #FBD303

RGB 251 211 3

HSL 50.32, 0.98%, 0.5%

LAB 85.56, -1.58, 85.73

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 0 / 8 / 50 / 34

HEX #A99B55

RGB 169 155 85

HSL 50, 0.33%, 0.5%

LAB 63.78, -4.5, 38.3

 

CMYK 0 / 5 / 28 / 42

HEX #948D6A

RGB 148 141 106

HSL 50, 0.17%, 0.5%

LAB 58.4, -3.19, 19.65

 

CMYK 0 / 1 / 2 / 50

HEX #807F7E

RGB 128 127 126

HSL 30, 0.01%, 0.5%

LAB 53.25, 0.18, 0.67

 

CMYK 27 / 23 / 0 / 42

HEX #6B7193

RGB 107 113 147

HSL 231, 0.16%, 0.5%

LAB 48.31, 5.79, -19.23

 

CMYK 0 / 46 / 66 / 26

HEX #BD6641

RGB 189 102 65

HSL 17.9, 0.49%, 0.5%

LAB 52.62, 31.64, 36

 

CMYK 0 / 29 / 66 / 26

HEX #BD8741

RGB 189 135 65

HSL 33.87, 0.49%, 0.5%

LAB 60.36, 13.55, 44.88

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 6 / 0 / 66 / 26

HEX #B1BD41

RGB 177 189 65

HSL 65.81, 0.49%, 0.5%

LAB 73.63, -20.31, 58.8

 

CMYK 24 / 0 / 66 / 26

HEX #90BD41

RGB 144 189 65

HSL 81.77, 0.49%, 0.5%

LAB 71.36, -33.64, 55.72

 

CMYK 0 / 11 / 66 / 50

HEX #80722B

RGB 128 114 43

HSL 50.12, 0.5%, 0.34%

LAB 48, -3.56, 40.1

 

CMYK 0 / 11 / 66 / 38

HEX #9F8E36

RGB 159 142 54

HSL 50.29, 0.49%, 0.42%

LAB 58.96, -4.3, 47.62

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 0 / 9 / 53 / 22

HEX #C8B75F

RGB 200 183 95

HSL 50.29, 0.49%, 0.58%

LAB 74.17, -5.38, 46.45

 

CMYK 0 / 7 / 40 / 17

HEX #D3C57E

RGB 211 197 126

HSL 50.12, 0.49%, 0.66%

LAB 79.21, -5.15, 37.36

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 66 / 0 / 63 / 26

HEX #41BD45

RGB 65 189 69

HSL 121.94, 0.49%, 0.5%

LAB 67.98, -57.57, 49.38

 

CMYK 37 / 66 / 0 / 26

HEX #7741BD

RGB 119 65 189

HSL 266.13, 0.49%, 0.5%

LAB 40.21, 48.45, -56.72

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 66 / 0 / 11 / 26

HEX #41BDA9

RGB 65 189 169

HSL 170.32, 0.49%, 0.5%

LAB 69.74, -38.72, 0.1

 

CMYK 11 / 66 / 0 / 26

HEX #A941BD

RGB 169 65 189

HSL 290.32, 0.49%, 0.5%

LAB 46.83, 59.63, -45.73

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 66 / 0 / 63 / 26

HEX #41BD45

RGB 65 189 69

HSL 121.94, 0.49%, 0.5%

LAB 67.98, -57.57, 49.38

 

CMYK 66 / 55 / 0 / 26

HEX #4155BD

RGB 65 85 189

HSL 230.32, 0.49%, 0.5%

LAB 40.07, 26.17, -57.16

 

CMYK 0 / 66 / 2 / 26

HEX #BD41B9

RGB 189 65 185

HSL 301.94, 0.49%, 0.5%

LAB 49.62, 63.66, -38.79

 

CMYK 0 / 11 / 66 / 26

HEX #BDA941

RGB 189 169 65

HSL 50.32, 0.49%, 0.5%

LAB 69.17, -4.91, 54.44

 

CMYK 66 / 0 / 44 / 26

HEX #41BD6A

RGB 65 189 106

HSL 139.84, 0.49%, 0.5%

LAB 68.43, -52.44, 32.13

 

CMYK 66 / 55 / 0 / 26

HEX #4155BD

RGB 65 85 189

HSL 230.32, 0.49%, 0.5%

LAB 40.07, 26.17, -57.16

 

CMYK 0 / 66 / 22 / 26

HEX #BD4194

RGB 189 65 148

HSL 319.84, 0.49%, 0.5%

LAB 47.93, 58.02, -19.57

 

Description

Color code: HEX #BDA941 | qconv.com Color code: HEX #BDA941 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 169 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 169 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 66 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 66% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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