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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDB981 it is the complementary color #42467E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDB981. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDB981 shade: #C2B97C, #D3CB8F, #E4DDA2, #F5EFB5 and #FFFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDB981. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDB981 shade: #BDB981, #ACA76E, #9B955B, #8A8348 and #797135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDB981 shade: #BCB880, #BCA780, #BC9780, #BC8780 and #BC8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDB981 shade: #BCB880, #AFBC80, #9FBC80, #8FBC80 and #80BC80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDB981 shade matches the following richer shades: #BCB880, #CBC570, #DBD360, #EBE051 and #FAEE41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDB981 shade: #BCB880, #ACAA8F, #9C9C9F, #8D8FAF and #7D81BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDB981 shade: #BC9880, #BCA880, #BCB880, #B0BC80 and #A0BC80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDB981 shade: #999450, #ADA965, #BCB880, #CAC79B and #D8D6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDB981 shade: #BDB981, #80BC88 and #A080BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDB981 shade: #BDB981, #80BCB8 and #B880BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDB981 shade: #BDB981, #80BC88, #8084BC and #BC80B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDB981 shade: #BDB981, #80BC9A, #8084BC and #BC80A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 32 / 26

HEX #BDB981

RGB 189 185 129

HSL 56, 0.31%, 0.62%

LAB 74.25, -7.29, 28.99

 

Complementary color

CMYK 48 / 44 / 0 / 51

HEX #42467E

RGB 66 70 126

HSL 236, 0.31%, 0.38%

LAB 31.91, 14.45, -32.34

 

CMYK 0 / 5 / 36 / 24

HEX #C2B97C

RGB 194 185 124

HSL 52.29, 0.36%, 0.62%

LAB 74.59, -5.92, 32.13

 

CMYK 0 / 4 / 32 / 17

HEX #D3CB8F

RGB 211 203 143

HSL 52.94, 0.44%, 0.69%

LAB 81.04, -6.27, 30.98

 

CMYK 0 / 3 / 29 / 11

HEX #E4DDA2

RGB 228 221 162

HSL 53.64, 0.55%, 0.76%

LAB 87.4, -6.57, 29.89

 

CMYK 0 / 2 / 26 / 4

HEX #F5EFB5

RGB 245 239 181

HSL 54.38, 0.76%, 0.84%

LAB 93.66, -6.84, 28.85

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 2 / 32 / 26

HEX #BDB981

RGB 189 185 129

HSL 56, 0.31%, 0.62%

LAB 74.25, -7.29, 28.99

 

CMYK 0 / 3 / 36 / 33

HEX #ACA76E

RGB 172 167 110

HSL 55.16, 0.27%, 0.55%

LAB 67.68, -6.97, 30.16

 

CMYK 0 / 4 / 41 / 39

HEX #9B955B

RGB 155 149 91

HSL 54.38, 0.26%, 0.48%

LAB 60.97, -6.57, 31.39

 

CMYK 0 / 5 / 48 / 46

HEX #8A8348

RGB 138 131 72

HSL 53.64, 0.31%, 0.41%

LAB 54.14, -6.08, 32.67

 

CMYK 0 / 7 / 56 / 53

HEX #797135

RGB 121 113 53

HSL 52.94, 0.39%, 0.34%

LAB 47.15, -5.44, 33.96

 

CMYK 0 / 2 / 32 / 26

HEX #BCB880

RGB 188 184 128

HSL 56, 0.31%, 0.62%

LAB 73.89, -7.29, 29.02

 

CMYK 0 / 11 / 32 / 26

HEX #BCA780

RGB 188 167 128

HSL 39, 0.31%, 0.62%

LAB 69.39, 1.75, 22.99

 

CMYK 0 / 20 / 32 / 26

HEX #BC9780

RGB 188 151 128

HSL 23, 0.31%, 0.62%

LAB 65.27, 10.48, 17.36

 

CMYK 0 / 28 / 32 / 26

HEX #BC8780

RGB 188 135 128

HSL 7, 0.31%, 0.62%

LAB 61.29, 19.34, 11.81

 

CMYK 0 / 32 / 32 / 26

HEX #BC8080

RGB 188 128 128

HSL 0, 0.31%, 0.62%

LAB 59.61, 23.23, 9.44

 

CMYK 0 / 2 / 32 / 26

HEX #BCB880

RGB 188 184 128

HSL 56, 0.31%, 0.62%

LAB 73.89, -7.29, 29.02

 

CMYK 7 / 0 / 32 / 26

HEX #AFBC80

RGB 175 188 128

HSL 73, 0.31%, 0.62%

LAB 73.96, -14.44, 28.93

 

CMYK 15 / 0 / 32 / 26

HEX #9FBC80

RGB 159 188 128

HSL 89, 0.31%, 0.62%

LAB 72.82, -20.5, 27.21

 

CMYK 24 / 0 / 32 / 26

HEX #8FBC80

RGB 143 188 128

HSL 105, 0.31%, 0.62%

LAB 71.8, -26.3, 25.67

 

CMYK 32 / 0 / 32 / 26

HEX #80BC80

RGB 128 188 128

HSL 120, 0.31%, 0.62%

LAB 70.95, -31.42, 24.37

 

CMYK 0 / 2 / 32 / 26

HEX #BCB880

RGB 188 184 128

HSL 56, 0.31%, 0.62%

LAB 73.89, -7.29, 29.02

 

CMYK 0 / 3 / 45 / 20

HEX #CBC570

RGB 203 197 112

HSL 56.04, 0.47%, 0.62%

LAB 78.34, -9.82, 43.19

 

CMYK 0 / 4 / 56 / 14

HEX #DBD360

RGB 219 211 96

HSL 56.1, 0.63%, 0.62%

LAB 83.17, -11.79, 56.83

 

CMYK 0 / 5 / 66 / 8

HEX #EBE051

RGB 235 224 81

HSL 55.71, 0.79%, 0.62%

LAB 87.76, -12.67, 68.5

 

CMYK 0 / 5 / 74 / 2

HEX #FAEE41

RGB 250 238 65

HSL 56.11, 0.95%, 0.62%

LAB 92.51, -14.15, 79.26

 

CMYK 0 / 2 / 32 / 26

HEX #BCB880

RGB 188 184 128

HSL 56, 0.31%, 0.62%

LAB 73.89, -7.29, 29.02

 

CMYK 0 / 1 / 17 / 33

HEX #ACAA8F

RGB 172 170 143

HSL 55.86, 0.15%, 0.62%

LAB 69.11, -3.95, 14.2

 

CMYK 2 / 2 / 0 / 38

HEX #9C9C9F

RGB 156 156 159

HSL 240, 0.02%, 0.62%

LAB 64.44, 0.58, -1.57

 

CMYK 19 / 18 / 0 / 31

HEX #8D8FAF

RGB 141 143 175

HSL 236.47, 0.18%, 0.62%

LAB 60.25, 6.17, -16.99

 

CMYK 34 / 32 / 0 / 25

HEX #7D81BE

RGB 125 129 190

HSL 236.31, 0.33%, 0.62%

LAB 55.87, 13.15, -32.38

 

CMYK 0 / 19 / 32 / 26

HEX #BC9880

RGB 188 152 128

HSL 24, 0.31%, 0.62%

LAB 65.52, 9.93, 17.71

 

CMYK 0 / 11 / 32 / 26

HEX #BCA880

RGB 188 168 128

HSL 40, 0.31%, 0.62%

LAB 69.65, 1.21, 23.35

 

CMYK 0 / 2 / 32 / 26

HEX #BCB880

RGB 188 184 128

HSL 56, 0.31%, 0.62%

LAB 73.89, -7.29, 29.02

 

CMYK 6 / 0 / 32 / 26

HEX #B0BC80

RGB 176 188 128

HSL 72, 0.31%, 0.62%

LAB 74.03, -14.05, 29.04

 

CMYK 15 / 0 / 32 / 26

HEX #A0BC80

RGB 160 188 128

HSL 88, 0.31%, 0.62%

LAB 72.89, -20.13, 27.31

 

CMYK 0 / 3 / 48 / 40

HEX #999450

RGB 153 148 80

HSL 55.89, 0.31%, 0.46%

LAB 60.37, -8.06, 36.39

 

CMYK 0 / 2 / 42 / 32

HEX #ADA965

RGB 173 169 101

HSL 56.67, 0.31%, 0.54%

LAB 68.17, -8.66, 35.54

 

CMYK 0 / 2 / 32 / 26

HEX #BCB880

RGB 188 184 128

HSL 56, 0.31%, 0.62%

LAB 73.89, -7.29, 29.02

 

CMYK 0 / 1 / 23 / 21

HEX #CAC79B

RGB 202 199 155

HSL 56.17, 0.31%, 0.7%

LAB 79.48, -6.07, 22.46

 

CMYK 0 / 1 / 16 / 15

HEX #D8D6B6

RGB 216 214 182

HSL 56.47, 0.3%, 0.78%

LAB 85.03, -4.64, 16.08

 

CMYK 0 / 2 / 32 / 26

HEX #BDB981

RGB 189 185 129

HSL 56, 0.31%, 0.62%

LAB 74.25, -7.29, 28.99

 

CMYK 32 / 0 / 28 / 26

HEX #80BC88

RGB 128 188 136

HSL 128, 0.31%, 0.62%

LAB 71.1, -30.04, 20.3

 

CMYK 15 / 32 / 0 / 26

HEX #A080BC

RGB 160 128 188

HSL 272, 0.31%, 0.62%

LAB 58.55, 23.93, -26.84

 

CMYK 0 / 2 / 32 / 26

HEX #BDB981

RGB 189 185 129

HSL 56, 0.31%, 0.62%

LAB 74.25, -7.29, 28.99

 

CMYK 32 / 0 / 2 / 26

HEX #80BCB8

RGB 128 188 184

HSL 176, 0.31%, 0.62%

LAB 72.24, -20.14, -4.16

 

CMYK 2 / 32 / 0 / 26

HEX #B880BC

RGB 184 128 188

HSL 296, 0.31%, 0.62%

LAB 61.01, 31.7, -22.85

 

CMYK 0 / 2 / 32 / 26

HEX #BDB981

RGB 189 185 129

HSL 56, 0.31%, 0.62%

LAB 74.25, -7.29, 28.99

 

CMYK 32 / 0 / 28 / 26

HEX #80BC88

RGB 128 188 136

HSL 128, 0.31%, 0.62%

LAB 71.1, -30.04, 20.3

 

CMYK 32 / 30 / 0 / 26

HEX #8084BC

RGB 128 132 188

HSL 236, 0.31%, 0.62%

LAB 56.8, 11.72, -29.76

 

CMYK 0 / 32 / 4 / 26

HEX #BC80B4

RGB 188 128 180

HSL 308, 0.31%, 0.62%

LAB 61.15, 31.52, -18.04

 

CMYK 0 / 2 / 32 / 26

HEX #BDB981

RGB 189 185 129

HSL 56, 0.31%, 0.62%

LAB 74.25, -7.29, 28.99

 

CMYK 32 / 0 / 18 / 26

HEX #80BC9A

RGB 128 188 154

HSL 146, 0.31%, 0.62%

LAB 71.48, -26.65, 11.1

 

CMYK 32 / 30 / 0 / 26

HEX #8084BC

RGB 128 132 188

HSL 236, 0.31%, 0.62%

LAB 56.8, 11.72, -29.76

 

CMYK 0 / 32 / 14 / 26

HEX #BC80A2

RGB 188 128 162

HSL 326, 0.31%, 0.62%

LAB 60.55, 28.36, -8.69

 

Description

Color code: HEX #BDB981 | qconv.com Color code: HEX #BDB981 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 185 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 185 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 32 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 32% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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