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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BE0EDC it is the complementary color #41F123. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BE0EDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BE0EDC shade: #C30ED7, #D420EA, #E532FD, #F644FF and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BE0EDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BE0EDC shade: #BE0EDC, #AD00C9, #9C00B6, #8B00A3 and #7A0090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BE0EDC shade: #BE0EDC, #DC0EC2, #DC0E8B, #DC0E53 and #DC0E1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BE0EDC shade: #BE0EDC, #860EDC, #4F0EDC, #170EDC and #0E0EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BE0EDC shade matches the following richer shades: #BE0EDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BE0EDC shade: #BE0EDC, #B121C9, #A334B6, #9647A3 and #885990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BE0EDC shade: #4F0EDC, #860EDC, #BD0EDC, #DC0EC4 and #DC0E8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BE0EDC shade: #7B098E, #9C0BB5, #BE0EDC, #D222F0 and #DA49F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BE0EDC shade: #BE0EDC, #DC180E and #0EDC6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BE0EDC shade: #BE0EDC, #DCBD0E and #0EDCBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BE0EDC shade: #BE0EDC, #DC180E, #2DDC0E and #0ED2DC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BE0EDC shade: #BE0EDC, #DC560E, #2DDC0E and #0E94DC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

Complementary color

CMYK 73 / 0 / 85 / 5

HEX #41F123

RGB 65 241 35

HSL 111.26, 0.88%, 0.54%

LAB 84.05, -76.51, 76.12

 

CMYK 9 / 93 / 0 / 16

HEX #C30ED7

RGB 195 14 215

HSL 294.03, 0.88%, 0.45%

LAB 48.04, 82.12, -58.6

 

CMYK 9 / 86 / 0 / 8

HEX #D420EA

RGB 212 32 234

HSL 293.47, 0.83%, 0.52%

LAB 52.92, 85.34, -61.38

 

CMYK 9 / 80 / 0 / 1

HEX #E532FD

RGB 229 50 253

HSL 292.91, 0.98%, 0.59%

LAB 58.07, 87.53, -63.58

 

CMYK 4 / 73 / 0 / 0

HEX #F644FF

RGB 246 68 255

HSL 297.11, 1%, 0.63%

LAB 62.46, 86.2, -57.5

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 14 / 100 / 0 / 21

HEX #AD00C9

RGB 173 0 201

HSL 291.64, 1%, 0.39%

LAB 42.92, 77.86, -58.97

 

CMYK 14 / 100 / 0 / 29

HEX #9C00B6

RGB 156 0 182

HSL 291.43, 1%, 0.36%

LAB 38.63, 72.23, -54.9

 

CMYK 15 / 100 / 0 / 36

HEX #8B00A3

RGB 139 0 163

HSL 291.17, 1%, 0.32%

LAB 34.26, 66.5, -50.75

 

CMYK 15 / 100 / 0 / 44

HEX #7A0090

RGB 122 0 144

HSL 290.83, 1%, 0.28%

LAB 29.79, 60.64, -46.52

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 0 / 94 / 12 / 14

HEX #DC0EC2

RGB 220 14 194

HSL 307.57, 0.88%, 0.46%

LAB 51.18, 83.27, -41.21

 

CMYK 0 / 94 / 37 / 14

HEX #DC0E8B

RGB 220 14 139

HSL 323.59, 0.88%, 0.46%

LAB 48.75, 76.98, -12.4

 

CMYK 0 / 94 / 62 / 14

HEX #DC0E53

RGB 220 14 83

HSL 339.9, 0.88%, 0.46%

LAB 47.18, 72.72, 19.74

 

CMYK 0 / 94 / 88 / 14

HEX #DC0E1B

RGB 220 14 27

HSL 356.21, 0.88%, 0.46%

LAB 46.46, 70.73, 51.03

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 39 / 94 / 0 / 14

HEX #860EDC

RGB 134 14 220

HSL 274.95, 0.88%, 0.46%

LAB 38.81, 74.9, -76.9

 

CMYK 64 / 94 / 0 / 14

HEX #4F0EDC

RGB 79 14 220

HSL 258.93, 0.88%, 0.46%

LAB 32.13, 70.33, -88.16

 

CMYK 90 / 94 / 0 / 14

HEX #170EDC

RGB 23 14 220

HSL 242.62, 0.88%, 0.46%

LAB 28.55, 68.4, -94.23

 

CMYK 94 / 94 / 0 / 14

HEX #0E0EDC

RGB 14 14 220

HSL 240, 0.88%, 0.46%

LAB 28.31, 68.29, -94.63

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 12 / 84 / 0 / 21

HEX #B121C9

RGB 177 33 201

HSL 291.43, 0.72%, 0.46%

LAB 45.15, 73.85, -55.32

 

CMYK 10 / 71 / 0 / 29

HEX #A334B6

RGB 163 52 182

HSL 291.23, 0.56%, 0.46%

LAB 43.68, 62.14, -46.71

 

CMYK 8 / 56 / 0 / 36

HEX #9647A3

RGB 150 71 163

HSL 291.52, 0.39%, 0.46%

LAB 43.7, 47.03, -35.55

 

CMYK 6 / 38 / 0 / 44

HEX #885990

RGB 136 89 144

HSL 291.27, 0.24%, 0.46%

LAB 44.79, 29.09, -22.64

 

CMYK 64 / 94 / 0 / 14

HEX #4F0EDC

RGB 79 14 220

HSL 258.93, 0.88%, 0.46%

LAB 32.13, 70.33, -88.16

 

CMYK 39 / 94 / 0 / 14

HEX #860EDC

RGB 134 14 220

HSL 274.95, 0.88%, 0.46%

LAB 38.81, 74.9, -76.9

 

CMYK 14 / 94 / 0 / 14

HEX #BD0EDC

RGB 189 14 220

HSL 290.97, 0.88%, 0.46%

LAB 47.37, 82.02, -62.59

 

CMYK 0 / 94 / 11 / 14

HEX #DC0EC4

RGB 220 14 196

HSL 306.99, 0.88%, 0.46%

LAB 51.28, 83.53, -42.21

 

CMYK 0 / 94 / 36 / 14

HEX #DC0E8D

RGB 220 14 141

HSL 323.01, 0.88%, 0.46%

LAB 48.83, 77.18, -13.49

 

CMYK 13 / 94 / 0 / 44

HEX #7B098E

RGB 123 9 142

HSL 291.43, 0.88%, 0.3%

LAB 30.3, 59.02, -44.45

 

CMYK 14 / 94 / 0 / 29

HEX #9C0BB5

RGB 156 11 181

HSL 291.18, 0.89%, 0.38%

LAB 38.97, 70.83, -53.75

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 13 / 86 / 0 / 6

HEX #D222F0

RGB 210 34 240

HSL 291.26, 0.87%, 0.54%

LAB 53.1, 85.63, -64.48

 

CMYK 10 / 70 / 0 / 5

HEX #DA49F3

RGB 218 73 243

HSL 291.18, 0.88%, 0.62%

LAB 58.17, 77.01, -57.95

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 0 / 89 / 94 / 14

HEX #DC180E

RGB 220 24 14

HSL 2.91, 0.88%, 0.46%

LAB 46.84, 69.26, 56.41

 

CMYK 94 / 0 / 52 / 14

HEX #0EDC6A

RGB 14 220 106

HSL 146.8, 0.88%, 0.46%

LAB 77.47, -68.72, 43.38

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 0 / 14 / 94 / 14

HEX #DCBD0E

RGB 220 189 14

HSL 50.97, 0.88%, 0.46%

LAB 77.07, -3.55, 77.17

 

CMYK 94 / 0 / 14 / 14

HEX #0EDCBD

RGB 14 220 189

HSL 170.97, 0.88%, 0.46%

LAB 79.01, -51.3, 2.72

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 0 / 89 / 94 / 14

HEX #DC180E

RGB 220 24 14

HSL 2.91, 0.88%, 0.46%

LAB 46.84, 69.26, 56.41

 

CMYK 80 / 0 / 94 / 14

HEX #2DDC0E

RGB 45 220 14

HSL 110.97, 0.88%, 0.46%

LAB 77.15, -73.81, 73.48

 

CMYK 94 / 5 / 0 / 14

HEX #0ED2DC

RGB 14 210 220

HSL 182.91, 0.88%, 0.46%

LAB 76.89, -38.15, -17.03

 

CMYK 14 / 94 / 0 / 14

HEX #BE0EDC

RGB 190 14 220

HSL 291.26, 0.88%, 0.46%

LAB 47.53, 82.17, -62.31

 

CMYK 0 / 61 / 94 / 14

HEX #DC560E

RGB 220 86 14

HSL 20.97, 0.88%, 0.46%

LAB 53.92, 49.75, 60.78

 

CMYK 80 / 0 / 94 / 14

HEX #2DDC0E

RGB 45 220 14

HSL 110.97, 0.88%, 0.46%

LAB 77.15, -73.81, 73.48

 

CMYK 94 / 33 / 0 / 14

HEX #0E94DC

RGB 14 148 220

HSL 200.97, 0.88%, 0.46%

LAB 58.45, -6.26, -45.52

 

Description

Color code: HEX #BE0EDC | qconv.com Color code: HEX #BE0EDC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 190 red, 14 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
190 14 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 94 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 94% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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