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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDC5A1 it is the complementary color #423A5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDC5A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDC5A1 shade: #C2C59C, #D3D7AF, #E4E9C2, #F5FBD5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDC5A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDC5A1 shade: #BDC5A1, #ACB38E, #9BA17B, #8A8F68 and #797D55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDC5A1 shade: #BCC4A0, #C4C3A0, #C4B9A0, #C4AFA0 and #C4A5A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDC5A1 shade: #BCC4A0, #B2C4A0, #A8C4A0, #A0C4A1 and #A0C4AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDC5A1 shade matches the following richer shades: #BCC4A0, #C3D193, #CADD87, #D1E97B and #D8F66E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDC5A1 shade: #BCC4A0, #B5B8AC, #AEACB8, #A89FC5 and #A193D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDC5A1 shade: #C4B9A0, #C4C3A0, #BCC4A0, #B3C4A0 and #A9C4A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDC5A1 shade: #98A56C, #AAB586, #BCC4A0, #CED4B9 and #E0E4D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDC5A1 shade: #BDC5A1, #A0C4AF and #BEA0C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDC5A1 shade: #BDC5A1, #A0BCC4 and #C4A0BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDC5A1 shade: #BDC5A1, #A0C4AF, #A8A0C4 and #C4A0B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDC5A1 shade: #BDC5A1, #A0C4BA, #A8A0C4 and #C4A0AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 18 / 23

HEX #BDC5A1

RGB 189 197 161

HSL 73.33, 0.24%, 0.7%

LAB 78.07, -8.99, 17.16

 

Complementary color

CMYK 30 / 38 / 0 / 63

HEX #423A5E

RGB 66 58 94

HSL 253.33, 0.24%, 0.3%

LAB 26.71, 12.52, -20.2

 

CMYK 2 / 0 / 21 / 23

HEX #C2C59C

RGB 194 197 156

HSL 64.39, 0.26%, 0.69%

LAB 78.35, -7.9, 20.27

 

CMYK 2 / 0 / 19 / 16

HEX #D3D7AF

RGB 211 215 175

HSL 66, 0.33%, 0.76%

LAB 84.76, -8.04, 19.32

 

CMYK 2 / 0 / 17 / 9

HEX #E4E9C2

RGB 228 233 194

HSL 67.69, 0.47%, 0.84%

LAB 91.08, -8.17, 18.42

 

CMYK 2 / 0 / 15 / 2

HEX #F5FBD5

RGB 245 251 213

HSL 69.47, 0.83%, 0.91%

LAB 97.31, -8.28, 17.56

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 4 / 0 / 18 / 23

HEX #BDC5A1

RGB 189 197 161

HSL 73.33, 0.24%, 0.7%

LAB 78.07, -8.99, 17.16

 

CMYK 4 / 0 / 21 / 30

HEX #ACB38E

RGB 172 179 142

HSL 71.35, 0.2%, 0.63%

LAB 71.53, -8.89, 18.11

 

CMYK 4 / 0 / 24 / 37

HEX #9BA17B

RGB 155 161 123

HSL 69.47, 0.17%, 0.56%

LAB 64.87, -8.78, 19.12

 

CMYK 3 / 0 / 27 / 44

HEX #8A8F68

RGB 138 143 104

HSL 67.69, 0.16%, 0.48%

LAB 58.08, -8.64, 20.2

 

CMYK 3 / 0 / 32 / 51

HEX #797D55

RGB 121 125 85

HSL 66, 0.19%, 0.41%

LAB 51.14, -8.46, 21.36

 

CMYK 4 / 0 / 18 / 23

HEX #BCC4A0

RGB 188 196 160

HSL 73.33, 0.23%, 0.7%

LAB 77.7, -9, 17.18

 

CMYK 0 / 1 / 18 / 23

HEX #C4C3A0

RGB 196 195 160

HSL 58.33, 0.23%, 0.7%

LAB 78.05, -5.51, 17.76

 

CMYK 0 / 6 / 18 / 23

HEX #C4B9A0

RGB 196 185 160

HSL 41.67, 0.23%, 0.7%

LAB 75.43, -0.25, 14.09

 

CMYK 0 / 11 / 18 / 23

HEX #C4AFA0

RGB 196 175 160

HSL 25, 0.23%, 0.7%

LAB 72.85, 5.11, 10.44

 

CMYK 0 / 16 / 18 / 23

HEX #C4A5A0

RGB 196 165 160

HSL 8.33, 0.23%, 0.7%

LAB 70.3, 10.54, 6.81

 

CMYK 4 / 0 / 18 / 23

HEX #BCC4A0

RGB 188 196 160

HSL 73.33, 0.23%, 0.7%

LAB 77.7, -9, 17.18

 

CMYK 9 / 0 / 18 / 23

HEX #B2C4A0

RGB 178 196 160

HSL 90, 0.23%, 0.7%

LAB 76.97, -12.65, 16.04

 

CMYK 14 / 0 / 18 / 23

HEX #A8C4A0

RGB 168 196 160

HSL 106.67, 0.23%, 0.7%

LAB 76.28, -16.21, 14.97

 

CMYK 18 / 0 / 18 / 23

HEX #A0C4A1

RGB 160 196 161

HSL 121.67, 0.23%, 0.7%

LAB 75.78, -18.82, 13.66

 

CMYK 18 / 0 / 13 / 23

HEX #A0C4AB

RGB 160 196 171

HSL 138.33, 0.23%, 0.7%

LAB 76, -16.98, 8.59

 

CMYK 4 / 0 / 18 / 23

HEX #BCC4A0

RGB 188 196 160

HSL 73.33, 0.23%, 0.7%

LAB 77.7, -9, 17.18

 

CMYK 7 / 0 / 30 / 18

HEX #C3D193

RGB 195 209 147

HSL 73.55, 0.4%, 0.7%

LAB 81.46, -14.93, 29.25

 

CMYK 9 / 0 / 39 / 13

HEX #CADD87

RGB 202 221 135

HSL 73.26, 0.56%, 0.7%

LAB 85.01, -19.76, 40.09

 

CMYK 10 / 0 / 47 / 9

HEX #D1E97B

RGB 209 233 123

HSL 73.09, 0.71%, 0.7%

LAB 88.57, -24.2, 50.49

 

CMYK 12 / 0 / 55 / 4

HEX #D8F66E

RGB 216 246 110

HSL 73.24, 0.88%, 0.7%

LAB 92.41, -28.85, 61.07

 

CMYK 4 / 0 / 18 / 23

HEX #BCC4A0

RGB 188 196 160

HSL 73.33, 0.23%, 0.7%

LAB 77.7, -9, 17.18

 

CMYK 2 / 0 / 7 / 28

HEX #B5B8AC

RGB 181 184 172

HSL 75, 0.08%, 0.7%

LAB 74.24, -3.24, 5.72

 

CMYK 5 / 7 / 0 / 28

HEX #AEACB8

RGB 174 172 184

HSL 250, 0.08%, 0.7%

LAB 70.85, 3.02, -5.88

 

CMYK 15 / 19 / 0 / 23

HEX #A89FC5

RGB 168 159 197

HSL 254.21, 0.25%, 0.7%

LAB 67.39, 10.91, -18.31

 

CMYK 23 / 30 / 0 / 18

HEX #A193D1

RGB 161 147 209

HSL 253.55, 0.4%, 0.7%

LAB 64.2, 18.21, -29.93

 

CMYK 0 / 6 / 18 / 23

HEX #C4B9A0

RGB 196 185 160

HSL 41.67, 0.23%, 0.7%

LAB 75.43, -0.25, 14.09

 

CMYK 0 / 1 / 18 / 23

HEX #C4C3A0

RGB 196 195 160

HSL 58.33, 0.23%, 0.7%

LAB 78.05, -5.51, 17.76

 

CMYK 4 / 0 / 18 / 23

HEX #BCC4A0

RGB 188 196 160

HSL 73.33, 0.23%, 0.7%

LAB 77.7, -9, 17.18

 

CMYK 9 / 0 / 18 / 23

HEX #B3C4A0

RGB 179 196 160

HSL 88.33, 0.23%, 0.7%

LAB 77.04, -12.28, 16.15

 

CMYK 14 / 0 / 18 / 23

HEX #A9C4A0

RGB 169 196 160

HSL 105, 0.23%, 0.7%

LAB 76.35, -15.86, 15.08

 

CMYK 8 / 0 / 35 / 35

HEX #98A56C

RGB 152 165 108

HSL 73.68, 0.24%, 0.54%

LAB 65.49, -14.21, 28.07

 

CMYK 6 / 0 / 26 / 29

HEX #AAB586

RGB 170 181 134

HSL 74.04, 0.24%, 0.62%

LAB 71.77, -11.9, 22.73

 

CMYK 4 / 0 / 18 / 23

HEX #BCC4A0

RGB 188 196 160

HSL 73.33, 0.23%, 0.7%

LAB 77.7, -9, 17.18

 

CMYK 3 / 0 / 13 / 17

HEX #CED4B9

RGB 206 212 185

HSL 73.33, 0.24%, 0.78%

LAB 83.82, -6.74, 12.67

 

CMYK 2 / 0 / 7 / 11

HEX #E0E4D3

RGB 224 228 211

HSL 74.12, 0.24%, 0.86%

LAB 89.88, -4.31, 7.82

 

CMYK 4 / 0 / 18 / 23

HEX #BDC5A1

RGB 189 197 161

HSL 73.33, 0.24%, 0.7%

LAB 78.07, -8.99, 17.16

 

CMYK 18 / 0 / 11 / 23

HEX #A0C4AF

RGB 160 196 175

HSL 145, 0.23%, 0.7%

LAB 76.1, -16.22, 6.57

 

CMYK 3 / 18 / 0 / 23

HEX #BEA0C4

RGB 190 160 196

HSL 290, 0.23%, 0.7%

LAB 69.52, 17.48, -14.35

 

CMYK 4 / 0 / 18 / 23

HEX #BDC5A1

RGB 189 197 161

HSL 73.33, 0.24%, 0.7%

LAB 78.07, -8.99, 17.16

 

CMYK 18 / 4 / 0 / 23

HEX #A0BCC4

RGB 160 188 196

HSL 193.33, 0.23%, 0.7%

LAB 74.46, -7.74, -7.22

 

CMYK 0 / 18 / 4 / 23

HEX #C4A0BC

RGB 196 160 188

HSL 313.33, 0.23%, 0.7%

LAB 69.83, 18.04, -9.4

 

CMYK 4 / 0 / 18 / 23

HEX #BDC5A1

RGB 189 197 161

HSL 73.33, 0.24%, 0.7%

LAB 78.07, -8.99, 17.16

 

CMYK 18 / 0 / 11 / 23

HEX #A0C4AF

RGB 160 196 175

HSL 145, 0.23%, 0.7%

LAB 76.1, -16.22, 6.57

 

CMYK 14 / 18 / 0 / 23

HEX #A8A0C4

RGB 168 160 196

HSL 253.33, 0.23%, 0.7%

LAB 67.61, 10.13, -17.42

 

CMYK 0 / 18 / 8 / 23

HEX #C4A0B5

RGB 196 160 181

HSL 325, 0.23%, 0.7%

LAB 69.62, 16.78, -5.82

 

CMYK 4 / 0 / 18 / 23

HEX #BDC5A1

RGB 189 197 161

HSL 73.33, 0.24%, 0.7%

LAB 78.07, -8.99, 17.16

 

CMYK 18 / 0 / 5 / 23

HEX #A0C4BA

RGB 160 196 186

HSL 163.33, 0.23%, 0.7%

LAB 76.37, -14.03, 1.02

 

CMYK 14 / 18 / 0 / 23

HEX #A8A0C4

RGB 168 160 196

HSL 253.33, 0.23%, 0.7%

LAB 67.61, 10.13, -17.42

 

CMYK 0 / 18 / 13 / 23

HEX #C4A0AA

RGB 196 160 170

HSL 343.33, 0.23%, 0.7%

LAB 69.31, 14.89, -0.17

 

Description

Color code: HEX #BDC5A1 | qconv.com Color code: HEX #BDC5A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 197 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 197 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 18 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 18% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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