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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDA313 it is the complementary color #425CEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDA313. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDA313 shade: #C2A30E, #D3B521, #E4C734, #F5D947 and #FFEB5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDA313. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDA313 shade: #BDA313, #AC9100, #9B7F00, #8A6D00 and #795B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDA313 shade: #BEA412, #BE7512, #BE4712, #BE1912 and #BE1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDA313 shade: #BEA412, #AABE12, #7CBE12, #4DBE12 and #1FBE12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDA313 shade matches the following richer shades: #BEA412 and #CFAF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDA313 shade: #BEA412, #AD9823, #9C8C34, #8B8045 and #7A7556

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDA313 shade: #BE4612, #BE7312, #BEA112, #ADBE12 and #7FBE12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDA313 shade: #73630B, #98830F, #BEA412, #E3C416 and #EBCF38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDA313 shade: #BDA313, #12BE18 and #5D12BE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDA313 shade: #BDA313, #12BEA1 and #A112BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDA313 shade: #BDA313, #12BE18, #122FBE and #BE12B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDA313 shade: #BDA313, #12BE4B, #122FBE and #BE1285

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

Complementary color

CMYK 72 / 61 / 0 / 7

HEX #425CEC

RGB 66 92 236

HSL 230.82, 0.82%, 0.59%

LAB 45.45, 38.41, -75.35

 

CMYK 0 / 16 / 93 / 24

HEX #C2A30E

RGB 194 163 14

HSL 49.67, 0.87%, 0.41%

LAB 67.8, -1.36, 69.12

 

CMYK 0 / 14 / 84 / 17

HEX #D3B521

RGB 211 181 33

HSL 49.89, 0.73%, 0.48%

LAB 74.19, -2.97, 71.01

 

CMYK 0 / 13 / 77 / 11

HEX #E4C734

RGB 228 199 52

HSL 50.11, 0.77%, 0.55%

LAB 80.51, -4.35, 71.67

 

CMYK 0 / 11 / 71 / 4

HEX #F5D947

RGB 245 217 71

HSL 50.34, 0.9%, 0.62%

LAB 86.75, -5.53, 71.56

 

CMYK 0 / 8 / 65 / 0

HEX #FFEB5A

RGB 255 235 90

HSL 52.73, 1%, 0.68%

LAB 92.32, -9.42, 70.2

 

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

CMYK 0 / 16 / 100 / 33

HEX #AC9100

RGB 172 145 0

HSL 50.58, 1%, 0.34%

LAB 60.8, -1.79, 64.99

 

CMYK 0 / 18 / 100 / 39

HEX #9B7F00

RGB 155 127 0

HSL 49.16, 1%, 0.3%

LAB 54.18, 0.27, 59.53

 

CMYK 0 / 21 / 100 / 46

HEX #8A6D00

RGB 138 109 0

HSL 47.39, 1%, 0.27%

LAB 47.42, 2.43, 53.95

 

CMYK 0 / 25 / 100 / 53

HEX #795B00

RGB 121 91 0

HSL 45.12, 1%, 0.24%

LAB 40.49, 4.72, 48.24

 

CMYK 0 / 14 / 91 / 25

HEX #BEA412

RGB 190 164 18

HSL 50.93, 0.83%, 0.41%

LAB 67.68, -3.62, 68.2

 

CMYK 0 / 38 / 91 / 25

HEX #BE7512

RGB 190 117 18

HSL 34.53, 0.83%, 0.41%

LAB 55.8, 22.04, 59.08

 

CMYK 0 / 63 / 91 / 25

HEX #BE4712

RGB 190 71 18

HSL 18.49, 0.83%, 0.41%

LAB 46.31, 45.68, 51.98

 

CMYK 0 / 87 / 91 / 25

HEX #BE1912

RGB 190 25 18

HSL 2.44, 0.83%, 0.41%

LAB 40.71, 61.1, 47.94

 

CMYK 0 / 91 / 91 / 25

HEX #BE1212

RGB 190 18 18

HSL 0, 0.83%, 0.41%

LAB 40.28, 62.33, 47.64

 

CMYK 0 / 14 / 91 / 25

HEX #BEA412

RGB 190 164 18

HSL 50.93, 0.83%, 0.41%

LAB 67.68, -3.62, 68.2

 

CMYK 11 / 0 / 91 / 25

HEX #AABE12

RGB 170 190 18

HSL 66.98, 0.83%, 0.41%

LAB 73.17, -25.61, 71.79

 

CMYK 35 / 0 / 91 / 25

HEX #7CBE12

RGB 124 190 18

HSL 83.02, 0.83%, 0.41%

LAB 70.28, -43.91, 68.26

 

CMYK 59 / 0 / 91 / 25

HEX #4DBE12

RGB 77 190 18

HSL 99.42, 0.83%, 0.41%

LAB 68.35, -58.53, 65.86

 

CMYK 84 / 0 / 91 / 25

HEX #1FBE12

RGB 31 190 18

HSL 115.47, 0.83%, 0.41%

LAB 67.4, -66.67, 64.68

 

CMYK 0 / 14 / 91 / 25

HEX #BEA412

RGB 190 164 18

HSL 50.93, 0.83%, 0.41%

LAB 67.68, -3.62, 68.2

 

CMYK 0 / 15 / 100 / 19

HEX #CFAF01

RGB 207 175 1

HSL 50.68, 0.99%, 0.41%

LAB 72.18, -2.09, 74.5

 

CMYK 0 / 14 / 91 / 25

HEX #BEA412

RGB 190 164 18

HSL 50.93, 0.83%, 0.41%

LAB 67.68, -3.62, 68.2

 

CMYK 0 / 12 / 80 / 32

HEX #AD9823

RGB 173 152 35

HSL 50.87, 0.66%, 0.41%

LAB 62.9, -4.37, 59.3

 

CMYK 0 / 10 / 67 / 39

HEX #9C8C34

RGB 156 140 52

HSL 50.77, 0.5%, 0.41%

LAB 58.11, -4.68, 47.53

 

CMYK 0 / 8 / 50 / 45

HEX #8B8045

RGB 139 128 69

HSL 50.57, 0.34%, 0.41%

LAB 53.34, -4.27, 33.31

 

CMYK 0 / 4 / 30 / 52

HEX #7A7556

RGB 122 117 86

HSL 51.67, 0.17%, 0.41%

LAB 48.92, -3.38, 17.84

 

CMYK 0 / 63 / 91 / 25

HEX #BE4612

RGB 190 70 18

HSL 18.14, 0.83%, 0.41%

LAB 46.14, 46.14, 51.86

 

CMYK 0 / 39 / 91 / 25

HEX #BE7312

RGB 190 115 18

HSL 33.84, 0.83%, 0.41%

LAB 55.33, 23.14, 58.72

 

CMYK 0 / 15 / 91 / 25

HEX #BEA112

RGB 190 161 18

HSL 49.88, 0.83%, 0.41%

LAB 66.89, -2.02, 67.58

 

CMYK 9 / 0 / 91 / 25

HEX #ADBE12

RGB 173 190 18

HSL 65.93, 0.83%, 0.41%

LAB 73.39, -24.34, 72.06

 

CMYK 33 / 0 / 91 / 25

HEX #7FBE12

RGB 127 190 18

HSL 81.98, 0.83%, 0.41%

LAB 70.44, -42.8, 68.46

 

CMYK 0 / 14 / 90 / 55

HEX #73630B

RGB 115 99 11

HSL 50.77, 0.83%, 0.25%

LAB 42.14, -2.66, 46.3

 

CMYK 0 / 14 / 90 / 40

HEX #98830F

RGB 152 131 15

HSL 50.8, 0.82%, 0.33%

LAB 55.01, -3.09, 57.28

 

CMYK 0 / 14 / 91 / 25

HEX #BEA412

RGB 190 164 18

HSL 50.93, 0.83%, 0.41%

LAB 67.68, -3.62, 68.2

 

CMYK 0 / 14 / 90 / 11

HEX #E3C416

RGB 227 196 22

HSL 50.93, 0.82%, 0.49%

LAB 79.54, -4.02, 78.17

 

CMYK 0 / 12 / 76 / 8

HEX #EBCF38

RGB 235 207 56

HSL 50.61, 0.82%, 0.57%

LAB 83.22, -5.31, 73.09

 

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

CMYK 91 / 0 / 87 / 25

HEX #12BE18

RGB 18 190 24

HSL 122.09, 0.83%, 0.41%

LAB 67.29, -67.55, 63.42

 

CMYK 51 / 91 / 0 / 25

HEX #5D12BE

RGB 93 18 190

HSL 266.16, 0.83%, 0.41%

LAB 30.59, 63.41, -73.18

 

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

CMYK 91 / 0 / 15 / 25

HEX #12BEA1

RGB 18 190 161

HSL 169.88, 0.83%, 0.41%

LAB 69.13, -46.18, 3.51

 

CMYK 15 / 91 / 0 / 25

HEX #A112BE

RGB 161 18 190

HSL 289.88, 0.83%, 0.41%

LAB 40.78, 72.2, -56.1

 

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

CMYK 91 / 0 / 87 / 25

HEX #12BE18

RGB 18 190 24

HSL 122.09, 0.83%, 0.41%

LAB 67.29, -67.55, 63.42

 

CMYK 91 / 75 / 0 / 25

HEX #122FBE

RGB 18 47 190

HSL 229.88, 0.83%, 0.41%

LAB 29.11, 45.95, -75.8

 

CMYK 0 / 91 / 3 / 25

HEX #BE12B8

RGB 190 18 184

HSL 302.09, 0.83%, 0.41%

LAB 45.41, 76.1, -44.86

 

CMYK 0 / 14 / 90 / 26

HEX #BDA313

RGB 189 163 19

HSL 50.82, 0.82%, 0.41%

LAB 67.32, -3.51, 67.69

 

CMYK 91 / 0 / 61 / 25

HEX #12BE4B

RGB 18 190 75

HSL 139.88, 0.83%, 0.41%

LAB 67.62, -63.38, 46.11

 

CMYK 91 / 75 / 0 / 25

HEX #122FBE

RGB 18 47 190

HSL 229.88, 0.83%, 0.41%

LAB 29.11, 45.95, -75.8

 

CMYK 0 / 91 / 30 / 25

HEX #BE1285

RGB 190 18 133

HSL 319.88, 0.83%, 0.41%

LAB 42.87, 69.49, -18.22

 

Description

Color code: HEX #BDA313 | qconv.com Color code: HEX #BDA313 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 163 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 163 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 90 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 90% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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