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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE0CCE it is the complementary color #41F331. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE0CCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE0CCE shade: #C30CC9, #D41EDC, #E530EF, #F642FF and #FF54FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE0CCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE0CCE shade: #BE0CCE, #AD00BB, #9C00A8, #8B0095 and #7A0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE0CCE shade: #BF0CCF, #CF0CAA, #CF0C76, #CF0C41 and #CF0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE0CCE shade: #BF0CCF, #8A0CCF, #550CCF, #210CCF and #0C0CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE0CCE shade matches the following richer shades: #BF0CCF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE0CCE shade: #BF0CCF, #B01DBD, #A12FAB, #92419A and #835388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE0CCE shade: #560CCF, #8A0CCF, #BE0CCF, #CF0CAB and #CF0C77

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE0CCE shade: #770781, #9B09A8, #BF0CCF, #DE13F1 and #E43AF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE0CCE shade: #BE0CCE, #CF220C and #0CCF70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE0CCE shade: #BE0CCE, #CFBE0C and #0CCFBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE0CCE shade: #BE0CCE, #CF220C, #1CCF0C and #0CB8CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE0CCE shade: #BE0CCE, #CF5D0C, #1CCF0C and #0C7DCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 94 / 0 / 19

HEX #BE0CCE

RGB 190 12 206

HSL 295.05, 0.89%, 0.43%

LAB 46.53, 80.12, -55.88

 

Complementary color

CMYK 73 / 0 / 80 / 5

HEX #41F331

RGB 65 243 49

HSL 115.05, 0.89%, 0.57%

LAB 84.71, -76.46, 73.41

 

CMYK 3 / 94 / 0 / 21

HEX #C30CC9

RGB 195 12 201

HSL 298.1, 0.89%, 0.42%

LAB 47.08, 80.15, -52.06

 

CMYK 4 / 86 / 0 / 14

HEX #D41EDC

RGB 212 30 220

HSL 297.47, 0.76%, 0.49%

LAB 51.94, 83.5, -55.02

 

CMYK 4 / 80 / 0 / 6

HEX #E530EF

RGB 229 48 239

HSL 296.86, 0.86%, 0.56%

LAB 57.08, 85.79, -57.36

 

CMYK 4 / 74 / 0 / 0

HEX #F642FF

RGB 246 66 255

HSL 297.14, 1%, 0.63%

LAB 62.26, 86.77, -57.82

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 8 / 94 / 0 / 19

HEX #BE0CCE

RGB 190 12 206

HSL 295.05, 0.89%, 0.43%

LAB 46.53, 80.12, -55.88

 

CMYK 7 / 100 / 0 / 27

HEX #AD00BB

RGB 173 0 187

HSL 295.51, 1%, 0.37%

LAB 41.96, 75.6, -52.33

 

CMYK 7 / 100 / 0 / 34

HEX #9C00A8

RGB 156 0 168

HSL 295.71, 1%, 0.33%

LAB 37.65, 69.94, -48.13

 

CMYK 7 / 100 / 0 / 42

HEX #8B0095

RGB 139 0 149

HSL 295.97, 1%, 0.29%

LAB 33.26, 64.16, -43.84

 

CMYK 6 / 100 / 0 / 49

HEX #7A0082

RGB 122 0 130

HSL 296.31, 1%, 0.25%

LAB 28.77, 58.24, -39.44

 

CMYK 8 / 94 / 0 / 19

HEX #BF0CCF

RGB 191 12 207

HSL 295.08, 0.89%, 0.43%

LAB 46.77, 80.44, -56.07

 

CMYK 0 / 94 / 18 / 19

HEX #CF0CAA

RGB 207 12 170

HSL 311.38, 0.89%, 0.43%

LAB 47.53, 77.99, -33.05

 

CMYK 0 / 94 / 43 / 19

HEX #CF0C76

RGB 207 12 118

HSL 327.38, 0.89%, 0.43%

LAB 45.41, 72.43, -4.83

 

CMYK 0 / 94 / 69 / 19

HEX #CF0C41

RGB 207 12 65

HSL 343.69, 0.89%, 0.43%

LAB 44.1, 68.88, 26.38

 

CMYK 0 / 94 / 94 / 19

HEX #CF0C0C

RGB 207 12 12

HSL 0, 0.89%, 0.43%

LAB 43.59, 67.44, 53.78

 

CMYK 8 / 94 / 0 / 19

HEX #BF0CCF

RGB 191 12 207

HSL 295.08, 0.89%, 0.43%

LAB 46.77, 80.44, -56.07

 

CMYK 33 / 94 / 0 / 19

HEX #8A0CCF

RGB 138 12 207

HSL 278.77, 0.89%, 0.43%

LAB 38.15, 73.02, -70.47

 

CMYK 59 / 94 / 0 / 19

HEX #550CCF

RGB 85 12 207

HSL 262.46, 0.89%, 0.43%

LAB 31.11, 67.97, -82.31

 

CMYK 84 / 94 / 0 / 19

HEX #210CCF

RGB 33 12 207

HSL 246.46, 0.89%, 0.43%

LAB 26.99, 65.66, -89.28

 

CMYK 94 / 94 / 0 / 19

HEX #0C0CCF

RGB 12 12 207

HSL 240, 0.89%, 0.43%

LAB 26.29, 65.33, -90.47

 

CMYK 8 / 94 / 0 / 19

HEX #BF0CCF

RGB 191 12 207

HSL 295.08, 0.89%, 0.43%

LAB 46.77, 80.44, -56.07

 

CMYK 8 / 94 / 0 / 19

HEX #BF0CCF

RGB 191 12 207

HSL 295.08, 0.89%, 0.43%

LAB 46.77, 80.44, -56.07

 

CMYK 7 / 85 / 0 / 26

HEX #B01DBD

RGB 176 29 189

HSL 295.13, 0.73%, 0.43%

LAB 43.92, 72.54, -50.32

 

CMYK 6 / 73 / 0 / 33

HEX #A12FAB

RGB 161 47 171

HSL 295.16, 0.57%, 0.43%

LAB 42.08, 61.54, -42.79

 

CMYK 5 / 58 / 0 / 40

HEX #92419A

RGB 146 65 154

HSL 294.61, 0.41%, 0.43%

LAB 41.57, 47.13, -33.57

 

CMYK 4 / 39 / 0 / 47

HEX #835388

RGB 131 83 136

HSL 294.34, 0.24%, 0.43%

LAB 42.44, 29.23, -21.49

 

CMYK 58 / 94 / 0 / 19

HEX #560CCF

RGB 86 12 207

HSL 262.77, 0.89%, 0.43%

LAB 31.22, 68.04, -82.12

 

CMYK 33 / 94 / 0 / 19

HEX #8A0CCF

RGB 138 12 207

HSL 278.77, 0.89%, 0.43%

LAB 38.15, 73.02, -70.47

 

CMYK 8 / 94 / 0 / 19

HEX #BE0CCF

RGB 190 12 207

HSL 294.77, 0.89%, 0.43%

LAB 46.6, 80.28, -56.35

 

CMYK 0 / 94 / 17 / 19

HEX #CF0CAB

RGB 207 12 171

HSL 311.08, 0.89%, 0.43%

LAB 47.58, 78.11, -33.56

 

CMYK 0 / 94 / 43 / 19

HEX #CF0C77

RGB 207 12 119

HSL 327.08, 0.89%, 0.43%

LAB 45.44, 72.52, -5.4

 

CMYK 8 / 95 / 0 / 49

HEX #770781

RGB 119 7 129

HSL 295.08, 0.9%, 0.27%

LAB 28.53, 56.38, -39.22

 

CMYK 8 / 95 / 0 / 34

HEX #9B09A8

RGB 155 9 168

HSL 295.09, 0.9%, 0.35%

LAB 37.83, 68.73, -47.86

 

CMYK 8 / 94 / 0 / 19

HEX #BF0CCF

RGB 191 12 207

HSL 295.08, 0.89%, 0.43%

LAB 46.77, 80.44, -56.07

 

CMYK 8 / 92 / 0 / 5

HEX #DE13F1

RGB 222 19 241

HSL 294.86, 0.89%, 0.51%

LAB 54.39, 89.81, -62.86

 

CMYK 6 / 76 / 0 / 5

HEX #E43AF3

RGB 228 58 243

HSL 295.14, 0.89%, 0.59%

LAB 58.03, 83.69, -58.09

 

CMYK 8 / 94 / 0 / 19

HEX #BE0CCE

RGB 190 12 206

HSL 295.05, 0.89%, 0.43%

LAB 46.53, 80.12, -55.88

 

CMYK 0 / 84 / 94 / 19

HEX #CF220C

RGB 207 34 12

HSL 6.77, 0.89%, 0.43%

LAB 44.85, 63.82, 54.5

 

CMYK 94 / 0 / 46 / 19

HEX #0CCF70

RGB 12 207 112

HSL 150.77, 0.89%, 0.43%

LAB 73.46, -63.61, 35.4

 

CMYK 8 / 94 / 0 / 19

HEX #BE0CCE

RGB 190 12 206

HSL 295.05, 0.89%, 0.43%

LAB 46.53, 80.12, -55.88

 

CMYK 0 / 8 / 94 / 19

HEX #CFBE0C

RGB 207 190 12

HSL 54.77, 0.89%, 0.43%

LAB 76.14, -9.75, 76.19

 

CMYK 94 / 0 / 8 / 19

HEX #0CCFBE

RGB 12 207 190

HSL 174.77, 0.89%, 0.43%

LAB 75.09, -45.67, -3.56

 

CMYK 8 / 94 / 0 / 19

HEX #BE0CCE

RGB 190 12 206

HSL 295.05, 0.89%, 0.43%

LAB 46.53, 80.12, -55.88

 

CMYK 0 / 84 / 94 / 19

HEX #CF220C

RGB 207 34 12

HSL 6.77, 0.89%, 0.43%

LAB 44.85, 63.82, 54.5

 

CMYK 86 / 0 / 94 / 19

HEX #1CCF0C

RGB 28 207 12

HSL 115.08, 0.89%, 0.43%

LAB 72.83, -71.93, 70.05

 

CMYK 94 / 11 / 0 / 19

HEX #0CB8CF

RGB 12 184 207

HSL 187.08, 0.89%, 0.43%

LAB 68.65, -30.01, -22.47

 

CMYK 8 / 94 / 0 / 19

HEX #BE0CCE

RGB 190 12 206

HSL 295.05, 0.89%, 0.43%

LAB 46.53, 80.12, -55.88

 

CMYK 0 / 55 / 94 / 19

HEX #CF5D0C

RGB 207 93 12

HSL 24.92, 0.89%, 0.43%

LAB 53.08, 41.58, 59.66

 

CMYK 86 / 0 / 94 / 19

HEX #1CCF0C

RGB 28 207 12

HSL 115.08, 0.89%, 0.43%

LAB 72.83, -71.93, 70.05

 

CMYK 94 / 40 / 0 / 19

HEX #0C7DCF

RGB 12 125 207

HSL 205.23, 0.89%, 0.43%

LAB 50.98, 2.35, -50.07

 

Description

Color code: HEX #BE0CCE | qconv.com Color code: HEX #BE0CCE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 12 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 12 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 94 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 94% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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