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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE0283 it is the complementary color #41FD7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE0283. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE0283 shade: #C3027E, #D41491, #E526A4, #F638B7 and #FF4ACA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE0283. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE0283 shade: #BE0283, #AD0070, #9C005D, #8B004A and #7A0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE0283 shade: #BF0184, #BF0151, #BF011D and #BF0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE0283 shade: #BF0184, #BF01B7, #9501BF, #6101BF and #2E01BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE0283 shade matches the following richer shades: #BF0184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE0283 shade: #BF0184, #B0117E, #A02178, #903072 and #81406C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE0283 shade: #9301BF, #BF01B9, #BF0186, #BF0154 and #BF0121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE0283 shade: #6E014B, #970168, #BF0184, #E802A0 and #FC17B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE0283 shade: #BE0283, #BF6001 and #01BFAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE0283 shade: #BE0283, #86BF01 and #0186BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE0283 shade: #BE0283, #BF6001, #01BF3A and #0160BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE0283 shade: #BE0283, #BF9901, #01BF3A and #0127BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 31 / 25

HEX #BE0283

RGB 190 2 131

HSL 318.83, 0.98%, 0.38%

LAB 42.2, 71, -18.03

 

Complementary color

CMYK 74 / 0 / 51 / 1

HEX #41FD7C

RGB 65 253 124

HSL 138.83, 0.98%, 0.62%

LAB 88.37, -72.24, 48.41

 

CMYK 0 / 99 / 35 / 24

HEX #C3027E

RGB 195 2 126

HSL 321.45, 0.98%, 0.39%

LAB 42.99, 71.52, -13.65

 

CMYK 0 / 91 / 32 / 17

HEX #D41491

RGB 212 20 145

HSL 320.94, 0.83%, 0.45%

LAB 47.68, 75.21, -17.8

 

CMYK 0 / 83 / 28 / 10

HEX #E526A4

RGB 229 38 164

HSL 320.42, 0.79%, 0.52%

LAB 52.65, 77.89, -21.25

 

CMYK 0 / 77 / 26 / 4

HEX #F638B7

RGB 246 56 183

HSL 319.89, 0.91%, 0.59%

LAB 57.88, 79.61, -24.04

 

CMYK 0 / 71 / 21 / 0

HEX #FF4ACA

RGB 255 74 202

HSL 317.57, 1%, 0.65%

LAB 62.02, 78.73, -28.43

 

CMYK 0 / 99 / 31 / 25

HEX #BE0283

RGB 190 2 131

HSL 318.83, 0.98%, 0.38%

LAB 42.2, 71, -18.03

 

CMYK 0 / 100 / 35 / 32

HEX #AD0070

RGB 173 0 112

HSL 321.16, 1%, 0.34%

LAB 37.94, 65.68, -13

 

CMYK 0 / 100 / 40 / 39

HEX #9C005D

RGB 156 0 93

HSL 324.23, 1%, 0.31%

LAB 33.69, 60.1, -7.61

 

CMYK 0 / 100 / 47 / 45

HEX #8B004A

RGB 139 0 74

HSL 328.06, 1%, 0.27%

LAB 29.37, 54.46, -1.92

 

CMYK 0 / 100 / 55 / 52

HEX #7A0037

RGB 122 0 55

HSL 332.95, 1%, 0.24%

LAB 24.99, 48.77, 4.15

 

CMYK 0 / 99 / 31 / 25

HEX #BF0184

RGB 191 1 132

HSL 318.63, 0.99%, 0.38%

LAB 42.41, 71.41, -18.31

 

CMYK 0 / 99 / 58 / 25

HEX #BF0151

RGB 191 1 81

HSL 334.74, 0.99%, 0.38%

LAB 40.72, 67, 11.23

 

CMYK 0 / 99 / 85 / 25

HEX #BF011D

RGB 191 1 29

HSL 351.16, 0.99%, 0.38%

LAB 39.89, 64.76, 42.09

 

CMYK 0 / 99 / 99 / 25

HEX #BF0101

RGB 191 1 1

HSL 0, 0.99%, 0.38%

LAB 39.75, 64.37, 53.71

 

CMYK 0 / 99 / 31 / 25

HEX #BF0184

RGB 191 1 132

HSL 318.63, 0.99%, 0.38%

LAB 42.41, 71.41, -18.31

 

CMYK 0 / 99 / 4 / 25

HEX #BF01B7

RGB 191 1 183

HSL 302.53, 0.99%, 0.38%

LAB 44.97, 77.82, -44.98

 

CMYK 22 / 99 / 0 / 25

HEX #9501BF

RGB 149 1 191

HSL 286.74, 0.99%, 0.38%

LAB 38.15, 72.7, -61.04

 

CMYK 49 / 99 / 0 / 25

HEX #6101BF

RGB 97 1 191

HSL 270.32, 0.99%, 0.38%

LAB 30.22, 66.99, -74.36

 

CMYK 76 / 99 / 0 / 25

HEX #2E01BF

RGB 46 1 191

HSL 254.21, 0.99%, 0.38%

LAB 24.84, 64.19, -83.45

 

CMYK 0 / 99 / 31 / 25

HEX #BF0184

RGB 191 1 132

HSL 318.63, 0.99%, 0.38%

LAB 42.41, 71.41, -18.31

 

CMYK 0 / 99 / 31 / 25

HEX #BF0184

RGB 191 1 132

HSL 318.63, 0.99%, 0.38%

LAB 42.41, 71.41, -18.31

 

CMYK 0 / 90 / 28 / 31

HEX #B0117E

RGB 176 17 126

HSL 318.87, 0.82%, 0.38%

LAB 39.81, 65.83, -18.84

 

CMYK 0 / 79 / 25 / 37

HEX #A02178

RGB 160 33 120

HSL 318.9, 0.66%, 0.38%

LAB 37.69, 57.97, -18.62

 

CMYK 0 / 67 / 21 / 44

HEX #903072

RGB 144 48 114

HSL 318.75, 0.5%, 0.38%

LAB 36.48, 47.54, -16.97

 

CMYK 0 / 50 / 16 / 49

HEX #81406C

RGB 129 64 108

HSL 319.38, 0.34%, 0.38%

LAB 36.77, 34, -12.96

 

CMYK 23 / 99 / 0 / 25

HEX #9301BF

RGB 147 1 191

HSL 286.11, 0.99%, 0.38%

LAB 37.82, 72.43, -61.6

 

CMYK 0 / 99 / 3 / 25

HEX #BF01B9

RGB 191 1 185

HSL 301.89, 0.99%, 0.38%

LAB 45.08, 78.1, -45.97

 

CMYK 0 / 99 / 30 / 25

HEX #BF0186

RGB 191 1 134

HSL 318, 0.99%, 0.38%

LAB 42.49, 71.63, -19.41

 

CMYK 0 / 99 / 56 / 25

HEX #BF0154

RGB 191 1 84

HSL 333.79, 0.99%, 0.38%

LAB 40.8, 67.2, 9.42

 

CMYK 0 / 99 / 83 / 25

HEX #BF0121

RGB 191 1 33

HSL 349.89, 0.99%, 0.38%

LAB 39.93, 64.86, 39.93

 

CMYK 0 / 99 / 32 / 57

HEX #6E014B

RGB 110 1 75

HSL 319.27, 0.98%, 0.22%

LAB 23.15, 47.7, -12.59

 

CMYK 0 / 99 / 31 / 41

HEX #970168

RGB 151 1 104

HSL 318.8, 0.99%, 0.3%

LAB 33.14, 60.03, -15.64

 

CMYK 0 / 99 / 31 / 25

HEX #BF0184

RGB 191 1 132

HSL 318.63, 0.99%, 0.38%

LAB 42.41, 71.41, -18.31

 

CMYK 0 / 99 / 31 / 9

HEX #E802A0

RGB 232 2 160

HSL 318.78, 0.98%, 0.46%

LAB 51.54, 82.47, -20.53

 

CMYK 0 / 91 / 29 / 1

HEX #FC17B4

RGB 252 23 180

HSL 318.86, 0.97%, 0.54%

LAB 56.69, 86.76, -24.05

 

CMYK 0 / 99 / 31 / 25

HEX #BE0283

RGB 190 2 131

HSL 318.83, 0.98%, 0.38%

LAB 42.2, 71, -18.03

 

CMYK 0 / 50 / 99 / 25

HEX #BF6001

RGB 191 96 1

HSL 30, 0.99%, 0.38%

LAB 51.2, 33.55, 59.57

 

CMYK 99 / 0 / 10 / 25

HEX #01BFAC

RGB 1 191 172

HSL 174, 0.99%, 0.38%

LAB 69.64, -44.21, -1.78

 

CMYK 0 / 99 / 31 / 25

HEX #BE0283

RGB 190 2 131

HSL 318.83, 0.98%, 0.38%

LAB 42.2, 71, -18.03

 

CMYK 30 / 0 / 99 / 25

HEX #86BF01

RGB 134 191 1

HSL 78, 0.99%, 0.38%

LAB 71.1, -40.89, 71.22

 

CMYK 99 / 30 / 0 / 25

HEX #0186BF

RGB 1 134 191

HSL 198, 0.99%, 0.38%

LAB 52.75, -9.52, -38.16

 

CMYK 0 / 99 / 31 / 25

HEX #BE0283

RGB 190 2 131

HSL 318.83, 0.98%, 0.38%

LAB 42.2, 71, -18.03

 

CMYK 0 / 50 / 99 / 25

HEX #BF6001

RGB 191 96 1

HSL 30, 0.99%, 0.38%

LAB 51.2, 33.55, 59.57

 

CMYK 99 / 0 / 70 / 25

HEX #01BF3A

RGB 1 191 58

HSL 138, 0.99%, 0.38%

LAB 67.71, -66.37, 53.39

 

CMYK 99 / 50 / 0 / 25

HEX #0160BF

RGB 1 96 191

HSL 210, 0.99%, 0.38%

LAB 41.43, 13.98, -56.22

 

CMYK 0 / 99 / 31 / 25

HEX #BE0283

RGB 190 2 131

HSL 318.83, 0.98%, 0.38%

LAB 42.2, 71, -18.03

 

CMYK 0 / 20 / 99 / 25

HEX #BF9901

RGB 191 153 1

HSL 48, 0.99%, 0.38%

LAB 64.85, 2.5, 68.59

 

CMYK 99 / 0 / 70 / 25

HEX #01BF3A

RGB 1 191 58

HSL 138, 0.99%, 0.38%

LAB 67.71, -66.37, 53.39

 

CMYK 99 / 80 / 0 / 25

HEX #0127BF

RGB 1 39 191

HSL 228, 0.99%, 0.38%

LAB 27.35, 50.3, -79.31

 

Description

Color code: HEX #BE0283 | qconv.com Color code: HEX #BE0283 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 2 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 2 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 31 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 31% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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