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Color name
HEX #BDA9A2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA9A2 it is the complementary color #42565D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA9A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA9A2 shade: #C2A99D, #D3BBB0, #E4CDC3, #F5DFD6 and #FFF1E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA9A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA9A2 shade: #BDA9A2, #AC978F, #9B857C, #8A7369 and #796156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA9A2 shade: #BDA9A2 and #BDA2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA9A2 shade: #BDA9A2, #BDB0A2, #BDB7A2, #BBBDA2 and #B4BDA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA9A2 shade matches the following richer shades: #BDA9A2, #CAA395, #D69D88, #E3977C and #F0906F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA9A2 shade: #BDA9A2, #B0AFAF, #A3B5BC, #97BBC8 and #8AC2D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA9A2 shade: #BDA2AA, #BDA2A2, #BDA9A2, #BDB0A2 and #BDB7A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA9A2 shade: #9B7C72, #AC938A, #BDA9A2, #CEBFBA and #DFD6D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA9A2 shade: #BDA9A2, #B1BDA2 and #A2A6BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA9A2 shade: #BDA9A2, #A2BDA9 and #A9A2BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA9A2 shade: #BDA9A2, #B1BDA2, #A2B6BD and #AEA2BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA9A2 shade: #BDA9A2, #A9BDA2, #A2B6BD and #B6A2BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

Complementary color

CMYK 29 / 8 / 0 / 64

HEX #42565D

RGB 66 86 93

HSL 195.56, 0.17%, 0.31%

LAB 35.21, -5.8, -6.57

 

CMYK 0 / 13 / 19 / 24

HEX #C2A99D

RGB 194 169 157

HSL 19.46, 0.23%, 0.69%

LAB 71.06, 7.14, 9.52

 

CMYK 0 / 11 / 17 / 17

HEX #D3BBB0

RGB 211 187 176

HSL 18.86, 0.28%, 0.76%

LAB 77.59, 6.75, 8.68

 

CMYK 0 / 10 / 14 / 11

HEX #E4CDC3

RGB 228 205 195

HSL 18.18, 0.38%, 0.83%

LAB 84.02, 6.4, 7.89

 

CMYK 0 / 9 / 13 / 4

HEX #F5DFD6

RGB 245 223 214

HSL 17.42, 0.61%, 0.9%

LAB 90.34, 6.08, 7.13

 

CMYK 0 / 5 / 9 / 0

HEX #FFF1E9

RGB 255 241 233

HSL 21.82, 1%, 0.96%

LAB 96.02, 3.38, 5.53

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 0 / 12 / 17 / 33

HEX #AC978F

RGB 172 151 143

HSL 16.55, 0.15%, 0.62%

LAB 64.07, 6.43, 7.06

 

CMYK 0 / 14 / 20 / 39

HEX #9B857C

RGB 155 133 124

HSL 17.42, 0.13%, 0.55%

LAB 57.27, 6.85, 7.93

 

CMYK 0 / 17 / 24 / 46

HEX #8A7369

RGB 138 115 105

HSL 18.18, 0.14%, 0.48%

LAB 50.32, 7.34, 8.88

 

CMYK 0 / 20 / 29 / 53

HEX #796156

RGB 121 97 86

HSL 18.86, 0.17%, 0.41%

LAB 43.19, 7.91, 9.94

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 0 / 14 / 14 / 26

HEX #BDA2A2

RGB 189 162 162

HSL 0, 0.17%, 0.69%

LAB 68.95, 9.88, 3.66

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 0 / 7 / 14 / 26

HEX #BDB0A2

RGB 189 176 162

HSL 31.11, 0.17%, 0.69%

LAB 72.55, 2.27, 8.83

 

CMYK 0 / 3 / 14 / 26

HEX #BDB7A2

RGB 189 183 162

HSL 46.67, 0.17%, 0.69%

LAB 74.38, -1.48, 11.44

 

CMYK 1 / 0 / 14 / 26

HEX #BBBDA2

RGB 187 189 162

HSL 64.44, 0.17%, 0.69%

LAB 75.8, -5.39, 13.43

 

CMYK 5 / 0 / 14 / 26

HEX #B4BDA2

RGB 180 189 162

HSL 80, 0.17%, 0.69%

LAB 75.27, -7.96, 12.6

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 0 / 19 / 26 / 21

HEX #CAA395

RGB 202 163 149

HSL 15.85, 0.33%, 0.69%

LAB 70.12, 12.27, 12.7

 

CMYK 0 / 27 / 36 / 16

HEX #D69D88

RGB 214 157 136

HSL 16.15, 0.49%, 0.69%

LAB 69.6, 18.49, 19.33

 

CMYK 0 / 33 / 45 / 11

HEX #E3977C

RGB 227 151 124

HSL 15.73, 0.65%, 0.69%

LAB 69.41, 25.5, 25.9

 

CMYK 0 / 40 / 54 / 6

HEX #F0906F

RGB 240 144 111

HSL 15.35, 0.81%, 0.69%

LAB 69.2, 33.08, 32.98

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 0 / 1 / 1 / 31

HEX #B0AFAF

RGB 176 175 175

HSL 0, 0.01%, 0.69%

LAB 71.54, 0.36, 0.12

 

CMYK 13 / 4 / 0 / 26

HEX #A3B5BC

RGB 163 181 188

HSL 196.8, 0.16%, 0.69%

LAB 72.54, -4.75, -5.67

 

CMYK 25 / 7 / 0 / 22

HEX #97BBC8

RGB 151 187 200

HSL 195.92, 0.31%, 0.69%

LAB 73.73, -9.12, -10.54

 

CMYK 35 / 9 / 0 / 16

HEX #8AC2D5

RGB 138 194 213

HSL 195.2, 0.47%, 0.69%

LAB 75.32, -13.44, -15.3

 

CMYK 0 / 14 / 10 / 26

HEX #BDA2AA

RGB 189 162 170

HSL 342.22, 0.17%, 0.69%

LAB 69.16, 11.24, -0.48

 

CMYK 0 / 14 / 14 / 26

HEX #BDA2A2

RGB 189 162 162

HSL 0, 0.17%, 0.69%

LAB 68.95, 9.88, 3.66

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 0 / 7 / 14 / 26

HEX #BDB0A2

RGB 189 176 162

HSL 31.11, 0.17%, 0.69%

LAB 72.55, 2.27, 8.83

 

CMYK 0 / 3 / 14 / 26

HEX #BDB7A2

RGB 189 183 162

HSL 46.67, 0.17%, 0.69%

LAB 74.38, -1.48, 11.44

 

CMYK 0 / 20 / 26 / 39

HEX #9B7C72

RGB 155 124 114

HSL 14.63, 0.17%, 0.53%

LAB 54.66, 10.43, 10

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 0 / 7 / 10 / 19

HEX #CEBFBA

RGB 206 191 186

HSL 15, 0.17%, 0.77%

LAB 78.42, 4.42, 4.41

 

CMYK 0 / 4 / 6 / 13

HEX #DFD6D2

RGB 223 214 210

HSL 18.46, 0.17%, 0.85%

LAB 86.22, 2.39, 3.06

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 6 / 0 / 14 / 26

HEX #B1BDA2

RGB 177 189 162

HSL 86.67, 0.17%, 0.69%

LAB 75.05, -9.05, 12.25

 

CMYK 14 / 12 / 0 / 26

HEX #A2A6BD

RGB 162 166 189

HSL 231.11, 0.17%, 0.69%

LAB 68.48, 3.3, -12.27

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 14 / 0 / 11 / 26

HEX #A2BDA9

RGB 162 189 169

HSL 135.56, 0.17%, 0.69%

LAB 74.15, -13.08, 7.04

 

CMYK 11 / 14 / 0 / 26

HEX #A9A2BD

RGB 169 162 189

HSL 255.56, 0.17%, 0.69%

LAB 67.98, 7.85, -12.96

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 6 / 0 / 14 / 26

HEX #B1BDA2

RGB 177 189 162

HSL 86.67, 0.17%, 0.69%

LAB 75.05, -9.05, 12.25

 

CMYK 14 / 4 / 0 / 26

HEX #A2B6BD

RGB 162 182 189

HSL 195.56, 0.17%, 0.69%

LAB 72.77, -5.4, -5.89

 

CMYK 8 / 14 / 0 / 26

HEX #AEA2BD

RGB 174 162 189

HSL 266.67, 0.17%, 0.69%

LAB 68.4, 9.54, -12.3

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 11 / 0 / 14 / 26

HEX #A9BDA2

RGB 169 189 162

HSL 104.44, 0.17%, 0.69%

LAB 74.47, -11.91, 11.35

 

CMYK 14 / 4 / 0 / 26

HEX #A2B6BD

RGB 162 182 189

HSL 195.56, 0.17%, 0.69%

LAB 72.77, -5.4, -5.89

 

CMYK 4 / 14 / 0 / 26

HEX #B6A2BD

RGB 182 162 189

HSL 284.44, 0.17%, 0.69%

LAB 69.08, 12.27, -11.2

 

Description

Color code: HEX #BDA9A2 | qconv.com Color code: HEX #BDA9A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 169 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 169 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 14 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 14% 26% C M Y K

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Provide designers and agencies with accurate color values.

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