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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDC949 it is the complementary color #4236B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDC949. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDC949 shade: #C2C944, #D3DB57, #E4ED6A, #F5FF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDC949. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDC949 shade: #BDC949, #ACB736, #9BA523, #8A9310 and #798100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDC949 shade: #BDC94A, #C9B24A, #C9904A, #C96E4A and #C94C4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDC949 shade: #BDC94A, #9AC94A, #78C94A, #56C94A and #4AC960

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDC949 shade matches the following richer shades: #BDC94A, #CCDC37 and #DBEF24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDC949 shade: #BDC94A, #ADB65D, #9EA370, #8E9083 and #7F7D96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDC949 shade: #C9904A, #C9B14A, #BEC94A, #9CC94A and #7AC94A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDC949 shade: #8A942C, #A8B435, #BDC94A, #C8D26A and #D4DC89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDC949 shade: #BDC949, #4AC96E and #A04AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDC949 shade: #BDC949, #4ABEC9 and #C94ABE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDC949 shade: #BDC949, #4AC96E, #544AC9 and #C94AA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDC949 shade: #BDC949, #4AC994, #544AC9 and #C94A7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 64 / 21

HEX #BDC949

RGB 189 201 73

HSL 65.63, 0.54%, 0.54%

LAB 77.92, -20.76, 60.32

 

Complementary color

CMYK 64 / 70 / 0 / 29

HEX #4236B6

RGB 66 54 182

HSL 245.63, 0.54%, 0.46%

LAB 32.2, 43.14, -65.88

 

CMYK 3 / 0 / 66 / 21

HEX #C2C944

RGB 194 201 68

HSL 63.16, 0.55%, 0.53%

LAB 78.26, -19, 62.8

 

CMYK 4 / 0 / 60 / 14

HEX #D3DB57

RGB 211 219 87

HSL 63.64, 0.65%, 0.6%

LAB 84.59, -19.66, 62.14

 

CMYK 4 / 0 / 55 / 7

HEX #E4ED6A

RGB 228 237 106

HSL 64.12, 0.78%, 0.67%

LAB 90.83, -20.21, 61.24

 

CMYK 4 / 0 / 51 / 0

HEX #F5FF7D

RGB 245 255 125

HSL 64.62, 1%, 0.75%

LAB 96.99, -20.67, 60.23

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 6 / 0 / 64 / 21

HEX #BDC949

RGB 189 201 73

HSL 65.63, 0.54%, 0.54%

LAB 77.92, -20.76, 60.32

 

CMYK 6 / 0 / 70 / 28

HEX #ACB736

RGB 172 183 54

HSL 65.12, 0.54%, 0.46%

LAB 71.49, -20.06, 60.77

 

CMYK 6 / 0 / 79 / 35

HEX #9BA523

RGB 155 165 35

HSL 64.62, 0.65%, 0.39%

LAB 64.96, -19.18, 60.57

 

CMYK 6 / 0 / 89 / 42

HEX #8A9310

RGB 138 147 16

HSL 64.12, 0.8%, 0.32%

LAB 58.33, -18.07, 59.2

 

CMYK 6 / 0 / 100 / 49

HEX #798100

RGB 121 129 0

HSL 63.72, 1%, 0.25%

LAB 51.57, -16.71, 56.19

 

CMYK 6 / 0 / 63 / 21

HEX #BDC94A

RGB 189 201 74

HSL 65.67, 0.54%, 0.54%

LAB 77.93, -20.69, 59.92

 

CMYK 0 / 11 / 63 / 21

HEX #C9B24A

RGB 201 178 74

HSL 49.13, 0.54%, 0.54%

LAB 72.73, -3.91, 54.64

 

CMYK 0 / 28 / 63 / 21

HEX #C9904A

RGB 201 144 74

HSL 33.07, 0.54%, 0.54%

LAB 64.05, 14.37, 44.97

 

CMYK 0 / 45 / 63 / 21

HEX #C96E4A

RGB 201 110 74

HSL 17.01, 0.54%, 0.54%

LAB 56.15, 32.8, 35.71

 

CMYK 0 / 62 / 63 / 21

HEX #C94C4A

RGB 201 76 74

HSL 0.94, 0.54%, 0.54%

LAB 49.59, 49.59, 27.62

 

CMYK 6 / 0 / 63 / 21

HEX #BDC94A

RGB 189 201 74

HSL 65.67, 0.54%, 0.54%

LAB 77.93, -20.69, 59.92

 

CMYK 23 / 0 / 63 / 21

HEX #9AC94A

RGB 154 201 74

HSL 82.2, 0.54%, 0.54%

LAB 75.54, -34.65, 56.65

 

CMYK 40 / 0 / 63 / 21

HEX #78C94A

RGB 120 201 74

HSL 98.27, 0.54%, 0.54%

LAB 73.71, -46.77, 54.14

 

CMYK 57 / 0 / 63 / 21

HEX #56C94A

RGB 86 201 74

HSL 114.33, 0.54%, 0.54%

LAB 72.39, -56.59, 52.3

 

CMYK 63 / 0 / 52 / 21

HEX #4AC960

RGB 74 201 96

HSL 130.39, 0.54%, 0.54%

LAB 72.28, -56.67, 42.01

 

CMYK 6 / 0 / 63 / 21

HEX #BDC94A

RGB 189 201 74

HSL 65.67, 0.54%, 0.54%

LAB 77.93, -20.69, 59.92

 

CMYK 7 / 0 / 75 / 14

HEX #CCDC37

RGB 204 220 55

HSL 65.82, 0.7%, 0.54%

LAB 84.12, -24.77, 73.32

 

CMYK 8 / 0 / 85 / 6

HEX #DBEF24

RGB 219 239 36

HSL 65.91, 0.86%, 0.54%

LAB 90.28, -28.26, 83.93

 

CMYK 6 / 0 / 63 / 21

HEX #BDC94A

RGB 189 201 74

HSL 65.67, 0.54%, 0.54%

LAB 77.93, -20.69, 59.92

 

CMYK 5 / 0 / 49 / 29

HEX #ADB65D

RGB 173 182 93

HSL 66.07, 0.38%, 0.54%

LAB 71.64, -16.22, 43.87

 

CMYK 3 / 0 / 31 / 36

HEX #9EA370

RGB 158 163 112

HSL 65.88, 0.22%, 0.54%

LAB 65.46, -10.24, 25.96

 

CMYK 1 / 0 / 9 / 44

HEX #8E9083

RGB 142 144 131

HSL 69.23, 0.06%, 0.54%

LAB 59.28, -3.18, 6.65

 

CMYK 15 / 17 / 0 / 41

HEX #7F7D96

RGB 127 125 150

HSL 244.8, 0.11%, 0.54%

LAB 53.36, 6.1, -13.16

 

CMYK 0 / 28 / 63 / 21

HEX #C9904A

RGB 201 144 74

HSL 33.07, 0.54%, 0.54%

LAB 64.05, 14.37, 44.97

 

CMYK 0 / 12 / 63 / 21

HEX #C9B14A

RGB 201 177 74

HSL 48.66, 0.54%, 0.54%

LAB 72.47, -3.39, 54.36

 

CMYK 5 / 0 / 63 / 21

HEX #BEC94A

RGB 190 201 74

HSL 65.2, 0.54%, 0.54%

LAB 78, -20.28, 60.02

 

CMYK 22 / 0 / 63 / 21

HEX #9CC94A

RGB 156 201 74

HSL 81.26, 0.54%, 0.54%

LAB 75.66, -33.88, 56.82

 

CMYK 39 / 0 / 63 / 21

HEX #7AC94A

RGB 122 201 74

HSL 97.32, 0.54%, 0.54%

LAB 73.81, -46.11, 54.27

 

CMYK 7 / 0 / 70 / 42

HEX #8A942C

RGB 138 148 44

HSL 65.77, 0.54%, 0.38%

LAB 58.76, -17.45, 51.07

 

CMYK 7 / 0 / 71 / 29

HEX #A8B435

RGB 168 180 53

HSL 65.67, 0.55%, 0.46%

LAB 70.33, -20.3, 59.9

 

CMYK 6 / 0 / 63 / 21

HEX #BDC94A

RGB 189 201 74

HSL 65.67, 0.54%, 0.54%

LAB 77.93, -20.69, 59.92

 

CMYK 5 / 0 / 50 / 18

HEX #C8D26A

RGB 200 210 106

HSL 65.77, 0.54%, 0.62%

LAB 81.52, -18.15, 49.9

 

CMYK 4 / 0 / 38 / 14

HEX #D4DC89

RGB 212 220 137

HSL 65.78, 0.54%, 0.7%

LAB 85.5, -15.21, 39.87

 

CMYK 6 / 0 / 64 / 21

HEX #BDC949

RGB 189 201 73

HSL 65.63, 0.54%, 0.54%

LAB 77.92, -20.76, 60.32

 

CMYK 63 / 0 / 45 / 21

HEX #4AC96E

RGB 74 201 110

HSL 137.01, 0.54%, 0.54%

LAB 72.47, -54.57, 35.32

 

CMYK 20 / 63 / 0 / 21

HEX #A04AC9

RGB 160 74 201

HSL 280.63, 0.54%, 0.54%

LAB 47.74, 55.93, -51.31

 

CMYK 6 / 0 / 64 / 21

HEX #BDC949

RGB 189 201 73

HSL 65.63, 0.54%, 0.54%

LAB 77.92, -20.76, 60.32

 

CMYK 63 / 5 / 0 / 21

HEX #4ABEC9

RGB 74 190 201

HSL 185.2, 0.54%, 0.54%

LAB 71.21, -28.89, -15.21

 

CMYK 0 / 63 / 5 / 21

HEX #C94ABE

RGB 201 74 190

HSL 305.2, 0.54%, 0.54%

LAB 52.99, 63.84, -36.27

 

CMYK 6 / 0 / 64 / 21

HEX #BDC949

RGB 189 201 73

HSL 65.63, 0.54%, 0.54%

LAB 77.92, -20.76, 60.32

 

CMYK 63 / 0 / 45 / 21

HEX #4AC96E

RGB 74 201 110

HSL 137.01, 0.54%, 0.54%

LAB 72.47, -54.57, 35.32

 

CMYK 58 / 63 / 0 / 21

HEX #544AC9

RGB 84 74 201

HSL 244.72, 0.54%, 0.54%

LAB 39.58, 40.19, -64.89

 

CMYK 0 / 63 / 18 / 21

HEX #C94AA5

RGB 201 74 165

HSL 317.01, 0.54%, 0.54%

LAB 51.87, 60.03, -23.43

 

CMYK 6 / 0 / 64 / 21

HEX #BDC949

RGB 189 201 73

HSL 65.63, 0.54%, 0.54%

LAB 77.92, -20.76, 60.32

 

CMYK 63 / 0 / 26 / 21

HEX #4AC994

RGB 74 201 148

HSL 154.96, 0.54%, 0.54%

LAB 73.13, -47.37, 16.36

 

CMYK 58 / 63 / 0 / 21

HEX #544AC9

RGB 84 74 201

HSL 244.72, 0.54%, 0.54%

LAB 39.58, 40.19, -64.89

 

CMYK 0 / 63 / 37 / 21

HEX #C94A7F

RGB 201 74 127

HSL 334.96, 0.54%, 0.54%

LAB 50.51, 55.14, -2.9

 

Description

Color code: HEX #BDC949 | qconv.com Color code: HEX #BDC949 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 201 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 201 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 64 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 64% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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