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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDAB69 it is the complementary color #425496. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDAB69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDAB69 shade: #C2AB64, #D3BD77, #E4CF8A, #F5E19D and #FFF3B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDAB69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDAB69 shade: #BDAB69, #AC9956, #9B8743, #8A7530 and #79631D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDAB69 shade: #BDAB6A, #BD956A, #BD7E6A and #BD6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDAB69 shade: #BDAB6A, #B9BD6A, #A2BD6A, #8BBD6A and #75BD6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDAB69 shade matches the following richer shades: #BDAB6A, #CEB558, #E0BF47 and #F1C936

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDAB69 shade: #BDAB6A, #ACA17B, #9B978C, #898E9E and #7884AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDAB69 shade: #BD7F6A, #BD956A, #BDAB6A, #B9BD6A and #A3BD6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDAB69 shade: #948241, #B09B4D, #BDAB6A, #CABB86 and #D6CBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDAB69 shade: #BDAB69, #6BBD6A and #8A6ABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDAB69 shade: #BDAB69, #6ABDAB and #AB6ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDAB69 shade: #BDAB69, #6BBD6A, #6A7CBD and #BC6ABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDAB69 shade: #BDAB69, #6ABD81, #6A7CBD and #BD6AA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 44 / 26

HEX #BDAB69

RGB 189 171 105

HSL 47.14, 0.39%, 0.58%

LAB 70.15, -2.68, 36.26

 

Complementary color

CMYK 56 / 44 / 0 / 41

HEX #425496

RGB 66 84 150

HSL 227.14, 0.39%, 0.42%

LAB 37.3, 13.34, -38.46

 

CMYK 0 / 12 / 48 / 24

HEX #C2AB64

RGB 194 171 100

HSL 45.32, 0.44%, 0.58%

LAB 70.54, -1.1, 39.42

 

CMYK 0 / 10 / 44 / 17

HEX #D3BD77

RGB 211 189 119

HSL 45.65, 0.51%, 0.65%

LAB 77.03, -1.73, 38.16

 

CMYK 0 / 9 / 39 / 11

HEX #E4CF8A

RGB 228 207 138

HSL 46, 0.63%, 0.72%

LAB 83.42, -2.26, 36.94

 

CMYK 0 / 8 / 36 / 4

HEX #F5E19D

RGB 245 225 157

HSL 46.36, 0.81%, 0.79%

LAB 89.72, -2.72, 35.78

 

CMYK 0 / 5 / 31 / 0

HEX #FFF3B0

RGB 255 243 176

HSL 50.89, 1%, 0.85%

LAB 95.37, -5.75, 33.82

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB69

RGB 189 171 105

HSL 47.14, 0.39%, 0.58%

LAB 70.15, -2.68, 36.26

 

CMYK 0 / 11 / 50 / 33

HEX #AC9956

RGB 172 153 86

HSL 46.74, 0.34%, 0.51%

LAB 63.53, -2.04, 37.54

 

CMYK 0 / 13 / 57 / 39

HEX #9B8743

RGB 155 135 67

HSL 46.36, 0.4%, 0.44%

LAB 56.78, -1.27, 38.84

 

CMYK 0 / 15 / 65 / 46

HEX #8A7530

RGB 138 117 48

HSL 46, 0.48%, 0.36%

LAB 49.91, -0.3, 40.06

 

CMYK 0 / 18 / 76 / 53

HEX #79631D

RGB 121 99 29

HSL 45.65, 0.61%, 0.29%

LAB 42.88, 0.94, 40.95

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB6A

RGB 189 171 106

HSL 46.99, 0.39%, 0.58%

LAB 70.17, -2.57, 35.76

 

CMYK 0 / 21 / 44 / 26

HEX #BD956A

RGB 189 149 106

HSL 31.08, 0.39%, 0.58%

LAB 64.45, 9.35, 28.4

 

CMYK 0 / 33 / 44 / 26

HEX #BD7E6A

RGB 189 126 106

HSL 14.46, 0.39%, 0.58%

LAB 58.77, 22.06, 20.87

 

CMYK 0 / 44 / 44 / 26

HEX #BD6A6A

RGB 189 106 106

HSL 0, 0.39%, 0.58%

LAB 54.2, 33, 14.63

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB6A

RGB 189 171 106

HSL 46.99, 0.39%, 0.58%

LAB 70.17, -2.57, 35.76

 

CMYK 2 / 0 / 44 / 26

HEX #B9BD6A

RGB 185 189 106

HSL 62.89, 0.39%, 0.58%

LAB 74.67, -13.61, 41.32

 

CMYK 14 / 0 / 44 / 26

HEX #A2BD6A

RGB 162 189 106

HSL 79.52, 0.39%, 0.58%

LAB 72.97, -22.73, 38.84

 

CMYK 26 / 0 / 44 / 26

HEX #8BBD6A

RGB 139 189 106

HSL 96.14, 0.39%, 0.58%

LAB 71.5, -31.35, 36.68

 

CMYK 38 / 0 / 44 / 26

HEX #75BD6A

RGB 117 189 106

HSL 112.05, 0.39%, 0.58%

LAB 70.33, -38.88, 34.95

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB6A

RGB 189 171 106

HSL 46.99, 0.39%, 0.58%

LAB 70.17, -2.57, 35.76

 

CMYK 0 / 12 / 57 / 19

HEX #CEB558

RGB 206 181 88

HSL 47.29, 0.55%, 0.58%

LAB 74.11, -2.38, 49.88

 

CMYK 0 / 15 / 68 / 12

HEX #E0BF47

RGB 224 191 71

HSL 47.06, 0.71%, 0.58%

LAB 78.21, -1.07, 62.36

 

CMYK 0 / 17 / 78 / 5

HEX #F1C936

RGB 241 201 54

HSL 47.17, 0.87%, 0.58%

LAB 82.24, 0.24, 73.05

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB6A

RGB 189 171 106

HSL 46.99, 0.39%, 0.58%

LAB 70.17, -2.57, 35.76

 

CMYK 0 / 6 / 28 / 33

HEX #ACA17B

RGB 172 161 123

HSL 46.53, 0.23%, 0.58%

LAB 66.28, -2.07, 21.27

 

CMYK 0 / 3 / 10 / 39

HEX #9B978C

RGB 155 151 140

HSL 44, 0.07%, 0.58%

LAB 62.5, -0.55, 6.31

 

CMYK 13 / 10 / 0 / 38

HEX #898E9E

RGB 137 142 158

HSL 225.71, 0.1%, 0.58%

LAB 59.1, 1.55, -9.08

 

CMYK 31 / 25 / 0 / 31

HEX #7884AF

RGB 120 132 175

HSL 226.91, 0.26%, 0.58%

LAB 55.68, 5.91, -24.13

 

CMYK 0 / 33 / 44 / 26

HEX #BD7F6A

RGB 189 127 106

HSL 15.18, 0.39%, 0.58%

LAB 59.01, 21.51, 21.19

 

CMYK 0 / 21 / 44 / 26

HEX #BD956A

RGB 189 149 106

HSL 31.08, 0.39%, 0.58%

LAB 64.45, 9.35, 28.4

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB6A

RGB 189 171 106

HSL 46.99, 0.39%, 0.58%

LAB 70.17, -2.57, 35.76

 

CMYK 2 / 0 / 44 / 26

HEX #B9BD6A

RGB 185 189 106

HSL 62.89, 0.39%, 0.58%

LAB 74.67, -13.61, 41.32

 

CMYK 14 / 0 / 44 / 26

HEX #A3BD6A

RGB 163 189 106

HSL 78.8, 0.39%, 0.58%

LAB 73.04, -22.35, 38.94

 

CMYK 0 / 12 / 56 / 42

HEX #948241

RGB 148 130 65

HSL 46.99, 0.39%, 0.42%

LAB 54.7, -1.77, 37.25

 

CMYK 0 / 12 / 56 / 31

HEX #B09B4D

RGB 176 155 77

HSL 47.27, 0.39%, 0.5%

LAB 64.33, -2.2, 43.15

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB6A

RGB 189 171 106

HSL 46.99, 0.39%, 0.58%

LAB 70.17, -2.57, 35.76

 

CMYK 0 / 7 / 34 / 21

HEX #CABB86

RGB 202 187 134

HSL 46.76, 0.39%, 0.66%

LAB 75.96, -2.59, 28.81

 

CMYK 0 / 5 / 24 / 16

HEX #D6CBA3

RGB 214 203 163

HSL 47.06, 0.38%, 0.74%

LAB 81.65, -2.49, 21.37

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB69

RGB 189 171 105

HSL 47.14, 0.39%, 0.58%

LAB 70.15, -2.68, 36.26

 

CMYK 43 / 0 / 44 / 26

HEX #6BBD6A

RGB 107 189 106

HSL 119.28, 0.39%, 0.58%

LAB 69.87, -41.99, 34.27

 

CMYK 27 / 44 / 0 / 26

HEX #8A6ABD

RGB 138 106 189

HSL 263.13, 0.39%, 0.58%

LAB 51.14, 30.22, -39.14

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB69

RGB 189 171 105

HSL 47.14, 0.39%, 0.58%

LAB 70.15, -2.68, 36.26

 

CMYK 44 / 0 / 10 / 26

HEX #6ABDAB

RGB 106 189 171

HSL 166.99, 0.39%, 0.58%

LAB 71.15, -29.64, 1.22

 

CMYK 10 / 44 / 0 / 26

HEX #AB6ABD

RGB 171 106 189

HSL 286.99, 0.39%, 0.58%

LAB 54.7, 39.93, -33.3

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB69

RGB 189 171 105

HSL 47.14, 0.39%, 0.58%

LAB 70.15, -2.68, 36.26

 

CMYK 43 / 0 / 44 / 26

HEX #6BBD6A

RGB 107 189 106

HSL 119.28, 0.39%, 0.58%

LAB 69.87, -41.99, 34.27

 

CMYK 44 / 34 / 0 / 26

HEX #6A7CBD

RGB 106 124 189

HSL 226.99, 0.39%, 0.58%

LAB 53.12, 10.63, -36.21

 

CMYK 1 / 44 / 0 / 26

HEX #BC6ABD

RGB 188 106 189

HSL 299.28, 0.39%, 0.58%

LAB 56.76, 45.05, -29.94

 

CMYK 0 / 10 / 44 / 26

HEX #BDAB69

RGB 189 171 105

HSL 47.14, 0.39%, 0.58%

LAB 70.15, -2.68, 36.26

 

CMYK 44 / 0 / 32 / 26

HEX #6ABD81

RGB 106 189 129

HSL 136.63, 0.39%, 0.58%

LAB 70.21, -38.48, 22.66

 

CMYK 44 / 34 / 0 / 26

HEX #6A7CBD

RGB 106 124 189

HSL 226.99, 0.39%, 0.58%

LAB 53.12, 10.63, -36.21

 

CMYK 0 / 44 / 13 / 26

HEX #BD6AA5

RGB 189 106 165

HSL 317.35, 0.39%, 0.58%

LAB 55.93, 41.13, -17.36

 

Description

Color code: HEX #BDAB69 | qconv.com Color code: HEX #BDAB69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 171 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 171 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 44 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 44% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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