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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDACAF it is the complementary color #425350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDACAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDACAF shade: #C2ACAA, #D3BEBD, #E4D0D0, #F5E2E3 and #FFF4F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDACAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDACAF shade: #BDACAF, #AC9A9C, #9B8889, #8A7676 and #796463

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDACAF shade: #BDACAF and #BDACAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDACAF shade: #BDACAF, #BDACB4, #BDACB8, #BDACBC and #B9ACBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDACAF shade matches the following richer shades: #BDACAF, #C9A0A8, #D594A0, #E18998 and #ED7D90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDACAF shade: #BDACAF, #B1B8B7, #A5C4BF, #99D0C7 and #8DDCCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDACAF shade: #BDACB8, #BDACB4, #BDACAF, #BDAEAC and #BDB2AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDACAF shade: #987F83, #AA9699, #BDACAF, #CFC3C5 and #E1DADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDACAF shade: #BDACAF, #BCBDAC and #ACB6BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDACAF shade: #BDACAF, #AFBDAC and #ACAFBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDACAF shade: #BDACAF, #BCBDAC, #ACBDBA and #ADACBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDACAF shade: #BDACAF, #B8BDAC, #ACBDBA and #B2ACBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

Complementary color

CMYK 20 / 0 / 4 / 67

HEX #425350

RGB 66 83 80

HSL 169.41, 0.11%, 0.29%

LAB 33.82, -7.31, -0.44

 

CMYK 0 / 11 / 12 / 24

HEX #C2ACAA

RGB 194 172 170

HSL 5, 0.16%, 0.71%

LAB 72.15, 7.6, 3.93

 

CMYK 0 / 10 / 10 / 17

HEX #D3BEBD

RGB 211 190 189

HSL 2.73, 0.2%, 0.78%

LAB 78.67, 7.26, 3.2

 

CMYK 0 / 9 / 9 / 11

HEX #E4D0D0

RGB 228 208 208

HSL 0, 0.27%, 0.85%

LAB 85.08, 6.94, 2.51

 

CMYK 0 / 8 / 7 / 4

HEX #F5E2E3

RGB 245 226 227

HSL 356.84, 0.49%, 0.92%

LAB 91.39, 6.65, 1.85

 

CMYK 0 / 4 / 4 / 0

HEX #FFF4F6

RGB 255 244 246

HSL 349.09, 1%, 0.98%

LAB 97.07, 4.02, 0.34

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 0 / 10 / 9 / 33

HEX #AC9A9C

RGB 172 154 156

HSL 353.33, 0.1%, 0.64%

LAB 65.19, 6.97, 1.36

 

CMYK 0 / 12 / 12 / 39

HEX #9B8889

RGB 155 136 137

HSL 356.84, 0.09%, 0.57%

LAB 58.4, 7.34, 2.09

 

CMYK 0 / 14 / 14 / 46

HEX #8A7676

RGB 138 118 118

HSL 0, 0.08%, 0.5%

LAB 51.46, 7.75, 2.87

 

CMYK 0 / 17 / 18 / 53

HEX #796463

RGB 121 100 99

HSL 2.73, 0.1%, 0.43%

LAB 44.35, 8.24, 3.71

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 0 / 9 / 9 / 26

HEX #BDACAC

RGB 189 172 172

HSL 0, 0.11%, 0.71%

LAB 71.76, 6.11, 2.21

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 0 / 9 / 5 / 26

HEX #BDACB4

RGB 189 172 180

HSL 331.76, 0.11%, 0.71%

LAB 71.97, 7.53, -1.88

 

CMYK 0 / 9 / 3 / 26

HEX #BDACB8

RGB 189 172 184

HSL 317.65, 0.11%, 0.71%

LAB 72.08, 8.26, -3.92

 

CMYK 0 / 9 / 1 / 26

HEX #BDACBC

RGB 189 172 188

HSL 303.53, 0.11%, 0.71%

LAB 72.2, 9, -5.95

 

CMYK 2 / 9 / 0 / 26

HEX #B9ACBD

RGB 185 172 189

HSL 285.88, 0.11%, 0.71%

LAB 71.89, 7.8, -7

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 0 / 20 / 16 / 21

HEX #C9A0A8

RGB 201 160 168

HSL 348.29, 0.28%, 0.71%

LAB 69.74, 16.4, 1.63

 

CMYK 0 / 31 / 25 / 16

HEX #D594A0

RGB 213 148 160

HSL 348.92, 0.44%, 0.71%

LAB 67.92, 26.16, 3.6

 

CMYK 0 / 39 / 32 / 12

HEX #E18998

RGB 225 137 152

HSL 349.77, 0.59%, 0.71%

LAB 66.65, 35.37, 6.44

 

CMYK 0 / 47 / 39 / 7

HEX #ED7D90

RGB 237 125 144

HSL 349.82, 0.76%, 0.71%

LAB 65.5, 44.9, 9.54

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 4 / 0 / 1 / 28

HEX #B1B8B7

RGB 177 184 183

HSL 171.43, 0.05%, 0.71%

LAB 74.22, -2.62, -0.35

 

CMYK 16 / 0 / 3 / 23

HEX #A5C4BF

RGB 165 196 191

HSL 170.32, 0.21%, 0.71%

LAB 76.82, -11.39, -0.98

 

CMYK 26 / 0 / 4 / 18

HEX #99D0C7

RGB 153 208 199

HSL 170.18, 0.37%, 0.71%

LAB 79.62, -19.58, -1.28

 

CMYK 36 / 0 / 6 / 14

HEX #8DDCCE

RGB 141 220 206

HSL 169.37, 0.53%, 0.71%

LAB 82.54, -27.36, -0.81

 

CMYK 0 / 9 / 3 / 26

HEX #BDACB8

RGB 189 172 184

HSL 317.65, 0.11%, 0.71%

LAB 72.08, 8.26, -3.92

 

CMYK 0 / 9 / 5 / 26

HEX #BDACB4

RGB 189 172 180

HSL 331.76, 0.11%, 0.71%

LAB 71.97, 7.53, -1.88

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 0 / 8 / 9 / 26

HEX #BDAEAC

RGB 189 174 172

HSL 7.06, 0.11%, 0.71%

LAB 72.27, 5.03, 2.96

 

CMYK 0 / 6 / 9 / 26

HEX #BDB2AC

RGB 189 178 172

HSL 21.18, 0.11%, 0.71%

LAB 73.31, 2.86, 4.46

 

CMYK 0 / 16 / 14 / 40

HEX #987F83

RGB 152 127 131

HSL 350.4, 0.11%, 0.55%

LAB 55.58, 10.27, 1.42

 

CMYK 0 / 12 / 10 / 33

HEX #AA9699

RGB 170 150 153

HSL 351, 0.11%, 0.63%

LAB 63.88, 7.92, 1.13

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 0 / 6 / 5 / 19

HEX #CFC3C5

RGB 207 195 197

HSL 350, 0.11%, 0.79%

LAB 79.8, 4.55, 0.5

 

CMYK 0 / 3 / 3 / 12

HEX #E1DADB

RGB 225 218 219

HSL 351.43, 0.1%, 0.87%

LAB 87.61, 2.57, 0.35

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 1 / 0 / 9 / 26

HEX #BCBDAC

RGB 188 189 172

HSL 63.53, 0.11%, 0.71%

LAB 76.11, -3.37, 8.47

 

CMYK 9 / 4 / 0 / 26

HEX #ACB6BD

RGB 172 182 189

HSL 204.71, 0.11%, 0.71%

LAB 73.48, -2.08, -4.75

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 7 / 0 / 9 / 26

HEX #AFBDAC

RGB 175 189 172

HSL 109.41, 0.11%, 0.71%

LAB 75.13, -8.01, 6.94

 

CMYK 9 / 7 / 0 / 26

HEX #ACAFBD

RGB 172 175 189

HSL 229.41, 0.11%, 0.71%

LAB 71.63, 1.71, -7.5

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 1 / 0 / 9 / 26

HEX #BCBDAC

RGB 188 189 172

HSL 63.53, 0.11%, 0.71%

LAB 76.11, -3.37, 8.47

 

CMYK 9 / 0 / 2 / 26

HEX #ACBDBA

RGB 172 189 186

HSL 169.41, 0.11%, 0.71%

LAB 75.27, -6.4, -0.49

 

CMYK 8 / 9 / 0 / 26

HEX #ADACBD

RGB 173 172 189

HSL 243.53, 0.11%, 0.71%

LAB 70.91, 3.68, -8.55

 

CMYK 0 / 9 / 7 / 26

HEX #BDACAF

RGB 189 172 175

HSL 349.41, 0.11%, 0.71%

LAB 71.84, 6.64, 0.67

 

CMYK 3 / 0 / 9 / 26

HEX #B8BDAC

RGB 184 189 172

HSL 77.65, 0.11%, 0.71%

LAB 75.8, -4.81, 7.99

 

CMYK 9 / 0 / 2 / 26

HEX #ACBDBA

RGB 172 189 186

HSL 169.41, 0.11%, 0.71%

LAB 75.27, -6.4, -0.49

 

CMYK 6 / 9 / 0 / 26

HEX #B2ACBD

RGB 178 172 189

HSL 261.18, 0.11%, 0.71%

LAB 71.31, 5.39, -7.91

 

Description

Color code: HEX #BDACAF | qconv.com Color code: HEX #BDACAF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 172 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 172 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 7 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 7% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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