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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDC3DF it is the complementary color #423C20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDC3DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDC3DF shade: #C2C3DA, #D3D5ED, #E4E7FF and #F5F9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDC3DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDC3DF shade: #BDC3DF, #ACB1CC, #9B9FB9, #8A8DA6 and #797B93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDC3DF shade: #BDC3DF, #C0BDDF, #C9BDDF, #D3BDDF and #DCBDDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDC3DF shade: #BDC3DF and #BDBDDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDC3DF shade matches the following richer shades: #BDC3DF, #B5BEE7, #ADB9EF, #A6B4F7 and #9EAFFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDC3DF shade: #BDC3DF, #C5C8D7, #CDCDCF, #D5D2C7 and #DCD7C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDC3DF shade: #BDD5DF, #BDCCDF, #BDC3DF, #C0BDDF and #C9BDDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDC3DF shade: #8590C4, #A1AAD2, #BDC3DF, #D9DCEC and #F5F6FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDC3DF shade: #BDC3DF, #DFBDDE and #D1DFBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDC3DF shade: #BDC3DF, #DFBDC3 and #C3DFBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDC3DF shade: #BDC3DF, #DFBDDE, #DFD9BD and #BDDFBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDC3DF shade: #BDC3DF, #DFBDD4, #DFD9BD and #BDDFC8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

Complementary color

CMYK 0 / 9 / 52 / 74

HEX #423C20

RGB 66 60 32

HSL 49.41, 0.35%, 0.19%

LAB 25.24, -2.08, 18.19

 

CMYK 11 / 11 / 0 / 15

HEX #C2C3DA

RGB 194 195 218

HSL 237.5, 0.24%, 0.81%

LAB 79.36, 4.13, -11.57

 

CMYK 11 / 10 / 0 / 7

HEX #D3D5ED

RGB 211 213 237

HSL 235.38, 0.42%, 0.88%

LAB 85.78, 3.92, -11.99

 

CMYK 11 / 9 / 0 / 0

HEX #E4E7FF

RGB 228 231 255

HSL 233.33, 1%, 0.95%

LAB 92.07, 3.53, -11.93

 

CMYK 4 / 2 / 0 / 0

HEX #F5F9FF

RGB 245 249 255

HSL 216, 1%, 0.98%

LAB 97.79, -0.23, -3.34

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 16 / 13 / 0 / 20

HEX #ACB1CC

RGB 172 177 204

HSL 230.63, 0.24%, 0.74%

LAB 72.61, 3.77, -14.26

 

CMYK 16 / 14 / 0 / 27

HEX #9B9FB9

RGB 155 159 185

HSL 232, 0.18%, 0.67%

LAB 65.96, 4, -13.89

 

CMYK 17 / 15 / 0 / 35

HEX #8A8DA6

RGB 138 141 166

HSL 233.57, 0.14%, 0.6%

LAB 59.16, 4.25, -13.54

 

CMYK 18 / 16 / 0 / 42

HEX #797B93

RGB 121 123 147

HSL 235.38, 0.11%, 0.53%

LAB 52.22, 4.52, -13.19

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 14 / 15 / 0 / 13

HEX #C0BDDF

RGB 192 189 223

HSL 245.29, 0.35%, 0.81%

LAB 77.83, 7.75, -16.58

 

CMYK 10 / 15 / 0 / 13

HEX #C9BDDF

RGB 201 189 223

HSL 261.18, 0.35%, 0.81%

LAB 78.54, 10.66, -15.44

 

CMYK 5 / 15 / 0 / 13

HEX #D3BDDF

RGB 211 189 223

HSL 278.82, 0.35%, 0.81%

LAB 79.37, 13.95, -14.11

 

CMYK 1 / 15 / 0 / 13

HEX #DCBDDF

RGB 220 189 223

HSL 294.71, 0.35%, 0.81%

LAB 80.15, 16.95, -12.87

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 15 / 15 / 0 / 13

HEX #BDBDDF

RGB 189 189 223

HSL 240, 0.35%, 0.81%

LAB 77.6, 6.79, -16.94

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 22 / 18 / 0 / 9

HEX #B5BEE7

RGB 181 190 231

HSL 229.2, 0.51%, 0.81%

LAB 77.53, 5.51, -21.43

 

CMYK 28 / 23 / 0 / 6

HEX #ADB9EF

RGB 173 185 239

HSL 229.09, 0.67%, 0.81%

LAB 75.96, 7.71, -28.2

 

CMYK 33 / 27 / 0 / 3

HEX #A6B4F7

RGB 166 180 247

HSL 229.63, 0.84%, 0.81%

LAB 74.49, 10.44, -34.82

 

CMYK 38 / 31 / 0 / 0

HEX #9EAFFE

RGB 158 175 254

HSL 229.38, 0.98%, 0.81%

LAB 72.95, 12.89, -41.03

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 8 / 7 / 0 / 16

HEX #C5C8D7

RGB 197 200 215

HSL 230, 0.18%, 0.81%

LAB 80.79, 1.85, -7.81

 

CMYK 1 / 1 / 0 / 19

HEX #CDCDCF

RGB 205 205 207

HSL 240, 0.02%, 0.81%

LAB 82.46, 0.37, -1

 

CMYK 0 / 1 / 7 / 16

HEX #D5D2C7

RGB 213 210 199

HSL 47.14, 0.14%, 0.81%

LAB 84.15, -0.89, 5.8

 

CMYK 0 / 2 / 13 / 14

HEX #DCD7C0

RGB 220 215 192

HSL 49.29, 0.29%, 0.81%

LAB 85.82, -2.16, 11.96

 

CMYK 15 / 4 / 0 / 13

HEX #BDD5DF

RGB 189 213 223

HSL 197.65, 0.35%, 0.81%

LAB 83.83, -5.95, -7.64

 

CMYK 15 / 9 / 0 / 13

HEX #BDCCDF

RGB 189 204 223

HSL 213.53, 0.35%, 0.81%

LAB 81.47, -1.23, -11.14

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 14 / 15 / 0 / 13

HEX #C0BDDF

RGB 192 189 223

HSL 245.29, 0.35%, 0.81%

LAB 77.83, 7.75, -16.58

 

CMYK 10 / 15 / 0 / 13

HEX #C9BDDF

RGB 201 189 223

HSL 261.18, 0.35%, 0.81%

LAB 78.54, 10.66, -15.44

 

CMYK 32 / 27 / 0 / 23

HEX #8590C4

RGB 133 144 196

HSL 229.52, 0.35%, 0.65%

LAB 60.71, 8.31, -28.22

 

CMYK 23 / 19 / 0 / 18

HEX #A1AAD2

RGB 161 170 210

HSL 228.98, 0.35%, 0.73%

LAB 70.16, 5.5, -21.33

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 8 / 7 / 0 / 7

HEX #D9DCEC

RGB 217 220 236

HSL 230.53, 0.33%, 0.89%

LAB 87.97, 2, -8.17

 

CMYK 2 / 2 / 0 / 2

HEX #F5F6FA

RGB 245 246 250

HSL 228, 0.33%, 0.97%

LAB 96.91, 0.39, -2.04

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 0 / 15 / 0 / 13

HEX #DFBDDE

RGB 223 189 222

HSL 301.76, 0.35%, 0.81%

LAB 80.38, 17.77, -11.95

 

CMYK 6 / 0 / 15 / 13

HEX #D1DFBD

RGB 209 223 189

HSL 84.71, 0.35%, 0.81%

LAB 87, -10.64, 15.09

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 0 / 15 / 13 / 13

HEX #DFBDC3

RGB 223 189 195

HSL 349.41, 0.35%, 0.81%

LAB 79.63, 13.08, 1.49

 

CMYK 13 / 0 / 15 / 13

HEX #C3DFBD

RGB 195 223 189

HSL 109.41, 0.35%, 0.81%

LAB 86.03, -15.5, 13.59

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 0 / 15 / 0 / 13

HEX #DFBDDE

RGB 223 189 222

HSL 301.76, 0.35%, 0.81%

LAB 80.38, 17.77, -11.95

 

CMYK 0 / 3 / 15 / 13

HEX #DFD9BD

RGB 223 217 189

HSL 49.41, 0.35%, 0.81%

LAB 86.5, -2.58, 14.53

 

CMYK 15 / 0 / 15 / 13

HEX #BDDFBE

RGB 189 223 190

HSL 121.76, 0.35%, 0.81%

LAB 85.66, -17.37, 12.48

 

CMYK 15 / 13 / 0 / 13

HEX #BDC3DF

RGB 189 195 223

HSL 229.41, 0.35%, 0.81%

LAB 79.14, 3.56, -14.63

 

CMYK 0 / 15 / 5 / 13

HEX #DFBDD4

RGB 223 189 212

HSL 319.41, 0.35%, 0.81%

LAB 80.09, 15.97, -7

 

CMYK 0 / 3 / 15 / 13

HEX #DFD9BD

RGB 223 217 189

HSL 49.41, 0.35%, 0.81%

LAB 86.5, -2.58, 14.53

 

CMYK 15 / 0 / 10 / 13

HEX #BDDFC8

RGB 189 223 200

HSL 139.41, 0.35%, 0.81%

LAB 85.89, -15.57, 7.55

 

Description

Color code: HEX #BDC3DF | qconv.com Color code: HEX #BDC3DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 195 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 195 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 13 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 13% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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