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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDE3A0 it is the complementary color #421C5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDE3A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDE3A0 shade: #C2E39B, #D3F5AE, #E4FFC1, #F5FFD4 and #FFFFE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDE3A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDE3A0 shade: #BDE3A0, #ACD18D, #9BBF7A, #8AAD67 and #799B54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDE3A0 shade: #BDE2A0, #CFE2A0, #E1E2A0, #E2D2A0 and #E2C1A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDE3A0 shade: #BDE2A0, #ABE2A0, #A0E2A7, #A0E2B9 and #A0E2CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDE3A0 shade matches the following richer shades: #BDE2A0, #BCEC96 and #BAF68C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDE3A0 shade: #BDE2A0, #BED8AA, #C0CFB4, #C1C5BE and #C2BBC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDE3A0 shade: #E0E2A0, #CFE2A0, #BDE2A0, #ABE2A0 and #A0E2A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDE3A0 shade: #91CF61, #A7D980, #BDE2A0, #D3ECC0 and #E9F5E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDE3A0 shade: #BDE3A0, #A0E2D3 and #E2A0D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDE3A0 shade: #BDE3A0, #A0BDE2 and #E2A0BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDE3A0 shade: #BDE3A0, #A0E2D3, #C6A0E2 and #E2A0B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDE3A0 shade: #BDE3A0, #A0DEE2, #C6A0E2 and #E2A5A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 30 / 11

HEX #BDE3A0

RGB 189 227 160

HSL 94.03, 0.54%, 0.76%

LAB 86.15, -24.17, 28.77

 

Complementary color

CMYK 31 / 71 / 0 / 63

HEX #421C5F

RGB 66 28 95

HSL 274.03, 0.54%, 0.24%

LAB 19.29, 31.78, -32.65

 

CMYK 15 / 0 / 32 / 11

HEX #C2E39B

RGB 194 227 155

HSL 87.5, 0.56%, 0.75%

LAB 86.39, -23.09, 31.7

 

CMYK 14 / 0 / 29 / 4

HEX #D3F5AE

RGB 211 245 174

HSL 88.73, 0.78%, 0.82%

LAB 92.67, -23.06, 30.65

 

CMYK 11 / 0 / 24 / 0

HEX #E4FFC1

RGB 228 255 193

HSL 86.13, 1%, 0.88%

LAB 96.76, -19.18, 26.8

 

CMYK 4 / 0 / 17 / 0

HEX #F5FFD4

RGB 245 255 212

HSL 73.95, 1%, 0.92%

LAB 98.31, -10.42, 19.47

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE7

RGB 255 255 231

HSL 60, 1%, 0.95%

LAB 99.44, -4.01, 11.47

 

CMYK 17 / 0 / 30 / 11

HEX #BDE3A0

RGB 189 227 160

HSL 94.03, 0.54%, 0.76%

LAB 86.15, -24.17, 28.77

 

CMYK 18 / 0 / 33 / 18

HEX #ACD18D

RGB 172 209 141

HSL 92.65, 0.43%, 0.69%

LAB 79.78, -24.25, 29.84

 

CMYK 19 / 0 / 36 / 25

HEX #9BBF7A

RGB 155 191 122

HSL 91.3, 0.35%, 0.61%

LAB 73.31, -24.32, 30.96

 

CMYK 20 / 0 / 40 / 32

HEX #8AAD67

RGB 138 173 103

HSL 90, 0.3%, 0.54%

LAB 66.73, -24.39, 32.13

 

CMYK 22 / 0 / 46 / 39

HEX #799B54

RGB 121 155 84

HSL 88.73, 0.3%, 0.47%

LAB 60.02, -24.42, 33.35

 

CMYK 16 / 0 / 29 / 11

HEX #BDE2A0

RGB 189 226 160

HSL 93.64, 0.53%, 0.76%

LAB 85.88, -23.68, 28.4

 

CMYK 8 / 0 / 29 / 11

HEX #CFE2A0

RGB 207 226 160

HSL 77.27, 0.53%, 0.76%

LAB 87.09, -17.19, 30.24

 

CMYK 0 / 0 / 29 / 11

HEX #E1E2A0

RGB 225 226 160

HSL 60.91, 0.53%, 0.76%

LAB 88.42, -10.48, 32.24

 

CMYK 0 / 7 / 29 / 11

HEX #E2D2A0

RGB 226 210 160

HSL 45.45, 0.53%, 0.76%

LAB 84.38, -1.96, 26.83

 

CMYK 0 / 15 / 29 / 11

HEX #E2C1A0

RGB 226 193 160

HSL 30, 0.53%, 0.76%

LAB 80.09, 6.91, 20.98

 

CMYK 16 / 0 / 29 / 11

HEX #BDE2A0

RGB 189 226 160

HSL 93.64, 0.53%, 0.76%

LAB 85.88, -23.68, 28.4

 

CMYK 24 / 0 / 29 / 11

HEX #ABE2A0

RGB 171 226 160

HSL 110, 0.53%, 0.76%

LAB 84.79, -29.89, 26.73

 

CMYK 29 / 0 / 26 / 11

HEX #A0E2A7

RGB 160 226 167

HSL 126.36, 0.53%, 0.76%

LAB 84.31, -32.34, 22.36

 

CMYK 29 / 0 / 18 / 11

HEX #A0E2B9

RGB 160 226 185

HSL 142.73, 0.53%, 0.76%

LAB 84.67, -29.1, 13.47

 

CMYK 29 / 0 / 10 / 11

HEX #A0E2CB

RGB 160 226 203

HSL 159.09, 0.53%, 0.76%

LAB 85.09, -25.55, 4.59

 

CMYK 16 / 0 / 29 / 11

HEX #BDE2A0

RGB 189 226 160

HSL 93.64, 0.53%, 0.76%

LAB 85.88, -23.68, 28.4

 

CMYK 20 / 0 / 36 / 7

HEX #BCEC96

RGB 188 236 150

HSL 93.49, 0.69%, 0.76%

LAB 88.39, -30.2, 36.8

 

CMYK 24 / 0 / 43 / 4

HEX #BAF68C

RGB 186 246 140

HSL 93.96, 0.85%, 0.76%

LAB 90.89, -36.79, 44.91

 

CMYK 16 / 0 / 29 / 11

HEX #BDE2A0

RGB 189 226 160

HSL 93.64, 0.53%, 0.76%

LAB 85.88, -23.68, 28.4

 

CMYK 12 / 0 / 21 / 15

HEX #BED8AA

RGB 190 216 170

HSL 93.91, 0.37%, 0.76%

LAB 83.42, -16.88, 19.85

 

CMYK 7 / 0 / 13 / 19

HEX #C0CFB4

RGB 192 207 180

HSL 93.33, 0.22%, 0.76%

LAB 81.36, -9.97, 11.7

 

CMYK 2 / 0 / 4 / 23

HEX #C1C5BE

RGB 193 197 190

HSL 94.29, 0.06%, 0.76%

LAB 79.03, -2.66, 3.02

 

CMYK 3 / 7 / 0 / 22

HEX #C2BBC8

RGB 194 187 200

HSL 272.31, 0.11%, 0.76%

LAB 76.79, 4.87, -5.67

 

CMYK 1 / 0 / 29 / 11

HEX #E0E2A0

RGB 224 226 160

HSL 61.82, 0.53%, 0.76%

LAB 88.34, -10.86, 32.13

 

CMYK 8 / 0 / 29 / 11

HEX #CFE2A0

RGB 207 226 160

HSL 77.27, 0.53%, 0.76%

LAB 87.09, -17.19, 30.24

 

CMYK 16 / 0 / 29 / 11

HEX #BDE2A0

RGB 189 226 160

HSL 93.64, 0.53%, 0.76%

LAB 85.88, -23.68, 28.4

 

CMYK 24 / 0 / 29 / 11

HEX #ABE2A0

RGB 171 226 160

HSL 110, 0.53%, 0.76%

LAB 84.79, -29.89, 26.73

 

CMYK 29 / 0 / 26 / 11

HEX #A0E2A7

RGB 160 226 167

HSL 126.36, 0.53%, 0.76%

LAB 84.31, -32.34, 22.36

 

CMYK 30 / 0 / 53 / 19

HEX #91CF61

RGB 145 207 97

HSL 93.82, 0.53%, 0.6%

LAB 76.99, -38.54, 47.88

 

CMYK 23 / 0 / 41 / 15

HEX #A7D980

RGB 167 217 128

HSL 93.71, 0.54%, 0.68%

LAB 81.51, -31.63, 38.66

 

CMYK 16 / 0 / 29 / 11

HEX #BDE2A0

RGB 189 226 160

HSL 93.64, 0.53%, 0.76%

LAB 85.88, -23.68, 28.4

 

CMYK 11 / 0 / 19 / 7

HEX #D3ECC0

RGB 211 236 192

HSL 94.09, 0.54%, 0.84%

LAB 90.62, -15.96, 18.63

 

CMYK 5 / 0 / 9 / 4

HEX #E9F5E0

RGB 233 245 224

HSL 94.29, 0.51%, 0.92%

LAB 95.17, -7.64, 8.74

 

CMYK 17 / 0 / 30 / 11

HEX #BDE3A0

RGB 189 227 160

HSL 94.03, 0.54%, 0.76%

LAB 86.15, -24.17, 28.77

 

CMYK 29 / 0 / 7 / 11

HEX #A0E2D3

RGB 160 226 211

HSL 166.36, 0.53%, 0.76%

LAB 85.29, -23.87, 0.66

 

CMYK 0 / 29 / 5 / 11

HEX #E2A0D7

RGB 226 160 215

HSL 310, 0.53%, 0.76%

LAB 73.69, 33.09, -18.19

 

CMYK 17 / 0 / 30 / 11

HEX #BDE3A0

RGB 189 227 160

HSL 94.03, 0.54%, 0.76%

LAB 86.15, -24.17, 28.77

 

CMYK 29 / 16 / 0 / 11

HEX #A0BDE2

RGB 160 189 226

HSL 213.64, 0.53%, 0.76%

LAB 75.67, -1.39, -21.68

 

CMYK 0 / 29 / 16 / 11

HEX #E2A0BD

RGB 226 160 189

HSL 333.64, 0.53%, 0.76%

LAB 72.88, 28.74, -5.09

 

CMYK 17 / 0 / 30 / 11

HEX #BDE3A0

RGB 189 227 160

HSL 94.03, 0.54%, 0.76%

LAB 86.15, -24.17, 28.77

 

CMYK 29 / 0 / 7 / 11

HEX #A0E2D3

RGB 160 226 211

HSL 166.36, 0.53%, 0.76%

LAB 85.29, -23.87, 0.66

 

CMYK 12 / 29 / 0 / 11

HEX #C6A0E2

RGB 198 160 226

HSL 274.55, 0.53%, 0.76%

LAB 71.31, 26.18, -28.09

 

CMYK 0 / 29 / 22 / 11

HEX #E2A0B0

RGB 226 160 176

HSL 345.45, 0.53%, 0.76%

LAB 72.52, 26.77, 1.56

 

CMYK 17 / 0 / 30 / 11

HEX #BDE3A0

RGB 189 227 160

HSL 94.03, 0.54%, 0.76%

LAB 86.15, -24.17, 28.77

 

CMYK 29 / 2 / 0 / 11

HEX #A0DEE2

RGB 160 222 226

HSL 183.64, 0.53%, 0.76%

LAB 84.59, -18.58, -8.29

 

CMYK 12 / 29 / 0 / 11

HEX #C6A0E2

RGB 198 160 226

HSL 274.55, 0.53%, 0.76%

LAB 71.31, 26.18, -28.09

 

CMYK 0 / 27 / 29 / 11

HEX #E2A5A0

RGB 226 165 160

HSL 4.55, 0.53%, 0.76%

LAB 73.3, 21.84, 11.48

 

Description

Color code: HEX #BDE3A0 | qconv.com Color code: HEX #BDE3A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 227 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 227 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 30 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 30% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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