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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDE227 it is the complementary color #421DD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDE227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDE227 shade: #C2E222, #D3F435, #E4FF48, #F5FF5B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDE227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDE227 shade: #BDE227, #ACD014, #9BBE01, #8AAC00 and #799A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDE227 shade: #BCE127, #E1D427, #E1A227, #E16F27 and #E13D27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDE227 shade: #BCE127, #8AE127, #58E127, #27E128 and #27E15B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDE227 shade matches the following richer shades: #BCE127 and #C8F513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDE227 shade: #BCE127, #B0CD3B, #A4BA4F, #98A662 and #8C9276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDE227 shade: #E1A027, #E1D227, #BFE127, #8DE127 and #5CE127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDE227 shade: #85A015, #A3C51A, #BCE127, #C7E64B and #D3EB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDE227 shade: #BDE227, #27E16E and #B927E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDE227 shade: #BDE227, #27BFE1 and #E127BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDE227 shade: #BDE227, #27E16E, #4927E1 and #E1279A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDE227 shade: #BDE227, #27E1A6, #4927E1 and #E12762

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 83 / 11

HEX #BDE227

RGB 189 226 39

HSL 71.87, 0.76%, 0.52%

LAB 84.67, -34.23, 77.74

 

Complementary color

CMYK 69 / 87 / 0 / 15

HEX #421DD8

RGB 66 29 216

HSL 251.87, 0.76%, 0.48%

LAB 31.8, 64.67, -86.45

 

CMYK 14 / 0 / 85 / 11

HEX #C2E222

RGB 194 226 34

HSL 70, 0.77%, 0.51%

LAB 84.98, -32.37, 79.23

 

CMYK 14 / 0 / 78 / 4

HEX #D3F435

RGB 211 244 53

HSL 70.37, 0.9%, 0.58%

LAB 91.15, -33.26, 80.48

 

CMYK 11 / 0 / 72 / 0

HEX #E4FF48

RGB 228 255 72

HSL 68.85, 1%, 0.64%

LAB 95.36, -30.81, 79.12

 

CMYK 4 / 0 / 64 / 0

HEX #F5FF5B

RGB 245 255 91

HSL 63.66, 1%, 0.68%

LAB 96.69, -23.08, 74.12

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 16 / 0 / 83 / 11

HEX #BDE227

RGB 189 226 39

HSL 71.87, 0.76%, 0.52%

LAB 84.67, -34.23, 77.74

 

CMYK 17 / 0 / 90 / 18

HEX #ACD014

RGB 172 208 20

HSL 71.49, 0.82%, 0.45%

LAB 78.42, -33.25, 75.74

 

CMYK 18 / 0 / 99 / 25

HEX #9BBE01

RGB 155 190 1

HSL 71.11, 0.99%, 0.37%

LAB 72.09, -32.11, 72.54

 

CMYK 20 / 0 / 100 / 33

HEX #8AAC00

RGB 138 172 0

HSL 71.86, 1%, 0.34%

LAB 65.68, -30.7, 67.31

 

CMYK 21 / 0 / 100 / 40

HEX #799A00

RGB 121 154 0

HSL 72.86, 1%, 0.3%

LAB 59.14, -29.27, 61.86

 

CMYK 16 / 0 / 83 / 12

HEX #BCE127

RGB 188 225 39

HSL 71.94, 0.76%, 0.52%

LAB 84.32, -34.17, 77.42

 

CMYK 0 / 6 / 83 / 12

HEX #E1D427

RGB 225 212 39

HSL 55.81, 0.76%, 0.52%

LAB 83.57, -12.62, 77.88

 

CMYK 0 / 28 / 83 / 12

HEX #E1A227

RGB 225 162 39

HSL 39.68, 0.76%, 0.52%

LAB 70.87, 13.35, 67.11

 

CMYK 0 / 51 / 83 / 12

HEX #E16F27

RGB 225 111 39

HSL 23.23, 0.76%, 0.52%

LAB 59.46, 40.18, 57.18

 

CMYK 0 / 73 / 83 / 12

HEX #E13D27

RGB 225 61 39

HSL 7.1, 0.76%, 0.52%

LAB 51.26, 61.83, 49.82

 

CMYK 16 / 0 / 83 / 12

HEX #BCE127

RGB 188 225 39

HSL 71.94, 0.76%, 0.52%

LAB 84.32, -34.17, 77.42

 

CMYK 39 / 0 / 83 / 12

HEX #8AE127

RGB 138 225 39

HSL 88.06, 0.76%, 0.52%

LAB 81.51, -52.7, 73.88

 

CMYK 61 / 0 / 83 / 12

HEX #58E127

RGB 88 225 39

HSL 104.19, 0.76%, 0.52%

LAB 79.65, -66.97, 71.51

 

CMYK 83 / 0 / 82 / 12

HEX #27E128

RGB 39 225 40

HSL 120.32, 0.76%, 0.52%

LAB 78.71, -74.99, 70.07

 

CMYK 83 / 0 / 60 / 12

HEX #27E15B

RGB 39 225 91

HSL 136.77, 0.76%, 0.52%

LAB 79.06, -70.65, 52.22

 

CMYK 16 / 0 / 83 / 12

HEX #BCE127

RGB 188 225 39

HSL 71.94, 0.76%, 0.52%

LAB 84.32, -34.17, 77.42

 

CMYK 18 / 0 / 92 / 4

HEX #C8F513

RGB 200 245 19

HSL 71.95, 0.92%, 0.52%

LAB 90.61, -38.9, 86.31

 

CMYK 16 / 0 / 83 / 12

HEX #BCE127

RGB 188 225 39

HSL 71.94, 0.76%, 0.52%

LAB 84.32, -34.17, 77.42

 

CMYK 14 / 0 / 71 / 20

HEX #B0CD3B

RGB 176 205 59

HSL 71.92, 0.59%, 0.52%

LAB 78, -28.84, 65.46

 

CMYK 12 / 0 / 58 / 27

HEX #A4BA4F

RGB 164 186 79

HSL 72.34, 0.44%, 0.52%

LAB 71.94, -23.16, 50.68

 

CMYK 8 / 0 / 41 / 35

HEX #98A662

RGB 152 166 98

HSL 72.35, 0.28%, 0.52%

LAB 65.62, -16, 33.53

 

CMYK 4 / 0 / 19 / 43

HEX #8C9276

RGB 140 146 118

HSL 72.86, 0.11%, 0.52%

LAB 59.38, -7.3, 14.13

 

CMYK 0 / 29 / 83 / 12

HEX #E1A027

RGB 225 160 39

HSL 39.03, 0.76%, 0.52%

LAB 70.38, 14.42, 66.69

 

CMYK 0 / 7 / 83 / 12

HEX #E1D227

RGB 225 210 39

HSL 55.16, 0.76%, 0.52%

LAB 83.04, -11.62, 77.44

 

CMYK 15 / 0 / 83 / 12

HEX #BFE127

RGB 191 225 39

HSL 70.97, 0.76%, 0.52%

LAB 84.52, -32.97, 77.67

 

CMYK 37 / 0 / 83 / 12

HEX #8DE127

RGB 141 225 39

HSL 87.1, 0.76%, 0.52%

LAB 81.65, -51.69, 74.05

 

CMYK 59 / 0 / 83 / 12

HEX #5CE127

RGB 92 225 39

HSL 102.9, 0.76%, 0.52%

LAB 79.77, -66.03, 71.66

 

CMYK 17 / 0 / 87 / 37

HEX #85A015

RGB 133 160 21

HSL 71.65, 0.77%, 0.35%

LAB 61.81, -26.65, 60.88

 

CMYK 17 / 0 / 87 / 23

HEX #A3C51A

RGB 163 197 26

HSL 71.93, 0.77%, 0.44%

LAB 74.69, -31.67, 71.42

 

CMYK 16 / 0 / 83 / 12

HEX #BCE127

RGB 188 225 39

HSL 71.94, 0.76%, 0.52%

LAB 84.32, -34.17, 77.42

 

CMYK 13 / 0 / 67 / 10

HEX #C7E64B

RGB 199 230 75

HSL 72, 0.76%, 0.6%

LAB 86.62, -30.49, 68.78

 

CMYK 10 / 0 / 52 / 8

HEX #D3EB70

RGB 211 235 112

HSL 71.71, 0.75%, 0.68%

LAB 89.13, -25.42, 56.29

 

CMYK 16 / 0 / 83 / 11

HEX #BDE227

RGB 189 226 39

HSL 71.87, 0.76%, 0.52%

LAB 84.67, -34.23, 77.74

 

CMYK 83 / 0 / 51 / 12

HEX #27E16E

RGB 39 225 110

HSL 142.9, 0.76%, 0.52%

LAB 79.28, -68.07, 43.73

 

CMYK 18 / 83 / 0 / 12

HEX #B927E1

RGB 185 39 225

HSL 287.1, 0.76%, 0.52%

LAB 48.51, 77.99, -63.61

 

CMYK 16 / 0 / 83 / 11

HEX #BDE227

RGB 189 226 39

HSL 71.87, 0.76%, 0.52%

LAB 84.67, -34.23, 77.74

 

CMYK 83 / 15 / 0 / 12

HEX #27BFE1

RGB 39 191 225

HSL 190.97, 0.76%, 0.52%

LAB 71.64, -26.14, -27.71

 

CMYK 0 / 83 / 15 / 12

HEX #E127BF

RGB 225 39 191

HSL 310.97, 0.76%, 0.52%

LAB 53.19, 80.11, -36.25

 

CMYK 16 / 0 / 83 / 11

HEX #BDE227

RGB 189 226 39

HSL 71.87, 0.76%, 0.52%

LAB 84.67, -34.23, 77.74

 

CMYK 83 / 0 / 51 / 12

HEX #27E16E

RGB 39 225 110

HSL 142.9, 0.76%, 0.52%

LAB 79.28, -68.07, 43.73

 

CMYK 68 / 83 / 0 / 12

HEX #4927E1

RGB 73 39 225

HSL 250.97, 0.76%, 0.52%

LAB 34.61, 63.93, -86.94

 

CMYK 0 / 83 / 32 / 12

HEX #E1279A

RGB 225 39 154

HSL 322.9, 0.76%, 0.52%

LAB 51.6, 75.69, -16.98

 

CMYK 16 / 0 / 83 / 11

HEX #BDE227

RGB 189 226 39

HSL 71.87, 0.76%, 0.52%

LAB 84.67, -34.23, 77.74

 

CMYK 83 / 0 / 26 / 12

HEX #27E1A6

RGB 39 225 166

HSL 160.97, 0.76%, 0.52%

LAB 80.2, -57.49, 16.6

 

CMYK 68 / 83 / 0 / 12

HEX #4927E1

RGB 73 39 225

HSL 250.97, 0.76%, 0.52%

LAB 34.61, 63.93, -86.94

 

CMYK 0 / 83 / 56 / 12

HEX #E12762

RGB 225 39 98

HSL 340.97, 0.76%, 0.52%

LAB 49.91, 70.79, 14.39

 

Description

Color code: HEX #BDE227 | qconv.com Color code: HEX #BDE227 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 226 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 226 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 83 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 83% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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