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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDD754 it is the complementary color #4228AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDD754. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDD754 shade: #C2D74F, #D3E962, #E4FB75, #F5FF88 and #FFFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDD754. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDD754 shade: #BDD754, #ACC541, #9BB32E, #8AA11B and #798F08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDD754 shade: #BDD755, #D7CE55, #D7AB55, #D78855 and #D76555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDD754 shade: #BDD755, #9AD755, #77D755, #55D756 and #55D779

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDD754 shade matches the following richer shades: #BDD755, #C7E844 and #D1F933

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDD754 shade: #BDD755, #B3C666, #A9B577, #9EA488 and #949399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDD754 shade: #D7A955, #D7CC55, #BFD755, #9CD755 and #7AD755

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDD754 shade: #96B029, #B0CF34, #BDD755, #CADF77 and #D7E698

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDD754 shade: #BDD754, #55D787 and #BB55D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDD754 shade: #BDD754, #55BFD7 and #D755BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDD754 shade: #BDD754, #55D787, #6D55D7 and #D755A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDD754 shade: #BDD754, #55D7AE, #6D55D7 and #D7557E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 61 / 16

HEX #BDD754

RGB 189 215 84

HSL 71.91, 0.62%, 0.59%

LAB 81.87, -26.79, 59.98

 

Complementary color

CMYK 61 / 77 / 0 / 33

HEX #4228AB

RGB 66 40 171

HSL 251.91, 0.62%, 0.41%

LAB 28.42, 47.34, -65.53

 

CMYK 10 / 0 / 63 / 16

HEX #C2D74F

RGB 194 215 79

HSL 69.26, 0.63%, 0.58%

LAB 82.18, -25.14, 62.49

 

CMYK 9 / 0 / 58 / 9

HEX #D3E962

RGB 211 233 98

HSL 69.78, 0.75%, 0.65%

LAB 88.45, -25.62, 61.71

 

CMYK 9 / 0 / 53 / 2

HEX #E4FB75

RGB 228 251 117

HSL 70.3, 0.94%, 0.72%

LAB 94.64, -26.01, 60.76

 

CMYK 4 / 0 / 47 / 0

HEX #F5FF88

RGB 245 255 136

HSL 65.04, 1%, 0.77%

LAB 97.11, -19.7, 55.35

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 12 / 0 / 61 / 16

HEX #BDD754

RGB 189 215 84

HSL 71.91, 0.62%, 0.59%

LAB 81.87, -26.79, 59.98

 

CMYK 13 / 0 / 67 / 23

HEX #ACC541

RGB 172 197 65

HSL 71.36, 0.53%, 0.51%

LAB 75.5, -26.29, 60.62

 

CMYK 13 / 0 / 74 / 30

HEX #9BB32E

RGB 155 179 46

HSL 70.83, 0.59%, 0.44%

LAB 69.04, -25.64, 60.81

 

CMYK 14 / 0 / 83 / 37

HEX #8AA11B

RGB 138 161 27

HSL 70.3, 0.71%, 0.37%

LAB 62.48, -24.81, 60.15

 

CMYK 15 / 0 / 94 / 44

HEX #798F08

RGB 121 143 8

HSL 69.78, 0.89%, 0.3%

LAB 55.81, -23.74, 58.04

 

CMYK 12 / 0 / 60 / 16

HEX #BDD755

RGB 189 215 85

HSL 72, 0.62%, 0.59%

LAB 81.88, -26.71, 59.57

 

CMYK 0 / 4 / 60 / 16

HEX #D7CE55

RGB 215 206 85

HSL 55.85, 0.62%, 0.59%

LAB 81.43, -11.7, 59.65

 

CMYK 0 / 20 / 60 / 16

HEX #D7AB55

RGB 215 171 85

HSL 39.69, 0.62%, 0.59%

LAB 72.38, 6.5, 49.55

 

CMYK 0 / 37 / 60 / 16

HEX #D78855

RGB 215 136 85

HSL 23.54, 0.62%, 0.59%

LAB 63.93, 25.34, 39.62

 

CMYK 0 / 53 / 60 / 16

HEX #D76555

RGB 215 101 85

HSL 7.38, 0.62%, 0.59%

LAB 56.5, 43.55, 30.46

 

CMYK 12 / 0 / 60 / 16

HEX #BDD755

RGB 189 215 85

HSL 72, 0.62%, 0.59%

LAB 81.88, -26.71, 59.57

 

CMYK 28 / 0 / 60 / 16

HEX #9AD755

RGB 154 215 85

HSL 88.15, 0.62%, 0.59%

LAB 79.69, -40.05, 56.53

 

CMYK 45 / 0 / 60 / 16

HEX #77D755

RGB 119 215 85

HSL 104.31, 0.62%, 0.59%

LAB 77.98, -51.73, 54.15

 

CMYK 60 / 0 / 60 / 16

HEX #55D756

RGB 85 215 86

HSL 120.46, 0.62%, 0.59%

LAB 76.8, -60.62, 52.06

 

CMYK 60 / 0 / 44 / 16

HEX #55D779

RGB 85 215 121

HSL 136.62, 0.62%, 0.59%

LAB 77.23, -55.84, 35.95

 

CMYK 12 / 0 / 60 / 16

HEX #BDD755

RGB 189 215 85

HSL 72, 0.62%, 0.59%

LAB 81.88, -26.71, 59.57

 

CMYK 14 / 0 / 71 / 9

HEX #C7E844

RGB 199 232 68

HSL 72.07, 0.78%, 0.59%

LAB 87.13, -31.81, 71.8

 

CMYK 16 / 0 / 80 / 2

HEX #D1F933

RGB 209 249 51

HSL 72.12, 0.94%, 0.59%

LAB 92.37, -36.39, 82.04

 

CMYK 12 / 0 / 60 / 16

HEX #BDD755

RGB 189 215 85

HSL 72, 0.62%, 0.59%

LAB 81.88, -26.71, 59.57

 

CMYK 10 / 0 / 48 / 22

HEX #B3C666

RGB 179 198 102

HSL 71.88, 0.46%, 0.59%

LAB 76.64, -20.95, 45.59

 

CMYK 7 / 0 / 34 / 29

HEX #A9B577

RGB 169 181 119

HSL 71.61, 0.3%, 0.59%

LAB 71.43, -14.36, 30.25

 

CMYK 4 / 0 / 17 / 36

HEX #9EA488

RGB 158 164 136

HSL 72.86, 0.13%, 0.59%

LAB 66.21, -7.18, 13.83

 

CMYK 3 / 4 / 0 / 40

HEX #949399

RGB 148 147 153

HSL 250, 0.03%, 0.59%

LAB 61.19, 1.55, -3.04

 

CMYK 0 / 21 / 60 / 16

HEX #D7A955

RGB 215 169 85

HSL 38.77, 0.62%, 0.59%

LAB 71.88, 7.57, 48.97

 

CMYK 0 / 5 / 60 / 16

HEX #D7CC55

RGB 215 204 85

HSL 54.92, 0.62%, 0.59%

LAB 80.9, -10.69, 59.07

 

CMYK 11 / 0 / 60 / 16

HEX #BFD755

RGB 191 215 85

HSL 71.08, 0.62%, 0.59%

LAB 82.02, -25.92, 59.76

 

CMYK 27 / 0 / 60 / 16

HEX #9CD755

RGB 156 215 85

HSL 87.23, 0.62%, 0.59%

LAB 79.8, -39.32, 56.69

 

CMYK 43 / 0 / 60 / 16

HEX #7AD755

RGB 122 215 85

HSL 102.92, 0.62%, 0.59%

LAB 78.11, -50.82, 54.33

 

CMYK 15 / 0 / 77 / 31

HEX #96B029

RGB 150 176 41

HSL 71.56, 0.62%, 0.43%

LAB 67.8, -26.51, 61.16

 

CMYK 15 / 0 / 75 / 19

HEX #B0CF34

RGB 176 207 52

HSL 72, 0.62%, 0.51%

LAB 78.52, -30.13, 68.32

 

CMYK 12 / 0 / 60 / 16

HEX #BDD755

RGB 189 215 85

HSL 72, 0.62%, 0.59%

LAB 81.88, -26.71, 59.57

 

CMYK 9 / 0 / 47 / 13

HEX #CADF77

RGB 202 223 119

HSL 72.12, 0.62%, 0.67%

LAB 85.33, -22.48, 48.34

 

CMYK 7 / 0 / 34 / 10

HEX #D7E698

RGB 215 230 152

HSL 71.54, 0.61%, 0.75%

LAB 88.59, -17.23, 36.4

 

CMYK 12 / 0 / 61 / 16

HEX #BDD754

RGB 189 215 84

HSL 71.91, 0.62%, 0.59%

LAB 81.87, -26.79, 59.98

 

CMYK 60 / 0 / 37 / 16

HEX #55D787

RGB 85 215 135

HSL 143.08, 0.62%, 0.59%

LAB 77.45, -53.45, 29.12

 

CMYK 13 / 60 / 0 / 16

HEX #BB55D7

RGB 187 85 215

HSL 287.08, 0.62%, 0.59%

LAB 53.99, 60.09, -49.12

 

CMYK 12 / 0 / 61 / 16

HEX #BDD754

RGB 189 215 84

HSL 71.91, 0.62%, 0.59%

LAB 81.87, -26.79, 59.98

 

CMYK 60 / 11 / 0 / 16

HEX #55BFD7

RGB 85 191 215

HSL 191.08, 0.62%, 0.59%

LAB 72.29, -23.42, -21.18

 

CMYK 0 / 60 / 11 / 16

HEX #D755BF

RGB 215 85 191

HSL 311.08, 0.62%, 0.59%

LAB 56.79, 63.06, -30.75

 

CMYK 12 / 0 / 61 / 16

HEX #BDD754

RGB 189 215 84

HSL 71.91, 0.62%, 0.59%

LAB 81.87, -26.79, 59.98

 

CMYK 60 / 0 / 37 / 16

HEX #55D787

RGB 85 215 135

HSL 143.08, 0.62%, 0.59%

LAB 77.45, -53.45, 29.12

 

CMYK 49 / 60 / 0 / 16

HEX #6D55D7

RGB 109 85 215

HSL 251.08, 0.62%, 0.59%

LAB 45.16, 42.55, -63.79

 

CMYK 0 / 60 / 23 / 16

HEX #D755A5

RGB 215 85 165

HSL 323.08, 0.62%, 0.59%

LAB 55.75, 59.3, -17.31

 

CMYK 12 / 0 / 61 / 16

HEX #BDD754

RGB 189 215 84

HSL 71.91, 0.62%, 0.59%

LAB 81.87, -26.79, 59.98

 

CMYK 60 / 0 / 19 / 16

HEX #55D7AE

RGB 85 215 174

HSL 161.08, 0.62%, 0.59%

LAB 78.22, -45.41, 9.7

 

CMYK 49 / 60 / 0 / 16

HEX #6D55D7

RGB 109 85 215

HSL 251.08, 0.62%, 0.59%

LAB 45.16, 42.55, -63.79

 

CMYK 0 / 60 / 41 / 16

HEX #D7557E

RGB 215 85 126

HSL 341.08, 0.62%, 0.59%

LAB 54.5, 54.63, 3.8

 

Description

Color code: HEX #BDD754 | qconv.com Color code: HEX #BDD754 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 215 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 215 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 61 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 61% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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