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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDDCE9 it is the complementary color #422316. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDDCE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDDCE9 shade: #C2DCE4, #D3EEF7, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDDCE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDDCE9 shade: #BDDCE9, #ACCAD6, #9BB8C3, #8AA6B0 and #79949D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDDCE9 shade: #BDDCE9, #BDD0E9, #BDC5E9, #C2BDE9 and #CEBDE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDDCE9 shade: #BDDCE9, #BDD0E9, #BDC5E9 and #BDBDE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDDCE9 shade matches the following richer shades: #BDDCE9, #B6DFF0, #AFE2F7 and #A8E5FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDDCE9 shade: #BDDCE9, #C4D9E2, #CCD6DB, #D3D3D4 and #DAD1CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDDCE9 shade: #BDE9DE, #BDE8E9, #BDDDE9, #BDD1E9 and #BDC5E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDDCE9 shade: #80BBD4, #9FCCDF, #BDDCE9, #DCECF3 and #FBFDFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDDCE9 shade: #BDDCE9, #D2BDE9 and #E9E4BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDDCE9 shade: #BDDCE9, #E9BDDD and #DDE9BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDDCE9 shade: #BDDCE9, #D2BDE9, #E9CABD and #D4E9BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDDCE9 shade: #BDDCE9, #DFBDE9, #E9CABD and #C7E9BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

Complementary color

CMYK 0 / 47 / 67 / 74

HEX #422316

RGB 66 35 22

HSL 17.73, 0.5%, 0.17%

LAB 17.54, 13.3, 15.02

 

CMYK 15 / 4 / 0 / 11

HEX #C2DCE4

RGB 194 220 228

HSL 194.12, 0.39%, 0.83%

LAB 86.13, -6.97, -6.83

 

CMYK 15 / 4 / 0 / 3

HEX #D3EEF7

RGB 211 238 247

HSL 195, 0.69%, 0.9%

LAB 92.45, -7, -7.33

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 20 / 6 / 0 / 16

HEX #ACCAD6

RGB 172 202 214

HSL 197.14, 0.34%, 0.76%

LAB 79.54, -7.45, -9.32

 

CMYK 21 / 6 / 0 / 24

HEX #9BB8C3

RGB 155 184 195

HSL 196.5, 0.25%, 0.69%

LAB 73.02, -7.42, -8.85

 

CMYK 22 / 6 / 0 / 31

HEX #8AA6B0

RGB 138 166 176

HSL 195.79, 0.19%, 0.62%

LAB 66.37, -7.4, -8.37

 

CMYK 23 / 6 / 0 / 38

HEX #79949D

RGB 121 148 157

HSL 195, 0.16%, 0.55%

LAB 59.6, -7.38, -7.89

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 19 / 11 / 0 / 9

HEX #BDD0E9

RGB 189 208 233

HSL 214.09, 0.5%, 0.83%

LAB 82.81, -1.22, -14.47

 

CMYK 19 / 15 / 0 / 9

HEX #BDC5E9

RGB 189 197 233

HSL 229.09, 0.5%, 0.83%

LAB 79.97, 4.64, -18.75

 

CMYK 17 / 19 / 0 / 9

HEX #C2BDE9

RGB 194 189 233

HSL 246.82, 0.5%, 0.83%

LAB 78.31, 10.52, -21.22

 

CMYK 12 / 19 / 0 / 9

HEX #CEBDE9

RGB 206 189 233

HSL 263.18, 0.5%, 0.83%

LAB 79.27, 14.32, -19.68

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 19 / 11 / 0 / 9

HEX #BDD0E9

RGB 189 208 233

HSL 214.09, 0.5%, 0.83%

LAB 82.81, -1.22, -14.47

 

CMYK 19 / 15 / 0 / 9

HEX #BDC5E9

RGB 189 197 233

HSL 229.09, 0.5%, 0.83%

LAB 79.97, 4.64, -18.75

 

CMYK 19 / 19 / 0 / 9

HEX #BDBDE9

RGB 189 189 233

HSL 240, 0.5%, 0.83%

LAB 77.93, 8.96, -21.84

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 24 / 7 / 0 / 6

HEX #B6DFF0

RGB 182 223 240

HSL 197.59, 0.66%, 0.83%

LAB 86.51, -9.61, -12.69

 

CMYK 29 / 9 / 0 / 3

HEX #AFE2F7

RGB 175 226 247

HSL 197.5, 0.82%, 0.83%

LAB 87.11, -11.57, -15.53

 

CMYK 34 / 10 / 0 / 0

HEX #A8E5FE

RGB 168 229 254

HSL 197.44, 0.98%, 0.83%

LAB 87.74, -13.38, -18.3

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 13 / 4 / 0 / 11

HEX #C4D9E2

RGB 196 217 226

HSL 198, 0.34%, 0.83%

LAB 85.43, -5.19, -6.81

 

CMYK 7 / 2 / 0 / 14

HEX #CCD6DB

RGB 204 214 219

HSL 200, 0.17%, 0.83%

LAB 85.02, -2.42, -3.64

 

CMYK 0 / 0 / 0 / 17

HEX #D3D3D4

RGB 211 211 212

HSL 240, 0.01%, 0.83%

LAB 84.58, 0.19, -0.5

 

CMYK 0 / 4 / 6 / 15

HEX #DAD1CD

RGB 218 209 205

HSL 18.46, 0.15%, 0.83%

LAB 84.44, 2.41, 3.08

 

CMYK 19 / 0 / 5 / 9

HEX #BDE9DE

RGB 189 233 222

HSL 165, 0.5%, 0.83%

LAB 89.1, -16.34, 0.64

 

CMYK 19 / 0 / 0 / 9

HEX #BDE8E9

RGB 189 232 233

HSL 181.36, 0.5%, 0.83%

LAB 89.12, -13.6, -5.09

 

CMYK 19 / 5 / 0 / 9

HEX #BDDDE9

RGB 189 221 233

HSL 196.36, 0.5%, 0.83%

LAB 86.21, -7.99, -9.39

 

CMYK 19 / 10 / 0 / 9

HEX #BDD1E9

RGB 189 209 233

HSL 212.73, 0.5%, 0.83%

LAB 83.07, -1.74, -14.08

 

CMYK 19 / 15 / 0 / 9

HEX #BDC5E9

RGB 189 197 233

HSL 229.09, 0.5%, 0.83%

LAB 79.97, 4.64, -18.75

 

CMYK 40 / 12 / 0 / 17

HEX #80BBD4

RGB 128 187 212

HSL 197.86, 0.49%, 0.67%

LAB 72.81, -12.69, -18.59

 

CMYK 29 / 9 / 0 / 13

HEX #9FCCDF

RGB 159 204 223

HSL 197.81, 0.5%, 0.75%

LAB 79.55, -10.35, -14.22

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 9 / 3 / 0 / 5

HEX #DCECF3

RGB 220 236 243

HSL 198.26, 0.49%, 0.91%

LAB 92.43, -3.93, -5.21

 

CMYK 1 / 0 / 0 / 1

HEX #FBFDFD

RGB 251 253 253

HSL 180, 0.33%, 0.99%

LAB 99.16, -0.65, -0.24

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 10 / 19 / 0 / 9

HEX #D2BDE9

RGB 210 189 233

HSL 268.64, 0.5%, 0.83%

LAB 79.6, 15.61, -19.15

 

CMYK 0 / 2 / 19 / 9

HEX #E9E4BD

RGB 233 228 189

HSL 53.18, 0.5%, 0.83%

LAB 90.08, -4.58, 19.68

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 0 / 19 / 5 / 9

HEX #E9BDDD

RGB 233 189 221

HSL 316.36, 0.5%, 0.83%

LAB 81.26, 20.97, -10.01

 

CMYK 5 / 0 / 19 / 9

HEX #DDE9BD

RGB 221 233 189

HSL 76.36, 0.5%, 0.83%

LAB 90.47, -11.42, 20.08

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 10 / 19 / 0 / 9

HEX #D2BDE9

RGB 210 189 233

HSL 268.64, 0.5%, 0.83%

LAB 79.6, 15.61, -19.15

 

CMYK 0 / 13 / 19 / 9

HEX #E9CABD

RGB 233 202 189

HSL 17.73, 0.5%, 0.83%

LAB 83.57, 8.87, 10.5

 

CMYK 9 / 0 / 19 / 9

HEX #D4E9BD

RGB 212 233 189

HSL 88.64, 0.5%, 0.83%

LAB 89.84, -14.6, 19.1

 

CMYK 19 / 6 / 0 / 9

HEX #BDDCE9

RGB 189 220 233

HSL 197.73, 0.5%, 0.83%

LAB 85.95, -7.48, -9.79

 

CMYK 4 / 19 / 0 / 9

HEX #DFBDE9

RGB 223 189 233

HSL 286.36, 0.5%, 0.83%

LAB 80.72, 19.83, -17.35

 

CMYK 0 / 13 / 19 / 9

HEX #E9CABD

RGB 233 202 189

HSL 17.73, 0.5%, 0.83%

LAB 83.57, 8.87, 10.5

 

CMYK 15 / 0 / 19 / 9

HEX #C7E9BD

RGB 199 233 189

HSL 106.36, 0.5%, 0.83%

LAB 88.97, -19.1, 17.76

 

Description

Color code: HEX #BDDCE9 | qconv.com Color code: HEX #BDDCE9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 220 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 220 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 6 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 6% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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