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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDEAF9 it is the complementary color #421506. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDEAF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDEAF9 shade: #C2EAF4, #D3FCFF, #E4FFFF and #F5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDEAF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDEAF9 shade: #BDEAF9, #ACD8E6, #9BC6D3, #8AB4C0 and #79A2AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDEAF9 shade: #BDEAF8, #BDDAF8, #BDCAF8, #C1BDF8 and #D1BDF8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDEAF9 shade: #BDEAF8, #BDDAF8, #BDCAF8 and #BDBDF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDEAF9 shade matches the following richer shades: #BDEAF8 and #B7EDFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDEAF9 shade: #BDEAF8, #C3E7F3, #C9E4ED, #CEE1E7 and #D4DEE1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDEAF9 shade: #BDF8E8, #BDF8F7, #BDEAF8, #BDDAF8 and #BDCAF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDEAF9 shade: #72D1F1, #97DEF5, #BDEAF8 and #E3F6FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDEAF9 shade: #BDEAF9, #D8BDF8 and #F8F0BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDEAF9 shade: #BDEAF9, #F8BDEA and #EAF8BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDEAF9 shade: #BDEAF9, #D8BDF8, #F8CCBD and #DEF8BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDEAF9 shade: #BDEAF9, #EABDF8, #F8CCBD and #CCF8BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 6 / 0 / 2

HEX #BDEAF9

RGB 189 234 249

HSL 195, 0.83%, 0.86%

LAB 90.09, -11.19, -12.02

 

Complementary color

CMYK 0 / 68 / 91 / 74

HEX #421506

RGB 66 21 6

HSL 15, 0.83%, 0.14%

LAB 13.87, 20.88, 18.66

 

CMYK 20 / 4 / 0 / 4

HEX #C2EAF4

RGB 194 234 244

HSL 192, 0.69%, 0.86%

LAB 90.25, -10.79, -9.14

 

CMYK 17 / 1 / 0 / 0

HEX #D3FCFF

RGB 211 252 255

HSL 184.09, 1%, 0.91%

LAB 96.28, -12.43, -5.81

 

CMYK 11 / 0 / 0 / 0

HEX #E4FFFF

RGB 228 255 255

HSL 180, 1%, 0.95%

LAB 98.13, -8.69, -2.97

 

CMYK 4 / 0 / 0 / 0

HEX #F5FFFF

RGB 245 255 255

HSL 180, 1%, 0.98%

LAB 99.28, -3.26, -1.15

 

CMYK 24 / 6 / 0 / 2

HEX #BDEAF9

RGB 189 234 249

HSL 195, 0.83%, 0.86%

LAB 90.09, -11.19, -12.02

 

CMYK 25 / 6 / 0 / 10

HEX #ACD8E6

RGB 172 216 230

HSL 194.48, 0.54%, 0.79%

LAB 83.75, -11.18, -11.58

 

CMYK 27 / 6 / 0 / 17

HEX #9BC6D3

RGB 155 198 211

HSL 193.93, 0.39%, 0.72%

LAB 77.32, -11.18, -11.13

 

CMYK 28 / 6 / 0 / 25

HEX #8AB4C0

RGB 138 180 192

HSL 193.33, 0.3%, 0.65%

LAB 70.77, -11.18, -10.67

 

CMYK 30 / 6 / 0 / 32

HEX #79A2AD

RGB 121 162 173

HSL 192.69, 0.24%, 0.58%

LAB 64.1, -11.18, -10.2

 

CMYK 24 / 6 / 0 / 3

HEX #BDEAF8

RGB 189 234 248

HSL 194.24, 0.81%, 0.86%

LAB 90.06, -11.41, -11.54

 

CMYK 24 / 12 / 0 / 3

HEX #BDDAF8

RGB 189 218 248

HSL 210.51, 0.81%, 0.86%

LAB 85.88, -3.17, -17.82

 

CMYK 24 / 19 / 0 / 3

HEX #BDCAF8

RGB 189 202 248

HSL 226.78, 0.81%, 0.86%

LAB 81.75, 5.31, -24.07

 

CMYK 22 / 24 / 0 / 3

HEX #C1BDF8

RGB 193 189 248

HSL 244.07, 0.81%, 0.86%

LAB 78.76, 13.53, -28.61

 

CMYK 16 / 24 / 0 / 3

HEX #D1BDF8

RGB 209 189 248

HSL 260.34, 0.81%, 0.86%

LAB 80.03, 18.41, -26.56

 

CMYK 24 / 6 / 0 / 3

HEX #BDEAF8

RGB 189 234 248

HSL 194.24, 0.81%, 0.86%

LAB 90.06, -11.41, -11.54

 

CMYK 24 / 12 / 0 / 3

HEX #BDDAF8

RGB 189 218 248

HSL 210.51, 0.81%, 0.86%

LAB 85.88, -3.17, -17.82

 

CMYK 24 / 19 / 0 / 3

HEX #BDCAF8

RGB 189 202 248

HSL 226.78, 0.81%, 0.86%

LAB 81.75, 5.31, -24.07

 

CMYK 24 / 24 / 0 / 3

HEX #BDBDF8

RGB 189 189 248

HSL 240, 0.81%, 0.86%

LAB 78.46, 12.34, -29.1

 

CMYK 24 / 6 / 0 / 3

HEX #BDEAF8

RGB 189 234 248

HSL 194.24, 0.81%, 0.86%

LAB 90.06, -11.41, -11.54

 

CMYK 28 / 7 / 0 / 0

HEX #B7EDFE

RGB 183 237 254

HSL 194.37, 0.97%, 0.86%

LAB 90.68, -13.31, -13.79

 

CMYK 24 / 6 / 0 / 3

HEX #BDEAF8

RGB 189 234 248

HSL 194.24, 0.81%, 0.86%

LAB 90.06, -11.41, -11.54

 

CMYK 20 / 5 / 0 / 5

HEX #C3E7F3

RGB 195 231 243

HSL 195, 0.67%, 0.86%

LAB 89.5, -9.17, -9.73

 

CMYK 15 / 4 / 0 / 7

HEX #C9E4ED

RGB 201 228 237

HSL 195, 0.5%, 0.86%

LAB 88.93, -7.04, -7.38

 

CMYK 11 / 3 / 0 / 9

HEX #CEE1E7

RGB 206 225 231

HSL 194.4, 0.34%, 0.86%

LAB 88.32, -5.12, -5.09

 

CMYK 6 / 1 / 0 / 12

HEX #D4DEE1

RGB 212 222 225

HSL 193.85, 0.18%, 0.86%

LAB 87.81, -2.78, -2.64

 

CMYK 24 / 0 / 6 / 3

HEX #BDF8E8

RGB 189 248 232

HSL 163.73, 0.81%, 0.86%

LAB 93.35, -21.73, 1.63

 

CMYK 24 / 0 / 0 / 3

HEX #BDF8F7

RGB 189 248 247

HSL 178.98, 0.81%, 0.86%

LAB 93.74, -18.62, -5.57

 

CMYK 24 / 6 / 0 / 3

HEX #BDEAF8

RGB 189 234 248

HSL 194.24, 0.81%, 0.86%

LAB 90.06, -11.41, -11.54

 

CMYK 24 / 12 / 0 / 3

HEX #BDDAF8

RGB 189 218 248

HSL 210.51, 0.81%, 0.86%

LAB 85.88, -3.17, -17.82

 

CMYK 24 / 19 / 0 / 3

HEX #BDCAF8

RGB 189 202 248

HSL 226.78, 0.81%, 0.86%

LAB 81.75, 5.31, -24.07

 

CMYK 53 / 13 / 0 / 5

HEX #72D1F1

RGB 114 209 241

HSL 195.12, 0.82%, 0.7%

LAB 79.35, -19.5, -24.37

 

CMYK 38 / 9 / 0 / 4

HEX #97DEF5

RGB 151 222 245

HSL 194.68, 0.82%, 0.78%

LAB 84.7, -16.46, -18.23

 

CMYK 24 / 6 / 0 / 3

HEX #BDEAF8

RGB 189 234 248

HSL 194.24, 0.81%, 0.86%

LAB 90.06, -11.41, -11.54

 

CMYK 10 / 2 / 0 / 1

HEX #E3F6FC

RGB 227 246 252

HSL 194.4, 0.81%, 0.94%

LAB 95.69, -5.05, -5.01

 

CMYK 24 / 6 / 0 / 2

HEX #BDEAF9

RGB 189 234 249

HSL 195, 0.83%, 0.86%

LAB 90.09, -11.19, -12.02

 

CMYK 13 / 24 / 0 / 3

HEX #D8BDF8

RGB 216 189 248

HSL 267.46, 0.81%, 0.86%

LAB 80.61, 20.58, -25.61

 

CMYK 0 / 3 / 24 / 3

HEX #F8F0BD

RGB 248 240 189

HSL 51.86, 0.81%, 0.86%

LAB 94.29, -5.17, 25.67

 

CMYK 24 / 6 / 0 / 2

HEX #BDEAF9

RGB 189 234 249

HSL 195, 0.83%, 0.86%

LAB 90.09, -11.19, -12.02

 

CMYK 0 / 24 / 6 / 3

HEX #F8BDEA

RGB 248 189 234

HSL 314.24, 0.81%, 0.86%

LAB 83.07, 28.27, -14.13

 

CMYK 6 / 0 / 24 / 3

HEX #EAF8BD

RGB 234 248 189

HSL 74.24, 0.81%, 0.86%

LAB 95.29, -14.22, 26.87

 

CMYK 24 / 6 / 0 / 2

HEX #BDEAF9

RGB 189 234 249

HSL 195, 0.83%, 0.86%

LAB 90.09, -11.19, -12.02

 

CMYK 13 / 24 / 0 / 3

HEX #D8BDF8

RGB 216 189 248

HSL 267.46, 0.81%, 0.86%

LAB 80.61, 20.58, -25.61

 

CMYK 0 / 18 / 24 / 3

HEX #F8CCBD

RGB 248 204 189

HSL 15.25, 0.81%, 0.86%

LAB 85.41, 13.32, 13.3

 

CMYK 10 / 0 / 24 / 3

HEX #DEF8BD

RGB 222 248 189

HSL 86.44, 0.81%, 0.86%

LAB 94.46, -18.47, 25.6

 

CMYK 24 / 6 / 0 / 2

HEX #BDEAF9

RGB 189 234 249

HSL 195, 0.83%, 0.86%

LAB 90.09, -11.19, -12.02

 

CMYK 6 / 24 / 0 / 3

HEX #EABDF8

RGB 234 189 248

HSL 285.76, 0.81%, 0.86%

LAB 82.2, 26.26, -23.05

 

CMYK 0 / 18 / 24 / 3

HEX #F8CCBD

RGB 248 204 189

HSL 15.25, 0.81%, 0.86%

LAB 85.41, 13.32, 13.3

 

CMYK 18 / 0 / 24 / 3

HEX #CCF8BD

RGB 204 248 189

HSL 104.75, 0.81%, 0.86%

LAB 93.3, -24.67, 23.82

 

Description

Color code: HEX #BDEAF9 | qconv.com Color code: HEX #BDEAF9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 234 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 234 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 6 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 6% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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