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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDF532 it is the complementary color #420ACD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDF532. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDF532 shade: #C2F52D, #D3FF40, #E4FF53, #F5FF66 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDF532. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDF532 shade: #BDF532, #ACE31F, #9BD10C, #8ABF00 and #79AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDF532 shade: #BDF532, #F1F532, #F5C432, #F58F32 and #F55B32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDF532 shade: #BDF532, #88F532, #54F532, #32F545 and #32F579

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDF532 shade matches the following richer shades: #BDF532

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDF532 shade: #BDF532, #B6E443, #AED255, #A7C166 and #9FB077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDF532 shade: #F5C432, #F2F532, #BEF532, #8AF532 and #56F532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDF532 shade: #93CB09, #B0F30B, #BDF532, #CAF759 and #D6F981

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDF532 shade: #BDF532, #32F590 and #DE32F5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDF532 shade: #BDF532, #32BEF5 and #F532BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDF532 shade: #BDF532, #32F590, #6932F5 and #F53297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDF532 shade: #BDF532, #32F5CB, #6932F5 and #F5325C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

Complementary color

CMYK 68 / 95 / 0 / 20

HEX #420ACD

RGB 66 10 205

HSL 257.23, 0.91%, 0.42%

LAB 28.86, 66.71, -84.94

 

CMYK 21 / 0 / 82 / 4

HEX #C2F52D

RGB 194 245 45

HSL 75.3, 0.91%, 0.57%

LAB 90.3, -40.61, 81.34

 

CMYK 17 / 0 / 75 / 0

HEX #D3FF40

RGB 211 255 64

HSL 73.82, 1%, 0.63%

LAB 94.2, -37.79, 80.13

 

CMYK 11 / 0 / 67 / 0

HEX #E4FF53

RGB 228 255 83

HSL 69.42, 1%, 0.66%

LAB 95.43, -30.24, 75.41

 

CMYK 4 / 0 / 60 / 0

HEX #F5FF66

RGB 245 255 102

HSL 63.92, 1%, 0.7%

LAB 96.78, -22.4, 69.87

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 24 / 0 / 86 / 11

HEX #ACE31F

RGB 172 227 31

HSL 76.84, 0.78%, 0.51%

LAB 83.87, -41.54, 78.32

 

CMYK 26 / 0 / 94 / 18

HEX #9BD10C

RGB 155 209 12

HSL 76.45, 0.89%, 0.43%

LAB 77.64, -40.56, 75.69

 

CMYK 28 / 0 / 100 / 25

HEX #8ABF00

RGB 138 191 0

HSL 76.65, 1%, 0.37%

LAB 71.33, -39.37, 71.6

 

CMYK 30 / 0 / 100 / 32

HEX #79AD00

RGB 121 173 0

HSL 78.03, 1%, 0.34%

LAB 64.92, -38.01, 66.27

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 2 / 0 / 80 / 4

HEX #F1F532

RGB 241 245 50

HSL 61.23, 0.91%, 0.58%

LAB 93.55, -21.75, 84.2

 

CMYK 0 / 20 / 80 / 4

HEX #F5C432

RGB 245 196 50

HSL 44.92, 0.91%, 0.58%

LAB 81.36, 4.38, 73.67

 

CMYK 0 / 42 / 80 / 4

HEX #F58F32

RGB 245 143 50

HSL 28.62, 0.91%, 0.58%

LAB 68.96, 32.12, 62.48

 

CMYK 0 / 63 / 80 / 4

HEX #F55B32

RGB 245 91 50

HSL 12.62, 0.91%, 0.58%

LAB 59.09, 57.09, 53.18

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 44 / 0 / 80 / 4

HEX #88F532

RGB 136 245 50

HSL 93.54, 0.91%, 0.58%

LAB 87.37, -60.6, 76.35

 

CMYK 66 / 0 / 80 / 4

HEX #54F532

RGB 84 245 50

HSL 109.54, 0.91%, 0.58%

LAB 85.72, -73.73, 74.22

 

CMYK 80 / 0 / 72 / 4

HEX #32F545

RGB 50 245 69

HSL 125.85, 0.91%, 0.58%

LAB 85.21, -77.71, 67.65

 

CMYK 80 / 0 / 51 / 4

HEX #32F579

RGB 50 245 121

HSL 141.85, 0.91%, 0.58%

LAB 85.69, -71.85, 46.47

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 20 / 0 / 71 / 11

HEX #B6E443

RGB 182 228 67

HSL 77.14, 0.75%, 0.58%

LAB 84.91, -36.67, 69.59

 

CMYK 17 / 0 / 60 / 18

HEX #AED255

RGB 174 210 85

HSL 77.28, 0.58%, 0.58%

LAB 79.47, -30.24, 56.63

 

CMYK 13 / 0 / 47 / 24

HEX #A7C166

RGB 167 193 102

HSL 77.14, 0.42%, 0.58%

LAB 74.39, -23.21, 42.67

 

CMYK 10 / 0 / 32 / 31

HEX #9FB077

RGB 159 176 119

HSL 77.89, 0.27%, 0.58%

LAB 69.29, -15.68, 27.3

 

CMYK 0 / 20 / 80 / 4

HEX #F5C432

RGB 245 196 50

HSL 44.92, 0.91%, 0.58%

LAB 81.36, 4.38, 73.67

 

CMYK 1 / 0 / 80 / 4

HEX #F2F532

RGB 242 245 50

HSL 60.92, 0.91%, 0.58%

LAB 93.63, -21.34, 84.3

 

CMYK 22 / 0 / 80 / 4

HEX #BEF532

RGB 190 245 50

HSL 76.92, 0.91%, 0.58%

LAB 90.08, -41.96, 79.82

 

CMYK 44 / 0 / 80 / 4

HEX #8AF532

RGB 138 245 50

HSL 92.92, 0.91%, 0.58%

LAB 87.46, -59.99, 76.46

 

CMYK 65 / 0 / 80 / 4

HEX #56F532

RGB 86 245 50

HSL 108.92, 0.91%, 0.58%

LAB 85.76, -73.33, 74.28

 

CMYK 28 / 0 / 96 / 20

HEX #93CB09

RGB 147 203 9

HSL 77.32, 0.92%, 0.42%

LAB 75.41, -41.04, 74.04

 

CMYK 28 / 0 / 95 / 5

HEX #B0F30B

RGB 176 243 11

HSL 77.33, 0.91%, 0.5%

LAB 88.62, -47.27, 84.91

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 18 / 0 / 64 / 3

HEX #CAF759

RGB 202 247 89

HSL 77.09, 0.91%, 0.66%

LAB 91.59, -36.24, 68.64

 

CMYK 14 / 0 / 48 / 2

HEX #D6F981

RGB 214 249 129

HSL 77.5, 0.91%, 0.74%

LAB 93.29, -29.28, 53.47

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 80 / 0 / 41 / 4

HEX #32F590

RGB 50 245 144

HSL 148.92, 0.91%, 0.58%

LAB 86, -68.12, 35.74

 

CMYK 9 / 80 / 0 / 4

HEX #DE32F5

RGB 222 50 245

HSL 292.92, 0.91%, 0.58%

LAB 56.49, 85.01, -61.72

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 80 / 22 / 0 / 4

HEX #32BEF5

RGB 50 190 245

HSL 196.92, 0.91%, 0.58%

LAB 72.29, -18.11, -37.52

 

CMYK 0 / 80 / 22 / 4

HEX #F532BE

RGB 245 50 190

HSL 316.92, 0.91%, 0.58%

LAB 57.47, 81.73, -28.73

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 80 / 0 / 41 / 4

HEX #32F590

RGB 50 245 144

HSL 148.92, 0.91%, 0.58%

LAB 86, -68.12, 35.74

 

CMYK 57 / 80 / 0 / 4

HEX #6932F5

RGB 105 50 245

HSL 256.92, 0.91%, 0.58%

LAB 41.02, 67.81, -87.59

 

CMYK 0 / 80 / 38 / 4

HEX #F53297

RGB 245 50 151

HSL 328.92, 0.91%, 0.58%

LAB 56.02, 77.5, -8.19

 

CMYK 23 / 0 / 80 / 4

HEX #BDF532

RGB 189 245 50

HSL 77.23, 0.91%, 0.58%

LAB 90.02, -42.33, 79.74

 

CMYK 80 / 0 / 17 / 4

HEX #32F5CB

RGB 50 245 203

HSL 167.08, 0.91%, 0.58%

LAB 87.14, -55.61, 7.12

 

CMYK 57 / 80 / 0 / 4

HEX #6932F5

RGB 105 50 245

HSL 256.92, 0.91%, 0.58%

LAB 41.02, 67.81, -87.59

 

CMYK 0 / 80 / 62 / 4

HEX #F5325C

RGB 245 50 92

HSL 347.08, 0.91%, 0.58%

LAB 54.52, 73, 24.86

 

Description

Color code: HEX #BDF532 | qconv.com Color code: HEX #BDF532 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 245 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 245 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 80 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 80% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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