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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA1DB it is the complementary color #425E24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA1DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA1DB shade: #C2A1D6, #D3B3E9, #E4C5FC, #F5D7FF and #FFE9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA1DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA1DB shade: #BDA1DB, #AC8FC8, #9B7DB5, #8A6BA2 and #79598F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA1DB shade: #BEA2DB, #CDA2DB, #DBA2DA, #DBA2CB and #DBA2BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA1DB shade: #BEA2DB, #AEA2DB and #A2A2DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA1DB shade matches the following richer shades: #BEA2DB, #BD98E6, #BD8DF0 and #BD83FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA1DB shade: #BEA2DB, #BEACD1, #BEB7C7, #BFC1BC and #BFCBB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA1DB shade: #A2A6DB, #AEA2DB, #BDA2DB, #CCA2DB and #DBA2DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA1DB shade: #9466C5, #A984D0, #BEA2DB, #D3C0E7 and #E8DEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA1DB shade: #BDA1DB, #DBA2B5 and #A2DBA6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA1DB shade: #BDA1DB, #DBBDA2 and #A2DBBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA1DB shade: #BDA1DB, #DBA2B5, #C1DBA2 and #A2DBC8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA1DB shade: #BDA1DB, #DBA2A4, #C1DBA2 and #A2DBDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 26 / 0 / 14

HEX #BDA1DB

RGB 189 161 219

HSL 268.97, 0.45%, 0.75%

LAB 70.47, 21.31, -25.61

 

Complementary color

CMYK 30 / 0 / 62 / 63

HEX #425E24

RGB 66 94 36

HSL 88.97, 0.45%, 0.25%

LAB 36.54, -21.28, 29.41

 

CMYK 9 / 25 / 0 / 16

HEX #C2A1D6

RGB 194 161 214

HSL 277.36, 0.39%, 0.74%

LAB 70.74, 21.86, -22.4

 

CMYK 9 / 23 / 0 / 9

HEX #D3B3E9

RGB 211 179 233

HSL 275.56, 0.55%, 0.81%

LAB 77.26, 21.35, -22.69

 

CMYK 10 / 22 / 0 / 1

HEX #E4C5FC

RGB 228 197 252

HSL 273.82, 0.9%, 0.88%

LAB 83.68, 20.86, -22.98

 

CMYK 4 / 16 / 0 / 0

HEX #F5D7FF

RGB 245 215 255

HSL 285, 1%, 0.92%

LAB 89.5, 17.35, -15.64

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 14 / 26 / 0 / 14

HEX #BDA1DB

RGB 189 161 219

HSL 268.97, 0.45%, 0.75%

LAB 70.47, 21.31, -25.61

 

CMYK 14 / 29 / 0 / 22

HEX #AC8FC8

RGB 172 143 200

HSL 270.53, 0.34%, 0.67%

LAB 63.82, 21.87, -25.4

 

CMYK 14 / 31 / 0 / 29

HEX #9B7DB5

RGB 155 125 181

HSL 272.14, 0.27%, 0.6%

LAB 57.05, 22.48, -25.2

 

CMYK 15 / 34 / 0 / 36

HEX #8A6BA2

RGB 138 107 162

HSL 273.82, 0.23%, 0.53%

LAB 50.13, 23.16, -25.03

 

CMYK 15 / 38 / 0 / 44

HEX #79598F

RGB 121 89 143

HSL 275.56, 0.23%, 0.45%

LAB 43.05, 23.91, -24.86

 

CMYK 13 / 26 / 0 / 14

HEX #BEA2DB

RGB 190 162 219

HSL 269.47, 0.44%, 0.75%

LAB 70.8, 21.07, -25.09

 

CMYK 6 / 26 / 0 / 14

HEX #CDA2DB

RGB 205 162 219

HSL 285.26, 0.44%, 0.75%

LAB 72.18, 25.88, -22.86

 

CMYK 0 / 26 / 0 / 14

HEX #DBA2DA

RGB 219 162 218

HSL 301.05, 0.44%, 0.75%

LAB 73.52, 30.25, -20.15

 

CMYK 0 / 26 / 7 / 14

HEX #DBA2CB

RGB 219 162 203

HSL 316.84, 0.44%, 0.75%

LAB 73.03, 27.56, -12.66

 

CMYK 0 / 26 / 15 / 14

HEX #DBA2BB

RGB 219 162 187

HSL 333.68, 0.44%, 0.75%

LAB 72.55, 24.88, -4.56

 

CMYK 13 / 26 / 0 / 14

HEX #BEA2DB

RGB 190 162 219

HSL 269.47, 0.44%, 0.75%

LAB 70.8, 21.07, -25.09

 

CMYK 21 / 26 / 0 / 14

HEX #AEA2DB

RGB 174 162 219

HSL 252.63, 0.44%, 0.75%

LAB 69.44, 16.06, -27.3

 

CMYK 26 / 26 / 0 / 14

HEX #A2A2DB

RGB 162 162 219

HSL 240, 0.44%, 0.75%

LAB 68.49, 12.41, -28.85

 

CMYK 13 / 26 / 0 / 14

HEX #BEA2DB

RGB 190 162 219

HSL 269.47, 0.44%, 0.75%

LAB 70.8, 21.07, -25.09

 

CMYK 18 / 34 / 0 / 10

HEX #BD98E6

RGB 189 152 230

HSL 268.46, 0.61%, 0.75%

LAB 68.74, 28.7, -34.32

 

CMYK 21 / 41 / 0 / 6

HEX #BD8DF0

RGB 189 141 240

HSL 269.09, 0.77%, 0.75%

LAB 66.64, 37.03, -43.09

 

CMYK 24 / 48 / 0 / 2

HEX #BD83FA

RGB 189 131 250

HSL 269.24, 0.92%, 0.75%

LAB 64.93, 44.76, -51.28

 

CMYK 13 / 26 / 0 / 14

HEX #BEA2DB

RGB 190 162 219

HSL 269.47, 0.44%, 0.75%

LAB 70.8, 21.07, -25.09

 

CMYK 9 / 18 / 0 / 18

HEX #BEACD1

RGB 190 172 209

HSL 269.19, 0.29%, 0.75%

LAB 72.93, 13.46, -16.38

 

CMYK 5 / 8 / 0 / 22

HEX #BEB7C7

RGB 190 183 199

HSL 266.25, 0.13%, 0.75%

LAB 75.41, 5.47, -7.2

 

CMYK 1 / 0 / 3 / 24

HEX #BFC1BC

RGB 191 193 188

HSL 84, 0.04%, 0.75%

LAB 77.78, -1.61, 2.26

 

CMYK 6 / 0 / 12 / 20

HEX #BFCBB2

RGB 191 203 178

HSL 88.8, 0.19%, 0.75%

LAB 80.18, -8.6, 11.08

 

CMYK 26 / 24 / 0 / 14

HEX #A2A6DB

RGB 162 166 219

HSL 235.79, 0.44%, 0.75%

LAB 69.52, 10.17, -27.26

 

CMYK 21 / 26 / 0 / 14

HEX #AEA2DB

RGB 174 162 219

HSL 252.63, 0.44%, 0.75%

LAB 69.44, 16.06, -27.3

 

CMYK 14 / 26 / 0 / 14

HEX #BDA2DB

RGB 189 162 219

HSL 268.42, 0.44%, 0.75%

LAB 70.71, 20.75, -25.23

 

CMYK 7 / 26 / 0 / 14

HEX #CCA2DB

RGB 204 162 219

HSL 284.21, 0.44%, 0.75%

LAB 72.09, 25.56, -23.01

 

CMYK 0 / 26 / 0 / 14

HEX #DBA2DB

RGB 219 162 219

HSL 300, 0.44%, 0.75%

LAB 73.56, 30.44, -20.64

 

CMYK 25 / 48 / 0 / 23

HEX #9466C5

RGB 148 102 197

HSL 269.05, 0.45%, 0.59%

LAB 51.64, 37.28, -42.87

 

CMYK 19 / 37 / 0 / 18

HEX #A984D0

RGB 169 132 208

HSL 269.21, 0.45%, 0.67%

LAB 61.21, 28.94, -33.94

 

CMYK 13 / 26 / 0 / 14

HEX #BEA2DB

RGB 190 162 219

HSL 269.47, 0.44%, 0.75%

LAB 70.8, 21.07, -25.09

 

CMYK 9 / 17 / 0 / 9

HEX #D3C0E7

RGB 211 192 231

HSL 269.23, 0.45%, 0.83%

LAB 80.36, 13.91, -16.93

 

CMYK 4 / 8 / 0 / 5

HEX #E8DEF2

RGB 232 222 242

HSL 270, 0.43%, 0.91%

LAB 89.77, 7.01, -8.52

 

CMYK 14 / 26 / 0 / 14

HEX #BDA1DB

RGB 189 161 219

HSL 268.97, 0.45%, 0.75%

LAB 70.47, 21.31, -25.61

 

CMYK 0 / 26 / 17 / 14

HEX #DBA2B5

RGB 219 162 181

HSL 340, 0.44%, 0.75%

LAB 72.39, 23.92, -1.49

 

CMYK 26 / 0 / 24 / 14

HEX #A2DBA6

RGB 162 219 166

HSL 124.21, 0.44%, 0.75%

LAB 82.43, -28.56, 20.31

 

CMYK 14 / 26 / 0 / 14

HEX #BDA1DB

RGB 189 161 219

HSL 268.97, 0.45%, 0.75%

LAB 70.47, 21.31, -25.61

 

CMYK 0 / 14 / 26 / 14

HEX #DBBDA2

RGB 219 189 162

HSL 28.42, 0.44%, 0.75%

LAB 78.5, 6.62, 17.6

 

CMYK 26 / 0 / 14 / 14

HEX #A2DBBD

RGB 162 219 189

HSL 148.42, 0.44%, 0.75%

LAB 82.92, -24.34, 8.89

 

CMYK 14 / 26 / 0 / 14

HEX #BDA1DB

RGB 189 161 219

HSL 268.97, 0.45%, 0.75%

LAB 70.47, 21.31, -25.61

 

CMYK 0 / 26 / 17 / 14

HEX #DBA2B5

RGB 219 162 181

HSL 340, 0.44%, 0.75%

LAB 72.39, 23.92, -1.49

 

CMYK 12 / 0 / 26 / 14

HEX #C1DBA2

RGB 193 219 162

HSL 87.37, 0.44%, 0.75%

LAB 84.28, -18.53, 25.24

 

CMYK 26 / 0 / 9 / 14

HEX #A2DBC8

RGB 162 219 200

HSL 160, 0.44%, 0.75%

LAB 83.19, -22.14, 3.44

 

CMYK 14 / 26 / 0 / 14

HEX #BDA1DB

RGB 189 161 219

HSL 268.97, 0.45%, 0.75%

LAB 70.47, 21.31, -25.61

 

CMYK 0 / 26 / 25 / 14

HEX #DBA2A4

RGB 219 162 164

HSL 357.89, 0.44%, 0.75%

LAB 71.95, 21.38, 7.26

 

CMYK 12 / 0 / 26 / 14

HEX #C1DBA2

RGB 193 219 162

HSL 87.37, 0.44%, 0.75%

LAB 84.28, -18.53, 25.24

 

CMYK 26 / 0 / 0 / 14

HEX #A2DBDA

RGB 162 219 218

HSL 178.95, 0.44%, 0.75%

LAB 83.66, -18.3, -5.42

 

Description

Color code: HEX #BDA1DB | qconv.com Color code: HEX #BDA1DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 161 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 161 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 26 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 26% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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