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Color name
HEX #BDE9BD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDE9BD it is the complementary color #421642. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDE9BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDE9BD shade: #C2E9B8, #D3FBCB, #E4FFDE and #F5FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDE9BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDE9BD shade: #BDE9BD, #ACD7AA, #9BC597, #8AB384 and #79A171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDE9BD shade: #BDE9BD, #C9E9BD, #D5E9BD, #E1E9BD and #E9E5BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDE9BD shade: #BDE9BD, #BDE9C9, #BDE9D5, #BDE9E1 and #BDE5E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDE9BD shade matches the following richer shades: #BDE9BD, #B6F0B6, #AFF7AF and #A8FEA8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDE9BD shade: #BDE9BD, #C4E2C4, #CCDBCC, #D3D4D3 and #DACDDA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDE9BD shade: #D5E9BD, #C9E9BD, #BDE9BD, #BDE9C9 and #BDE9D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDE9BD shade: #80D480, #9FDF9F, #BDE9BD, #DCF3DC and #FBFDFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDE9BD shade: #BDE9BD, #BDE0E9 and #E9BDCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDE9BD shade: #BDE9BD, #BDBDE9 and #E9BDBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDE9BD shade: #BDE9BD, #BDE0E9, #E9BDE9 and #E9C6BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDE9BD shade: #BDE9BD, #BDD3E9, #E9BDE9 and #E9D3BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

Complementary color

CMYK 0 / 67 / 0 / 74

HEX #421642

RGB 66 22 66

HSL 300, 0.5%, 0.17%

LAB 16.13, 28.12, -17.99

 

CMYK 17 / 0 / 21 / 9

HEX #C2E9B8

RGB 194 233 184

HSL 107.76, 0.53%, 0.82%

LAB 88.55, -21.62, 19.71

 

CMYK 16 / 0 / 19 / 2

HEX #D3FBCB

RGB 211 251 203

HSL 110, 0.86%, 0.89%

LAB 94.8, -21.51, 18.82

 

CMYK 11 / 0 / 13 / 0

HEX #E4FFDE

RGB 228 255 222

HSL 109.09, 1%, 0.94%

LAB 97.34, -14.63, 12.83

 

CMYK 4 / 0 / 5 / 0

HEX #F5FFF1

RGB 245 255 241

HSL 102.86, 1%, 0.97%

LAB 98.94, -5.73, 5.54

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 20 / 0 / 21 / 16

HEX #ACD7AA

RGB 172 215 170

HSL 117.33, 0.36%, 0.75%

LAB 81.99, -22.62, 17.68

 

CMYK 21 / 0 / 23 / 23

HEX #9BC597

RGB 155 197 151

HSL 114.78, 0.28%, 0.68%

LAB 75.54, -22.78, 18.63

 

CMYK 23 / 0 / 26 / 30

HEX #8AB384

RGB 138 179 132

HSL 112.34, 0.24%, 0.61%

LAB 68.97, -22.96, 19.64

 

CMYK 25 / 0 / 30 / 37

HEX #79A171

RGB 121 161 113

HSL 110, 0.2%, 0.54%

LAB 62.29, -23.16, 20.71

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 14 / 0 / 19 / 9

HEX #C9E9BD

RGB 201 233 189

HSL 103.64, 0.5%, 0.83%

LAB 89.1, -18.41, 17.96

 

CMYK 9 / 0 / 19 / 9

HEX #D5E9BD

RGB 213 233 189

HSL 87.27, 0.5%, 0.83%

LAB 89.9, -14.25, 19.21

 

CMYK 3 / 0 / 19 / 9

HEX #E1E9BD

RGB 225 233 189

HSL 70.91, 0.5%, 0.83%

LAB 90.76, -9.99, 20.53

 

CMYK 0 / 2 / 19 / 9

HEX #E9E5BD

RGB 233 229 189

HSL 54.55, 0.5%, 0.83%

LAB 90.34, -5.09, 20.03

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 19 / 0 / 14 / 9

HEX #BDE9C9

RGB 189 233 201

HSL 136.36, 0.5%, 0.83%

LAB 88.6, -20.35, 10.9

 

CMYK 19 / 0 / 9 / 9

HEX #BDE9D5

RGB 189 233 213

HSL 152.73, 0.5%, 0.83%

LAB 88.88, -18.1, 5.03

 

CMYK 19 / 0 / 3 / 9

HEX #BDE9E1

RGB 189 233 225

HSL 169.09, 0.5%, 0.83%

LAB 89.17, -15.74, -0.82

 

CMYK 19 / 2 / 0 / 9

HEX #BDE5E9

RGB 189 229 233

HSL 185.45, 0.5%, 0.83%

LAB 88.32, -12.08, -6.27

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 24 / 0 / 24 / 6

HEX #B6F0B6

RGB 182 240 182

HSL 120, 0.66%, 0.83%

LAB 89.69, -29.31, 22.23

 

CMYK 29 / 0 / 29 / 3

HEX #AFF7AF

RGB 175 247 175

HSL 120, 0.82%, 0.83%

LAB 91.11, -35.95, 27.69

 

CMYK 34 / 0 / 34 / 0

HEX #A8FEA8

RGB 168 254 168

HSL 120, 0.98%, 0.83%

LAB 92.59, -42.37, 33.14

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 13 / 0 / 13 / 11

HEX #C4E2C4

RGB 196 226 196

HSL 120, 0.34%, 0.83%

LAB 87.05, -15.45, 11.37

 

CMYK 7 / 0 / 7 / 14

HEX #CCDBCC

RGB 204 219 204

HSL 120, 0.17%, 0.83%

LAB 85.94, -7.78, 5.64

 

CMYK 0 / 0 / 0 / 17

HEX #D3D4D3

RGB 211 212 211

HSL 120, 0.01%, 0.83%

LAB 84.81, -0.52, 0.36

 

CMYK 0 / 6 / 0 / 15

HEX #DACDDA

RGB 218 205 218

HSL 300, 0.15%, 0.83%

LAB 83.77, 6.82, -4.82

 

CMYK 9 / 0 / 19 / 9

HEX #D5E9BD

RGB 213 233 189

HSL 87.27, 0.5%, 0.83%

LAB 89.9, -14.25, 19.21

 

CMYK 14 / 0 / 19 / 9

HEX #C9E9BD

RGB 201 233 189

HSL 103.64, 0.5%, 0.83%

LAB 89.1, -18.41, 17.96

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 19 / 0 / 14 / 9

HEX #BDE9C9

RGB 189 233 201

HSL 136.36, 0.5%, 0.83%

LAB 88.6, -20.35, 10.9

 

CMYK 19 / 0 / 9 / 9

HEX #BDE9D5

RGB 189 233 213

HSL 152.73, 0.5%, 0.83%

LAB 88.88, -18.1, 5.03

 

CMYK 40 / 0 / 40 / 17

HEX #80D480

RGB 128 212 128

HSL 120, 0.49%, 0.67%

LAB 78.01, -42.33, 33.74

 

CMYK 29 / 0 / 29 / 13

HEX #9FDF9F

RGB 159 223 159

HSL 120, 0.5%, 0.75%

LAB 83.26, -32.6, 25.06

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 9 / 0 / 9 / 5

HEX #DCF3DC

RGB 220 243 220

HSL 120, 0.49%, 0.91%

LAB 93.66, -11.7, 8.53

 

CMYK 1 / 0 / 1 / 1

HEX #FBFDFB

RGB 251 253 251

HSL 120, 0.33%, 0.99%

LAB 99.11, -1, 0.71

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 19 / 4 / 0 / 9

HEX #BDE0E9

RGB 189 224 233

HSL 192.27, 0.5%, 0.83%

LAB 87, -9.53, -8.22

 

CMYK 0 / 19 / 11 / 9

HEX #E9BDCF

RGB 233 189 207

HSL 335.45, 0.5%, 0.83%

LAB 80.86, 18.59, -3.06

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 19 / 19 / 0 / 9

HEX #BDBDE9

RGB 189 189 233

HSL 240, 0.5%, 0.83%

LAB 77.93, 8.96, -21.84

 

CMYK 0 / 19 / 19 / 9

HEX #E9BDBD

RGB 233 189 189

HSL 0, 0.5%, 0.83%

LAB 80.4, 15.74, 5.96

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 19 / 4 / 0 / 9

HEX #BDE0E9

RGB 189 224 233

HSL 192.27, 0.5%, 0.83%

LAB 87, -9.53, -8.22

 

CMYK 0 / 19 / 0 / 9

HEX #E9BDE9

RGB 233 189 233

HSL 300, 0.5%, 0.83%

LAB 81.62, 23.12, -15.91

 

CMYK 0 / 15 / 19 / 9

HEX #E9C6BD

RGB 233 198 189

HSL 12.27, 0.5%, 0.83%

LAB 82.59, 10.97, 9.1

 

CMYK 19 / 0 / 19 / 9

HEX #BDE9BD

RGB 189 233 189

HSL 120, 0.5%, 0.83%

LAB 88.34, -22.47, 16.78

 

CMYK 19 / 9 / 0 / 9

HEX #BDD3E9

RGB 189 211 233

HSL 210, 0.5%, 0.83%

LAB 83.6, -2.79, -13.3

 

CMYK 0 / 19 / 0 / 9

HEX #E9BDE9

RGB 233 189 233

HSL 300, 0.5%, 0.83%

LAB 81.62, 23.12, -15.91

 

CMYK 0 / 9 / 19 / 9

HEX #E9D3BD

RGB 233 211 189

HSL 30, 0.5%, 0.83%

LAB 85.8, 4.16, 13.66

 

Description

Color code: HEX #BDE9BD | qconv.com Color code: HEX #BDE9BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 233 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 233 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 19 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 19% 9% C M Y K

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Provide designers and agencies with accurate color values.

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