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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BDF3A9 it is the complementary color #420C56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BDF3A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BDF3A9 shade: #C2F3A4, #D3FFB7, #E4FFCA, #F5FFDD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BDF3A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BDF3A9 shade: #BDF3A9, #ACE196, #9BCF83, #8ABD70 and #79AB5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BDF3A9 shade: #BDF3A9, #D1F3A9, #E5F3A9, #F3EDA9 and #F3D9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BDF3A9 shade: #BDF3A9, #A9F3A9, #A9F3BD, #A9F3D1 and #A9F3E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BDF3A9 shade matches the following richer shades: #BDF3A9 and #BAFBA1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BDF3A9 shade: #BDF3A9, #C1EBB1, #C4E3B9, #C8DBC1 and #CCD4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BDF3A9 shade: #E5F3A9, #D2F3A9, #BEF3A9, #AAF3A9 and #A9F3BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BDF3A9 shade: #85E961, #A1EE85, #BDF3A9, #D9F8CE and #F5FDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BDF3A9 shade: #BDF3A9, #A9F3ED and #F3A9DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BDF3A9 shade: #BDF3A9, #A9BEF3 and #F3A9BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BDF3A9 shade: #BDF3A9, #A9F3ED, #DEA9F3 and #F3A9AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BDF3A9 shade: #BDF3A9, #A9E3F3, #DEA9F3 and #F3B9A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

Complementary color

CMYK 23 / 86 / 0 / 66

HEX #420C56

RGB 66 12 86

HSL 283.78, 0.76%, 0.19%

LAB 15.97, 36.96, -31.98

 

CMYK 20 / 0 / 33 / 5

HEX #C2F3A4

RGB 194 243 164

HSL 97.22, 0.77%, 0.8%

LAB 90.89, -29.46, 33.14

 

CMYK 17 / 0 / 28 / 0

HEX #D3FFB7

RGB 211 255 183

HSL 96.67, 1%, 0.86%

LAB 95.49, -26.53, 29.93

 

CMYK 11 / 0 / 21 / 0

HEX #E4FFCA

RGB 228 255 202

HSL 90.57, 1%, 0.9%

LAB 96.93, -17.84, 22.47

 

CMYK 4 / 0 / 13 / 0

HEX #F5FFDD

RGB 245 255 221

HSL 77.65, 1%, 0.93%

LAB 98.49, -9.03, 15.14

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 24 / 0 / 33 / 12

HEX #ACE196

RGB 172 225 150

HSL 102.4, 0.56%, 0.74%

LAB 84.39, -30.6, 31.35

 

CMYK 25 / 0 / 37 / 19

HEX #9BCF83

RGB 155 207 131

HSL 101.05, 0.44%, 0.66%

LAB 78.01, -30.76, 32.47

 

CMYK 27 / 0 / 41 / 26

HEX #8ABD70

RGB 138 189 112

HSL 99.74, 0.37%, 0.59%

LAB 71.53, -30.91, 33.64

 

CMYK 29 / 0 / 46 / 33

HEX #79AB5D

RGB 121 171 93

HSL 98.46, 0.32%, 0.52%

LAB 64.95, -31.03, 34.85

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 14 / 0 / 30 / 5

HEX #D1F3A9

RGB 209 243 169

HSL 87.57, 0.76%, 0.81%

LAB 91.92, -23.51, 32.15

 

CMYK 6 / 0 / 30 / 5

HEX #E5F3A9

RGB 229 243 169

HSL 71.35, 0.76%, 0.81%

LAB 93.29, -16.27, 34.22

 

CMYK 0 / 2 / 30 / 5

HEX #F3EDA9

RGB 243 237 169

HSL 55.14, 0.76%, 0.81%

LAB 92.79, -8.1, 33.75

 

CMYK 0 / 11 / 30 / 5

HEX #F3D9A9

RGB 243 217 169

HSL 38.92, 0.76%, 0.81%

LAB 87.75, 2.04, 26.97

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 30 / 0 / 30 / 5

HEX #A9F3A9

RGB 169 243 169

HSL 120, 0.76%, 0.81%

LAB 89.58, -36.99, 28.6

 

CMYK 30 / 0 / 22 / 5

HEX #A9F3BD

RGB 169 243 189

HSL 136.22, 0.76%, 0.81%

LAB 89.96, -33.59, 18.88

 

CMYK 30 / 0 / 14 / 5

HEX #A9F3D1

RGB 169 243 209

HSL 152.43, 0.76%, 0.81%

LAB 90.39, -29.83, 9.14

 

CMYK 30 / 0 / 6 / 5

HEX #A9F3E5

RGB 169 243 229

HSL 168.65, 0.76%, 0.81%

LAB 90.87, -25.71, -0.56

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 26 / 0 / 36 / 2

HEX #BAFBA1

RGB 186 251 161

HSL 103.33, 0.92%, 0.81%

LAB 92.58, -36.3, 36.78

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 18 / 0 / 25 / 8

HEX #C1EBB1

RGB 193 235 177

HSL 103.45, 0.59%, 0.81%

LAB 88.89, -24.06, 23.79

 

CMYK 14 / 0 / 19 / 11

HEX #C4E3B9

RGB 196 227 185

HSL 104.29, 0.43%, 0.81%

LAB 87.08, -17.83, 17.17

 

CMYK 9 / 0 / 12 / 14

HEX #C8DBC1

RGB 200 219 193

HSL 103.85, 0.27%, 0.81%

LAB 85.4, -11.08, 10.63

 

CMYK 4 / 0 / 5 / 17

HEX #CCD4C9

RGB 204 212 201

HSL 103.64, 0.11%, 0.81%

LAB 84.04, -4.71, 4.49

 

CMYK 6 / 0 / 30 / 5

HEX #E5F3A9

RGB 229 243 169

HSL 71.35, 0.76%, 0.81%

LAB 93.29, -16.27, 34.22

 

CMYK 14 / 0 / 30 / 5

HEX #D2F3A9

RGB 210 243 169

HSL 86.76, 0.76%, 0.81%

LAB 91.98, -23.15, 32.25

 

CMYK 22 / 0 / 30 / 5

HEX #BEF3A9

RGB 190 243 169

HSL 102.97, 0.76%, 0.81%

LAB 90.74, -30.11, 30.37

 

CMYK 30 / 0 / 30 / 5

HEX #AAF3A9

RGB 170 243 169

HSL 119.19, 0.76%, 0.81%

LAB 89.63, -36.67, 28.68

 

CMYK 30 / 0 / 23 / 5

HEX #A9F3BC

RGB 169 243 188

HSL 135.41, 0.76%, 0.81%

LAB 89.94, -33.77, 19.37

 

CMYK 43 / 0 / 58 / 9

HEX #85E961

RGB 133 233 97

HSL 104.12, 0.76%, 0.65%

LAB 84.03, -53.48, 55.96

 

CMYK 32 / 0 / 44 / 7

HEX #A1EE85

RGB 161 238 133

HSL 104, 0.76%, 0.73%

LAB 87.2, -42.54, 43.36

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 13 / 0 / 17 / 3

HEX #D9F8CE

RGB 217 248 206

HSL 104.29, 0.75%, 0.89%

LAB 94.46, -17.55, 16.86

 

CMYK 3 / 0 / 4 / 1

HEX #F5FDF2

RGB 245 253 242

HSL 103.64, 0.73%, 0.97%

LAB 98.46, -4.56, 4.33

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 30 / 0 / 2 / 5

HEX #A9F3ED

RGB 169 243 237

HSL 175.14, 0.76%, 0.81%

LAB 91.08, -23.98, -4.43

 

CMYK 0 / 30 / 9 / 5

HEX #F3A9DC

RGB 243 169 220

HSL 318.65, 0.76%, 0.81%

LAB 77.64, 34.79, -14.78

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 30 / 22 / 0 / 5

HEX #A9BEF3

RGB 169 190 243

HSL 222.97, 0.76%, 0.81%

LAB 77.12, 4.79, -28.59

 

CMYK 0 / 30 / 22 / 5

HEX #F3A9BE

RGB 243 169 190

HSL 342.97, 0.76%, 0.81%

LAB 76.77, 30.11, 0.28

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 30 / 0 / 2 / 5

HEX #A9F3ED

RGB 169 243 237

HSL 175.14, 0.76%, 0.81%

LAB 91.08, -23.98, -4.43

 

CMYK 9 / 30 / 0 / 5

HEX #DEA9F3

RGB 222 169 243

HSL 282.97, 0.76%, 0.81%

LAB 76.3, 32.24, -29.48

 

CMYK 0 / 30 / 28 / 5

HEX #F3A9AF

RGB 243 169 175

HSL 355.14, 0.76%, 0.81%

LAB 76.39, 28.02, 7.92

 

CMYK 22 / 0 / 30 / 5

HEX #BDF3A9

RGB 189 243 169

HSL 103.78, 0.76%, 0.81%

LAB 90.68, -30.44, 30.28

 

CMYK 30 / 7 / 0 / 5

HEX #A9E3F3

RGB 169 227 243

HSL 192.97, 0.76%, 0.81%

LAB 86.92, -14.68, -13.74

 

CMYK 9 / 30 / 0 / 5

HEX #DEA9F3

RGB 222 169 243

HSL 282.97, 0.76%, 0.81%

LAB 76.3, 32.24, -29.48

 

CMYK 0 / 24 / 30 / 5

HEX #F3B9A9

RGB 243 185 169

HSL 12.97, 0.76%, 0.81%

LAB 79.96, 18.76, 16.23

 

Description

Color code: HEX #BDF3A9 | qconv.com Color code: HEX #BDF3A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 243 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 243 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 30 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 30% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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