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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDDEA5 it is the complementary color #42215A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDDEA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDDEA5 shade: #C2DEA0, #D3F0B3, #E4FFC6, #F5FFD9 and #FFFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDDEA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDDEA5 shade: #BDDEA5, #ACCC92, #9BBA7F, #8AA86C and #799659

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDDEA5 shade: #BDDDA5, #CCDDA5, #DBDDA5, #DDD1A5 and #DDC1A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDDEA5 shade: #BDDDA5, #AEDDA5, #A5DDAC, #A5DDBB and #A5DDCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDDEA5 shade matches the following richer shades: #BDDDA5, #BBE79B, #BAF191 and #B8FB87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDDEA5 shade: #BDDDA5, #BED4AF, #C0CAB9, #C2C0C3 and #C3B6CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDDEA5 shade: #DCDDA5, #CDDDA5, #BEDDA5, #AFDDA5 and #A5DDAB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDDEA5 shade: #91C769, #A7D287, #BDDDA5, #D3E9C3 and #E9F4E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDDEA5 shade: #BDDEA5, #A5DDD0 and #DDA5D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDDEA5 shade: #BDDEA5, #A5BEDD and #DDA5BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDDEA5 shade: #BDDEA5, #A5DDD0, #C5A5DD and #DDA5B2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDDEA5 shade: #BDDEA5, #A5DADD, #C5A5DD and #DDA9A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 26 / 13

HEX #BDDEA5

RGB 189 222 165

HSL 94.74, 0.46%, 0.76%

LAB 84.88, -20.98, 24.46

 

Complementary color

CMYK 27 / 63 / 0 / 65

HEX #42215A

RGB 66 33 90

HSL 274.74, 0.46%, 0.24%

LAB 19.98, 27.6, -28.21

 

CMYK 13 / 0 / 28 / 13

HEX #C2DEA0

RGB 194 222 160

HSL 87.1, 0.48%, 0.75%

LAB 85.12, -19.94, 27.43

 

CMYK 12 / 0 / 25 / 6

HEX #D3F0B3

RGB 211 240 179

HSL 88.52, 0.67%, 0.82%

LAB 91.43, -19.92, 26.43

 

CMYK 11 / 0 / 22 / 0

HEX #E4FFC6

RGB 228 255 198

HSL 88.42, 1%, 0.89%

LAB 96.86, -18.44, 24.39

 

CMYK 4 / 0 / 15 / 0

HEX #F5FFD9

RGB 245 255 217

HSL 75.79, 1%, 0.93%

LAB 98.41, -9.65, 17.06

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEC

RGB 255 255 236

HSL 60, 1%, 0.96%

LAB 99.55, -3.2, 9.07

 

CMYK 15 / 0 / 26 / 13

HEX #BDDEA5

RGB 189 222 165

HSL 94.74, 0.46%, 0.76%

LAB 84.88, -20.98, 24.46

 

CMYK 16 / 0 / 28 / 20

HEX #ACCC92

RGB 172 204 146

HSL 93.1, 0.36%, 0.69%

LAB 78.48, -21.06, 25.48

 

CMYK 17 / 0 / 32 / 27

HEX #9BBA7F

RGB 155 186 127

HSL 91.53, 0.3%, 0.61%

LAB 71.97, -21.13, 26.56

 

CMYK 18 / 0 / 36 / 34

HEX #8AA86C

RGB 138 168 108

HSL 90, 0.26%, 0.54%

LAB 65.35, -21.19, 27.7

 

CMYK 19 / 0 / 41 / 41

HEX #799659

RGB 121 150 89

HSL 88.52, 0.26%, 0.47%

LAB 58.6, -21.24, 28.89

 

CMYK 14 / 0 / 25 / 13

HEX #BDDDA5

RGB 189 221 165

HSL 94.29, 0.45%, 0.76%

LAB 84.61, -20.49, 24.09

 

CMYK 8 / 0 / 25 / 13

HEX #CCDDA5

RGB 204 221 165

HSL 78.21, 0.45%, 0.76%

LAB 85.64, -15.1, 25.66

 

CMYK 1 / 0 / 25 / 13

HEX #DBDDA5

RGB 219 221 165

HSL 62.14, 0.45%, 0.76%

LAB 86.75, -9.56, 27.35

 

CMYK 0 / 5 / 25 / 13

HEX #DDD1A5

RGB 221 209 165

HSL 47.14, 0.45%, 0.76%

LAB 83.8, -2.68, 23.37

 

CMYK 0 / 13 / 25 / 13

HEX #DDC1A5

RGB 221 193 165

HSL 30, 0.45%, 0.76%

LAB 79.74, 5.68, 17.76

 

CMYK 14 / 0 / 25 / 13

HEX #BDDDA5

RGB 189 221 165

HSL 94.29, 0.45%, 0.76%

LAB 84.61, -20.49, 24.09

 

CMYK 21 / 0 / 25 / 13

HEX #AEDDA5

RGB 174 221 165

HSL 110.36, 0.45%, 0.76%

LAB 83.67, -25.69, 22.64

 

CMYK 25 / 0 / 22 / 13

HEX #A5DDAC

RGB 165 221 172

HSL 127.5, 0.45%, 0.76%

LAB 83.28, -27.5, 18.37

 

CMYK 25 / 0 / 15 / 13

HEX #A5DDBB

RGB 165 221 187

HSL 143.57, 0.45%, 0.76%

LAB 83.6, -24.76, 10.93

 

CMYK 25 / 0 / 9 / 13

HEX #A5DDCA

RGB 165 221 202

HSL 159.64, 0.45%, 0.76%

LAB 83.95, -21.81, 3.52

 

CMYK 14 / 0 / 25 / 13

HEX #BDDDA5

RGB 189 221 165

HSL 94.29, 0.45%, 0.76%

LAB 84.61, -20.49, 24.09

 

CMYK 19 / 0 / 33 / 9

HEX #BBE79B

RGB 187 231 155

HSL 94.74, 0.61%, 0.76%

LAB 87.04, -27.51, 32.48

 

CMYK 23 / 0 / 40 / 5

HEX #BAF191

RGB 186 241 145

HSL 94.38, 0.77%, 0.76%

LAB 89.58, -33.88, 40.79

 

CMYK 27 / 0 / 46 / 2

HEX #B8FB87

RGB 184 251 135

HSL 94.66, 0.94%, 0.76%

LAB 92.1, -40.31, 48.79

 

CMYK 14 / 0 / 25 / 13

HEX #BDDDA5

RGB 189 221 165

HSL 94.29, 0.45%, 0.76%

LAB 84.61, -20.49, 24.09

 

CMYK 10 / 0 / 17 / 17

HEX #BED4AF

RGB 190 212 175

HSL 95.68, 0.3%, 0.76%

LAB 82.45, -14.06, 15.86

 

CMYK 5 / 0 / 8 / 21

HEX #C0CAB9

RGB 192 202 185

HSL 95.29, 0.14%, 0.76%

LAB 80.15, -6.52, 7.3

 

CMYK 1 / 2 / 0 / 24

HEX #C2C0C3

RGB 194 192 195

HSL 280, 0.02%, 0.76%

LAB 77.94, 1.25, -1.27

 

CMYK 5 / 11 / 0 / 20

HEX #C3B6CD

RGB 195 182 205

HSL 273.91, 0.19%, 0.76%

LAB 75.74, 8.88, -9.93

 

CMYK 0 / 0 / 25 / 13

HEX #DCDDA5

RGB 220 221 165

HSL 61.07, 0.45%, 0.76%

LAB 86.82, -9.19, 27.47

 

CMYK 7 / 0 / 25 / 13

HEX #CDDDA5

RGB 205 221 165

HSL 77.14, 0.45%, 0.76%

LAB 85.71, -14.73, 25.77

 

CMYK 14 / 0 / 25 / 13

HEX #BEDDA5

RGB 190 221 165

HSL 93.21, 0.45%, 0.76%

LAB 84.68, -20.14, 24.19

 

CMYK 21 / 0 / 25 / 13

HEX #AFDDA5

RGB 175 221 165

HSL 109.29, 0.45%, 0.76%

LAB 83.73, -25.35, 22.74

 

CMYK 25 / 0 / 23 / 13

HEX #A5DDAB

RGB 165 221 171

HSL 126.43, 0.45%, 0.76%

LAB 83.26, -27.68, 18.87

 

CMYK 27 / 0 / 47 / 22

HEX #91C769

RGB 145 199 105

HSL 94.47, 0.46%, 0.6%

LAB 74.75, -33.99, 41.32

 

CMYK 20 / 0 / 36 / 18

HEX #A7D287

RGB 167 210 135

HSL 94.4, 0.45%, 0.68%

LAB 79.65, -27.38, 32.69

 

CMYK 14 / 0 / 25 / 13

HEX #BDDDA5

RGB 189 221 165

HSL 94.29, 0.45%, 0.76%

LAB 84.61, -20.49, 24.09

 

CMYK 9 / 0 / 16 / 9

HEX #D3E9C3

RGB 211 233 195

HSL 94.74, 0.46%, 0.84%

LAB 89.89, -13.99, 16.05

 

CMYK 5 / 0 / 8 / 4

HEX #E9F4E1

RGB 233 244 225

HSL 94.74, 0.46%, 0.92%

LAB 94.93, -6.97, 7.89

 

CMYK 15 / 0 / 26 / 13

HEX #BDDEA5

RGB 189 222 165

HSL 94.74, 0.46%, 0.76%

LAB 84.88, -20.98, 24.46

 

CMYK 25 / 0 / 6 / 13

HEX #A5DDD0

RGB 165 221 208

HSL 166.07, 0.45%, 0.76%

LAB 84.1, -20.57, 0.56

 

CMYK 0 / 25 / 4 / 13

HEX #DDA5D4

RGB 221 165 212

HSL 309.64, 0.45%, 0.76%

LAB 74.21, 28.21, -15.8

 

CMYK 15 / 0 / 26 / 13

HEX #BDDEA5

RGB 189 222 165

HSL 94.74, 0.46%, 0.76%

LAB 84.88, -20.98, 24.46

 

CMYK 25 / 14 / 0 / 13

HEX #A5BEDD

RGB 165 190 221

HSL 213.21, 0.45%, 0.76%

LAB 76.1, -1.64, -18.3

 

CMYK 0 / 25 / 14 / 13

HEX #DDA5BE

RGB 221 165 190

HSL 333.21, 0.45%, 0.76%

LAB 73.55, 24.45, -4.72

 

CMYK 15 / 0 / 26 / 13

HEX #BDDEA5

RGB 189 222 165

HSL 94.74, 0.46%, 0.76%

LAB 84.88, -20.98, 24.46

 

CMYK 25 / 0 / 6 / 13

HEX #A5DDD0

RGB 165 221 208

HSL 166.07, 0.45%, 0.76%

LAB 84.1, -20.57, 0.56

 

CMYK 11 / 25 / 0 / 13

HEX #C5A5DD

RGB 197 165 221

HSL 274.29, 0.45%, 0.76%

LAB 72.23, 22.07, -23.95

 

CMYK 0 / 25 / 19 / 13

HEX #DDA5B2

RGB 221 165 178

HSL 346.07, 0.45%, 0.76%

LAB 73.22, 22.56, 1.4

 

CMYK 15 / 0 / 26 / 13

HEX #BDDEA5

RGB 189 222 165

HSL 94.74, 0.46%, 0.76%

LAB 84.88, -20.98, 24.46

 

CMYK 25 / 1 / 0 / 13

HEX #A5DADD

RGB 165 218 221

HSL 183.21, 0.45%, 0.76%

LAB 83.63, -16.26, -7.03

 

CMYK 11 / 25 / 0 / 13

HEX #C5A5DD

RGB 197 165 221

HSL 274.29, 0.45%, 0.76%

LAB 72.23, 22.07, -23.95

 

CMYK 0 / 24 / 25 / 13

HEX #DDA9A5

RGB 221 169 165

HSL 4.29, 0.45%, 0.76%

LAB 73.85, 18.5, 9.45

 

Description

Color code: HEX #BDDEA5 | qconv.com Color code: HEX #BDDEA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 222 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 222 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 26 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 26% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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