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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDDB45 it is the complementary color #4224BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDDB45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDDB45 shade: #C2DB40, #D3ED53, #E4FF66, #F5FF79 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDDB45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDDB45 shade: #BDDB45, #ACC932, #9BB71F, #8AA50C and #799300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDDB45 shade: #BCDB42, #DBD042, #DBA742, #DB7E42 and #DB5542

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDDB45 shade: #BCDB42, #93DB42, #6ADB42, #42DB43 and #42DB6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDDB45 shade matches the following richer shades: #BCDB42 and #C7ED30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDDB45 shade: #BCDB42, #B1C854, #A6B666, #9BA478 and #91928B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDDB45 shade: #DBA842, #DBD042, #BCDB42, #93DB42 and #6BDB42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDDB45 shade: #8EAA20, #ACCD27, #BCDB42, #C8E165 and #D5E887

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDDB45 shade: #BDDB45, #42DB7F and #BC42DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDDB45 shade: #BDDB45, #42BCDB and #DB42BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDDB45 shade: #BDDB45, #42DB7F, #6142DB and #DB429E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDDB45 shade: #BDDB45, #42DBAD, #6142DB and #DB4270

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 68 / 14

HEX #BDDB45

RGB 189 219 69

HSL 72, 0.68%, 0.56%

LAB 82.87, -29.66, 66.98

 

Complementary color

CMYK 65 / 81 / 0 / 27

HEX #4224BA

RGB 66 36 186

HSL 252, 0.68%, 0.44%

LAB 29.32, 53.65, -72.99

 

CMYK 11 / 0 / 71 / 14

HEX #C2DB40

RGB 194 219 64

HSL 69.68, 0.68%, 0.55%

LAB 83.18, -27.94, 69.2

 

CMYK 11 / 0 / 65 / 7

HEX #D3ED53

RGB 211 237 83

HSL 70.13, 0.81%, 0.63%

LAB 89.41, -28.54, 68.87

 

CMYK 11 / 0 / 60 / 0

HEX #E4FF66

RGB 228 255 102

HSL 70.59, 1%, 0.7%

LAB 95.57, -29.04, 68.21

 

CMYK 4 / 0 / 53 / 0

HEX #F5FF79

RGB 245 255 121

HSL 64.48, 1%, 0.74%

LAB 96.95, -21, 61.97

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 14 / 0 / 68 / 14

HEX #BDDB45

RGB 189 219 69

HSL 72, 0.68%, 0.56%

LAB 82.87, -29.66, 66.98

 

CMYK 14 / 0 / 75 / 21

HEX #ACC932

RGB 172 201 50

HSL 71.52, 0.6%, 0.49%

LAB 76.54, -29.02, 67

 

CMYK 15 / 0 / 83 / 28

HEX #9BB71F

RGB 155 183 31

HSL 71.05, 0.71%, 0.42%

LAB 70.13, -28.2, 66.23

 

CMYK 16 / 0 / 93 / 35

HEX #8AA50C

RGB 138 165 12

HSL 70.59, 0.86%, 0.35%

LAB 63.62, -27.16, 64.14

 

CMYK 18 / 0 / 100 / 42

HEX #799300

RGB 121 147 0

HSL 70.61, 1%, 0.29%

LAB 57.01, -25.88, 60.25

 

CMYK 14 / 0 / 70 / 14

HEX #BCDB42

RGB 188 219 66

HSL 72.16, 0.68%, 0.56%

LAB 82.78, -30.23, 67.96

 

CMYK 0 / 5 / 70 / 14

HEX #DBD042

RGB 219 208 66

HSL 55.69, 0.68%, 0.56%

LAB 82.14, -12.13, 68.12

 

CMYK 0 / 24 / 70 / 14

HEX #DBA742

RGB 219 167 66

HSL 39.61, 0.68%, 0.56%

LAB 71.62, 9.18, 57.49

 

CMYK 0 / 42 / 70 / 14

HEX #DB7E42

RGB 219 126 66

HSL 23.53, 0.68%, 0.56%

LAB 61.98, 31.13, 47.22

 

CMYK 0 / 61 / 70 / 14

HEX #DB5542

RGB 219 85 66

HSL 7.45, 0.68%, 0.56%

LAB 53.97, 51.38, 38.2

 

CMYK 14 / 0 / 70 / 14

HEX #BCDB42

RGB 188 219 66

HSL 72.16, 0.68%, 0.56%

LAB 82.78, -30.23, 67.96

 

CMYK 33 / 0 / 70 / 14

HEX #93DB42

RGB 147 219 66

HSL 88.24, 0.68%, 0.56%

LAB 80.33, -45.73, 64.69

 

CMYK 52 / 0 / 70 / 14

HEX #6ADB42

RGB 106 219 66

HSL 104.31, 0.68%, 0.56%

LAB 78.53, -58.69, 62.28

 

CMYK 70 / 0 / 69 / 14

HEX #42DB43

RGB 66 219 67

HSL 120.39, 0.68%, 0.56%

LAB 77.42, -67.64, 60.4

 

CMYK 70 / 0 / 50 / 14

HEX #42DB6D

RGB 66 219 109

HSL 136.86, 0.68%, 0.56%

LAB 77.83, -62.74, 42.52

 

CMYK 14 / 0 / 70 / 14

HEX #BCDB42

RGB 188 219 66

HSL 72.16, 0.68%, 0.56%

LAB 82.78, -30.23, 67.96

 

CMYK 16 / 0 / 80 / 7

HEX #C7ED30

RGB 199 237 48

HSL 72.06, 0.84%, 0.56%

LAB 88.41, -34.99, 79.06

 

CMYK 14 / 0 / 70 / 14

HEX #BCDB42

RGB 188 219 66

HSL 72.16, 0.68%, 0.56%

LAB 82.78, -30.23, 67.96

 

CMYK 12 / 0 / 58 / 22

HEX #B1C854

RGB 177 200 84

HSL 71.9, 0.51%, 0.56%

LAB 76.86, -24.35, 54.21

 

CMYK 9 / 0 / 44 / 29

HEX #A6B666

RGB 166 182 102

HSL 72, 0.35%, 0.56%

LAB 71.23, -18.11, 38.75

 

CMYK 5 / 0 / 27 / 36

HEX #9BA478

RGB 155 164 120

HSL 72.27, 0.19%, 0.56%

LAB 65.65, -10.82, 21.82

 

CMYK 1 / 0 / 5 / 43

HEX #91928B

RGB 145 146 139

HSL 68.57, 0.03%, 0.56%

LAB 60.29, -1.7, 3.57

 

CMYK 0 / 23 / 70 / 14

HEX #DBA842

RGB 219 168 66

HSL 40, 0.68%, 0.56%

LAB 71.87, 8.64, 57.75

 

CMYK 0 / 5 / 70 / 14

HEX #DBD042

RGB 219 208 66

HSL 55.69, 0.68%, 0.56%

LAB 82.14, -12.13, 68.12

 

CMYK 14 / 0 / 70 / 14

HEX #BCDB42

RGB 188 219 66

HSL 72.16, 0.68%, 0.56%

LAB 82.78, -30.23, 67.96

 

CMYK 33 / 0 / 70 / 14

HEX #93DB42

RGB 147 219 66

HSL 88.24, 0.68%, 0.56%

LAB 80.33, -45.73, 64.69

 

CMYK 51 / 0 / 70 / 14

HEX #6BDB42

RGB 107 219 66

HSL 103.92, 0.68%, 0.56%

LAB 78.57, -58.42, 62.33

 

CMYK 16 / 0 / 81 / 33

HEX #8EAA20

RGB 142 170 32

HSL 72.17, 0.68%, 0.4%

LAB 65.44, -27.33, 61.51

 

CMYK 16 / 0 / 81 / 20

HEX #ACCD27

RGB 172 205 39

HSL 71.93, 0.68%, 0.48%

LAB 77.63, -31.35, 71.18

 

CMYK 14 / 0 / 70 / 14

HEX #BCDB42

RGB 188 219 66

HSL 72.16, 0.68%, 0.56%

LAB 82.78, -30.23, 67.96

 

CMYK 11 / 0 / 55 / 12

HEX #C8E165

RGB 200 225 101

HSL 72.1, 0.67%, 0.64%

LAB 85.54, -25.88, 56.9

 

CMYK 8 / 0 / 42 / 9

HEX #D5E887

RGB 213 232 135

HSL 71.75, 0.68%, 0.72%

LAB 88.74, -20.94, 44.99

 

CMYK 14 / 0 / 68 / 14

HEX #BDDB45

RGB 189 219 69

HSL 72, 0.68%, 0.56%

LAB 82.87, -29.66, 66.98

 

CMYK 70 / 0 / 42 / 14

HEX #42DB7F

RGB 66 219 127

HSL 143.92, 0.68%, 0.56%

LAB 78.08, -59.85, 33.95

 

CMYK 14 / 70 / 0 / 14

HEX #BC42DB

RGB 188 66 219

HSL 287.84, 0.68%, 0.56%

LAB 51.5, 69.05, -55.37

 

CMYK 14 / 0 / 68 / 14

HEX #BDDB45

RGB 189 219 69

HSL 72, 0.68%, 0.56%

LAB 82.87, -29.66, 66.98

 

CMYK 70 / 14 / 0 / 14

HEX #42BCDB

RGB 66 188 219

HSL 192.16, 0.68%, 0.56%

LAB 71.04, -23.67, -25.33

 

CMYK 0 / 70 / 14 / 14

HEX #DB42BC

RGB 219 66 188

HSL 312.16, 0.68%, 0.56%

LAB 54.64, 70.94, -32.31

 

CMYK 14 / 0 / 68 / 14

HEX #BDDB45

RGB 189 219 69

HSL 72, 0.68%, 0.56%

LAB 82.87, -29.66, 66.98

 

CMYK 70 / 0 / 42 / 14

HEX #42DB7F

RGB 66 219 127

HSL 143.92, 0.68%, 0.56%

LAB 78.08, -59.85, 33.95

 

CMYK 56 / 70 / 0 / 14

HEX #6142DB

RGB 97 66 219

HSL 252.16, 0.68%, 0.56%

LAB 40.5, 52.21, -73.72

 

CMYK 0 / 70 / 28 / 14

HEX #DB429E

RGB 219 66 158

HSL 323.92, 0.68%, 0.56%

LAB 53.41, 66.99, -16.69

 

CMYK 14 / 0 / 68 / 14

HEX #BDDB45

RGB 189 219 69

HSL 72, 0.68%, 0.56%

LAB 82.87, -29.66, 66.98

 

CMYK 70 / 0 / 21 / 14

HEX #42DBAD

RGB 66 219 173

HSL 161.96, 0.68%, 0.56%

LAB 78.95, -50.46, 11.2

 

CMYK 56 / 70 / 0 / 14

HEX #6142DB

RGB 97 66 219

HSL 252.16, 0.68%, 0.56%

LAB 40.5, 52.21, -73.72

 

CMYK 0 / 70 / 49 / 14

HEX #DB4270

RGB 219 66 112

HSL 341.96, 0.68%, 0.56%

LAB 51.98, 62.22, 8.64

 

Description

Color code: HEX #BDDB45 | qconv.com Color code: HEX #BDDB45 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 219 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 219 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 68 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 68% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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