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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDAAE7 it is the complementary color #425518. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDAAE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDAAE7 shade: #C2AAE2, #D3BCF5, #E4CEFF, #F5E0FF and #FFF2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDAAE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDAAE7 shade: #BDAAE7, #AC98D4, #9B86C1, #8A74AE and #79629B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDAAE7 shade: #BEABE7, #CEABE7, #DEABE7, #E7ABE0 and #E7ABD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDAAE7 shade: #BEABE7, #ADABE7 and #ABABE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDAAE7 shade matches the following richer shades: #BEABE7, #BAA2F0 and #B79AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDAAE7 shade: #BEABE7, #C1B4DE, #C4BCD6, #C7C5CD and #CBCEC4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDAAE7 shade: #ABB9E7, #ADABE7, #BDABE7, #CDABE7 and #DDABE7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDAAE7 shade: #8C6BD5, #A58BDE, #BEABE7, #D7CBF0 and #F0EBF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDAAE7 shade: #BDAAE7, #E7ABC9 and #B1E7AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDAAE7 shade: #BDAAE7, #E7BDAB and #ABE7BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDAAE7 shade: #BDAAE7, #E7ABC9, #D5E7AB and #ABE7C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDAAE7 shade: #BDAAE7, #E7ABB7, #D5E7AB and #ABE7DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 26 / 0 / 9

HEX #BDAAE7

RGB 189 170 231

HSL 258.69, 0.56%, 0.79%

LAB 73.11, 18.94, -28.12

 

Complementary color

CMYK 22 / 0 / 72 / 67

HEX #425518

RGB 66 85 24

HSL 78.69, 0.56%, 0.21%

LAB 33.4, -17.66, 31.9

 

CMYK 14 / 25 / 0 / 11

HEX #C2AAE2

RGB 194 170 226

HSL 265.71, 0.49%, 0.78%

LAB 73.36, 19.41, -24.98

 

CMYK 14 / 23 / 0 / 4

HEX #D3BCF5

RGB 211 188 245

HSL 264.21, 0.74%, 0.85%

LAB 79.85, 18.93, -25.21

 

CMYK 11 / 19 / 0 / 0

HEX #E4CEFF

RGB 228 206 255

HSL 266.94, 1%, 0.9%

LAB 85.93, 16.66, -21.15

 

CMYK 4 / 12 / 0 / 0

HEX #F5E0FF

RGB 245 224 255

HSL 280.65, 1%, 0.94%

LAB 91.66, 12.64, -12.41

 

CMYK 0 / 5 / 0 / 0

HEX #FFF2FF

RGB 255 242 255

HSL 300, 1%, 0.97%

LAB 96.81, 6.61, -4.68

 

CMYK 18 / 26 / 0 / 9

HEX #BDAAE7

RGB 189 170 231

HSL 258.69, 0.56%, 0.79%

LAB 73.11, 18.94, -28.12

 

CMYK 19 / 28 / 0 / 17

HEX #AC98D4

RGB 172 152 212

HSL 260, 0.41%, 0.71%

LAB 66.51, 19.46, -27.96

 

CMYK 20 / 31 / 0 / 24

HEX #9B86C1

RGB 155 134 193

HSL 261.36, 0.32%, 0.64%

LAB 59.77, 20.03, -27.83

 

CMYK 21 / 33 / 0 / 32

HEX #8A74AE

RGB 138 116 174

HSL 262.76, 0.26%, 0.57%

LAB 52.89, 20.67, -27.73

 

CMYK 22 / 37 / 0 / 39

HEX #79629B

RGB 121 98 155

HSL 264.21, 0.23%, 0.5%

LAB 45.86, 21.38, -27.66

 

CMYK 18 / 26 / 0 / 9

HEX #BEABE7

RGB 190 171 231

HSL 259, 0.56%, 0.79%

LAB 73.44, 18.69, -27.6

 

CMYK 11 / 26 / 0 / 9

HEX #CEABE7

RGB 206 171 231

HSL 275, 0.56%, 0.79%

LAB 74.84, 23.7, -25.35

 

CMYK 4 / 26 / 0 / 9

HEX #DEABE7

RGB 222 171 231

HSL 291, 0.56%, 0.79%

LAB 76.33, 28.82, -22.94

 

CMYK 0 / 26 / 3 / 9

HEX #E7ABE0

RGB 231 171 224

HSL 307, 0.56%, 0.79%

LAB 76.98, 30.45, -18.07

 

CMYK 0 / 26 / 10 / 9

HEX #E7ABD0

RGB 231 171 208

HSL 323, 0.56%, 0.79%

LAB 76.48, 27.68, -10.12

 

CMYK 18 / 26 / 0 / 9

HEX #BEABE7

RGB 190 171 231

HSL 259, 0.56%, 0.79%

LAB 73.44, 18.69, -27.6

 

CMYK 25 / 26 / 0 / 9

HEX #ADABE7

RGB 173 171 231

HSL 242, 0.56%, 0.79%

LAB 72.08, 13.53, -29.81

 

CMYK 26 / 26 / 0 / 9

HEX #ABABE7

RGB 171 171 231

HSL 240, 0.56%, 0.79%

LAB 71.93, 12.94, -30.06

 

CMYK 18 / 26 / 0 / 9

HEX #BEABE7

RGB 190 171 231

HSL 259, 0.56%, 0.79%

LAB 73.44, 18.69, -27.6

 

CMYK 23 / 33 / 0 / 6

HEX #BAA2F0

RGB 186 162 240

HSL 258.46, 0.72%, 0.79%

LAB 71.26, 24.51, -35.9

 

CMYK 26 / 38 / 0 / 3

HEX #B79AF8

RGB 183 154 248

HSL 258.51, 0.87%, 0.79%

LAB 69.44, 29.98, -43.12

 

CMYK 18 / 26 / 0 / 9

HEX #BEABE7

RGB 190 171 231

HSL 259, 0.56%, 0.79%

LAB 73.44, 18.69, -27.6

 

CMYK 13 / 19 / 0 / 13

HEX #C1B4DE

RGB 193 180 222

HSL 258.57, 0.39%, 0.79%

LAB 75.61, 12.75, -19.39

 

CMYK 8 / 12 / 0 / 16

HEX #C4BCD6

RGB 196 188 214

HSL 258.46, 0.24%, 0.79%

LAB 77.61, 7.74, -12.01

 

CMYK 3 / 4 / 0 / 20

HEX #C7C5CD

RGB 199 197 205

HSL 255, 0.07%, 0.79%

LAB 79.89, 2.18, -3.75

 

CMYK 1 / 0 / 5 / 19

HEX #CBCEC4

RGB 203 206 196

HSL 78, 0.09%, 0.79%

LAB 82.28, -2.82, 4.6

 

CMYK 26 / 20 / 0 / 9

HEX #ABB9E7

RGB 171 185 231

HSL 226, 0.56%, 0.79%

LAB 75.53, 5.21, -24.54

 

CMYK 25 / 26 / 0 / 9

HEX #ADABE7

RGB 173 171 231

HSL 242, 0.56%, 0.79%

LAB 72.08, 13.53, -29.81

 

CMYK 18 / 26 / 0 / 9

HEX #BDABE7

RGB 189 171 231

HSL 258, 0.56%, 0.79%

LAB 73.36, 18.38, -27.74

 

CMYK 11 / 26 / 0 / 9

HEX #CDABE7

RGB 205 171 231

HSL 274, 0.56%, 0.79%

LAB 74.75, 23.39, -25.49

 

CMYK 4 / 26 / 0 / 9

HEX #DDABE7

RGB 221 171 231

HSL 290, 0.56%, 0.79%

LAB 76.23, 28.5, -23.09

 

CMYK 34 / 50 / 0 / 16

HEX #8C6BD5

RGB 140 107 213

HSL 258.68, 0.56%, 0.63%

LAB 52.83, 36.32, -50.16

 

CMYK 26 / 37 / 0 / 13

HEX #A58BDE

RGB 165 139 222

HSL 258.8, 0.56%, 0.71%

LAB 63.13, 27.07, -38.81

 

CMYK 18 / 26 / 0 / 9

HEX #BEABE7

RGB 190 171 231

HSL 259, 0.56%, 0.79%

LAB 73.44, 18.69, -27.6

 

CMYK 10 / 15 / 0 / 6

HEX #D7CBF0

RGB 215 203 240

HSL 259.46, 0.55%, 0.87%

LAB 83.68, 11.11, -16.7

 

CMYK 4 / 6 / 0 / 2

HEX #F0EBF9

RGB 240 235 249

HSL 261.43, 0.54%, 0.95%

LAB 93.79, 4.19, -6.16

 

CMYK 18 / 26 / 0 / 9

HEX #BDAAE7

RGB 189 170 231

HSL 258.69, 0.56%, 0.79%

LAB 73.11, 18.94, -28.12

 

CMYK 0 / 26 / 13 / 9

HEX #E7ABC9

RGB 231 171 201

HSL 330, 0.56%, 0.79%

LAB 76.27, 26.52, -6.6

 

CMYK 23 / 0 / 26 / 9

HEX #B1E7AB

RGB 177 231 171

HSL 114, 0.56%, 0.79%

LAB 86.72, -28.5, 23.76

 

CMYK 18 / 26 / 0 / 9

HEX #BDAAE7

RGB 189 170 231

HSL 258.69, 0.56%, 0.79%

LAB 73.11, 18.94, -28.12

 

CMYK 0 / 18 / 26 / 9

HEX #E7BDAB

RGB 231 189 171

HSL 18, 0.56%, 0.79%

LAB 79.8, 12.4, 14.76

 

CMYK 26 / 0 / 18 / 9

HEX #ABE7BD

RGB 171 231 189

HSL 138, 0.56%, 0.79%

LAB 86.74, -27.33, 14.39

 

CMYK 18 / 26 / 0 / 9

HEX #BDAAE7

RGB 189 170 231

HSL 258.69, 0.56%, 0.79%

LAB 73.11, 18.94, -28.12

 

CMYK 0 / 26 / 13 / 9

HEX #E7ABC9

RGB 231 171 201

HSL 330, 0.56%, 0.79%

LAB 76.27, 26.52, -6.6

 

CMYK 8 / 0 / 26 / 9

HEX #D5E7AB

RGB 213 231 171

HSL 78, 0.56%, 0.79%

LAB 89.03, -15.94, 27.29

 

CMYK 26 / 0 / 13 / 9

HEX #ABE7C9

RGB 171 231 201

HSL 150, 0.56%, 0.79%

LAB 87.01, -25.06, 8.49

 

CMYK 18 / 26 / 0 / 9

HEX #BDAAE7

RGB 189 170 231

HSL 258.69, 0.56%, 0.79%

LAB 73.11, 18.94, -28.12

 

CMYK 0 / 26 / 21 / 9

HEX #E7ABB7

RGB 231 171 183

HSL 348, 0.56%, 0.79%

LAB 75.78, 23.72, 2.51

 

CMYK 8 / 0 / 26 / 9

HEX #D5E7AB

RGB 213 231 171

HSL 78, 0.56%, 0.79%

LAB 89.03, -15.94, 27.29

 

CMYK 26 / 0 / 5 / 9

HEX #ABE7DB

RGB 171 231 219

HSL 168, 0.56%, 0.79%

LAB 87.45, -21.42, -0.32

 

Description

Color code: HEX #BDAAE7 | qconv.com Color code: HEX #BDAAE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 170 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 170 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 26 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 26% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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